Academic literature on the topic 'Artistic decentralization'

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Journal articles on the topic "Artistic decentralization"

1

Tanzi, Dante. "Observations about Music and Decentralized Environments." Leonardo 34, no. 5 (2001): 431–36. http://dx.doi.org/10.1162/002409401753521557.

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This paper discusses temporal narratives and musical action, focusing on the decentralization trends in models, means, objects, knowledge and objectives of artistic creation on the Net. In a widespread cognitive environment, diachronic and spatial communication values have to be adapted. The development of linguistic flows, codified according to digital models, leads net users to interact in a different way. In a decentralized environment, many conditions for composing and listening to music may be subordinated to the conception of creative thought as a combination of recursive, connective, and systemic processes, which redefine not only the concept of musical object and sound space, but also that of music itself.
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Popovych, Yaroslava. "Directions of updating the cultural heritage of Roztochchia in the conditions of war." Bulletin of Lviv National Academy of Arts, no. 51 (October 10, 2023): 177–86. http://dx.doi.org/10.37131/2524-0943-2023-51-17.

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The relevance of cultural and educational activities to ensure the promotion of the Ukrainian Roztochchia region has been analyzed. In connection with the processes of decentralization, a number of problems arise with the passporting of objects of cultural heritage, innovations in document circulation, etc. Active military actions on the part of Russia lead to large‒scale destruction or complete destruction of the artistic heritage of certain regions of Ukraine. In the current conditions, measures for security, fixation, preservation and promotion will be of great importance in the cultural and artistic space both for a separate region and for the state as a whole. The need to capitalize the resources of cultural strategies has become especially acute during the 2022-2023 war, a time when the issue of heritage preservation is a priority at all levels of state formation. The opening of cross‒border road connections between Ukraine and Poland created favorable conditions for the development of tourism. This allows increasing tourist flows, especially from European countries to Lviv, and also requires the development of tourist infrastructure on both sides of the border: hotels, cafes, eco-stops, agro‒villages, etc. Cross‒border tourism has covered only the roadside (along the main transport arteries) part of the Roztochchia region, but the majority of artistic attractions, namely the heights of Roztochchia, remain outside the international tourist flows. The lack of land border crossings, information sources about tourist routes, insufficient provision and low standard of logistics services, especially from the Ukrainian side, lead to the leveling of cultural heritage and its promotion. International projects, competitions and grants will be important factors supporting the development of artistic processes in the region. High civic consciousness and the activity of cultural institutions will lead to significant positive changes in the issues of preservation and promotion of regional features, their identity and uniqueness.
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3

Krailiuk, Liubov. "Rivne Artistic Textile School : formation, evolution, personalities." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 127–39. http://dx.doi.org/10.37131/2524-0943-2019-39-08.

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Background. Since the 1960s Ukrainian artistic textile has been researched by S.Sydorovych, A.Zhuk, Ya.Zapasko, Z.Chehuseva, T.Pecheniuk, H.Kusko, Ye.Shymchuk, Z.Shulha, D.Bobiak, O.Yamborko, O.Nykorak, T.Lupii, O.Lukovska, O.Moisiuk studied regional features of folk weaving in history aspect. The fifth volume of The History of Ukrainian ornamental art published by M. T. Rylsky Institute of Art, Folklore Studies and Ethnology Institute of National Academy of Sciences of Ukraine is the important fundamental study where the researched issues are considered (2016). This volume presents the contribution of Rivne and Lviv artists Marta Tokar, Ivanna Tokar, Tetiana Lukashevych, and Olena Okhrymyk in general features. Separate aspects of Rivne artists’ creative work and school development are considered by A.Nikolaieva, N.Kosmolinska, O.Stashuk, I.Tokar etc. In modern times the complex research of Rivne art textile establishment and the issues of school development have not been presented that proves the importance of this paper. This study aims to outline social and cultural preconditions and features of Rivne Artistic Textile School establishment, give a short characteristic of its outstanding people creative work, and determine basic issues and ways of the development. The methodology is based on the complex approach including cultural, structural analysis and art study interpretation. This has provided the possibility using a system way to consider Rivne cloth art of the last decades as a complete art phenomenon. The scientific novelty concerns with regional characteristics of Rivne modern textile art. Results. Since last decades artistic textile having huge variety of its presentation has been becoming the field for new esthetic research and new point of view according to the surrounding on Rivne artistic map. This traditional ornamental branch is getting closer to pictorial art and in perfect manifestations it can even pretend to research modern social and human being conditions. The implementation and function of vocational art education were the important motivation to develop Rivne region artistic textile despite of weak institutional support especially in recent years. This paper studies beginnings and current issues of Rivne Cloth Art School becoming. New artistic senses are polished in the process of democratic competition through craftswomen creative ideas of different generations. This fact demonstrates the formation of Rivne Artistic Textile School. It is textile that is presented at international exhibitions among other kinds of arts including contribution of younger generation craftswomen. Simultaneously the author points out the issue of weak institutionalization of Ukrainian modern art on the local level. First of all it is revealed on the level of artifacts museification as the representation issue becomes the main one in the modern world. According to Rivne regional textile art the issue of centralized accumulation absence of modern works kept in artists’ studios is the most important one. This makes art utterances function more complicated for its research and interpretation. Artistic textile vocational school cooperation with Rivne Linen Factory (that existed till the 1990s) has interesting potential possibilities under the conditions of factors appearance that would let reanimate it or develop a new one. The author states that it can be the development of flax culture in Ukraine, expanding of enterprise ranges and other strategic structural initiatives. Conclusions. Rivne Artistic Textile School became the original branch of Lviv Arts and Crafts School. Focusing on regional folk weaving traditions Rivne modern craftswomen developed a new and unique artistic phenomenon characterized by the variety of its expressions in the semantic content and shape-created aspect. Rivne art-space analysis through the decentralization of artistic processes demonstrates that the leading role definitely belongs to art fabric in this process. Moreover this trend is powerful enough and artistic textile is a counterweight factor to the traditional painting centrism of Ukrainian art (including art-market). The next stage of the research aims to highlight imaginary system of separate art personalities. The study can be interpreted in such interdisciplinary aspects as cultural analysis, methodological points etc.
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4

Naidysh, Vyacheslav M. "Hellenic Theology of Early Classical Period." RUDN Journal of Philosophy 24, no. 4 (2020): 669–80. http://dx.doi.org/10.22363/2313-2302-2020-24-4-669-680.

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The author analyzes the transformations of Hellenic theologys content and forms in the epoch of early antique classics (1st half of the 5th century B.C.). The general orientation of such transformations is the generalization of mythological gods meanings into the abstract implications of the Absolute, which is not yet sacral in its full sense and not transcendent. Besides, this period is the end of the decentralization of consciousness. Cognitive limitations to the development of abstract conceptual thinking and the rational component of consciousness are removed. This processs main points transform mythology into artistic and aesthetic creativity (folklore, mythopoetic epic, etc.), religious consciousness, and theology. Rationalism is always critical. Critical rationalism inevitably leads to historicism. Therefore, the formation of a historical attitude strengthens at the sight of the critical approach. The world's mythological image is increasingly being questioned (first in parts, and then in general). Its content is being transferred to the past. Finally, the era of early classicism comes into play. It is a time when theology becomes a field of philosophical and theoretical reflection on myth and an area of its artistic and aesthetic experience. The most influential form of such an understanding of myth was the theater. The ancient theater served as a spiritual and practical form of ancient theology, a subject embodiment of theology in stage action.
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5

Shatilov, Vadim Vadimovich. "The impact of globalization on the art market and national art cultures." Философия и культура, no. 8 (August 2023): 36–45. http://dx.doi.org/10.7256/2454-0757.2023.8.43782.

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The object of the study is the process of globalization, the subject of the study is its impact on the structure of the art market and national artistic cultures. Based on the idea of a dialogical cultural model, which was adhered to by V. Bybler and M. Bakhtin, the author justifies the use of the term "dialogue of cultures" to characterize the processes taking place in the space of the modern art market. Special attention in the study is paid to the analysis of its structural transformations: according to the author, inclusivity, which primarily consists in the decentralization of the internal structure of the art market, is a key characteristic that allows to periodize its development into classical and modern stages. A special contribution of the author of the study is an in-depth analysis of exhibition projects: "Magicians of the Earth" by J.-Y. Martin, as well as "Cities in Motion" by H.-W. Obrist and H. Hanru. It is established how these projects aroused the interest of Western collectors in the exotic and changed the share of representation in the art market of non-European art. The main conclusion is that the process of globalization of the art market acutely poses the problem of deformation of the perception of cultural heritage: the appeal of the Western world to traditional cultures in the forms of cultural and art tourism leads to fragmentation and differentiation of once integral national artistic cultures.
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6

Zhuchinsky, Alexander. "Financial and economic results of the country club activities and their place in the system of controlling." University Economic Bulletin, no. 44 (February 12, 2020): 35–41. http://dx.doi.org/10.31470/2306-546x-2020-44-35-41.

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The subject of the research is theoretical and practical aspects of determining the financial and economic results of the activity of cultural and artistic institution. The purpose of the work is to determine the financial and economic results of the activities of cultural and artistic institution and to establish their positive dynamics due to the introduction of controlling tools in the systematic management of its development. The methodological basis of the article was both general scientific and special methods of scientific knowledge. The following methods were used: monographic; economic comparisons; statistical and economic, incl. formal and factor analysis; economic and mathematical; balance; graphic. Results of work. In the process of controlling in the system of activity of cultural and artistic institutions in the countryside and managing their development, financial and economic indicators and economic results occupy an important place. This is confirmed by the example of a rural house of culture. On the one hand, high and sustainable financial and economic results of its operation are important consequences of implementation, a kind of indicators of controlling efficiency. On the other hand, they are the financial basis for its further development and improvement. This is especially valuable in the context of decentralization of power, administrative-territorial reform, changing budgeting priorities for rural cultural institutions. The field of application of results. The conclusions and results of the article can be used in the educational process of economic faculties of higher educational establishments. They should be transferred for practical use in the management of socio-cultural enterprises. Conclusions. Factor analysis is important for enhancing the financial and economic performance of a rural club as a cultural and artistic institution. Economic factor analysis refers to the gradual transition from the initial factor system (performance indicator) to the final factor system, the disclosure of a complete set of direct quantitative factors that influence the change in the effective indicator. Their choice for the analysis of a particular indicator is made on the basis of financial and economic analysis of external factors. In this case, they usually proceed from the principle: the larger the set of factors under study, the more accurate the results of the analysis will be. Factor analysis can be done through questionnaires and be an important component of the controlling system.
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7

Nika, Ermir. "The Transition of Albanian Art and Culture Facing the Future Challenges." Polis 18, no. 1 (2019): 129–46. http://dx.doi.org/10.58944/ivzr1498.

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After the end of the communist regime in Albania, culture and its institutions were the areas which had to suffer the most extreme damages and transformations. It was not only the way of thinking for a new way of managing, but its infrastructure as a whole, on a regular basis has suffered from considerable damages. In a different point of view, there was also a further considerable departure of individuals and the artistic community with the phenomenon of emigration. In these conditions, the first step that was taken was the drafting and implementation of legislation through which cultural and artistic institutions could operate, as well as free private initiatives. Firstly was first introduced the concept and were taken steps for drafting an intellectual property legislation, the law on cinematography, theater, cultural heritage, libraries and the book, in accordance with the recommendations of the expert representatives of the European Union authorities. Further, the first efforts were made by setting up working groups to draft the first strategic drafts on art and culture as well as medium and long-term budget projections. Consequently, the first effects of a cultural policy aimed at implementing a new administrative-legal platform were felt. This policy would firstly respect the principles of decentralization and secondly the cooperation with the homologous structures of the countries of the Balkan region and further with those of Europe and beyond. The various phases of the reform did not always brought the expected expectations with the projected objectives. As a result, the transition to art and culture institutions lasted somewhat longer than in different sectors of Albania’s socio-political development.
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8

Lobodovskaya, Irina. "Creative achievements of Hryhoriy Dozhenka as Ukrainian artistic heritage of the twentieth century." Scientific Visnyk V. O. Sukhomlynskyi Mykolaiv National University. Historical Sciences 48, no. 2 (2019): 27–30. http://dx.doi.org/10.33310/2519-2809-2019-48-2-27-30.

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This article is about the artistic legacy of the famous monumental artist Grigory Avksentievich Dovzhenko, who lived and worked in the difficult and contradictory times of Ukrainian history and yet managed to preserve the identity of our culture in his works, perpetuate its signs in paintings, murals, mosaics, «Stone embroidered shirts». Studying local history, preserving cultural heritage sites, popularizing the historical past contributes to the formation of national and local identities, and gives impetus to the development of local communities. It is the community, its past, its distinctive identity, that is becoming the determining factor today, especially in the light of the processes of decentralization and preservation of the memory of generations. Life fate and creative heritage of G. Dovzhenko, a famous Ukrainian monumental artist, who devoted almost six decades to art. Each of his thoughts, every sketch, drawing, portrait, panel, still life is a continuation of eternal life, preservation of family memory. His creative heritage enriches today's and future generations. It must be remembered that the culture of every nation belongs to humanity, and our holy duty is to honor our cultural lights, be proud of them and popularize them, otherwise our awareness of ourselves as a nation will be impossible. Also during this period G. Dovzhenko addresses the topics of the national past. This is how the mosaic and fresco images of the times of Kievan Rus and Khmelnytskyi appear. Among the works of these years, the mosaic composition «Kiy, Schek, Choriv and their sister Lybid» is distinguished on the facade of the cinema «Rovesnik» in Kiev (1971), in which the artist managed to show the opto-color possibilities of smalt - the favorite material of ancient Ukrainian masters. G. Dovzhenko also portrays still lifes - bouquets of flowers in jugs, bread, fruits. But most often he paints flowering or covered with abundant fruit tree branches. These peculiar fragments of natural motifs are depicted by harmonious patterns on the canvas. G. Dovzhenko's artistic look reveals the organization of the subject world. The artist is constantly studying the laws and interconnections of natural forms. Hundreds of sketches of flowers and plants are of value to the attentive and skillful reproduction of form and color, the identification of logical structural conditionality of the structure, they are extremely interesting and further stylization, processing into decorative elements. This is a rare case in the practice of contemporary artists, when the artist does not use secondary material, but seeks to find and understand the laws of rhythm and symmetry, color plastics and structure. G. Dovzhenko in his work sought to embody a sense of gratitude for life. The artist was constantly experimenting, looking for different solutions of mosaic panels, based on the use of the best ancient traditions.
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9

Poltevskaya, Kseniya E. "From Classical Drama to “New Drama”: Plot Poetics in the Plays ‟Redemption” by I. N. Potapenko, “The Work of Life” by N. I. Timkovsky ‟The Question” by A. S. Suvorin and ‟The Cherry Orchard” by A. P. Chekhov." World of Russian-speaking countries 1, no. 11 (2022): 82–97. http://dx.doi.org/10.20323/2658-7866-2022-1-11-82-97.

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The Article is a part of a broad historical and literary problem of ‟Chekhov and his literary environment”. The paper under discussion is devoted to a comparative study of dramaturgical methods used by playwrights of the turn of the XIX‒XX centuries and the determination of the vector of the writers’ artistic search. The research subject is the system of structural and typological features such an element of dramaturgical methods as plot in the plays ‟The Cherry Orchard” by A. P. Chekhov, ‟Redemption” by I. N. Potapenko, “The Work of Life” by N. I. Timkovsky and ‟The Question” by A. S. Suvorin, the methods affiliation with a certain type of dramaturgical system (classical and ‟new drama”). The aim of the investigation is analysis of the features of the structure of the plot in selected plays, comparing them with the principles of classical drama and ‟new drama”, and comparing the findings among themselves. The main method used in the paper is the method of structural and typological comparison. The ideological and thematic unity of the plays, the interconnection of some motives, plot elements are revealed. It is proved that of all the plays considered, only the plot of Suvorin’s play ‟The Question” corresponds to the principles of classical drama, while elements of decentralization are already observed in it due to a certain independence of the secondary plot lines. The plot models of the plays ‟The Atonement” by Potapenko and ‟The Work of Life” by Timkovsky occupy an intermediate position between the classical and the ‟new drama”. In both plays, an ‟inner plot” appears. Unlike the aforementioned playwrights, Chekhov's plot model is fundamentally different from classical drama. The main principle of the organization of the plot of ‟The Cherry Orchard” is the decentralization of plot lines. The most important is the internal plot: a person in the flow of time. In addition, all the plays are united by an invariant plot reflecting the Russian reality of that time, connected with the fate of the noble estate mortgaged for debts.
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10

Kucher, Svitlana. "Pedagogical Conditions of Continuous Design-Training of Future Technology Teachers." Ukrainian Journal of Educational Studies and Information Technology 6, no. 1 (2018): 12–22. http://dx.doi.org/10.32919/uesit.2018.01.02.

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The urgency of the scientific and pedagogical development of the pedagogical conditions of continuous students' design-training is connected with the necessity of formulating methodical features of the use of new forms and methods of teaching and control in the conditions of higher pedagogical education; systematization, streamlining and standardization of the process of independent design training of students; introduction of the principle of decentralization, democratization in the educational process management system. Based on the analysis of the research and experience of preparing the future teacher of technology, we have identified a number of conditions for continuous design training, among which the most important are the following: monitoring and correction of the level of readiness of future technology teachers to design and technological activities; technology of pedagogical assistance to the organization of continuous design training of students, based on the integration of design and rating technologies with the use of elements of personality development and innovative teaching methods; the formation of conscious self-regulation by students of their own educational and professional activities on the basis of unity of personal, artistic and technological components.
 Prospects for further exploration are the development of a model of a system of continuous design-training, which will take into account certain pedagogical conditions for the effectiveness of the organization of design training for future technology teachers in institutions of higher pedagogical education.
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