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Journal articles on the topic 'Artistic formats'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Dobovšek, Zala. "Formats and Potentials of Local Small Arts (Kleinkunst)." Amfiteater 10, no. 2 (2022): 138–39. http://dx.doi.org/10.51937/amfiteater-2022-2/138-139.

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The article focuses on the phenomena, developments and potentials of small arts (Kleinkunst) in the Slovenian space. Small arts are a form of artistic response that, through diverse performance genres – such as cabaret, new burlesque, improvisational theatre, stand-up, interventions in public space, contemporary circus, drag, queer and LGBTQI+ stage events – provides a social commentary on the existing traditionalist, heteronormative, patriarchal and capitalist society. The article elaborates the term small arts and its artistic and social elements and tries to identify it concretely in the lo

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Soreanu, Cătălin, and Lavinia German. "5. From an Exhibition Gallery to a Space for Contemporary Art Projects. Aparte Gallery of Unage Iași." Review of Artistic Education 1, no. 24 (2022): 204–14. http://dx.doi.org/10.2478/rae-2022-0025.

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Abstract This research aims to analyze the exhibitions activity of the Aparte Gallery of “George Enescu” National University of the Arts in Iași, from 2005 to 2020, respectively artistic projects created by students, teachers or guest artists of the Faculty of Visual Arts and Design. The multitude of artistic events formats includes exhibitions, workshops, conferences, book launches, residencies, bachelor and dissertation exams, and highlights the versatility of the gallery that has evolved, over time, into a real space of contemporary artistic projects, which encourages the artistic research

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Shahmohammadi, Nayereh. "Examining the Degree of Conformity of media formats and artistic aspects of Roshd Nojavan Magazine with the Needs of Students." Journal of Adolescent and Youth Psychological Studies 4, no. 2 (2023): 63–73. http://dx.doi.org/10.61838/kman.jayps.4.2.8.

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Background and Aim: This research aimed to investigate the degree of adaptation of media formats and artistic aspects of Roshd Nojavan magazine to the media needs and interests of first-year high school students. Methods: This study is exploratory research in which a qualitative method (content analysis) and a survey (survey of students) were used. The sample in the qualitative part included nine issues of Roshd Nojavan Magazine published during the three years of 2020, 2021, and 2022, and the quantitative was 708 high school students. The research tools were content Checklist forms and semi-s

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Schultz, Laura Luise. "Whole Body Treatment." Peripeti 13, no. 25 (2021): 50–52. http://dx.doi.org/10.7146/peri.v13i25.109575.

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A performance essay with stage directions. An artistic reflection on working with the performance series Whole Body Treatment version 1 - 4. The performance explores new formats like theater on the body, the series, the 1:1 performance. The performance essay reflects on the different experiences with these new formats.

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Dockerty, Kelly. "Using video as a form of artistic communication: preparing for undergraduate assessment in Initial Teacher Education (ITE)." Research on Education and Media 12, no. 1 (2020): 22–33. http://dx.doi.org/10.2478/rem-2020-0004.

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Abstract In a fast-evolving Higher Education (HE) landscape amid the COVID-19 pandemic, the need for a Lecturer in Education to be dynamic and innovative with assessment pedagogy is no longer a desired skill but mandatory. In response to the demand from students as consumers and other key stakeholders, our innovative and somewhat artistic license in the learning context. At the student-facing edge of HE, Lecturers react to the ever-changing landscape with dynamism to positively impact the student experience. These continued efforts to provide the best student experience, enables HE institution

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Karas, Hanna. "USE OF INTERDISCIPLINARITY AS AN INNOVATIVE APPROACH IN THE EDUCATIONAL PROCESS OF ART INSTITUTIONS OF HIGHER EDUCATION." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 18–22. http://dx.doi.org/10.36550/2415-7988-2021-1-195-18-22.

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The article is devoted to the use of interdisciplinarity as an innovative approach in the educational process of art institutions of higher education on the example of studying the discipline «Evolution of artistic styles in art» included in educational master's programs. This discipline is based on the theory and practice of professional development of a teacher-musician, who provides the Master of Arts education process, shapes their professional development necessary for their future musical and pedagogical creativity, skills, and pedagogical culture. The content of the discipline consists

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Lavrennikova, Dasha. "Haptic Thinking and Experience through Collective Artistic Research." POIÉSIS 20, no. 34 (2019): 159. http://dx.doi.org/10.22409/poiesis.v20i34.38294.

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This article offers a theoretical reflection and practical proposals from the HeterotRópico artistic laboratory, a nomadic laboratory - where we are investigating dance, performance, physical theater, in conjunction with other diverse social technologies. They bring tools to activate collective practices developed within open creative processes. We will focus on the seminar lab I have proposed at the Masters in Arts Practice and Visual Culture 2018-2019 in Madrid, bringing together an intercultural group of artists and thinkers of around practices of trans-disciplinary arts. Artistic laborator

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Yankovskiy, Alexander N. "Riddle as a Structural Element of the Quest Genre." Journal of Flm Arts and Film Studies 10, no. 4 (2018): 78–88. http://dx.doi.org/10.17816/vgik10478-88.

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One of the most sought after forms of contemporary mass culture is the quest, represented in various formats from video games, to cinema, to city tours, to especially equipped game spaces. What is the secret the popularity of this format whose roots can be found in archaic myths and rituals? The article establishes the interconnection between the quest with literature, cinema, video games and reality shows. The phenomenon of the riddle in the context of real virtuality has never been explored in terms of cultural studies, modern artistic game forms are just beginning to be interpreted in the a

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Cámara Toldos, Pedro Pablo, and Inés María Monreal Guerrero. "Saxophone +, beyond a stage concert format." INSAM Journal of Contemporary Music, Art and Technology, no. 14 (July 20, 2025): 9–27. https://doi.org/10.51191/issn.2637-1898.2025.8.14.9.

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The boundaries of classical music have long been blurred, with numerous artists redefining the concert as a multidisciplinary experience that integrates various arts and technologies. The research detailed in this paper explores the transformation of the traditional concert format, positioning the performer as a multifaceted artist who assumes roles beyond interpretation, such as stage direction or musical acting, expanding the expressive possibilities of musical performance. Through artistic research, this study conceives the concert as a dramaturgical space where different art forms converge

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Shirokostup, Olga. "Between River Low and Mountain High. Artistic Research and What Characterizes It." Philosophical Literary Journal Logos 34, no. 1 (2024): 63–74. http://dx.doi.org/10.17323/0869-5377-2024-1-63-74.

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This article presents an overview of the origin of the concept of “artistic research” and the discussions around it that unfolded in the artistic and academic environment. Artistic research emerged within the framework of the academy, but at the same time, as many critics emphasize with whom the author of the article agrees, it should not be colonized by it. The article examines the models of conducting artistic research with reference to the Mika Hannula’s, Juha Suoranta’s and Tere Vadén’s Artistic Research Methodology and identifies general patterns that characterize this practice in all its

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Rozdovan, Liuba, and Svetlana Tirtau. "The reorganization of theaters and festivals during the pandemic crisis." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 94–99. http://dx.doi.org/10.55383/amtap.2022.2.16.

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The current pandemic and its restrictions, such as the delaying or canceling of cultural events, self-quarantining and limited access to public spaces, have determined the cultural industry, including theaters, to develop new ways and formats in order to function. These changes have been necessary to maintain a specific level of culture consumption. People active in the artistic field, festival organizers and theaters have faced many challenges, the greatest of them being the perpetuation of the creative act, maintaining contact with the public, as well as distributing the artistic products in

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Laister, Judith. "Learning from Greverus." Anthropological Journal of European Cultures 27, no. 1 (2018): 7–12. http://dx.doi.org/10.3167/ajec.2018.270103.

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The emergence of modern scientific thought has been characterised by a separation from the realm of art. Among others, German anthropologist Ina-Maria Greverus since the 1970s, in the context of the worldwide critique of the discipline’s formats, pioneered new approaches to articulate anthropological work and findings with and through artistic practices.

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Szymajda, Joanna, and Anton Ovchinnikov. "Dancing the New Realities: The Beauty and a Beast of the War." Pamiętnik Teatralny 73, no. 1 (2024): 15–39. http://dx.doi.org/10.36744/pt.2369.

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This essay is a record of the experience of the ongoing war in Ukraine, presented from the perspective of the contemporary dance artist Anton Ovchinnikov. Captured almost in statu nascendi, his moral dilemmas and difficult choices—personal and artistic—constitute a kind of a war diary, a record of a moment in history. The author also asks important questions about artistic responsibility, whose relevance resounds ever more strongly in the face of the continuing conflict. Joanna Szymajda’s introduction offers a historical panorama of artistic phenomena and attitudes in response to the state of

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Мехман Алієв, Орхан. "ESCALATION OF STUDY AND RESEARCH OF YOUNG SOLDIERS ASSIGNED TO MILITARY UNITS." Молодий вчений, no. 3 (115) (March 31, 2023): 28–32. http://dx.doi.org/10.32839/2304-5809/2023-3-115-5.

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In the article, various problematic issues from the point of view of research and study of young soldiers assigned to units were considered on four important formats (immoral qualities, the existence of an incompleteness complex, Internet and other addictions, specific features of the military structure), a literary-artistic and scientific approach, including comparison background analysis is given. In our age, the development of military science against the background of a unified association with other fields of science, in parallel, forms the context of the meaning of necessity by organizin

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Mellēna-Bartkeviča, Lauma. "CONTEMPORARY MUSIC(AL) THEATRE IN LATVIA: PROBLEM OF DEFINITIONS AND FORMATS." Culture Crossroads 21 (December 28, 2022): 44–55. http://dx.doi.org/10.55877/cc.vol21.270.

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The article aims to discuss the existing problem in contemporary art criticism, when previous genre definitions and descriptions do not match to current phenomena in question. The contemporary music(al) theatre productions tend to by diverse and often produced as hybrids, interdisciplinary projects that do not allow a single method of analysis characteristic to one of the combined artistic disciplines. The three examples provided are defined by their authors as a contemporary chamber opera, a contemporary musical and opera-film, showing the diversity of music(al) theatre genres emerging today

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Soreanu, Cătălin. "New Media Art: Aligning Artistic Creativity And Technological Media." Review of Artistic Education 22, no. 1 (2021): 206–16. http://dx.doi.org/10.2478/rae-2021-0026.

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Abstract This article investigates the relationship between art and technology, pointing the constants of a process of cultural digestion which is mediated by the very sovereign technological environment – the Internet. Relying on the multiplicity and hybridization of the content formats, and also on the user involved interactivity as constructive vector-relationships, new media art and the internet art are natural consequences of the artistic practices of creative appropriation of contemporary technological media. As the complexity of the relationship between art and the technological environ

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Soreanu, Catalin. "New media art: aligning artistic creativity and technological media." Review of Artistic Education, no. 22 (June 1, 2021): 206–16. https://doi.org/10.2478/rae-2021-0026.

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This article investigates the relationship between art and technology, pointing the constants of a process of cultural digestion which is mediated by the very sovereign technological environment-the Internet. Relying on the multiplicity and hybridization of the content formats, and also on the user involved interactivity as constructive vector-relationships, new media art and the internet art are natural consequences of the artistic practices of creative appropriation of contemporary technological media. As the complexity of the relationship between art and the technological environment become

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Tahlina, Yuliia, and Nataliia Ivanova. "ARTISTIC RESIDENCIES IN CONTEXT: CULTURAL DYNAMICS." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 68 (December 3, 2023): 13–24. https://doi.org/10.26565/2306-6687-2023-68-02.

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This paper explores the multifaceted nature and evolving roles of artist residencies, emphasizing their significance in fostering creative development and social engagement. Over the past two decades, artist residencies have diversified, offering a variety of formats, from rural retreats to urban institutional residencies. These programs provide artists withdedicated time and space, away from their usual environments, enabling deeper creative engagement and innovation. The research underscores the increasing emphasis on community involvement and social activism within residencies, highlighting

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Lytvynenko, A. I. "CHARACTERISTICS OF THE FORMATS OF CULTURAL AND ARTISTIC PROGRAMS ON UKRAINIAN TELEVISION: HISTORICAL PROGRESS AND PROSPECTS." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism" 2, no. 2 (2025): 233–40. https://doi.org/10.32782/2710-4656/2025.2.2/34.

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Ajadi, Michael Olaniyi. "Identification and Stylistic Analysis of the Artistic Expression on Opa, Yoruba Sculptural Verges." Yoruba Studies Review 8, no. 1 (2023): 163–82. http://dx.doi.org/10.32473/ysr.8.1.134092.

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Opa is an emblematic Yoruba sculptural verge and preserved transcendence expressional art amongst the social group in order to describe hierarchical structure in ranking chiefs, religious cults’ priests/priestesses and aged right. Significantly, time-scale conscious and in-depth exploration of the hierarchical motifs on diverse verges and artistic formats of integrated motifs have not been considered using deco-hierarchical structures analysis. The visual artistic expression of verges sculptural forms demands contextual exploration to give meaningful time-scale oriented written reports that co

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Fadeenko, O., and N. Buravleva. "Development of the subjective position of a modern teenager through the integration of multimedia technologies and theatrical creativity." Journal of Pedagogical Studies 9, no. 6 (2024): 33–38. https://doi.org/10.12737/2500-3305-2025-9-6-33-38.

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The article presents the experience of forming the subjective position of modern teenagers using new hybrid educational formats, which formed the basis for the experimental activities of the authors within the framework of the innovation platform of the federal state budgetary cultural institution “All-Russian Center for the Development of Artistic Creativity and Humanitarian Technologies”. Based on an analysis of the characteristic features of the modern sociocultural environment of children growing up, the authors present the integration of multimedia technologies and theatrical creativity a

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Burešová, Lenka. "Innovation in gallery education: Art experimental workshops in the Moravian Gallery." Tudásmenedzsment 24, no. 2. különszám (2023): 175–89. http://dx.doi.org/10.15170/tm.2023.24.k2.17.

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The framework of this paper describes my own experience as an independent gallery educator in a museum institution, implementing a "classic educational format" focusing on experiential teaching activities for schools, practical teaching activities for the public in order to develop a "new educational format" for teaching within a gallery space. These formats of a gallery educational activities were tested in the Moravian Gallery in Brno, Czech Republic and a series of free-time artistic and experimental workshops called ARTS'UP_ ART ON EX were created and open to the public. The gallery

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Rusinova, E. A. "Interrelationship between Multichannel Sound Formats and the “Embodiment” in Cinema." Vestnik VGIK 16, no. 4(62) (2024): 113–25. https://doi.org/10.69975/2074-0832-2024-62-4-113-125.

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The article investigates the connection between the use of multichannel sound formats and the development of film theory: in particular, the ability of surround sound to “immerse” the viewer in the narrative universe, evoking proprioceptive sensations with sound which gives a new impetus to the theory of “embodiment” developing in the paradigm of phenomenological aesthetics. New sound films not only put the viewer into a new acoustic environment, but also create parallel universes represented by sound and identified by the viewer as “material”, capable of not only causing a reaction, but also

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Kühn, Micaela. "From Two to One – An Exploration into the Integration of Artistic and Pedagogical Practices." Nordic Journal of Dance 7, no. 2 (2016): 34–41. http://dx.doi.org/10.2478/njd-2016-0013.

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Abstract This article concerns the first part of my final research project at the Danish National School of Performing Arts for a postgraduate diploma in Danseformidling/Dance Partnership undertaken in the first term of 2016. It is an inquiry into the relationship between artistic and pedagogical practices in the context of dance education, initially aiming at their integration by looking for a common denominator. Proposing a loop structure as a methodological and practical framework, I reflect on the research inquiry ‘How can artistic and pedagogical practices integrate in the context of danc

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Abd Abtan, Adel, and Mohammed Al Kinani. "Expressive Topics in Plastic Art Achievement A comparative study between Gustav Klimt and Star Kauusch." Al-Academy, no. 108 (June 14, 2023): 145–60. http://dx.doi.org/10.35560/jcofarts108/145-160.

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Schools and artistic trends derive their themes from artistic styles and styles as methods followed by the artist to express his themes embodied in the values of artistic and plastic elements as symbols and signs that can be described according to the type of art school and the extent to which the artist is influenced in employing them as a goal to achieve the plastic achievement in the painting, and from those vocabulary (human beings nature Life) as encoded messages that have an appearance and an interior, the appearance of which are forms, colors, formats and distributions of space and thei

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Tkach, Marlia, Alla Kozyr, Mykhailo Mymryk, Nadiia Holubytska, and Iryna Khomych. "Effectiveness of Multimodal Communicative Practices in Higher Artistic Education: An Analysis of Contemporary Approaches." Journal of Educational Technology Development and Exchange 18, no. 1 (2025): 235–55. https://doi.org/10.18785/jetde.1801.13.

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The relevance of the study is driven by the fact that in today’s world, higher education is increasingly oriented towards interactivity and the utilization of various resources. The aim of this article is to explore various aspects of multimodality and formulate key communicative practices in higher artistic education. Addressing the stated problem is based on theoretical methodology, including methods such as surveys, analytical approaches including historical and hermeneutic analysis, comparative methods, and systematization. Research findings demonstrate that multimodality effectively enric

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Almeida, Inês, Carlos Cardoso Ferreira, and Luís Silveira. "Creative tourism and residents: interactions in the context of artistic residencies in the Center region of Portugal." Investigaciones Turísticas, no. 29 (January 9, 2025): 57–80. https://doi.org/10.14198/inturi.25478.

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In approximately twenty years of research on creative tourism, the relevance of including residents in the creative tourism experience has been mentioned but not investigated in depth. This paper seeks to identify forms of resident integration in creative tourism contexts through a semi-systematic literature review and to determine how this inclusion is explored in local accommodation units with artist residencies in the Central region of Portugal. Following a qualitative case-study-based approach, semi-structured interviews were conducted with representatives of three accommodation units. The

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Kovalchuk, Olena. "Ukrainian Scenography at the Beginning of the 21st Century: Algorithms of Existence—Essential Meanings." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(1) (April 22, 2024): 124–32. http://dx.doi.org/10.31500/1992-5514.20(1).2024.306921.

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The article identifies the main trends in the development of Ukrainian scenography of the beginning of the 21st century, which are implemented by th artists of the national theatre in the complex reality and historical contexts. The author analyses aspects of psychological reformatting of Ukrainian scenography, the artists’ creative guidelines reevaluation under the influence of war and their ability to fully implement their ideas in the formats of theatrical performances, in the space of exhibition projects, installation performance practices formats, in easel works and teaching. The paper st

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IVANOVA, OLENA, ASMATI CHIBALASHVILI, POLINA KHARCHENKO, OKSANA SAPIHA, and KATERYNA POLIANSKA. "ART FESTIVALS IN THE CONTEXT OF THE COVID-19 PANDEMIC: THE SEARCH FOR NEW FORMATS." AD ALTA: Journal of Interdisciplinary Research 13, no. 2 (2023): 31–36. http://dx.doi.org/10.33543/j.130235.3136.

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The article analyzes the features of organizing and holding art festivals under the restrictions associated with the COVID-19 pandemic that are relevant to the present. The significant role of digitalization and virtualization of works of art in the above processes is revealed. External challenges stimulated the search for new forms of organizing artistic events, as happened, for example, with The Virtual Collaborative Series, which became a temporary adapted version of the named annual event. We believe that a significant role in the process of searching for new communication strategies was p

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Kyrylchuk, Oleksandr. "COUNTERDISCURSIVE ARTISTIC STRATEGIES OF UKRAINIAN ROMANTICISM." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (2021): 159–62. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-159-162.

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In Ukrainian romantic literature of the 1830s and 1840s, the authors turned their attention to folk art and historical themes. This aesthetic orientation of writing allowed the creation of texts that revealed aspects of the national life of Ukrainians. Romantic poets sought to artistically comprehend the Ukrainian past, to bring it out of oblivion, which was to help restore the historical memory of society and form a model of national self-identity. The ethnocultural identity, articulated in the texts of the Romantics, challenged the Russian imperial narrative, which sought to marginalize the

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Barkan, Refael, Shai Gul, Aviv Hochman, and Eliyahu Matzri. "Can you feel the algebraic structure? Quaternion and finite rings in the service of patterns and weaving." Journal of Interdisciplinary Mathematics 26, no. 8 (2023): 1787–802. http://dx.doi.org/10.47974/jim-1639.

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Artists frequently create symmetrical patterns, but disregard the mathematical structure that allows their formation. We here seek to expose this underlying construct and afford new ways of using mathematical structures to produce surprising, artistic symmetrical patterns. We introduce different multi-color symmetrical patterns whose generation entails only a transformation on an initial location matrix. By using different algebraic structures, we were able to obtain a range of surprising symmetric patterns. We demonstrate how planar patterns can be generated by generalizing a result of [15] t

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Sandberg, Berit. "Art Hacking for Business Innovation: An Exploratory Case Study on Applied Artistic Strategies." Journal of Open Innovation: Technology, Market, and Complexity 5, no. 1 (2019): 20. http://dx.doi.org/10.3390/joitmc5010020.

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Despite a growing interest in the effects of arts-based interventions on organizational change, concepts aiming at business innovation and product development other than residencies are rare. Furthermore, little is known about the role and impact of artists involved in idea-generating formats. How does the personal presence of artists in a heterogenous working group influence the procedure? To what extent do artists unfold their creative qualities while dealing with such a non-artistic challenge? The paper introduces a method named Art Hacking that applies professional labour attitudes typical

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Fidalgo Alday, Iker. "El archivo de la “Fundación Rodríguez”. Análisis, potencia y gestión del legado." Arte y Políticas de Identidad 23 (December 30, 2020): 36–57. http://dx.doi.org/10.6018/reapi.460981.

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El presente artículo parte de un caso de estudio concreto que es la investigación en torno al archivo del colectivo artístico “Fundación Rodríguez” (Vitoria-Gasteiz, 1994-2012). El proceso de investigación estará marcado por todo lo que conlleva enfrentarse a un archivo compuesto por contenido digital y con formatos a punto de la obsolescencia, así como las dificultades para su conservación y mantenimiento. Partiendo de esto, se contextualizará la práctica de “Fundación Rodríguez” y el papel que juega el concepto de archivo en varias de las fases de su producción artística. Para ello analizare

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Pirela Morillo, Johann Enrique, Yamely Margarita Almarza Franco, and Joel Alhuay-Quispe. "Cyberactivism as emergent language in Venezuela." Digital Library Perspectives 36, no. 1 (2020): 78–92. http://dx.doi.org/10.1108/dlp-10-2019-0037.

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Purpose The purpose of this study is to present a conceptual analysis to artistic manifestation represented through graphic and multimedia pieces that are available in social media networks as document-speeches in relation to protests in Venezuela during April-July, 2017. Also, this paper proposes the implementation of digital documentation tool that allows retrieval, organization, systematization and preservation of visual contents. Design/methodology/approach Semiotic analysis based on 44 artistic pieces (images and videos) posted on Twitter, Instagram and YouTube to protest in Venezuela aga

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Krishna, Maya Sai Gopala. "LatentStyleGAN: One-Shot Face Face Stylization Using GAN Inversion." INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 09, no. 06 (2025): 1–9. https://doi.org/10.55041/ijsrem50374.

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Image stylization has become a prominent area in computer vision, enabling creative transformations of real-world photos into artistic formats like sketches and cartoons. This paper introduces StyleWeb, a web-based application that allows users to convert ordinary images into stylized outputs in real time. The system integrates two core approaches: sketch generation using traditional image processing techniques and cartoonization powered by a pre-trained AnimeGANv3 model converted into ONNX format for optimized performance. Developed using the Django framework, StyleWeb offers a secure and res

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Sortland, Venke Marie, and Ina Coll Kjølmoen. "Landing - dansekunstnere med stedssans." Nordic Journal of Dance 2, no. 1 (2011): 2–7. http://dx.doi.org/10.2478/njd-2011-0002.

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Abstract The performance group Landing was established in 2005 by 11 dance and performing artists, with an artistic vision to create site-specific dance projects. In 2008 Landing created an extensive site-specific project at the fully running St Olavs Hospital in Trondheim that was entitled Landing08. In this article we will share some of our experiences of this project. In 2010 Landing was reorganized into a production unit lead by us. Our aim is to initiate, produce, and support art projects that challenge target groups, sites and formats of presentation.

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Cuasante Fernández, Elena. "Escritoras marfileñas de la A a la Z." Çédille, no. 26 (2024): 21–35. https://doi.org/10.25145/j.cedille.2024.26.03.

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Conceived as a complementary contribution to this monograph, «Ivorian women writers from A to Z» aims to be a useful introduction to literature written by women in Côte d’Ivoire. With almost half a century of history, this literature has been evolving towards a greater variety of cultivated genres, themes and even artistic formats, which is good proof of its dynamism. After a first section summarising the main lines of this evolution, an exhaustive and updated bibliographical repertory has been compiled, which can serve as a basis for future research activities.

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Tymoshenko, Maksym. "Artistic Creativity in the Aspect of Cross-Cultural Communications (on the Example of the Activity of the P. I. Tchaikovsky National Music Academy of Ukraine)." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(56-57) (December 26, 2022): 7–22. http://dx.doi.org/10.31318/2414-052x.3-4(56-57).2022.278195.

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The article examines the processes of artistic creativity and scientific activity in the second half of the 20th - at the beginning of the 21st centuries, using the example of cross-cultural communications carried out by representatives of the P. I. Tchaikovsky National Music Academy of Ukraine. These intercultural interactions contributed to the discovery of Ukrainian culture and its carriers in the eyes of other European creative and scientific communities. The participation of Academy representatives in the post-war international festival movement provided an opportunity to learn about and

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KISELEVA, YU I. "DOCUMENTARY AND ARTISTIC METHODS IN CONTEMPORARY SCIENCE CINEMA. POSTDOC." Sign problematic field in mediaeducation 52, no. 2 (2024): 85–95. https://doi.org/10.47475/2070-0696-2024-52-2-85-95.

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Analyzing contemporary science films research, the author draws attention to the problem of the diversity of artistic means in modern science cinema, using mainly documentary techniques (observation, interviewing, reportage) and rarely resorting to artistic methods and complex visual concepts. The author also explores the possibilities of combination of fiction and non-fiction elements in the science cinema, as well as the application of the «postdoc» method. The relevance of the topic is due to its insufficient knowledge. «Postdoc» is a term that appeared not so long ago; there is no single d

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Novachynskyi, Yurii. "Creative achievements of Emmanuil Mysko on modern online platforms." Bulletin of Lviv National Academy of Arts, no. 40 (July 1, 2019): 31–37. http://dx.doi.org/10.37131/2524-0943-2019-40-4.

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The peculiarities of artists’ work illumination on online resources as exemplified by Emmanuil Mysko, the sculptor, were considered. The main spheres, covered by online information sources regarding well-known artistic personalities and the importance for formation of complete vision of artist’s personal qualities, his methods of teaching, life and public policies and more, were emphasized. The specifics of publicistic texts in mass media, the variety of the content consisting not only of memoirs or interviews of the artist’s relatives, but which are also supplemented by videos, teleconference

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Chirico, Alice, Robert R. Clewis, David B. Yaden, and Andrea Gaggioli. "Nature versus art as elicitors of the sublime: A virtual reality study." PLOS ONE 16, no. 3 (2021): e0233628. http://dx.doi.org/10.1371/journal.pone.0233628.

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The sublime–the mixed aesthetic experience of uplift and elevation in response to a powerful or vast object that otherwise is experienced as menacing–has nurtured philosophical discourse for centuries. One of the major philosophical issues concerns whether the sublime is best thought of as a subjective response or as a stimulus. Recently, psychology has conceived of the sublime as an emotion, often referred to as awe, arising from natural or artistic stimuli that are great, rare, and/or vast. However, it has not yet been empirically demonstrated whether two major elicitors of the sublime–natur

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Oliinyk, Viktoriia. "Signs of the Uniqueness of the Ukrainian Printed Book in the Context of the Global Digitalisation of Art." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 243–52. https://doi.org/10.31866/2410-1915.24.2023.287703.

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<i>The aim of the article </i>is to explore the features of the uniqueness of a classic printed book as a valuable source of art studies analysis against the backdrop of dynamic transformations in Ukrainian book design. The article seeks to determine the prospects for its development as an artistic and project form, and ways to preserve the relevant design traditions. <i>Results</i>. The perception of traditional printed books in Ukraine today has changed in the context of the global digitisation of art. In this regard, the following opposing positions of scholars are highlighted: some predict

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Van Assche, Annelies. "Brussels and Contemporary Dance: Artistic Labor in a Creative City." Congress on Research in Dance Conference Proceedings 2016 (2016): 408–16. http://dx.doi.org/10.1017/cor.2016.54.

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Within my contribution, I present the research project “Choreographies of Precariousness. A Transdisciplinary Study of the Working and Living Conditions in the Contemporary Dance Scenes of Brussels and Berlin” (supervisors: Katharina Pewny, Rudi Laermans, Christel Stalpaert; UGent and KULeuven; sponsored by FWO). For this conference, I would like to concentrate on the specificity of the contemporary dance profession and to elaborate the landscape of working in Brussels.Working formats in contemporary dance revolve around internationalization, mobility, transnationalism, and collaboration. Cont

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Türeli, Ipek, and Meltem Al. "Walking in the Periphery: Activist Art and Urban Resistance to Neoliberalism in Istanbul." Review of Middle East Studies 52, no. 2 (2018): 310–33. http://dx.doi.org/10.1017/rms.2018.96.

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In 2013, the Gezi Park protests created a wave of optimism in Istanbul – until it was brutally suppressed by the government. Although the ephemeral movement ended without having achieved its immediate goals, it continues to have ripple effects on the public culture of Istanbul. The ruling party, for example, has emulated the forms and formats of performance that emerged during the protests in order to mobilize its own support base. In a post-Gezi Istanbul, however, the occupation of public spaces in protest of the government has become nearly impossible, rendering alternative artistic and acti

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В.В., Мальцева. "ЛИНГВИСТИЧЕСКИЕ МЕТОДЫ АНАЛИЗА ХУДОЖЕСТВЕННОГО ДИСКУРСА". Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 4, № 66 (2018): 11–16. https://doi.org/10.5281/zenodo.1494852.

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The present article is devoted to the study of linguistic methods of analyzing literary text from the standpoint of discourse. It seems to be important to understand discourse as a dialogue, polemics or discussion since this indicates the internal heterogeneity of literary fiction. We suppose that various discourses form different views on reality. We focus on four discoursive methodologies to the research of literary works that interact and complement one another: communicative-pragmatic, cognitive semantic, conceptual, semiotic and synergetic approaches. This choice was justified by the fact

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Oliinyk, Viktoriia. "Signs of the Uniqueness of the Ukrainian Printed Book in the Context of the Global Digitalisation of Art." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 243–52. http://dx.doi.org/10.31866/2410-1915.24.2023.287703.

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The aim of the article is to explore the features of the uniqueness of a classic printed book as a valuable source of art studies analysis against the backdrop of dynamic transformations in Ukrainian book design. The article seeks to determine the prospects for its development as an artistic and project form, and ways to preserve the relevant design traditions. Results. The perception of traditional printed books in Ukraine today has changed in the context of the global digitisation of art. In this regard, the following opposing positions of scholars are highlighted: some predict a new phase o

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Sularso, Sularso, Agus Cahyono, Qinyu Yu, Joko Suranto, Zulkarnain Mistortoify, and Lardianto Budhi. "Strategies and techniques for crafting a scientific manuscript for artistic publication: a guide for academic artists in Indonesia." International Journal of Visual and Performing Arts 6, no. 1 (2024): 1–11. http://dx.doi.org/10.31763/viperarts.v6i1.1314.

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Scientific publications in the field of art creation have sparked considerable debate within the academic community in Indonesia. Issues such as the validity of artworks, assessment criteria, publication formats, and the alignment of academic standards with artistic practice have generated discussions regarding the format of publication writing. This article aims to offer alternative guidance on techniques for writing scientific publication articles in the field of art creation, particularly tailored for academic artists in Indonesia. The guidance encompasses a literature review, the selection

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Zepke, Stephen. "‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art." Performance Philosophy 3, no. 3 (2017): 751. http://dx.doi.org/10.21476/pp.2017.33145.

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Deleuze and Guattari’s rejection of Conceptual art is well known, and sits awkwardly with the current hegemony of ‘post-conceptual’ artistic practices. Equally awkward is Deleuze’s ontological and political dislike of photography, which produces a ‘snapshot’ or representation of becoming, placing cliched images directly into our brains, controlling our actions and reactions by denying us the power to think creatively. In Cinema 2 Deleuze will extend this argument to the new ‘electronic image’, which like Conceptual art turns the plane of composition into a ‘flatbed’ plane or ‘screen’ that simp

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Bjoernsten, Thomas. "Data aesthetics - between clouds of information and subjective experience." MedieKultur: Journal of media and communication research 31, no. 59 (2016): 24. http://dx.doi.org/10.7146/mediekultur.v31i59.20237.

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This article takes it point of departure from a three-year research project entitled “Making sense of data – understanding digital reality through contemporary artistic practices of visualization and sonification”. As the project does, so will this article focus on the analysis of specific practices and artefacts, occupied with exploring digital formats and data through both visualization and sonification strategies (the latter referring to the task of turning data into audible sound), thus, expanding the use of large data sets into the sphere of art and the aesthetic. The article will critica

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MUCCIOLO, Daniel Costa Vianna, and Andréa Vieira ZANELLA. "NEW MEDIA ARTS IN PUBLIC FREE SPACES: AN INTEGRATIVE LITERATURE REVIEW." Boletim de Conjuntura (BOCA) 16, no. 47 (2023): 241–63. https://doi.org/10.5281/zenodo.10202132.

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New media arts have been gaining space in the artistic world and being used in urban art, so it is necessary to understand how the academic world is approaching this type of manifestation. That's why, the integrative literature review presented in this article was developed with the aim of providing an overview and analyzing scientific production on new media arts produced for public open spaces. The research was conducted on articles published in the Web of Science and SCOPUS databases, through the intersection of keywords that encompass public open spaces and new media arts. The screening of

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