Relevant bibliographies by topics / Artistic journalism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Artistic journalism'

Author: Grafiati
Published: 28 May 2022

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Journal articles on the topic "Artistic journalism"

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Hanitzsch, Thomas. "Journalism Research in Germany: Origins, theoretical innovations and future outlook." Brazilian Journalism Research 2, no. 1 (June 30, 2006): 39–53. http://dx.doi.org/10.25200/bjr.v2n1.2006.66.

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In Germany, the study of journalism has a long tradition. Löff elholz (2004b) identifi ed the work of the writer and literary historian Robert Eduard Prutz (1816-1872) as being the ancestor of journalism theory. In 1845, long before the establishment of newspaper studies (“Zeitungskunde”) as a fi eld of research, Prutz published “The History of German Journalism.” In later years the theoretical study of journalism was dominated by normative approaches, which continued for many decades. The belief that journalistic talent, similar to artistic talent, lies in the personality of the journalist (see Dovifat 1962) endured well into the 1970’s. At this time the scholarly discussion was mainly centered on the journalist as an individual who could barley live up to the normative expectations placed on news people. The result was a long-lasting (into the 1990s) array of often romantic demands on journalists which they could hardly fulfi ll.
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Wasserman, H. "Revisiting reviewing: The need for a debate on the role of arts journalism in South Africa." Literator 25, no. 1 (July 31, 2004): 139–58. http://dx.doi.org/10.4102/lit.v25i1.249.

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The assault on the editor of a publication at a South African arts festival by an artist who disliked a review of his concert again highlighted an age-old rift between artists and critics. However, the response that this incident elicited among readers of this and other publications, showed surprising support for the artist rather than for the journalist. If this is read as an indication of a disillusionment among readers with regard to the standards of arts journalism in South Africa, the relationship between arts journalists and society should be re-examined. Ethical journalism rests upon a relationship between journalist and audience, and a sensitivity for the context in which journalism is practised. This article examines arts journalism within changing societal contexts, with a specific focus on the South African situation, where artistic production still bears witness to cultural and ethnic divisions of the past. Against the background of the changes that have occurred in society on a local and global level, it is argued that a re-evaluation of the roles and responsibilities of arts journalists is needed – especially in the light of the formation of new cultural identities after apartheid. In conclusion, an ongoing and indepth debate about the ethical responsibility of arts journalism is suggested in order to ensure its continued relevance within an increasingly commercialised cultural context on the one hand, and within a changing South African society on the other.
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Postema, Stijn, and Mark Deuze. "Artistic Journalism: Confluence in Forms, Values and Practices." Journalism Studies 21, no. 10 (March 25, 2020): 1305–22. http://dx.doi.org/10.1080/1461670x.2020.1745666.

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Vladimirova, T. N., and R. P. Morozov. "Issues of classifying artistic and publicistic genres in journalism." Science and School, no. 5, 2019 (2019): 11–15. http://dx.doi.org/10.31862/1819-463x-2019-5-11-15.

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Abrahamson, David. "Teaching Journalism as Literature and Possibilities of Artistic Growth." Journalism Educator 46, no. 2 (June 1991): 54–60. http://dx.doi.org/10.1177/107769589104600207.

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Khavaldzhy, L. V. "The concept of land in V. Yavorivsky's artistic journalism." Science and Education a New Dimension IX(257), no. 75 (September 25, 2021): 33–36. http://dx.doi.org/10.31174/send-ph2021-257ix75-07.

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V. Yavorivsky's artistic journalism can be divided into two periods according to the real chronotope, the first of which includes works published in the 70-90s of the XX century, the second collection of modern journalism, written in the late XX - early XXI century. . The concept of land in V. Yavorivsky's essays is one of the main ones, which is primarily due to the subject matter of the works. Most often, the concept of the earth is created with the help of this token and this definition, cozy, beautiful, wonderful, and so on. The earth for the publicist has colour and taste, a smell, carries heat. Ukrainian land appears as a family history, as a museum. In the essays of the second period of creativity, the concept of land first of all appears as a territory inhabited by the Ukrainian people. V. Yavorivsky endows it with such conceptual features as God's, Ukrainian, our, patriotic, native, own, Zaporozhian, father. For the writer, land is first of all a territory, which is one of the features of the state.
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Madolimov, Hasanboy Shuhratovich. "FUNCTION OF INFORMATIONAL PUBLICIISTICS AND IMAGE (INFORMATION)." Journal of Central Asian Social Studies 02, no. 03 (May 31, 2021): 84–90. http://dx.doi.org/10.37547/jcass/volume02issue03-a12.

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It is well known that journalism is a unique way of covering social life and is widely used in the press. Journalism is divided into a number of types to cover all aspects of public life. These include socio-political journalism, economic-industrial journalism, journalism reflecting the cultural and spiritual life (there are a number of subtypes, such as scientific journalism, literary journalism, sports journalism, art journalism). There is also a peculiar way of social life, albeit from a socio-political point of view - comic journalism, which illuminates it in a humorous way. In terms of its structure, journalism is divided into informational, analytical and artistic journalism, which depends on how it covers life.
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Jones, Chelsea, Nadine Changfoot, and Kirsty Johnston. "Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation." Studies in Social Justice 15, no. 2 (March 7, 2021): 307–33. http://dx.doi.org/10.26522/ssj.v15i2.2433.

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This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts in relation to their own engagement with media as subjects, authors, and critics of disability arts reviews. The methods for presentation were cripped in multiple ways to provide the fullest access possible. The panel concluded with examples of ableist fault lines in representation practices where the disabled figure is an absent “ghost” in journalistic representation, warnings against journalistic reliance on traditional and objective narratives, and a call for artists to claim and write their own stories. Ultimately, disabled, D/deaf, and mad artists need both control over artistic endeavours and output and influence over representation. This article reconnects journalism and disability communities, ultimately demonstrating that representation is a critical, co-constitutive process that can become more aesthetically and politically oriented toward social justice in its focus on disability, D/deaf, and mad arts.
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Zhylenko, I. "Comparative discourse: artistic journalism of dmytro dontsov and mykhailo artsybashev." Fìlologìčnì traktati 10, no. 3 (2018): 92–104. http://dx.doi.org/10.21272/ftrk.2018.10(3)-14.

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Chibnik, Michael. "Popular Journalism and Artistic Styles in Three Oaxacan Wood-Carving Communities." Human Organization 58, no. 2 (June 1999): 182–89. http://dx.doi.org/10.17730/humo.58.2.c8p122052n228855.

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Dissertations / Theses on the topic "Artistic journalism"

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Башлак, Ірина Анатоліївна, Ирина Анатольевна Башлак, Iryna Anatoliivna Bashlak, and L. Vyshniakа. "A Selection Of Journalistic Articles: Essay." Thesis, Sumy State University, 2021. https://essuir.sumdu.edu.ua/handle/123456789/84701.

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Essay is the main genre of artistic journalism, which expresses real events and facts with the help of imagery. As a genre, essays have been and continue to be studied by a large number of scholars, at least because it belongs to both journalism and fiction. Speaking of journalism, it is almost impossible to find well-written essays in modern publications. For the study, we chose a kind of genre, such as travel. The choice of this genre is due to its uniqueness, where the journalist must step out of the comfort zone, travel and describe the real picture in the world, thus helping recipients through the prism of their own perception to learn about any area, see and feel everything the author experienced even without being there.
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Федяй, О. "Художньо-публіцистичні жанри на шпальтах газети "Голос Посулля"." Thesis, Сумський державний університет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/64474.

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Santos, Cibelly Correia dos. "Livro-reportagem: uma proposta de criação de perfis de artistas paraibanos a partir do jornalismo literário." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9601.

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This project aims to create a creative nonfiction book that will have profile stories of artists from the Brazilian state of Paraíba, and that will be achieved through narratives of Literary Journalism. Because of the new technologies and the unstoppable flow of information, the majority of daily news is superficial and direct, which makes it hard deepening the subjects they refer to. Literary Journalism in the other hand puts together techniques from journalism and literature, as procedures of observation, description and narrative, in order to humanize as much as possible the reports and give cadence to the text. It‘s noticeable that news based on Literary Journalism is related to cultural events or press releases sent by media offices. That makes it difficult for society to have a clear idea of its own culture and knowledge about its own artists. Therefore, the creative nonfiction book purposed in this project will contain six profile stories of artists from Paraíba with established careers in many segments, willing to show their personal lives and production over the years as well as the historic and cultural context in which they have been involved. The option for a creative nonfiction book is due to the fact it is a tool that allows journalists to write deep reports with deeper investigation and also freedom on the narrative stylistics.
O presente projeto tem como proposta a criação de um livro-reportagem, contendo perfis jornalísticos de artistas paraibanos, utilizando o Jornalismo Literário como estilo de narrativa, visto que, devido à velocidade das informações e às novas tecnologias, as reportagens realizadas no jornalismo cotidiano, na maioria das vezes, são reducionistas, dificultando, assim, o aprofundamento do tema. O Jornalismo Literário reúne as técnicas do jornalismo com as narrativas advindas da literatura, como procedimentos de observação, descrição e narração, a fim de humanizar ao máximo a matéria e dar mais fluidez ao texto. Percebe-se também que, no jornalismo cultural, as matérias publicadas nos meios de comunicação são relacionadas a eventos culturais ou aos releases enviados pelas assessorias de imprensa. Isso limita a sociedade no sentido de ter uma visão mais crítica sobre sua cultura e mais conhecimento sobre seus artistas. Neste sentido, o trabalho apresentará seis perfis de artistas da Paraíba, de diversos segmentos, com uma carreira mais consolidada, de modo que se conheça a obra e a vida destes personagens e o contexto histórico-cultural no qual ele está envolvido. Para isso, a escolha de um livro-reportagem, como o produto a ser desenvolvido, é motivada, principalmente, por ser uma ferramenta que permite trabalhar com a reportagem em profundidade, na qual se pode ter uma investigação mais elaborada e maior liberdade narrativa.
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Tuncer, Fatma Gökcen. "ATTENTION! ART IS ON THE STAGE : An Applied MasterProject onActivist Art Including theInterview Series withNine Artists from Seven Art Forms." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-25841.

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The balance of the world has been built on various empires, kingdoms, civilizations and economic systems for centuries. This study is written in the belief that the center of the world rule started to change. The determiners are not the leaders or the systems anymore but the individuals themselves. People are aware of that their voice can easily reach to the rest of the world. For most of the people it is not onlysharing their ideas on various social networks but also playing an active role in the world order. Since every human being has different ways of expressing themselves, their active role will also differ from each other. This study focuses on the active role of Art, which is one of the important ways when it is about self-expression. By this research, it is aimed to find answers to the following questions: "How can art be effective in the change of the world?" and "In what point activist art differs from propaganda?"
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May, Virginia. "Intuitive Inquiry and Creative Process: A Case Study of an Artistic Practice." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16038/.

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This Master of Arts by research was comprised of two components: creative practice (60%) and a written thesis (40%). The creative practice was partially represented in an exhibition of paintings, drawings, photographs and artist books entitled Traces, held at WiseART Gallery, 166 Ann St, Brisbane, March 2005. The written component is represented in this manuscript. This case study illustrates the creative process of an individual artistic practice through intuitive inquiry, which utilized self-observation methods such as painting, drawing, photographing, bookmaking, exhibitions, journaling, questioning and mindfulness. Intuitive inquiry is outlined as the predominant method of both the phenomenon of art making in this case, as well as the method used to study the creative process. The concept of intuitive inquiry as a research method, by its similarity to this particular creative process, was well suited to studying its delicate, preconscious, internally reflective and reflexive activities. Intuitive inquiry also underpins the exceptional, transformative experiences of the artist, which are often excluded from conventional empirical research. The results of this study demonstrate that it is through the hermeneutic interpretations of process, product and dialogue that a deeper understanding of the creative process is gained. The hermeneutic model of creative process that emerged (Fig 4.14) will assist others in a deeper understanding of how creative process can be utilized in generating new knowledge. More importantly, it is this creative interpretive process that can lead to transformative experiences, which encourage both the artist and the audience to search for a deeper engagement with each other and the world.
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Carlsson, Oskar, and Sofia Sundström. "Zara Larsson och den manliga hatvågen : En kritisk diskursanalys på den tryckta pressens skildring av artisten Zara Larssons uttalanden om Bråvallafestivalen 2015." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-118912.

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Zara Larsson and the male haters. A critical discourse analysis of the medias depiction of the singer Zara Larsson’s commentary on Bråvallafestivalen 2015 Zara Larsson, born in 1997, is a famous, young swedish singer. Besides her career in music she is also famous for her feminist thoughts in social media. In 2015, she critizised the swedish festival Bråvallafestivalen for its lack of female artists. This critizism was first published in the swedish newspaper Dagens Nyheter and afterwards there was a huge reaction in social media where lots of people critizised and threatened Zara Larsson because of her thougths. Therefore, the purpose of this study is to explore how swedish newspapers reports about this situation and how Zara Larsson is portrayed, from a genderperspective. We are using a thematic analysis and a critical discourse analysis as a method. The analysis is based on articles and opinion journalism in swedish newspapers from all over the country. Theories we have used for the study is gendersystems and ideology. The main conclusion of this study is that the debate ended up to be very polarized, and that the supporting side of Zara Larsson dominated the debate, while the opposition tended to be some sort of hopeless contenders. We could also se that the main ideology was feminism, both visible and hidden in the texts. Keywords: Critical discourse analysis, Thematic analysis, gender, Zara Larsson, Bråvalla festival.
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Подоляка, Надія Степанівна, Надежда Степановна Подоляка, Nadiia Stepanivna Podoliaka, and М. Лагута. "Літературно-художні журнали: особливості їх форми та змісту в порівнянні друкованої версії та електронного сайту." Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/49207.

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У роботі зроблено аналіз структури, наповненості та ознак, притаманних друкованим та інтернет-ЗМІ у застосуванні до літературно-художніх видань «ШО», «Всесвіт», «Дніпро», «Склянка часу».
In this paper, have been analyzed the structure, fullness and features inherent in print and online media as applied to literary publications «SHO», «Universe», «Dnipro», «A glass of time».
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Sali, Tulin. "Bilden av en stjärna : An analytical comparison of the way in which famous women are displayed in the journals, Bildjournalen 1956-57 and Hänt Bild 2007." Thesis, Södertörn University College, School of Gender, Culture and History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1711.

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Varför köper vi idag skandaler? Och varför är det främst den kända kvinnan som attribueras med skandal? Konkurrensen medier emellan ökar konstant enligt medieforskare. Givetvis väcker skandaler uppmärksamhet, vilket handlar om våra tankar och känslor, som dessutom handlar om medias närmanden oss. Detta kan även ha att göra med synen på den exponerade kvinnokroppen. Ena sidan väcker detta mannens sexuella lust och andra sidan väcker det negativ uppmärksamhet. Det blir skandal. Media ger budskap om hur kvinnan ska vara respektabel, och inte bete sig vulgärt. Det är genom artisterna budskapet ges.

I de undersökta tidskrifterna Hänt bild 2007 och Bildjournalen 1956-57 granskas ur ett genusperspektiv hur kända kvinnor framställs i förhållande till kropp, beteende, kärleksförhållande och karriär. På 1950-talet beskrivs artister främst som respektabla, 2007 har egenskaperna ersatts till vulgaritet. Kvinnokroppen exponeras mer och används med ord som sex, bröst och underliv. Hur kommer det sig? Kan man hitta kopplingar till 1950-talets skildringar av kända kvinnor, då vulgära egenskaper betraktas mindre vulgärt i förhållande till 2007. Vad är likheten och skillnaden i hur kända kvinnor konstrueras i de utvalda tidskrifterna?..

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Kellow, Amanda Lee. "The Generation and Evolvement of Ideas in the Lifeworld of Artists and the Practice of Their Art: Implications for Education." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16043/.

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How artists develop their ideas has been envisaged as a mysterious and intriguing process, difficult to understand or emulate. The "mystery" of how art ideas evolve has carried through to education, where students and teachers may view the introduction of how to formulate ideas as an unachievable task. Art educators have recognised the investigation of how artists think through the progression of their own practice as being an important aspect of understanding the evolvement of art ideas, and have advocated that approaches to teaching and learning should be grounded in such artistic thinking. This study was based on the notion that it is important for research to give insights into the differing ways visual art ideas are constructed and to also identify the influences that may impact on this process. Through researching the formulation of art ideas over time in influential contexts, a revealing picture of the process of art idea evolvement emerged. The findings of the research are presented as qualitative categories of description based on the participants' own knowledge and lifeworld experiences as artists.
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Guaraldo, Laís. "A construção da linguagem gráfica na criação de ilustrações jornalísticas." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/4988.

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This research is concerned about the process of creating illustrations in newspapers and magazines, and aims at analysing the factors that makes the process of creating this kind of illustration something unique in the editorial context. Here, our claim is the creation of journalistic illustrations is an intelligent act, which demands the use of different cognitive levels as well as political and aesthetic positioning. Besides it also demands the use of a number of expressive resources, which are somewhat, constrained by the demands of the industry.In this research, we analysed the creative process of three Brazilian artists: Carlos Matuck, Orlando Pedroso and Samuel Casal. These three artists were chosen due to their unique way of sealing (or not) with the digital support in pieces of art produced between 1989 and 2007.The analysis of the creative process followed the methods established by the genetic criticism at Semiotic approach, both developed by the Centre of Studies of Genetic Criticism of PUCSP (CECG), coordinated by Cecília Salles. The creative work is understood here in a context of both mobility and relational network. As such, it takes place in multiple spaces, in which a number of forces interact and recreate the environment. The aim of this research is the identification of the specificity of the network that builds and is built by the creative act.Journalistic illustration is a creative act inserted in a network made by industrial constrains, lack of time, relationship with text, technical choices, graphic procedures and a negotiation of what is innovation and what is cliché.So, this research is intended to contribute to the teaching of visual arts in the field of Communication Studies, studying and advocating in favour of the intelligent act on the visual production as well as the legitimacy of this means of expression
O processo de criação de ilustrações de jornais e revistas é o tema desse trabalho, que procura analisar os fatores que singularizam o processo de criação desse tipo de produção visual e sua contextualização no universo editorial. Defende-se aqui que a criação de ilustrações jornalísticas é uma ação inteligente, que mobiliza diferentes instâncias cognitivas, envolve posicionamento crítico e estético, e mobiliza recursos expressivos, em condições de trabalho marcadas por imperativos e constrangimentos industriais.Foram analisados nessa pesquisa os processos de criação dos trabalhos de três ilustradores brasileiros: Carlos Matuck, Orlando Pedroso e Samuel Casal. A escolha desses três nomes teve como critério suas diferentes formas de lidar (ou não) com as ferramentas digitais, com produções que ocorreram entre os anos de 1989 e 2007.A análise dos processos criativos foi feita com a metodologia da crítica genética com abordagem semiótica, nos moldes desenvolvidos pelo centro de estudos de crítica genética da PUCSP (CECG), coordenado por Cecília Salles. O trabalho criativo é compreendido aqui num contexto de mobilidade e rede relacional, ocorrendo em lugares múltiplos, onde forças interagem e reconfiguram o próprio meio. O objetivo central dessa pesquisa é a identificação da especificidade dessa rede, que constrói e é construída pela ação criativa.Trata-se de uma ação criativa inserida numa trama composta de circunstâncias industriais de produção, escassez de tempo, estratégias de construção de relações com o texto, escolhas técnicas, procedimentos compositivos gráficos e negociações entre a invenção e o clichê.Pretende-se com esse trabalho contribuir para o ensino da visualidade na área da comunicação, defendendo e investigando a ação inteligente envolvida na produção visual e a legitimidade desse tipo de expressão
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Books on the topic "Artistic journalism"

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The dynamics of genre: Journalism and the practice of literature in mid-Victorian Britain. Charlottesville: University of Virginia Press, 2009.

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Society, Ford Madox Ford, ed. Ford Madox Ford, modernist magazines and editing. Amsterdam: Rodopi, 2010.

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Ernst, Jacqueline. Journaling junket: An artistic adventure for journal keepers. Mountain View, Calif: Seat-Of-My-Pants Press, 1999.

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Jaeglé, Claude. L'interview: Artistes et intellectuels face aux journalistes. Paris: Presses universitaires de France, 2007.

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Journals. New York: Viking, 1996.

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Pierre, Dessureault, ed. Carnets de voyage =: Travel journals. Ottawa: Canadian Museum of Contemporary Photography, 1994.

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Farris, Thompson Robert, and Hockney David 1937-, eds. Keith Haring journals. London: Fourth Estate, 1996.

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Keith, Haring, and Keith Haring. Keith Haring Journals. New York: Viking, 1996.

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Farris, Thompson Robert, and Hockney David, eds. Keith Haring journals. New York: Penguin Books, 1997.

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Pam, Max. Indian Ocean journals. Göttingen: Steidl, 2000.

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Book chapters on the topic "Artistic journalism"

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Probets, Steve, David F. Brailsford, Les Carr, and Wendy Hall. "Dynamic link inclusion in online PDF journals." In Electronic Publishing, Artistic Imaging, and Digital Typography, 550–62. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/bfb0053299.

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Chandel, Amar. "Word Artist at Work: Subeditor's Role." In A Handbook of Journalism: Media in the Information Age, 257–60. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications, Inc., 2018. http://dx.doi.org/10.4135/9789353280277.n25.

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Caughey, John S. "Learning Fiction by Subscription: The Art and Business of Literary Advice 1884–1895." In New Directions in Book History, 47–77. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_2.

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AbstractThis chapter examines the rise of literary advice in Anglo-American periodical culture from 1884 to 1895. Capitalizing on a moment when fiction became both more self-consciously artistic and more potentially lucrative, literary advice of this era addressed the full range of literary practice and the attendant practical activities that made it possible. The chapter resituates the landmark “Art of Fiction” debate (1884)—an event crucially sponsored by the magazines—as the opening of an era of practical discussion that was soon after taken up in trade journals devoted specifically to authorship. The practical advice dispensed by these journals—including tools, tricks, tips, and gossip—focuses on the form of the short story, creating a loop with a form that was itself a magazine staple. This interactive looping is considered in the conclusion, where the chapter examines a systematic course in literary art offered by Atalanta, a late-Victorian “Girl’s Magazine.”
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"CHAPTER TEN Popular Journalism, Artistic Styles, and Economic Success." In Crafting Tradition, 174–83. University of Texas Press, 2003. http://dx.doi.org/10.7560/712478-013.

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Aleksić, Dušan. "NARATIVNO NOVINARSTVO KAO ALTERNATIVA TRADICIONALNIM NOVINARSKIM ŽANROVIMA U SAVREMENOJ MEDIJSKOJ PRAKSI." In JEZIK, KNJIŽEVNOST, ALTERNATIVE/LANGUAGE, LITERATURE, ALTERNATIVES - Jezička istraživanja, 451–63. Filozofski fakultet u Nišu, 2022. http://dx.doi.org/10.46630/jkaj.2022.27.

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Using the theoretical designation of narrative journalism as a form of journalistic expression relying heavily on literary narration, the given journalistic form will be analysed from a contemporary perspective in order to determine its characteristics and position in contemporary journalism. Considering that it constitutes a unique form from the linguistic, content, and organizational perspective, and that its artistic aspect is highly prominent, narrative journalism is often viewed as an obsolete and economically unprofitable journalistic form in practice. Because of that, one of the main goals of this paper is to determine to what extent narrative journalism is present in the contemporary media discourse, what its characteristics are and which position it occupies in the system of media genres, and to do so by combining the descriptive method and qualitative content analysis. It will focus especially on determining its role in civic journalism, which developed on the basis of technologic advancement, and which represents an alternative to the reporting of professional media.
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Erdos, David. "‘Non-Journalistic’ Traditional Publishers and Third-Generation European Data Protection Regulation." In European Data Protection Regulation, Journalism, and Traditional Publishers, 252–72. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841982.003.0012.

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This chapter explores the interface between data protection and professional artists and (academic and non-academic) writers both in the formal law under the General Data Protection Regulation (GDPR) and in terms of the approach that should be adopted by Data Protection Authorities (DPAs) here. The GDPR mandates that States set down derogations as are ‘necessary’ to reconcile data protection with not only journalism but other special forms of expression, namely artistic, literary, and (in a new departure) academic expression. Moreover, with a few exceptions, States grant all these forms of expression comparable shields within their statutory laws. However, contrary to the GDPR itself, most do not expressly extend these shields to ‘knowledge facilitation’ activities such as scientific research. This could undermine protections for academic expression. It is, therefore, imperative that DPAs adopt a purposive interpretation which ensures that all processing orientated towards contributing to public knowledge or discourse can benefit from these shields even if the activity could also be conceptualized as, for example, scientific research. Nevertheless, DPAs should develop specific standards and an enforcement strategy that recognizes that these shields are qualified. Both should foster co-regulatory engagement. However, co-regulation remains challenging here as a result of the entirely informal nature of norms amongst non-academic artists and writers and the dominance of a biomedical approach within many academic institutions which is alien to the much of the work in the social sciences and the humanities. DPAs will, therefore, need to be proactive rather than reactive in this area.
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Erdos, David. "European Data Protection Regulation and ‘Non-Journalistic’ Traditional Publishers." In European Data Protection Regulation, Journalism, and Traditional Publishers, 209–23. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841982.003.0010.

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This chapter explores both the statutory law applicable and the regulatory approach taken to the activity of professional artists and writers outside journalism under European data protection as it developed until the end of the Data Protection Directive (DPD) era. It is found that no pan-European data protection instrument prior to the DPD addressed this interface and such a lacuna was also reflected in the majority of first-generation data protection laws adopted at State-level. In contrast, the DPD provides special (but not absolute) derogations not just for ‘journalistic purposes’ but also for ‘literary and artistic expression’ and this was reflected in the second-generation laws of approximately two-thirds of European Economic Area (EEA) States. Despite falling within data protection’s scope, Data Protection Authorities (DPAs) have generally avoided addressing these actors’ positions. In the early period, the Swedish DPA proved a partial exception to this by publishing guidance on media created on CD-ROMs and even attempted to set license conditions for the use of a computer to produce a book manuscript. Under second-generation data protection, both the Italian and Maltese DPAs issued some specific guidance and the Italian and Slovenian engaged in concrete enforcement. These interventions pointed to a lack of consistency as regards applicable norms. Thus, whilst the Italian DPA crafted a deferential approach based on contextual rights balancing, the Maltese and Slovenian DPAs developed a much more peremptory and restrictive perspective at least as regards photographic images.
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Filatov, Anton V. "Newspaper Russkoye Slovo: Type of Publication, Structure, Literary and Journalistic Context (Based on the Issues of 1900–1905)." In Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis, 89–103. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0661-1-89-103.

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This study analyzes the composition and content structure of the newspaper Russkoye Slovo from 1900–1905. The author determines the type of periodical in the system of printed journalism of the time, the reasons for its popularity and considers the policy of the publisher and the editorial board. Special attention is paid to the newspaper’s heading system and the forms of interaction between literature and journalism. The research is based on the analysis of specific materials, the author concludes that the interaction of these forms of literature occurs both immanently, due to the combination of elements of artistic and journalistic genres in one text, and contextually, due to the influence of the newspaper’s information field on the subject of literary works.
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Barsht, Konstantin A. "Literary and Aesthetic Views of V.P. Burenin and the Artistic Principles of Proletkult." In Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis, 204–17. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0661-1-204-217.

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The study puts forward the hypothesis that the literary and aesthetic principles of “cynical realism” promoted by V. P. Burenin in 1860–80 meet the requirements that were put forward in relation to fiction by the figures of the Proletkult (1918–1922). In this regard, a comparative analysis of a number of provisions underlying the two aesthetic doctrines is carried out, with a conclusion concerning the similarity of their basic provisions and their parallelism in building requirements for literature and journalism, which should not only be thematically devoted exclusively to practical human activity, but also actually be an integral part of it. The idea of “impudent realism”, put forward by Burenin in 1860s which sounded like a call was implemented on a practical level in the writings of such figures of the Proletkult as B. Arvatov, V. Pletnev, A. Bogdanov, etc.
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Wixson, Christopher. "1. ‘GBS’." In George Bernard Shaw: A Very Short Introduction, 5–19. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198850090.003.0002.

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‘GBS’ explores George Bernard Shaw’s early years in Dublin, the forging of his professional roots in London, and the creation of his ‘GBS’ persona. While he would often belie the extent of their influence, his earliest experiences sowed the seeds of that distinctive political and artistic Shavian sensibility. Taking up the mantle of public advocacy, the young Shaw became a sought-after tract writer, speech giver, debater, and activist crusader on behalf of a variety of social causes. He also worked as an art, music, book, and drama reviewer for a number of periodicals. For Shaw, journalism represented an opportunity to inform, inspire, and provoke the public directly.
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Conference papers on the topic "Artistic journalism"

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Crone, Vincent C. A., and Floris Müller. "The Polysemic Documentary: Authenticity, Artistry and Change. Documentary filmmakers and their strategic use of contradicting repertoires." In Annual International Conference on Journalism & Mass Communications. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2301-3729_jmcomm12.106.

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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.
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Levitskaia, Tatiana. "THE FORGOTTEN WAR: WORKS BY N. A. LUKHMANOVA ABOUT MANCHURIA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.28.

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Nadezhda Lukhmanova (1841–1907) was a novelist, playwright, publicist, lecturer. Today her name is almost forgotten, but at the turn of the 19th–20th centuries she was well-known throughout Russia: her artistic and dramatic works were widely in demand, she gave lectures in the capital and abroad, worked as a journalist in the leading St. Petersburg newspapers. At the age of 62, she took part in the Russian-Japanese war as a nurse of the Red Cross and war correspondent (Peterburgskaia gazeta, Yuzhniy Krai). During her stay in the war and later in Japan, Lukhmanova wrote not only travel notes and articles for newspapers, but also short plays, stories based on real events (Shaman, Black stripe, Tree in the Palace of Chizakuin, Li-Tun-Chi), stylization of Chinese and Japanese fairy tales (The Only Language Clear for a Woman, Human Soul, Typhoon, Golden Fox). The writer raised a variety of topics: the place and role of women in the war, the organization of hospitals, unjustified victims of war and the problem of moral choice, as well as ethnographic sketches devoted to the traditions and mode of life of Manchuria and Japan. And if its early records resemble ethnographic sketches, filled with wariness towards the local population and a lack of understanding of Chinese customs, then later, in fairy tales and diary sketches, the sense of guilt before the Chinese people for the bloody slaughter taking place on their land becomes more clearly apparent. The works of the writer were undeservedly forgotten for more than a hundred years and are just beginning their return to literary memory.
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Ngo Thi Thanh, Quy, and Minh Nguyen Thi Hong. "Vietnamese Proverbs: Values Preserved in Modern Society." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-4.

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Vietnamese proverbs has created long-lasting values which are being passed on to the modern society with numerous passions. These values include humanistic values confirming the human position in life. They also comprise social values and human philosophy as well as aesthetic values. Therefore, typical proverbs of the Viet people which have beem transferred to the younger generations via literary works such as Việt điện u linh (A collection of Vietnamese misteries) in the 14th century, Lĩnh Nam chích quái (A selection of the Viet extraordinary stories) in the 15th century are still being passed on until the present days. With the foundation of traditional Vietnamese proverbs, modern proverbs have undergone profound changes as seen in modern life through different forms of media including printed and audiovisual media as well as internet. It is obvious that traditional proverbs has regenerated in the new appearance. Proverbs are reproduced in modern literary works. Proverbs are also recreated and transformed in prose, poetry and drama. The movement and development of proverbs in our modern society confirm their deep values of the traditional culture. Writers, journalists and artists of other art forms have not only received the art tradition of word use of the ancestors but more importantly they have inherited the culural environment, humanistic values and life philosophies in order to transfer to the next generations. Henceforth, in the modern society Vietnamese proverbs are not obliterated but remain their vitality with different forms and have been of the Vietnamese people’s favourite.
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Alonso, Miguel, Bruna Costa, and Luca Ribeiro. "Trying to read: the "In Memorian" artwork." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.124.

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In this presentation we will analyze the multimedia artwork In Memorian, 2021, from the Research Group Realidades (School of Communication and Arts of University of São Paulo, ECA-USP, Brazil). The artwork is a web art that deals with the visualization of data from the coronavirus pandemic in Brazil. These data are appropriated from online databases and it works as the rule of loss of information from 1988’s Brazilian Federal Constitution, Title II - Of Fundamental Rights and Guarantees. The text is fragmented proportionally to Brazilian population and, then, loses its information, pixel by pixel, according to the daily number of deaths by covid-19 in the country. The authors of this presentation are members of the Realidades Group, thus, this analysis will be filled with our creative processes, poetic motivations and the development phases of the artwork. In Memorian exposes the precarious situation of the democratic rights guaranteed by the mentioned article of the Brazilian constitution. Brazil couldn't control covid-19 pandemic. Researches pointed out that it was due to a series of omissions and failures by public managers, mainly the federal government. However, the democratic rights have been under attack for longer. Brazil’s political scene has become dominated by openly conservative, "anti-politics" and "anti-science" wills, quite driven by desinformation and fake news. And all these relationships are fundamental to the development of the work. It seeks to materialize and illustrate hundreds of thousands of deaths in order to make visible the colossal size of human loss. The amount of deaths shatter the black words over the white background, damaging the text and making the reading more difficult. On the work’s website, the text is exhibited in perspective and can be vertically scrolled. It also contains an interactive ruler that shows the Brazilian daily and total number of deaths, enabling the interactor to move across the timeline. The visual character of a ‘monument for the dead’ complaints the governmental negligence that causes this amount of suffering, actions that must not be simply forgotten. In addition, it points out the need for more transparency of covid’s diagnosis and deaths registration and comments on the alarming political scenario that surrounds the sanitary crisis. Furthermore, this artwork is a data visualization piece, which is a very much explored technique used by multimedia artists. We will address its usage to enhances the visibility of things that are often hard to see. We will show another similar artwork in theme, 'Inumeráveis”, 2020, created by a collective of volunteer artists and journalists. Claiming that "alive or dead, we will never be [just] a number", the site is an online monument that features shared stories about the victims, giving individuality to each of them. In Memorian was in the online exhibition EmMeio#13 associated with the Panoramas 2021 event. Additionally, we point out its interaction in different social networks and its own numerical and online nature. The pandemic crisis in Brazil and around the world is not a past reality, still claiming countless lives. Unfortunately, the artwork remains operational.
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Reports on the topic "Artistic journalism"

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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were published in the Salzburg publishing house of Peter Volyniak «New Days». The purpose of the publication is to trace the path of Petro Volyniak from a writer to a literary critic, journalist and publisher. This trend is reproduced in chronological order. Peter Volyniak as a writer is informed in the article «Literary Evening of P. Volyniak» (author – M. Ch-ka). O. Satsyuk’s literary-critical article is devoted to the coverage of ideological and artistic aspects of Petro Volyniak’s collection «The Earth Calls» (Salzburg, 1947). Petro Volyniak as a literary critic is presented in an article devoted to a collection of literary tales by A. Kolomiyets (Salzburg, 1946), which was published by «New Days». Petro Volyniak as a journalist presents the essay «This is our song…». With the help of content analysis it was observed that the text is divided into two parts: the first contains the author’s reflections on the Ukrainian song, its role in the life of the Ukrainian people; in the second, main, Peter Okopny’s activity abroad is presented. The publisher Petro Volyniak in 1947 in a separate publication of the February issue of the weekly summarizes the third year of activity, providing statistics on the publication of periodicals, books, postcards, calendars, various small format materials. The analyzed material demonstrated the experience of combining creative work and commercial activity.
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