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Journal articles on the topic 'Artistic journalism'
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1
Hanitzsch, Thomas. "Journalism Research in Germany: Origins, theoretical innovations and future outlook." Brazilian Journalism Research 2, no. 1 (June 30, 2006): 39–53. http://dx.doi.org/10.25200/bjr.v2n1.2006.66.
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In Germany, the study of journalism has a long tradition. Löff elholz (2004b) identifi ed the work of the writer and literary historian Robert Eduard Prutz (1816-1872) as being the ancestor of journalism theory. In 1845, long before the establishment of newspaper studies (“Zeitungskunde”) as a fi eld of research, Prutz published “The History of German Journalism.” In later years the theoretical study of journalism was dominated by normative approaches, which continued for many decades. The belief that journalistic talent, similar to artistic talent, lies in the personality of the journalist (see Dovifat 1962) endured well into the 1970’s. At this time the scholarly discussion was mainly centered on the journalist as an individual who could barley live up to the normative expectations placed on news people. The result was a long-lasting (into the 1990s) array of often romantic demands on journalists which they could hardly fulfi ll.
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Wasserman, H. "Revisiting reviewing: The need for a debate on the role of arts journalism in South Africa." Literator 25, no. 1 (July 31, 2004): 139–58. http://dx.doi.org/10.4102/lit.v25i1.249.
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The assault on the editor of a publication at a South African arts festival by an artist who disliked a review of his concert again highlighted an age-old rift between artists and critics. However, the response that this incident elicited among readers of this and other publications, showed surprising support for the artist rather than for the journalist. If this is read as an indication of a disillusionment among readers with regard to the standards of arts journalism in South Africa, the relationship between arts journalists and society should be re-examined. Ethical journalism rests upon a relationship between journalist and audience, and a sensitivity for the context in which journalism is practised. This article examines arts journalism within changing societal contexts, with a specific focus on the South African situation, where artistic production still bears witness to cultural and ethnic divisions of the past. Against the background of the changes that have occurred in society on a local and global level, it is argued that a re-evaluation of the roles and responsibilities of arts journalists is needed – especially in the light of the formation of new cultural identities after apartheid. In conclusion, an ongoing and indepth debate about the ethical responsibility of arts journalism is suggested in order to ensure its continued relevance within an increasingly commercialised cultural context on the one hand, and within a changing South African society on the other.
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Postema, Stijn, and Mark Deuze. "Artistic Journalism: Confluence in Forms, Values and Practices." Journalism Studies 21, no. 10 (March 25, 2020): 1305–22. http://dx.doi.org/10.1080/1461670x.2020.1745666.
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Vladimirova, T. N., and R. P. Morozov. "Issues of classifying artistic and publicistic genres in journalism." Science and School, no. 5, 2019 (2019): 11–15. http://dx.doi.org/10.31862/1819-463x-2019-5-11-15.
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Abrahamson, David. "Teaching Journalism as Literature and Possibilities of Artistic Growth." Journalism Educator 46, no. 2 (June 1991): 54–60. http://dx.doi.org/10.1177/107769589104600207.
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Khavaldzhy, L. V. "The concept of land in V. Yavorivsky's artistic journalism." Science and Education a New Dimension IX(257), no. 75 (September 25, 2021): 33–36. http://dx.doi.org/10.31174/send-ph2021-257ix75-07.
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V. Yavorivsky's artistic journalism can be divided into two periods according to the real chronotope, the first of which includes works published in the 70-90s of the XX century, the second collection of modern journalism, written in the late XX - early XXI century. . The concept of land in V. Yavorivsky's essays is one of the main ones, which is primarily due to the subject matter of the works. Most often, the concept of the earth is created with the help of this token and this definition, cozy, beautiful, wonderful, and so on. The earth for the publicist has colour and taste, a smell, carries heat. Ukrainian land appears as a family history, as a museum. In the essays of the second period of creativity, the concept of land first of all appears as a territory inhabited by the Ukrainian people. V. Yavorivsky endows it with such conceptual features as God's, Ukrainian, our, patriotic, native, own, Zaporozhian, father. For the writer, land is first of all a territory, which is one of the features of the state.
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Madolimov, Hasanboy Shuhratovich. "FUNCTION OF INFORMATIONAL PUBLICIISTICS AND IMAGE (INFORMATION)." Journal of Central Asian Social Studies 02, no. 03 (May 31, 2021): 84–90. http://dx.doi.org/10.37547/jcass/volume02issue03-a12.
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It is well known that journalism is a unique way of covering social life and is widely used in the press. Journalism is divided into a number of types to cover all aspects of public life. These include socio-political journalism, economic-industrial journalism, journalism reflecting the cultural and spiritual life (there are a number of subtypes, such as scientific journalism, literary journalism, sports journalism, art journalism). There is also a peculiar way of social life, albeit from a socio-political point of view - comic journalism, which illuminates it in a humorous way. In terms of its structure, journalism is divided into informational, analytical and artistic journalism, which depends on how it covers life.
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Jones, Chelsea, Nadine Changfoot, and Kirsty Johnston. "Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation." Studies in Social Justice 15, no. 2 (March 7, 2021): 307–33. http://dx.doi.org/10.26522/ssj.v15i2.2433.
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This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts in relation to their own engagement with media as subjects, authors, and critics of disability arts reviews. The methods for presentation were cripped in multiple ways to provide the fullest access possible. The panel concluded with examples of ableist fault lines in representation practices where the disabled figure is an absent “ghost” in journalistic representation, warnings against journalistic reliance on traditional and objective narratives, and a call for artists to claim and write their own stories. Ultimately, disabled, D/deaf, and mad artists need both control over artistic endeavours and output and influence over representation. This article reconnects journalism and disability communities, ultimately demonstrating that representation is a critical, co-constitutive process that can become more aesthetically and politically oriented toward social justice in its focus on disability, D/deaf, and mad arts.
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Zhylenko, I. "Comparative discourse: artistic journalism of dmytro dontsov and mykhailo artsybashev." Fìlologìčnì traktati 10, no. 3 (2018): 92–104. http://dx.doi.org/10.21272/ftrk.2018.10(3)-14.
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Chibnik, Michael. "Popular Journalism and Artistic Styles in Three Oaxacan Wood-Carving Communities." Human Organization 58, no. 2 (June 1999): 182–89. http://dx.doi.org/10.17730/humo.58.2.c8p122052n228855.
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Ohar, Emiliya. "The publicism of Kostiantyn Rodyk in the context of contemporary book journalism." Proceedings of Research and Scientific Institute for Periodicals, no. 9(27) (2019): 411–21. http://dx.doi.org/10.37222/2524-0331-2019-9(27)-25.
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The paper seeks to develop new avenues for a study of book journalism. Specifically, it deals with a problem of institutionalization of book journalism as a self-sufficient thematic direction in contemporary cultural journalism. More specifically, the article aims to explore a publicism of Kostiantyn Rodyk, the well-known Ukrainian cultural journalist formerly a book journalist. He is the former editor-in-chief of one of the most professional specialized magazine Knyzhnyk-Review (2000―2007s), the television and radio presenter, the founder and top manager of the annual National book rating Knyzhka Roku, columnist of the newspapers Den’ and Ukraina Moloda, author of the book series Ukrainian Best. Knyzhka Roku, some non-fiction books Actualna Literatura and Sizif XX. Knyzhka vs. polityka. The latter feature numerous essays dealing with actual publishing and literary process in Ukraine. We show that combined in one book; it created continuous nonfiction (publicist) meta-narrative or nonfiction (publicist) meta-text. The latter makes it possible to distinguish the most specific features of quality book journalism. The paper attempts to define concepts of the «book publicism» and «book journalism», highlight differences between book journalism and literary-critical journalism. The author proposes to consider book publicism as a generalized phenomenon uniting both texts and the process of their creation. On the contrary, we argue that book journalism is one of the possible mediatized practices. It is a discourse that implies both the creation and the public reflection on the products of journalistic activity. In the course of the textual analysis of publicism works of Kostiantyn Rodyk, we have identified essential features of his book, non-fiction criticism. Those were: a broad subject (so-called «book culture»); socio-communicative approach to comprehension of literary and publishing artifacts; multi-functionality (informing about new books and literary works by the Ukrainian and foreign authors as well as publishing houses; criticism; creating culture; worldview, aesthetic and artistic tastes shaping and so on); hypertextuality and cross-mediality; preference given to genres such as essay and review; masterful use of expressive stylistics and linguistic means of popularization of knowledge. We conclude that such specific features can be considered as criteria for quality book journalism, a benchmark for mastering creative writing about the «world of books». Key words: publicism, book journalism, literary criticism, Kostiantyn Rodyk, literary and publishing process, essay.
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Blyzniuk, K. "STYLISTIC FUNCTIONS OF ANTONYMS IN UKRAINIAN TRANSLATION OF SLAVENKA DRAKULICH’S ARTISTIC JOURNALISM." International Humanitarian University Herald. Philology 1, no. 50 (2021): 28–31. http://dx.doi.org/10.32841/2409-1154.2021.50-1.6.
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Osovsky, O. E., and V. P. Kirzhaeva. "I. E. Lunina. The artistic world of Jack London: A monograph." Voprosy literatury, no. 6 (March 22, 2022): 278–81. http://dx.doi.org/10.31425/0042-8795-2021-6-278-281.
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I. Lunina’s monograph deals with the realisation of a triad ‘man — nature — civilisation’ in Jack London’s artistic world. Lunina employs a method that addresses the problem of the genre, describing London’s artistic world as a conglomerate of artistic worlds of his short stories, novels, and journalism. The analysis of his novels, primarily The Sea-Wolf, The Star Rover, The Iron Heel, and Martin Eden, as well as Stories of the North and Stories of the South and sketches, prompts a conversation about London’s profound understanding of the unique character of the interactions between nature, culture and civilisation, and of their power to affect the self-identification of a human being in an ever-changing environment.
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Perdices de Blas, Luis, and Manuel Santos Redondo. "PRESENTACIÓN." Studies of Applied Economics 32, no. 1 (March 3, 2020): 7. http://dx.doi.org/10.25115/eea.v32i1.3197.
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"Economy and Culture" has several meanings, related to each other, but different. In this monograph we refer above all to the dissemination of economic ideas through literary and artistic works: novels, movies, music, painting, journalism. Academic journals and books and professional debate are the usual field of economic science, but their dissemination not only takes place through these means. Being social sciences, and dealing with problems that interest the general public, they are often an important part of the content of literary and artistic works. The ideas that appear there, adapted to the author's intention, may be close or far from those that most academic economists write about these same issues; but in both cases they contribute significantly to shaping public opinion, something always relevant in the social sciences. They are also part of the intellectual climate in which new ideas are developed among academics, what Schumpeter called the "preanalytic cognitive act" that drives the choice of our research topics.
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Sokolova, Olga, and Susanna Stanislavskaya. "Speech portrait of a journalist V. M. Peskov as a carried of the full-range type of speech culture." Litera, no. 3 (March 2020): 41–47. http://dx.doi.org/10.25136/2409-8698.2020.3.29941.
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This article is dedicated to the speech portraying of linguistic personality of the journalist – one of the relevant problems of modern linguistics, substantiated by development of the methodology of reconstruction of linguistic personality, as well as the current state of journalism and linguistic problems of modern mass media. The authors attempt to create a speech portrait of personality of V. M. Peskov, whose words signify an example of journalistic mastery and high level of speech culture. Major attention is paid to the individual characteristics of artistic matter of the journalist that describe his linguistic personality, worldview and values. The conclusion is made that the individual speech portrait of V. M. Peskov allows determining his linguistic personality as the carrier of full-range type of speech culture that possesses not only professional, but also life experience and established system of ethical values. His signature speech indicates creative individuality and skillful use of expressive means, as well as following the laws of journalism genre and compliance with the norms of literary language. The novelty of this research consists in the authors’ attempt to reveal the individual speech characteristics of V. M. Peskov on the one hand, and qualities typical for a top-notch newspaper journalist, which would allow to develop criteria for classification of the carrier of high speech culture.
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Skiban, Olena. "«Knyzhkova Teka» in the focus of research of the specialized press of the period of independence of Ukraine." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 30–42. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-4.
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The article describes the main typological characteristics of the specialized newspaper of the literary-publishing direction «Knyzhkova Teka». It was issued in Ukraine during 1994―1997s. The thematic and heading corpus of the newspaper, genre specifics, artistic and technical design, have been analyzed. In the context of research of the trade newspaper of book thematic the defining typological criteria were the audience orientation, as well as others: a nature of the impact (semantic characteristics ― the subject of presentation, or the scope of reflective reality, the nature of the presentation); authorship; the size of the readership (circulation), and so on. An attention is also focused upon a study of the problems of the literary and publishing process of that time, specifically its reflection on the pages of the analyzed media. A particular attention is paid to the review, specifically processing the issues of the newspaper «Knyzhkova Teka». The main typological characteristics are described: authorship, artistic and technical design, as well as thematic-heading content. The content analysis of information-analytical publications of the various types and genres is carried out. The newspaper is considered as an attempt of emerging trade medium in book journalism. It can serve as one of the examples of discursive practice of that time ― cultural journalism, book journalism. Such methods of research have been employed here: system, terminological analysis, contextual, communication, content analysis method, comparative, as well as a historical one. Keywords: book journalism, professional press, newspaper, book media, information policy of mass media, channels and means of promotion, «Knyzhkova Teka».
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HUXTABLE, SIMON. "Making News Soviet: Rethinking Journalistic Professionalism after Stalin, 1953–1970." Contemporary European History 27, no. 1 (December 14, 2017): 59–84. http://dx.doi.org/10.1017/s0960777317000467.
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This article challenges the assumption, frequently made in scholarship on Soviet media, that news was absent in the Soviet Union. Working across press, radio, and television, the article shows how after 1953 reform of Soviet news became a priority for journalists, editors and media professionals. The article focuses on discussions among journalists and officials about the future of journalism, arguing that journalists’ notions of professional excellence played a crucial role in shaping news coverage. In a climate of Cold War competition with western radio, new technological possibilities and changing political priorities, journalists gradually overcame their condescension towards news, emphasising its civic potential as an agent of social ‘democratisation’, and the artistic nature of reportage. This new configuration was precarious, however, and collapsed after the Czechoslovakian crisis of 1968. As the Party placed new restrictions on the flow of information, news lost its professional prestige.
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Martin, Fred. "The Horse and the Cart: The Contemporary Artist and the Aesthetician." Empirical Studies of the Arts 13, no. 2 (July 1995): 119–30. http://dx.doi.org/10.2190/wtge-fm8u-7etu-dgdp.
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This informal survey of magazine covers and lead articles from Art in America 1990–1993 indicates new artistic forms such as advertising and photo journalism, new media such as digital imaging and installation, and new contents such as the politics of race, gender, and revolution, all of which may challenge the assumptions of both empirical and philosophical aesthetics.
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Bak, John S. "A Reporter Without Borders: Tennessee Williams’s Literary ‘War’ Journalism, 1928." Cadernos de Literatura Comparada, no. 44 (2021): 51–71. http://dx.doi.org/10.21747/2183-2242/cad44a3.
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Drawing on the discipline of border studies, the article examines the epistemological dilemmas with travelogues per literary journalism studies, given that they involve the simultaneous crossing of both physical (geopolitical frontiers) and conceptual (textual/genetic) borders. The article uses as its case study a travelogue written by American playwright Tennessee Williams during his Grand Tour through Europe in 1928 when he was just seventeen. A rare example of the playwright’s flirtation with the genre of literary journalism at a time when objective journalism was establishing itself as the newsprint norm, the travelogue – published in ten installments in his high school newspaper in the months following the trip – offers a first glimpse in Williams scholarship not only into the playwright’s artistic future but also his struggle with distancing factual from fictional representation. Read against his early letters and late memoirs that describe essentially the same content as the travel pieces, the article makes use of border studies methodologies to help negotiate the delicate divide that separates verifiable fact from allowable fiction in literary journalism.
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Dzhumagazieva, N. K. "GENRE AND STYLISTIC DIVERSITY OF ECOLOGICAL PUBLICISM OF KYRGYZSTANA." EurasianUnionScientists 7, no. 5(74) (June 14, 2020): 15–20. http://dx.doi.org/10.31618/esu.2413-9335.2020.7.74.770.
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The article discusses the features of the genres of environmental journalism in the aspect of the global problems of understanding the interaction of man and nature. In the modern period of the development of multimedia technologies and convergent journalism, journalism genres are experiencing “reboots”, therefore, the definition of genre identity and the further implementation of such an important topic as ecology in journalistic materials seems relevant.Journalism is constantly transforming, reflecting changes in society. Understanding her contemporary experience is one of the tasks of the methodology of the creative process. Journalism synthesizes theoretical research methods and ways of artistic reflection of reality. This synthesis process is especially evident in the way typification and individualization are carried out in society in terms of the development of environmental consciousness. In this regard, journalism and journalism are able to establish and develop environmental communication, the basis of which is the real relationship between man and nature, as well as the reflection of social reality, public opinion on informational issues related to environmental (environmental) issues.The journalism activism of Kyrgyzstan has a large-scale experience of reflecting environmental issues, which is associated with a value and cultural orientation, the foundations of which are laid in the socio-cultural traditions of the Kyrgyz people and are most vividly embodied in the work of the great Chingiz Aitmatov. This article attempts to typify the main genres and forms of journalism, reflecting environmental issues. The study allows us to conclude that at the present stage, definitions of journalism genres require transformation in the aspect of both purely national and general cultural issues. The practical significance lies in the inclusion in the list of basic disciplines of journalism faculties of the special course "Genres of Contemporary Environmental Journalism", which will make the learning process more substantive, relevant and relevant in the practice of modern media
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Lenok, Maria. "ARTISTIC REPORTAGES BY O. KRYSHTOPA’S UKRAINE: THE SCOPE 1:1." Fìlologìčnì traktati 12, no. 1 (2020): 73–81. http://dx.doi.org/10.21272/ftrk.2020.12(1)-7.
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The article is devoted to artistic reportages by O. Khrystopa a Ukrainian author of non fiction literature. The artistic reportage of the early 21st century underwent significant changes, evolving from the literary coverage of the 1920s. Contemporary authors refine their texts with different artistic techniques, genre-style techniques, which leads to the emergence of common genres. Such texts tend to be meta-genre in documentary and artistic discourse. The artistic reportages have a dual nature because they synthesize genre features of literature and journalism. There is a tendency to saturate artistic reportage with artistic techniques, expanding the possibilities of literature today. The aim of the article is to find out the place of artistic reportage in the contemporary Ukrainian literary discourse and to analyze some texts, in particular the book by O. Khrystopa’s Ukraine: the Scорe 1:1. The author represented a map of his travels and assignments to different corners of the country, covering a number of small and large cities. It is noteworthy that he reproduced urgent topics: unemployment, employment, language, politics, ecology, coal fever, Chornobyl. The artist skillfully uses linguistic and imaginative means that focus on poetic micro-images in the texts of artistic reportages in the book Ukraine: the Scорe 1:1. The sound and visual images give the texts the proof. The artist imposes the text with the metaphorical, metonymic or amplifying character, uses simple comparisons, synecdoche, often parses a narrative that helps to focus on the background of the image; expresses the artistic background with literary allusions, preserving the tradition of considering one text within another. The study of the genre specificity of the artistic reportage will be the subject of the further research.
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Abdullayeva, Zamira. "PLACE AND COMMUNICATIVE LOAD OF THE WRITTEN AND SPOKEN WORD IN TELEVISION JOURNALISM." INTERNATIONAL JOURNAL OF WORD ART 5, no. 3 (May 30, 2020): 209–17. http://dx.doi.org/10.26739/2181-9297-2020-5-32.
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The spread and expansion of the communicative and reproductive, artistic spheres of television requires the establishment of a permanent two-way communication between the viewer and television.Based on the emerging theory and practice of television, taking into account the experience of past years, in the article a) the composition of the script, writing technique; b) analysis of the demonstration process; c) a TV program with the participation of a TV viewer; d) media preparation and tape sealing; e) We sought to retrospectively study issues related to broadcasting
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Moro, Sabrina. "Re-fashioning stories through feminist filmmaking, an interview with Samita Nandy." Journal of Applied Journalism & Media Studies 10, no. 2 (June 1, 2021): 229–43. http://dx.doi.org/10.1386/ajms_00059_7.
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To conclude this Special Issue ‘Re-Fashioning Stories for Celebrity Counterpublics’ of the Journal of Applied Journalism & Media Studies (AJMS), I am delighted to share an interview with Samita Nandy, celebrity scholar, filmmaker and director of the Centre for Media and Celebrity Studies (CMCS). Her research focuses on the cultural dimensions of fame, with a specific interest in celebrity activism, storytelling and the performance of authenticity and intimacy in glamorous narratives. In addition to her academic work, Nandy is also a certified broadcast journalist from Canada and media critic. I had the opportunity to assist her and Kiera Obbard with the organization of the 8th CMCS Conference, which inspired this Special Issue. This interview is thus an opportunity to further expand our reflection on the political possibilities of storytelling and celebrity counterpublics. Our discussion builds on the themes and arguments developed throughout this issue to further explore what popular storytelling means in practice. She reflects on her engagement with celebrity culture and life-writing in her feminist research and artistic endeavours, and how it has empowered her to tell personal and collective stories. The interview format and its themes provide a unique opportunity to contemplate the affordances of a reflective practice paradigm and the artistic applications of disciplinary knowledge, one which bridges academic work with media professions, and which we hope will resonate with AJMS readers.
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Shilnikova, Olga, Olga Prokhvatilova, Alexander Mlechko, and Elena Ovechkina. "Author’s Journal as Type of Literary Edition." SHS Web of Conferences 50 (2018): 01165. http://dx.doi.org/10.1051/shsconf/20185001165.
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Taking into account the structural features, peculiarities of the journal context and methods of its integration, the article demonstrates a typological model of the “author’s” literary journal considered as one of the typological models of a large-volume journal (literary, universal, common journal type). The article reveals typological versions of the “author’s” journals of Russian press in the 18-19th centuries. The authors established that the general typological model united the “author’s” journals with similar typological features. The owner, the publisher and the editor acted on his/her own, as well as he/she was the only or the main author of journal texts of different genres. Besides, he/she had an opportunity to create all journal discourses directly: artistic, publicistic, literary review which lead to the extreme consolidation of the journal context on the semantic (problem and thematic), formal (compositional and stylistic), worldview levels. The article proves that in the course of evolution, differentiation of the “the author’s journal» model with the formation of its typological features has taken place. Russian journalism included the author’s journal novel, the author’s literary and artistic journal, the author’s encyclopaedic journal, the author’s monographic journal. The authors of the article demonstrate that typological versions of the author’s journal are distinguished by degree of the publisher’s and editor’s involvement into the journal management process, their structure, ratio of the main journal discourses, volume and genres of the texts published, as well as methods of journal context consolidation.
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Blagova, A. R., and N. V. Kutukova. "Journalists about Journals: Textbook Review Russian Magazines of the 19th— early 20th Centuries." Concept: philosophy, religion, culture 5, no. 1 (April 1, 2021): 193–95. http://dx.doi.org/10.24833/2541-8831-2021-1-17-193-195.
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The 2021 publication of the MGIMO editorial, a textbook called Russian Magazines of the 19th — early 20th Centuries is a collection of articles by the faculty of the School of international journalism. The collection gives an idea of the formation and development of Russian journalism at the turn of the centuries, the Silver age of the Russian culture. It is this period that is marked by epochal events that have radically changed the life of society. Thick magazines, the subject of research in this collection, were the mouthpiece of not only socio-political, but also cultural events. Having appeared at the end of the 18th century, they acquired real spread in late 19th century, making the sphere of Russian journalism flourish and develop the professional standards. The thick periodical magazines were brought to life by the peculiar conditions of Russia’s development. Such magazines were not only a literary and artistic collection, but also a political newspaper that embodied the dialogue traditions of both conservatives and radicals. Readers of literary magazines and the authors of articles shaped the intellectual environment that determined the cultural advancement of the country and became significant point on the cultural landscape themselves. In the historical and cultural context of this period, the textbook helpfully explains a few little-known facts from the life of the authors whose publications and editorial activities determined the fate of the journals. Until now, such journals as Bozhii mir (God’s World) and several others have not been the subject of scientific interest. Therefore, the novelty and of the research conducted is important. The authors offer the explanation of why they choose this specific set of magazines. It is due to the place they had the process of formation and development of Russian journalism. The textbook emphasizes that the magazines published not only fiction works, their role was much more significant: they were the arena of political and literary struggle, gave the floor to express certain aesthetic or social principles and represented a type of a popular encyclopedia, thus acting as providers of education. In this way, among the instances why the textbook is of interest for educational purposes one should mention that the history of journalism of the period is reflected in the history of Russian culture.
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Skibina, Olga. "Journalism or Writing? (On the Syncretism of the Documentary and Fiction in Russian Writers Creative Works)." Theoretical and Practical Issues of Journalism 8, no. 2 (May 24, 2019): 421–32. http://dx.doi.org/10.17150/2308-6203.2019.8(2).421-432.
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The article continues the discussion of the “phenomenon of journalism” in the creative heritage of Russian writers of the early twentieth century. The diary as a genre has always been at the center of research interests, but so far the criteria for “diary” have not been defined either by literary critics, or by theorists of journalism. At the turn of the century, diaries were kept by many artists of the word, it was the only genre that allowed expressing thoughts on pressing issues, which made it possible to attribute this genre definitely to journalism. At the same time, there is a tendency in the works of scientists to note the “informational possibilities of this type of ego-document for the study of the humdrum of a particular topos” (E.M. Krivolapovа), thus relating it to documentary prose. The subject of the analysis is the genre of diary prose by Ivan Bunin and Mikhail Prishvin. Written at the same time, the diaries of these writers reflect — each in its own way — one era — the bloody revolutionary present. The article poses the problem of the relationship between documentary and fiction in the diary genre. By comparing the diaries of Bunin and Prishvin, the author proves that a nonfiction text may well have a certain aesthetic value, but not the aesthetic, but rather the ethical aspect becomes dominant in nonfiction. This is manifested in the topical, socially significant problems of the work, and in the author’s striving to reduce the distance between his consciousness and the consciousness of the reader, and in the special lexical and grammatical structure of the phrase (Bunin's Cursed Days). Prishvin's diaries on the selection of vital material suggest that his position is artistic when the artistic image becomes the only true one in the presentation and perception of the world.
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Farajova, Z. "EUROPE IN ARTISTIC JOURNALISM OF AHMED BEK AGAOGLHU (review on the materials of the newspaper “Irshad”)." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism" 2, no. 2 (2022): 199–204. http://dx.doi.org/10.32838/2710-4656/2022.2-2/31.
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Płaszczewska, Olga. "L’Italia di Paweł Hertz." Poznańskie Studia Polonistyczne. Seria Literacka, no. 39 (December 15, 2020): 61–80. http://dx.doi.org/10.14746/pspsl.2020.39.4.
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The article is an attempt at reconstructing the remarks by Paweł Hertz (essayist, poet, translator, writer and publisher) on Italy and its artistic legacy. A short presentation of the writer is followed by a discussion of his actual journeys in Italy based on the available autobiographical material. Next,there are reflections on Hertz’s interest in Italian literature and European texts about Italy (based on essays and editorial work). Treated as a separate issue is the view of Italian art through the prism of Polish artistic work (the spheres of associations, interference and references) in Hertz’s journalism. Other issues discussed in the article cover poems about Italy, their placeamong the writer’s works and the main threads and motifs. The article’s final notes focus on the observations on the value of Polish reception of Italian cultural legacy and its basic aspects that Hertz regularly emphasised at various stages of his creative life.
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Bogucki, Michael. "George Moore's Genres." Victoriographies 6, no. 3 (November 2016): 200–218. http://dx.doi.org/10.3366/vic.2016.0238.
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This essay examines George Moore's autobiographical writing, prose fiction, and criticism for new ways of understanding shared tensions between narrative and theatre conventions in the 1880s and 1890s. Defiantly experimenting with speculative and fictionalised reminiscence, inter-arts comparisons, and consideration of an artist's care for their own reputation, Moore offers a rich field for explorations of the longevity and obsolescence of textual forms. Moore's reminiscences of British and French Impressionist painters focus more intently on the emergence of their reputations than their actual technical innovations, extending a habit developed in his novels of the 1880s of treating artistic production as small cells of a much wider network of affiliated entertainment industries. Likewise, his alternately gossipy and prescient art and theatre criticism maps surprising relations between the reception of Japanese prints, naturalism in England, changing theatrical conventions, and the influence of print journalism in ways that defy the usual periodising histories of Victorian and Edwardian fiction.
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Khitarova, Tatyana Alexandrovna, and Yelena Georgievna Khitarova. "“The journalistic criminal novel” “In Cold Blood” by Truman Garcia Capote in the context of “new journalism” problem." Vestnik of Kostroma State University 27, no. 3 (October 28, 2021): 194–201. http://dx.doi.org/10.34216/1998-0817-2021-27-3-194-201.
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The success of the ‟new journalism” in the United States in the 60s of the last century had an impact on the literary process. Truman Garcia Capote's novel ‟In Cold Blood” is an attempt to create a new form of fiction and nonfiction novel, which combines the features of nonfiction and journalism. So there is a genre of ‟criminal journalistic novel”. The author is involved in the investigation of a criminal case. The analysis reveals common typological features of a crime novel. Capote's approaches to the text are investigated, which are similar to journalistic professional methods – interview, reportage, essay. A comparison with previously published works was accomplished, which localises this novel in a different epoch at a new artistic level. The study also identifies the points of contacts and variances in the evaluation of the novel in Western and Russian criticism. The article offers conclusions. Capote's novel ‟In Cold Blood” allows to be focused not only on real criminal events, but also on the moral state of American society in the proposed time frame. The novel differs from the journalistic reportage, there is a special form of a work of art-a journalistic novel-investigation. The synthesis of literature and journalism also proved fruitful for Norman Kingsley Mailer 's nonfiction novels.
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Kataev, Pavel V. "SPECIFIC FEATURES OF MUSIC REVIEWS IN CONVERGENT JOURNALISM." Вестник Пермского университета. Российская и зарубежная филология 12, no. 3 (2020): 140–48. http://dx.doi.org/10.17072/2073-6681-2020-3-140-148.
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The article is devoted to the analysis of music reviews as affected by transformation of the genre and its framework in the convergent media environment. The proposed original structure of analysis is developed and reasoned based on the ideas presented in works by Russian and foreign scholars on the specific features of the review as a genre (Ye. A. Nabiyeva, A. A. Tertychnyi, and others), media convergence (H. Jenkins, T. Rogers, and others), interpretation of music images (T. Adorno, Yu. Strakovich, and others), suggestiveness of media texts (A. Beck, D. Burns, J. Baron and others). The analysis structure includes three basic sections: content, environment of publication, communicative tactics; each section is expanded in several criteria grades. The review is considered as an analytical genre that is traditionally based on suggestion as the leading communicative strategy. However, today this genre is transforming intensively in the mutable deinstitutionalized environment of the network mass media. Distortions, which are inevitable in conversion of an artistic image into a text, become especially identifiable in music reviews and increase subjectivity initially typical for this genre. The structure of analysis elaborated in the article engages particularly a classification of heuristics, or cognitive biases, which are considered to be cognitive distortions turning in opinion journalism into the means of expression and suggestion. These means are regarded as the foundation for the genesis of local media myths. The proposed method is tested on the review published at the Colta web portal. In conclusion, the paper emphasizes the significance of the research done for some general issues of communication studies, and in particular notes the method’s applicability to the analysis of inner cognitive triggers a person feels exposed to in the network society.
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Naenko, M. "LITERARY CRITICISM AND THE KIEV BRANCH." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 305–18. http://dx.doi.org/10.17721/2075-437x.2019.35.30.
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The article deals with literary criticism as a comparative mediator between the word of art and the reader. And also – between fiction and other arts and different media. The author emphasizes that the main criterion is art as a form of artistic thinking, as a factor that distinguishes art from journalism and other types of the spoken genre. Writers have always emphasized that criticism is needed to reveal (interpret) the aesthetic, intellectual potential of literature. It focuses on the significant phenomena of literature that are urgently needed to be promoted by the means of television radio and by various genres of literary criticism.
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Memetova, L. A. "Literary and artistic process on the pages of "Alem-i Subyan" ("Children's World")." Язык и текст 6, no. 1 (2019): 22–28. http://dx.doi.org/10.17759/langt.2019060103.
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In the recent decades, interest in the Crimean-Tatar periodicals of the late XIX and first half of the XX centuries has been intensified in the domestic scientific community, as to chronicles that have captured the literary background of the pre-war period. The modern researches in this area are the result of the consolidation of scientific forces to fill in the gaps in the historiography of Crimean Tatar philological thought. The purpose of the article is to review and analyze the literary and artistic process on the pages of the first specialized periodical for children in the Crimean Tatar language - the journal Alem-i Subyan ("Children's World"). The work analyzes original and translated creations published in various issues of the publication, assigns the individual works, defines the role of Alem-i Subyan ("Children's World"), which served as a platform for the presentation of the writers works' in the development of Crimean Tatar children's literature, and in general, in the evolution of the Crimean Tatar aesthetic thought early XX century. The implemented research contributes to the formation of the new knowledge in the history of the Crimean Tatar literature and in the development of the ethnic journalism.
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Pronina, E. V. "The artistic originality of M. E. Saltykov-Shchedrin's journalism in the aspect of the formation of readers ' competencies." Tula Scientific Bulletin. History. Linguistics, no. 3 (2021): 65–74. http://dx.doi.org/10.22405/2712-8407-2021-3-65.
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Misyurov, N. N. "Book in the literary discourse of the German Enlightenment." Bibliosphere, no. 4 (December 30, 2018): 27–31. http://dx.doi.org/10.20913/1815-3186-2018-4-27-31.
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The books’ role in the German Enlightenment discourse explores the intersection of different but complementary disciplines: bibliology, philosophy of culture and «text linguistics», as well as the history of literature that expands the possibilities of studying cultural and public communication. A text (magazine, book) is interpreted as a mechanism that controls the process of learning and understanding. To illustrate the study theoretical foundations, the author considers the historical practice of the literary era in Germany in 1770-1790. The struggle of «cilturtregers» to renew German culture moved from the political sphere to journalism and literature. The author concludes that the book (both scientific and artistic) and reading became a factor of social communication. The struggle for the renewal of German culture, its national identity preservation due to a number of historical reasons hindering the development of the country moved from the political sphere to the journalism and literature field. It was closely connected with the whole complex of the European Enlightenment ideas. The book - both scientific (philosophical work, art treatise) and artistic one (literary and journalistic composition, dramatic creation, etc.) became an indispensable tool of the nation aesthetic education. In such circumstances, a book obtains the significance of not only the «source of knowledge» but a kind of «catechism» to struggle for national culture. Thus, considering a book text as a phenomenon of the German culture of the Enlightenment century with ideological and aesthetic significance, it should be especially notes that such a «text» (a book of scientific, philosophical, moralistic or artistic content) is addressed both to a specific reader, a representative of some class, and to a «collective reader». The German novel (it is the genre of «trivial» literature that is considered directly) is a product of the era. The dialogue «author - reader» (or a complicated triad «author - publisher - reader») was the basis of the nation estetic education. Reading became a fact (and a factor) of social communication. The German book has been transformed from an expensive and exclusive «source of knowledge» targeted for scientists, connoisseurs of «beauty» to a catechism (available for the ordinary reader) of the national struggle to preserve the German culture self-existence and to acquaint the nation to the treasures of the world classical «ancient» and modern literature.
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Andersson, Linus. "There is No Alternative: The Critical Potential of Alternative Media in the Face of Neoliberalism." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 10, no. 2 (October 10, 2012): 752–64. http://dx.doi.org/10.31269/triplec.v10i2.357.
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The article discusses the concept of “the alternative” and the media through four sections. The first section discusses neoliberalism and the connection between neoliberal doctrine and mainstream media. This connection is described as promoting “public amnesia”, financialization and economization of news journalism, and social divide. The second section discusses alternative media from the perspective of new social movements and symbolic resistance, claiming that the symbolic resistance framework undermines the critical potential of alternative media. The third section comments on some recent critical literature on neoliberalism and capitalism. The fourth section takes examples from artistic explorations of capitalism and television to propose how a media of the alternative might learn from art practices.
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Kononchuk, M. M. "“CHORNA RADA” BY PANTELEIMON KULISH IN YURIY LAVRINENKO’S RADIO JOURNALISM “LITERARY WORLD”." Literary Studies, no. 59 (2020): 70–81. http://dx.doi.org/10.17721/2520-6346.1(59).70-81.
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The article deals with the forbidden in the Soviet times novel of the Ukrainian classical writer Panteleymon Kulish (1819–1897) “Chorna Rada” to which the series of radio broadcasts by renowned cultural scientist and literary critic Yuriy Lavrinenko (1905–1987) in the “Literary World” project on the radio “Svoboda” (Liberty) in New York in the 60th of the XX century was dedicated. The journalistic heritage of Yuri Lavrinenko is an interesting phenomenon in the history of journalism of the Ukrainian diaspora. In his radio programs, he spoke about many Ukrainian writers – the 19th and 20th centuries, such as Ivan Franko, Lesia Ukrayinka, Panas Myrny, Vasyl Stefanyk, Stepan Vasylchenko, Pavlo Tychyna, Mykola Vorony, Mykola Kulish, Mykola Khvyliovy, Andriy Malyshko, Dmytro Pavlychko, Vasyl Symonenko, Lina Kostenko, Vasyl Stus, Svitlana Yovenko, Valery Shevchuk and others. He spoke about the peculiarities of artistic texts and the political position of the authors. These programs were very valuable because they carried the truth into the world about Ukraine, Ukrainian culture and Ukrainians. Yuri Lavrinenko prepared many programs about Taras Shevchenko – a great citizen of Ukraine, famous poet and artist. After him, Yuri Lavrinenko devoted most of his radio programs about Panteleimon Kulish. These programs draw attention to the severity of the problems and the courage to be open and to solve them.
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Malinina, Tat’yana G. "TRAGIC HUMANISM TRAITS IN THE SOVIET MONUMENTAL ART OF THE 1940S." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 1 (2021): 137–65. http://dx.doi.org/10.28995/2073-6401-2021-1-137-165.
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The theme of immortality as eternal life, which took an important place in the art of the period of the Great Patriotic War / World War II, was most fully expressed in the projects of memorial architecture. The competitions for projects of city centers, monuments and memorials, which were already widely held in those years, became a noticeable phenomenon of artistic life, and the graphic works themselves show that the very content of the concepts of memory and remembrance during the war years underwent significant changes. The attitude to memory becomes an essential dimension of the concept of memoriality; with the saturation of memory by symbols, a new interaction of the perceiving, experiencing and interpreting consciousness appears. That is how the mythologeme of Return is realized and the cultural tissues damaged by the revolution are regenerated. The study of the archetypal concepts of Life, Death, and Immortality in architecture, the visual arts in connection with similar phenomena in journalism and wartime poetry, allows one to understand how the return to lost values is reflected in artistic imagery, affects the cultural climate of the era, endows it with the features of tragic humanism
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Smyslova, Olga N. "The Metaphor “Golden Bag” in “A Writer’s Diary” by F. M. Dostoevsky." Two centuries of the Russian classics 4, no. 1 (2022): 166–77. http://dx.doi.org/10.22455/2686-7494-2022-4-1-166-177.
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The article is devoted to the peculiarity of artistic expression of the theme of money in “A Writer’s Diary” by F. M. Dostoevsky. The article indicates that Dostoevsky’s journalistic style is characterized by the use of metaphor as an artistic term that can accurately designate the phenomena of current reality and give them a social, cultural or philosophical interpretation. Such metaphorical concepts (“soil,” “earth,” “roots,” “golden age,” “golden bag,” etc.) in the writer’s journalism usually grow out of stable ideologemes, idioms or mythologemes universal for Russian culture, but acquire new meanings. The author of the article determines that the metaphor “golden bag” is used in those essays of “A Writer’s Diary” which discuss the problem of the cult of material goods, which penetrated all strata of Russian society of the 1870s. Dostoevsky, appealing to the well-known idiom “golden bag,” starts from its fixed definition of a “very rich man,” creates a metaphorical image of money, profit and greed, gaining power over modern man, then synonymously brings us closer to the idiom of the “golden calf,” which is not represented in “A Writer’s Diary.”
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Rusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher." Artes. Journal of Musicology 18, no. 1 (March 1, 2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.
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Abstract In late 19th-century periodicals, music criticism captured only a few details on the composition techniques, the structural organization, the rhythmic-melodic or vocal and stage interpretation of various performances. The press shed light on these pieces only at an informative level, mentioning titles, composers, and interpreters and even omitting some details due to, on the one hand, the authorities’ indifference to the musical phenomenon and, on the other hand, the editors’ sheer ignorance of particular stylistic or musical language features. However, the attempts made by the personalities active in the cultural and artistic life were real and unrelenting, their results being guided by the desire to promote music with specific national traits. This study provides an analytical perspective on the current reception of that social-artistic context. Taking into account that new sources have favored a more detailed and profound investigation of the 19th-century critical phenomenon, our analysis supplements the information presented in the music history studies already published in Romania. Consequently, the first section of this paper approaches the extremely dynamic phenomenon represented by the creation of new journals / newspapers in the 19th century. It is our belief that starting from general journalism we can acquire a better understanding of the development of musical criticism. This research aimed to discover new dimensions of Iași-based music, placing special emphasis on the critical reception of the composer Alexandru Flechtenmacher. We have followed its reflection in the Romanian press, starting from the first accounts in this respect, and ending with the subsequent assessments formulated in 20th-century musicology. Although the texts that tackle musical issues are quite few and social aspects prevail in the commentators’ list of interests, by combining the information provided by general literary/historical/social sources with the details included in specialized articles we can create a new perspective on late 19th-century Iași-based compositions.
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Andreeva, Elena A. "Modern Traditionalist Prose in the Reception of The Magazine “October”." Philology 19, no. 9 (2020): 144–52. http://dx.doi.org/10.25205/1818-7919-2020-19-9-144-152.
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Purpose. This article highlights the main trends in the analysis and evaluation of village prose by critics of the journal October, which occupies one of the leading places in the series of journalism criticism of the liberal camp. The material for the study was articles published from 1980s to the present, which also allows us to consider the analysis of modern traditionalist prose by criticizing the October in the diachronic aspect. Results. The characteristic features of the liberal criticism are its non-ideological character, analyticity, universality and text centricity. In interpreting “village” prose, the focus of liberal critics shifts from the system of value guidelines and ideas broadcast by this group of writers to the peculiarities of its poetics and cultural context. In the 1980s the place of “village” prose in a number of works of modernity is being actively investigated. It was perceived as literature focused on a “simple” person, to his personality and his soul, focused on the moral issues of life and showing some ideals, role models in the era of the crisis of the spiritual principle in literature. Its philosophical and moral character, the ability to pose the most important issues of our time, to rethink historical events, in particular the events of collectivization, are noted and appreciated. Interest in it fades away with the beginning of the 1900s, when “village” prose begins to be associated with the era of stagnation, and the writers themselves are accused of excessive conservatism and extreme nationalism. In the 2000s, appeals to “village” prose were single and related to the development of the “new realism” trend, which reveals common ground with the artistic phenomenon that we are considering. Conclusion. In the 1980s, the status of “village” prose is rated quite high. It is considered in a number of contemporary artistic trends, such as confession, ontology, appeal to people. Her journalism and topicality are highly appreciated. In the 1990s the situation is changing: for the criticism of the October “village” prose becomes irrelevant. This trend holds true today.
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Andreeva, Elena A. "Modern Traditionalist Prose in the Reception of The Magazine “October”." Philology 19, no. 9 (2020): 144–52. http://dx.doi.org/10.25205/1818-7919-2020-19-9-144-152.
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Purpose. This article highlights the main trends in the analysis and evaluation of village prose by critics of the journal October, which occupies one of the leading places in the series of journalism criticism of the liberal camp. The material for the study was articles published from 1980s to the present, which also allows us to consider the analysis of modern traditionalist prose by criticizing the October in the diachronic aspect. Results. The characteristic features of the liberal criticism are its non-ideological character, analyticity, universality and text centricity. In interpreting “village” prose, the focus of liberal critics shifts from the system of value guidelines and ideas broadcast by this group of writers to the peculiarities of its poetics and cultural context. In the 1980s the place of “village” prose in a number of works of modernity is being actively investigated. It was perceived as literature focused on a “simple” person, to his personality and his soul, focused on the moral issues of life and showing some ideals, role models in the era of the crisis of the spiritual principle in literature. Its philosophical and moral character, the ability to pose the most important issues of our time, to rethink historical events, in particular the events of collectivization, are noted and appreciated. Interest in it fades away with the beginning of the 1900s, when “village” prose begins to be associated with the era of stagnation, and the writers themselves are accused of excessive conservatism and extreme nationalism. In the 2000s, appeals to “village” prose were single and related to the development of the “new realism” trend, which reveals common ground with the artistic phenomenon that we are considering. Conclusion. In the 1980s, the status of “village” prose is rated quite high. It is considered in a number of contemporary artistic trends, such as confession, ontology, appeal to people. Her journalism and topicality are highly appreciated. In the 1990s the situation is changing: for the criticism of the October “village” prose becomes irrelevant. This trend holds true today.
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Skiban, O. "«КНИЖНИК-REVIEW» – ЧАСОПИС ФАХОВОЇ КНИЖКОВОЇ ЖУРНАЛІСТИКИ." State and Regions. Series: Social Communications, no. 2(42) (March 18, 2020): 70. http://dx.doi.org/10.32840/cpu2219-8741/2020.2(42).10.
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<p><em>The article describes the main typological characteristics of the literary-publishing journal Scribe-Review (SR), published in Ukraine during 2000–2009. The thematic-rubric complex of the publication and author’s composition is analyzed. Particular attention is focused to study the issues of the literary and publishing process of that time, including the reflection of it on the pages of the Scribe-Review. The evolution of the edition from the newspaper Scribal format to the full-color glossy Scribe-Review (SR), an edition about all books and all writers, has been considered.</em></p><p><em>The magazine Scribe-Review (SR) is described as the only founder of the rating «Book of the Year» in Ukraine, not only as a literary event but also as a nationwide one. The magazine’s expert evaluations, led by its editor-in-chief Konstantin Rodik, determined the best books in various categories (from fiction, non-fiction to specialist publications).</em></p><p><em>The work of the editor-in-chief of the journal Konstantin Rodyk is analyzed, which is considered by modern scholars to be an example of quality book journalism.</em></p><p><em>The focus is also on the semantics of the terms «book journalism», «book journalism». Based on the materials of quality book journalism presented on the pages of the Scribe-Review (SR), we will try to identify its most prominent features, express problems, trace conceptual phenomena.</em></p><p><em>Particular attention was paid to the review and processing of the issue of the Scribe-Review (SR). Its main typological characteristics are described: the author’s composition, artistic and technical design and thematic-rubric content. Content analysis of information and analytical materials of different types and genres is carried out. The magazine is presented as a model for the establishment of a «school of book journalism», which can serve as a reference example for information and communication platforms and modern media. The peculiarities of the introduction of a new discursive practice into the pages Scribe-Review (KR) are shown – cultural journalism, book journalism.</em></p><p><em>During the research the following scientific methods were used: systematic, terminological analysis, contextual, communication, method of content analysis, comparative, historical.</em></p><p><strong><em>Key words:</em></strong> <em>book journalism, professional press, book magazine, information policy of media, channels and means of promotion, magazine Scribe-Review.</em></p><p><strong> </strong></p>
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Yablonsky, Maksim. "Аналітичні публікації Петра Волиняка: ідеологічний аспект (на матеріалі „Нових Днів” за 1950–1951 роки)." Studia Ucrainica Varsoviensia 5, no. 5 (May 8, 2017): 0. http://dx.doi.org/10.5604/01.3001.0009.9101.
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The article analyses the analytical publications of the editor of the monthly ”Novi Dni” (Toronto) Petro Volyak during the years 1950–1951, with a particular focus on the ideological aspect. It analyses the actual social and political issues of the articles, reviews and a commentary related to the events in the Soviet Union and Canada. It demonstrates how Petro Volyak comprehended literary and artistic problems in relation to the ideological aspect. It is concluded that the publicist used research methods such as analysis, synthesis, comparison, and generalization. It was found that the ideological aspect in Petro Volyak’s analytical publications was realized with the help of the analysis of social facts and phenomena, press review, historical tours, elements of journalism investigation and forecasting. A signifi cant role of personal experience of the author is emphasized.
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Mykolaienko, Alla. "Genre forms of modern Ukrainian media criticism." Synopsis: Text Context Media 27, no. 1 (2021): 32–38. http://dx.doi.org/10.28925/2311-259x.2021.1.5.
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The research of the media criticism segment of Ukraine is relevant in the framework of the modern information space and the need to regulate the media. Important for the research are its genre forms, that allow to systematize and diversify critical materials. The subject of the research are media-critical editions “Telecritica”, “Detector Media”, “Media Sapiens”, “Media Lab” and “Mediacritica”. The purpose of the article is to analyze informational, analytical and artistic-journalistic genres of media-critical publications of Ukraine. The system method, methods of comparison, analysis and synthesis are used in the article. For the first time, genre aspects of the leading Ukrainian media critical resources, features of their content with regard to the transformation processes within journalism and criticism are considered. The article deals with the specifics of implementing information genres of media criticism (note, interview) which are presented mainly in classical forms. Emphasis is placed on analytics, the publications of which most often articulate the problems of objectivity and bias of information, public trust in the media, the spread of fakes and commissioned materials. With the help of analytical genres, media criticism brings to the level of discussion of topical issues of mass communication beyond a narrow circle of specialists. The most popular in all Ukrainian media-critical publications genre of the article is analyzed, which most aligns with the main goals of media-criticism, to promote neutralization and correction of negative manifestations in the media, to orient the audience in the information space. The article also considers the analytical genres of review and overview, which testify to the values of media criticism. Separately, we are talking about artistic and journalistic genres (feuilleton, pamphlet), which today are less represented in journalism, at the same time they have become the basis for writing media-critical blogs. Emphasis is placed on the process of shifting genre boundaries, diffusion of genres, including in media criticism. Accordingly, the genre spectrum of media criticism is conditional and involves constant changes. As a result, it is noted that the media industry in Ukraine has a diverse and widely represented by genre forms critical reception. At the same time, media criticism is at the stage of forming a well-established methodology, in contrast to art criticism. Genre forms of media criticism do not go beyond journalism, but have the specifics of writing and directing materials. Emphasis is placed on the fact that a promising area is the study of genre transformations in media criticism.
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Tochitskaya, Nadezhda A. "Communicative strategies and tactics of speech influence in art journalism genres (review, reportage)." Media Linguistics 8, no. 3 (2021): 287–98. http://dx.doi.org/10.21638/spbu22.2021.307.
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The article examines the communicative strategies and tactics of speech influence used in the presentation of an artwork and a cultural event in art journalism. The accelerating process of the commercialisation of art with a greater degree of intensity actualises the work as a commodity. In the representation of artistic culture in media discourse, this is manifested in a weakening of the analytical component and aesthetic appreciation. Media texts increasingly use entertainment approaches, and there is a tendency towards performativity and shock value, an ironic style. This is reflected in the stylistics of the media text, which has contributed to the active use of attractive speech means. Transformation processes have also affected such genres as review and reportage. Today it is almost impossible to find a classic review, which would present an analysis of the merits and demerits of the work and a competent assessment. The aim of review in art journalism is to announce, to attract the audience’s attention both to the work and to the author’s search, to promote the values of a consumer society. In reportage, the classic characteristics have also undergone changes. Today, this genre is characterised by authorial subjectivism, which is expressed in vivid self-presentation. As a result of the analysis of the Belarusian online publications, the main communicative strategies of speech impact have been identified: the advertising strategy, which is exemplified in the review, and the image building strategy characteristic to the reportage. In art journalism, the use of these communicative and speech practices led to a downgrading of art and the perception of a cultural event as an entertainment show. The problem addressed is important due to the relevance of the topic of interaction between media language and modern culture.
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Gulin, Alexander V. "The Decembrists in the Epic Representation of L. N. Tolstoy and N. A. Nekrasov." Two centuries of the Russian classics 3, no. 2 (2021): 96–119. http://dx.doi.org/10.22455/2686-7494-2021-3-2-96-119.
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The article considers the most ambitious attempts in Russian literature of the 19th century to create an epic work on the material of the Decembrist movement and the fate of its participants made by L. N. Tolstoy in the genre of novel and by N. A. Nekrasov in the genre of poem. The study of main stages of Tolstoy's work on the unfulfilled plan of the Decembrists and Nekrasov's work on the poem Grandfather and the cycle of poems “Russian Women” allows to conclude that Tolstoy and Nekrasov, creating their epic works in prose and verse, came to extremely dissimilar results. Tolstoy’s psychologically deep sketches and hot and sometimes melodramatic pathos of Nekrasov’s poems formed in many ways contrasting artistic worlds. Tolstoy's moral search in the failed novel presupposes the resolution of social contradictions in the field of a kind of “religion of feeling” and causes a grandiose “side effect” — the creation of the epic novel War and Peace. Nekrasov’s poems, following the journalism of A. I. Herzen, laid the foundations of the Decembrist myth and the cult of the Decembrists as martyrs of the revolutionary faith. The hypothesis is put forward that Tolstoy's failure to work on a novel about the Decembrists and the low artistic viability of Nekrasov's “Decembrist” poems are explained by the lack of a basis for truly epic creativity in the historical material.
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Поліщук, Ярослав. "Маска „одеського бомонду”: поезія Бориса Нечерди." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 195–208. http://dx.doi.org/10.14746/pss.2020.18.11.
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There are analysed in the article writings of the Ukrainian poet Borys Necherda (1939-1998). He was the original writer of the generation of 1960th and made brave experiments with the artistic word. Necherda as an author balanced between the official literature and the literature of the underground. There are a lot of unconventional features in his poems such as colloquial vocabulary, elements of slang, journalism, mixing of discourses and various means of rhetoric. That was a reason that Necherda’s writings were not appreciated during his life. Only nowadays after the poet’s death we have the possibility to re-read it from new points of view. This writings evidence a process of vanguard experimenting. In an original way they present a local peculiarity of a place: the poet become the voice of the „Odessa beaumond”, choosing masks for his lyrical subject.
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Ritchey, Marianna. "Comic Irony in Harold en Italie." Journal of Musicology 36, no. 1 (January 1, 2019): 68–95. http://dx.doi.org/10.1525/jm.2019.36.1.68.
Full textAbstract:
Berlioz’s Harold en Italie (1834) is a strange, ambiguously programmatic symphony that refers explicitly to both Beethoven and Byron—two of the lions of Romantic heroism—in ways that are not always straightforward. I argue that Berlioz’s evocation of Romantic heroism is an ironic commentary on the impossibility of artistic freedom in bourgeois society. I also identify a new literary connection to the symphony: the comically ironic short stories and journalism written by Berlioz’s friend Théophile Gautier. Many have argued that both the Byronic archetype and the nineteenth-century symphony became vehicles for exploring the high ideal of Romantic heroism. Hearing Harold as humorously ironic enables insights into Berlioz’s experience of his cultural moment and alternative readings of the impact of Byronic and Beethovenian heroism on subsequent generations of artists, while also opening possibilities for exploring narrative as a hermeneutic for musical analysis.
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Lipnytska, Inna. "Development of the national art of word in Ivan Bagryany’s publicistic works." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 63–71. http://dx.doi.org/10.34079/2226-3055-2020-13-23-63-71.
Full textAbstract:
Ivan Bagryany's publicistic works cover a wide range of problems of life of Ukrainians in exile after the Second World War, including the issue of the literary process. The purpose of the study is to analyze the author's position on the leading strategies for the development of the Ukrainian literature and the principles of its creation in the literary-critical articles of I. Bagryany. The author formed the vector of development of the Ukrainian literature without adhering exclusively to the artistic framework, because he believed that they could not bring literature to a qualitatively new level of development, the level of world recognition. I. Bagryany was convinced that literature should create the image of a man who seeks to preserve his human face under any adverse circumstances in the twentieth century. The purpose of artistic creativity is to find adequate metamorphic forms that can unite a divided nation. Among the problems that were criticized by the author are the following: discussion of the essence, directions of development, tendencies, ideology, functions of Ukrainian art of speech, protection of Ukrainian culture, language, literature from attacks by vulgar sociologists from the USSR, appeals against a totalitarian regime, repressions against representatives of the Ukrainian art, understanding the significance of the literature of the Shot Renaissance, in particular the figure of Mykola Khvylovy. The author also paid great attention to the development of the Ukrainian literature in the USSR, in particular, he actively criticized the anti-humanist ideology of the “empire in a new form, red”, which shapes the Kremlin's policy in the field of culture; ideologization of art and the functioning of a single method of reflecting reality – “socialist realism”, censorship of samples of artistic creativity, party supervision of the artist's work, and so on. I. Bagryany's emigrant journalism is directed against the blasphemy of the history of the culture and traditions of the Ukrainian people. In his literary-critical works Ivan Bagryany proved to be a shrewd researcher of the phenomena of the Ukrainian literature, in whose voice the artist of the word and the meticulous researcher, citizen, and thinker organically combined. The writer's articles, pamphlets, and essays are united by emotional polemics, ideology, power of speech, ruthless satire, and sarcasm in the evaluation of opponents. The works are marked by global thinking, the ability to say the most important things at a particular time in a given situation.