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Relevant bibliographies by topics / Artistic scenes

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Academic literature on the topic 'Artistic scenes'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Artistic scenes"

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Mather, George. "Artistic Adjustment of Image Spectral Slope." Art & Perception 2, no. 1-2 (2014): 11–22. http://dx.doi.org/10.1163/22134913-00002018.

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The Fourier spectral slope of 31 artworks was compared to the spectral slope of closely matched photographic images. The artworks were found to display a relatively narrow range of spectral slopes relative to the photographs. Two accounts for this range compression were investigated. The first proposes that the band-pass nature of the visual system’s psychophysical ‘window of visibility’ is responsible. Simulation of this effect by application of an appropriate spatial filter to the original photographs could not explain the range compression, unless one assumed a consistent relation between t

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Schmisek, John. "This must be the place: Venues and urban space in underground music scenes." Journal of Urban Cultural Studies 7, no. 1 (2020): 41–57. http://dx.doi.org/10.1386/jucs_00017_1.

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Art subcultures, and music scenes in particular, have featured prominently in academic discourse on gentrification in the neo-liberal city. Although scholarly accounts have done much to clarify the process through which music scenes become implicated and entangled within wider patterns of urban transformation and redevelopment, these studies often leave us with a flattened and undertheorized picture of the scenes themselves. Departing from David Ley’s conception of the ‘cultural field of gentrification’, I sketch out an analytical framework for understanding the heterogenous and contested char

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Ahmad, Gufran. "Eye Gazes Based on Associative Relevance Assist in Decision Making Processes during Scene Perception." International Journal of Marketing Studies 8, no. 2 (2016): 74. http://dx.doi.org/10.5539/ijms.v8n2p74.

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<p>Research studies on eye movements in area of information processing task, such as scene perception have recently advanced towards understandings of underlying visual perception mechanism and human cognitive dynamics. Besides, business applications of eye tracking are endlessly revealing groundbreaking trends based on practical scenarios. In this study, we conducted a number of eye tracking experiments to establish our hypothesis that the eye gazes based on the associative relevance found within the contexts of scenes during scene perception significantly supported the processes of dec

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Ahmad, Gufran. "Associative Relevance Based Eye Fixations Enhance Decision Making Processes in Scene Perception." Journal of Management Research 8, no. 2 (2016): 1. http://dx.doi.org/10.5296/jmr.v8i2.8852.

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<p>Recent research studies on eye movements in area of information processing task, such as scene perception have magnificently advanced towards understandings of underlying visual perception mechanism and human cognitive dynamics. Besides, business applications of eye tracking are unceasingly revealing innovative trends based on pragmatic scenarios. In this study, we conducted a number of eye tracking experiments to establish our hypothesis that the eye fixations based on the associative relevance found within the contexts of scenes during scene perception significantly bettered the pro

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Ratković, Snežana, Kari-Lynn Winters, Shannon Kitchings, et al. "Five Poems: Artistic Pedagogy of the Migrant Soul." Teaching and Learning 12, no. 1 (2018): 15–31. http://dx.doi.org/10.26522/tl.v12i1.447.

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Between November 2016 and November 2017, a group of creative scholars, international, and domestic graduate students gathered to explore topics related to immigration and Indigenous culture through artistic practices. The goal was to construct scenes that would be put together to build a play. The scenes were shaped in different ways, through poetry, music, literature, movement/dance, and drama. In this way, playbuilding became our methodology. Through semiotic, social, and critical authorship practices the actors engaged in a dynamic and participatory drama. Schools and classrooms might consi

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Dimitrova, Elizabeta. "The staging of the Passion scenes: A stylistic essay six paradigms from 14th century fresco painting." Zograf, no. 31 (2006): 115–24. http://dx.doi.org/10.2298/zog0731115d.

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The paper analyses the creative approach in the configuration of compositional schemes depicting the Passion scenes in several painted ensembles from the 14th century in terms of the stylistic nuances of their execution. Starting from the interaction of structural components of the pictures, it gives insight into the artistic qualities of the scenic arrangement of the represented motifs.

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Vivas Sainz, Inmaculada. "Sadness, Gender and Empathy." Eikon / Imago 10 (February 8, 2021): 271–81. http://dx.doi.org/10.5209/eiko.74151.

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This paper is focused on private tomb scenes with mourners dated to the end of the 18th Dynasty located in the Egyptian Memphite necropolis, with a special interest on the artistic resources and the clear division of groups according to the gender of mourners, as mourning men in expressive attitudes are particularly rare in ancient Egyptian scenes. The presence of men in grief, together with the traditional female mourners, within the funerary procession is striking, portraying expressive poses which provoke feeling of empathy and sorrow in the beholder. Indeed, the expressions of feelings in

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Sun, Li Ye, Gang Liu, and Hong Hai. "A Study on the Luminance of Landscape Lighting of Chinese Classical Architectures Based on Mesopic Vision." Advanced Materials Research 224 (April 2011): 175–78. http://dx.doi.org/10.4028/www.scientific.net/amr.224.175.

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Landscape lighting of Chinese classic architectures can reappearing the historical, cultural connotation and artistic appeal of architectures at night. Most of these scenes are low luminance and weak contrast, and the visual level is in mesopic vision. Taking the Summer Place as an example, considering the characteristics of vision in different luminance levels, this research obtains a series of simulant scenes with low luminance and weak contrast in mesopic vision by using physical quantity relations between the luminance of actual scene and reappearance scene. Utilizing experiment observatio

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Parkes, Ruth. "Dealing with Ghosts: Literary Assertion in Statius' Thebaid." Ramus 39, no. 1 (2010): 14–23. http://dx.doi.org/10.1017/s0048671x00000515.

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Chthonic scenes have often been considered in terms of their metapoetic potential. The very nature of such episodes, in which protagonists typically encounter characters from the literary-mythological past, arguably encourages a kind of artistic self-consciousness. In Currie's words,Anekyiamay be an especially fitting place for a poem to explore self-reflectively its relationship to earlier poetry: to confront its own literary ghosts.This article examines whether the portrayal of ghosts in the necromancy of StatiusThebaidBook 4 can be read as a meditation on the poem's place in the literary tr

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GRAHAM, DANIEL J., and MING MENG. "Artistic representations: Clues to efficient coding in human vision." Visual Neuroscience 28, no. 4 (2011): 371–79. http://dx.doi.org/10.1017/s0952523811000162.

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AbstractIn what ways is mammalian vision—and in particular, human vision—efficiently adapted to its ecology? We suggest that human visual artwork, which is made for the human eye, holds clues that could help answer this question. Paintings are readily perceived as representations of natural objects and scenes, yet statistical relationships between natural images and paintings are nontrivial. Although spatial frequency content is generally similar for art and natural images, paintings cannot reproduce the dynamic range of luminance in scenes. Through a variety of image manipulations designed to

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Dissertations / Theses on the topic "Artistic scenes"

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Schneider, Justine Marie. "The Scenic Charge Artist as Leader: Research in Historical Models, Exploration in Practice, and Synthesis in Documentation." Marietta College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1366897186.

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Sinohuiz, Ibel M. "Anthropo-scenes." CSUSB ScholarWorks, 2017. https://scholarworks.lib.csusb.edu/etd/570.

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ARTIST My work is a melding of mythology and personal experience. Growing up in the harsh desert of the Coachella Valley, I found refuge in music and art. My desire to become a drummer has leaded me to create a persona called Baby Lamb. Baby Lamb is a symbolic representation, as well as a physical manifestation of this desire and she is slowly evolving, eventually becoming my alter ego. Currently, the artwork that I create is a chapter in the life story of Baby Lamb. BABY LAMB Baby Lamb's art shows have included a collection of relics that have been made into a visual documentary of the artist

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Shelton, Rebecca S. "Paint manager for 2008-2009 academic year and paint charge for three sisters and twelfth night." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1241724077.

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Kristianson, Kim. "Cellisten på scenen : En studie i Artistisk mental träning." Thesis, Örebro universitet, Musikhögskolan, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-58181.

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Todorovič, Milan. "The underground music scene in Belgrade, Serbia : a multidisciplinary study." Thesis, Bucks New University, 2004. http://bura.brunel.ac.uk/handle/2438/5905.

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The focus of this study is the underground music scene in Belgrade, Serbia. This work requires the exploration of varied cultural and market factors that have shaped the scene, resulting in its present form. The explored phenomenon is complex and achieving the necessary depth of analysis will involve the use of a wide set of theoretical sources and research methods. The fieldwork includes in-depth interviews, reflective accounts of longitudinal participant observation, data collected through email correspondence, and a large amount of documentary data. Data analysis will be articulated into a

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Deschka, Anne. "Artistic dribblings cultural relocation of Hong Kong's contemporary visual art scene ten years after the handover /." Thesis, Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38762432.

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Selle, Hella. "Virtuella artister på scen : Samspelet mellan artister och publiken i livekonsertvideor." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-18793.

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Denna studie är en inventering av tre lösningar till hur det digitala kan sättas in i ett livekonsertsammanhang, med hjälp av bland annat AR. Studien undersöker genom en videoanalys, de tre virtuella artisterna Gorillaz, Hatsune Miku och K/DAs liveuppträdanden. Tre konsertvideor från ett särskilt tillfälle med motsvarande musikvideo användes som material för analysen. Utifrån frågeställningen undersöks hur de olika semiotiska fälten samspelar, samt ett avsnitt där sambandet mellan grafisk design och AR diskuteras. Frågorna som studien fokuserat på är hur den digitala aspekten av en virtuell ar

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Sun, Bo. "SUZHOU PRIVATE GARDEN: A COMBINATION OF ARTISTIC IDEAS, NATURAL SCENERY AND RESIDENTIAL ENVIRONMENT IN CHINA." The University of Arizona, 1995. http://hdl.handle.net/10150/555383.

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Siyotula, Yolokazi. "Practising de-assemblage : upcoming black artists on the South African scene 2008-2014." Diss., University of Pretoria, 2015. http://hdl.handle.net/2263/53464.

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Reading Bhantu Steven Biko s I write what I like (1978) for the first time as an undergraduate student was challenging. I write what I like, a selection of Biko s writings published between the years 1969 and 1973, contains, amongst others, the articles Black Souls in White Skins? (1970a), We Blacks (1970b), Fragmentation of the Black Resistance (1971a), The Definition of Black Consciousness (1971b) and Black Consciousness and the Quest for True Humanity (1973). Such articles express the core of Biko s call for black consciousness. Biko wrote on Blackness post-1960, in the period mar

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Ligeikienė, Violeta. "Paauglių sceninių gebėjimų ugdymo galimybės mokant groti akordeonu." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060821_171034-65553.

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This master’s thesis analyses such problem of teenagers, when in majority of situations, especially on the stage, they feel timid. Very often the result, reached during the lessons, is not seen on the stage: the pupils flounder, crouch, excite, do mistakes, cannot demonstrate the things they were taught during the lessons. When playing the accordion, due to specific features of the instrument, the expressive movements of the performer can be constricted, and the instrument itself can become the barrier, interfering with expression of emotions, as the pupil uses it as the shield. That’s why we

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Books on the topic "Artistic scenes"

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Seider, Norman. Opening scenes: Photographs. Safe Harbor Books, 2006.

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Hills of color: Scenes and seasons. Graphic-sha Publishing Co., 1986.

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Schmidt, Eckhart. Mulholland Drive: Opening scenes. Belleville, 2009.

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Lights, camera, action!: Behind the scenes, making movies. Abrams, 1986.

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Artist's photo reference: Boats & nautical scenes. North Light Books, 2003.

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Adams, Robert. What we bought-- the new world: Scenes from the Denver metropolitan area, 1970-1974. Yale University Art Gallery, 2009.

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Robert, Adams. What we bought--the new world: Scenes from the Denver metropolitan area, 1970-1974. Stiftung Niedersachsen, 1995.

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Niedersachsen, Stiftung, and Sprengel Museum Hannover, eds. What we bought-- the new world: Scenes from the Denver metropolitan area, 1970-1974. Yale University Art Gallery, 2009.

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Robert, Adams. What we bought-- the new world: Scenes from the Denver metropolitan area, 1970-1974. Yale University Art Gallery, 2009.

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Bochner, Jay. An American lens: Scenes from Alfred Stieglitz's New York Secession. MIT Press, 2005.

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Book chapters on the topic "Artistic scenes"

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Wallert, James. "How do we revise scenes?" In Citizen Artists. Routledge, 2021. http://dx.doi.org/10.4324/9781003079835-15.

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Wallert, James. "How do we write scenes?" In Citizen Artists. Routledge, 2021. http://dx.doi.org/10.4324/9781003079835-13.

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Mitrović, Dalibor, Stefan Hartlieb, Matthias Zeppelzauer, and Maia Zaharieva. "Scene Segmentation in Artistic Archive Documentaries." In HCI in Work and Learning, Life and Leisure. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16607-5_27.

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Borea, Giuliana. "Artists on art." In Configuring the New Lima Art Scene. Routledge, 2021. http://dx.doi.org/10.4324/9781003085003-9.

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Colton, Simon. "Evolving a Library of Artistic Scene Descriptors." In Evolutionary and Biologically Inspired Music, Sound, Art and Design. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29142-5_4.

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Paquette, Andrew. "Scene Preparation." In An Introduction to Computer Graphics for Artists. Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-5100-5_5.

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Harris, Anne, and Christine Sinclair. "Scene 7: Researcher As Artist / Artist As Researcher." In Critical Plays. SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-755-1_14.

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Paquette, Andrew. "Rendering a CG Scene." In An Introduction to Computer Graphics for Artists. Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-5100-5_12.

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Maclaurin, Ali. "Artists and the’ Scenic Body’." In Costume. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5_6.

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Hallett, Charles A., and Elaine S. Hallett. "“To her Go I, a Jolly Thriving Wooer”: The Second Wooing Scene (4.4.199–431)." In The Artistic Links Between William Shakespeare and Sir Thomas More. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119529_6.

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Conference papers on the topic "Artistic scenes"

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Gadelha, Bruno, Thaís Castro, Rosiane De Freitas, Edna Cardoso, and Hugo Fuks. "Colaboração e Interação em Contextos Não Convencionais: aplicações e instalações artísticas e de entretenimento." In XVII Simpósio Brasileiro de Fatores Humanos em Sistemas Computacionais. Sociedade Brasileira de Computação (SBC), 2018. http://dx.doi.org/10.5753/ihc.2018.4233.

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This paper presents an investigation that has been developed at the Federal University of Amazonas through projects involving concepts of collaborative systems(CS) and humancomputer interaction (HCI) in artistic-cultural and entertainment events scenarios. In the artistic scene, there have been projects involving music and interaction through sounds. In the scenario of large entertainment events involving crowds, the projects consider issues such as engagement, interaction and collaboration. In these unconventional contexts the importance of the integration between the SC and IHC areas is obse

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Alfaro Rodríguez, Ana, María Pilar Biel, and Diego Gutiérrez. "VIRTUAL RECONSTRUCTION APPLIED TO THE RECOVERY AND HERITAGE DISCLOSURE OF THE OLD VILLAGE OF BELCHITE." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.4175.

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Virtual reconstruction allows recovering missing heritage whilst becoming a useful tool for documenting and disseminating, when physical reconstruction is non-viable. This article explains the application of new technologies of virtual reconstruction (modelling and photogrammetry) to the recovery of the historic-artistic heritage of the Old Village of Belchite, specifically applied to the case of the San Augustin’s Convent. This village was a battle scene in the Spanish Civil War in 1937 which has been abandoned since 1964. These days, it presents a state of ruin that increases exponentially o

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Schiavoni, Flávio Luiz, André Gomes, Avner De Paulo, et al. "Alice: Arts Lab in Interfaces, Computers, and Everything Else - Research report (2019)." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10439.

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Located in the Computer Science Department of the Federal University of São João del-Rei, but not limited to just this space, ALICE has emerged as a research group focused on the development of software, art and technologies for the area of computer music and digital arts. Over the time, ALICE became the laboratory to develop technologies to an artistic group, called Orchidea, focused on the creation of digital art, encompassing students from diverse areas, such as Computer Science, Scenic Arts, Architecture and Music in a transdisciplinary context of art creation. In this way, this work aim

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Parraman, Carinna E., John J. McCann, and Alessandro Rizzi. "Artist's colour rendering of HDR scenes in 3D Mondrian colour-constancy experiments." In IS&T/SPIE Electronic Imaging, edited by Reiner Eschbach, Gabriel G. Marcu, Shoji Tominaga, and Alessandro Rizzi. SPIE, 2010. http://dx.doi.org/10.1117/12.838740.

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Feklisov, Egor, Mihail Zinderenko, and Vladimir Frolov. "Procedural interior generation for artificial intelligence training and computer graphics." In International Conference "Computing for Physics and Technology - CPT2020". Bryansk State Technical University, 2020. http://dx.doi.org/10.30987/conferencearticle_5fce2771c14fa7.77481925.

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Since the creation of computers, there has been a lingering problem of data storing and creation for various tasks. In terms of computer graphics and video games, there has been a constant need in assets. Although nowadays the issue of space is not one of the developers' prime concerns, the need in being able to automate asset creation is still relevant. The graphical fidelity, that the modern audiences and applications demand requires a lot of work on the artists' and designers' front, which costs a lot. The automatic generation of 3D scenes is of critical importance in the tasks of Artificia

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Kurnianto, Arik, and Frans Santoso. "Artistic Transformation of the Motion of the Shadow Puppet Scene “Perang Kembang” into Digital Silhouette Animation." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008764703510358.

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Martinez, Swann, and Chu-Yin Chen. "A Framework Enabling Real-time Multi-user Collaborative Workflow in 3D Digital Content Creation Software." In WSCG'2021 - 29. International Conference in Central Europe on Computer Graphics, Visualization and Computer Vision'2021. Západočeská univerzita, 2021. http://dx.doi.org/10.24132/csrn.2021.3002.10.

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This paper reports on a graph-based approach to enable real-time update of 3D shared elements over the networkbetween multiple artists working simultaneously on the same 3D scene. It presents an experimental framework forexploring real-time collaboration in Digital Content Creation such as animation. The framework combines a push-pull network architecture and data translation protocol with hybrid command/data replication mechanisms. Thisenables the synchronization of object components and hierarchy between multiple instances of the same DigitalContent Creation application in a non-destructive

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Chen, Jingye, Bin Li, and Xiangyang Xue. "Zero-Shot Chinese Character Recognition with Stroke-Level Decomposition." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/85.

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Chinese character recognition has attracted much research interest due to its wide applications. Although it has been studied for many years, some issues in this field have not been completely resolved yet, \textit{e.g.} the zero-shot problem. Previous character-based and radical-based methods have not fundamentally addressed the zero-shot problem since some characters or radicals in test sets may not appear in training sets under a data-hungry condition. Inspired by the fact that humans can generalize to know how to write characters unseen before if they have learned stroke orders of some cha

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Hempe, Nico, Jürgen Rossmann, and Ralf Waspe. "Geometric Interpretation and Optimization of Large Semantic Data Sets in Real-Time VR Applications." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-70866.

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Current real-time VR applications are based on well-defined digital representations of the environment. In order to render a realistic looking environment with good performance, artists and developers with specific expertise are indispensable to create optimized data. However modern applications, especially those incorporating data from geo information (GIS) or product data management (PDM) systems, need to be able to use unrefined data without offline conversion or loss of render performance. In this paper we present an extensible object oriented graph database, which further embraces the par

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