Relevant bibliographies by topics / Artistic society

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Artistic society'

Author: Grafiati
Published: 7 June 2025
Last updated: 17 July 2025

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Journal articles on the topic "Artistic society"

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Holmes, Brian. "Artistic autonomy and the communication society." Third Text 18, no. 6 (2004): 547–55. http://dx.doi.org/10.1080/0952882042000284952.

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Worre Hallberg, Gry. "Artistic research in Sisters Academy – Sisters Academy in artistic research." Peripeti 18, no. 34 (2022): 44–63. http://dx.doi.org/10.7146/peri.v18i34.133382.

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Artiklen introducerer først kort den mangefacetterede forståelse af artistic research. Dernæst belyses den tilgang til artistic research, som skribenten anvender i sit kunstneriske forskningsarbejde med performanceeksperimentet Sisters Academy og i sin nyligt forsvarede ph.d.-afhandling: Sensuous Society – Carving the path towards a sustainable future through aesthetic inhabitation stimulating ecologic connectedness.
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Djajić, Sanja, and Dubravka Lazić. "Artistic expression: freedom or curse?" Age of Human Rights Journal, no. 17 (December 17, 2021): 97–124. http://dx.doi.org/10.17561/tahrj.v17.6269.

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The purpose of this contribution is to evaluate the jurisprudence of the European Court of Human Rights (ECtHR) in freedom of artistic expression cases dealing with visual and performance arts. The reasons for this particular evaluation are salient to the fact that the ECtHR has consistently provided a lesser level of protection to artistic expression than to political expression. The aim of this article is to challenge the approach of the Court to the freedom of artistic expression in relation to visual and performance arts. The critical evaluation is based on two different but complementary
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Jahangiri, Sara, Mohammadreza Sharifzadeh, and MohammadKazem Hassanvand. "Study of the Role of Communications in Cultural Development with Emphasis on Iranian-Islamic Artworks." Journal of Social-Political Studies of Iran's Culture and History 2, no. 2 (2023): 346–66. https://doi.org/10.61838/kman.jspsich.2.2.17.

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The present world is the era of new media; an era in which media is an inseparable part of human life. Today's world finds meaning through the extensive presence of new communication technologies in all aspects of life. New artistic media hold an important place in art education and cultural development. New artistic media such as video art, installations, photography, conceptual art, digital art, performance art, etc., are particularly significant in terms of education, presentation, and introduction of artworks and culture in society. This research examines the role of new artistic media in
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Garayeva (Günay Qarayeva), Gunay. "The Tandem of Time and Society in Artistic Symbolism." Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (December 20, 2024): 664–69. https://doi.org/10.62119/cils.17.2024.8856.

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The transformation and change of symbols can vary depending on the poet’s perspective on time and ideological structure, and may evoke different associations in the work of each poet. Sometimes, the different interpretations of the same image-symbol in the works of different poets aim to reveal their stylistic characteristics, as well as their moral-ethical, ideological, and political views. The emergence of various shades of meaning in the same symbolic image appears to be rooted in the poet's social and political views, as well as the influence of the prevailing structure. Therefore, a symbo
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CLARKE, ROBERT. "The Meaning of Artistic Tradition in a Multicultural Society." Journal of Art & Design Education 15, no. 2 (1996): 171–78. http://dx.doi.org/10.1111/j.1476-8070.1996.tb00664.x.

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Burchak, Ihor, Maria Vorobchuk, and Artem Puz. "TATTOOS AS ARTISTIC HERITAGE OF SOCIETY: HISTORY AND PRESENT." Theory and practice of design, no. 29-30 (2023): 139–45. http://dx.doi.org/10.32782/2415-8151.2023.29-30.16.

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Kuregyan., S. "ECONOMICS OF ART PRODUCTION AND AESTHETICS." Экономическая наука сегодня, no. 17 (April 12, 2023): 23–30. http://dx.doi.org/10.21122/2309-6667-2023-17-23-30.

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The article deals with the economic aspects of artistic production as a part of spiritual production. The definition of artistic production is given and its sectoral structure is re-vealed. The economics of beauty is considered in the context of the artistic development of society.
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Tarasiewicz, Matthias. "Query Public(s) in the Next Society." A Peer-Reviewed Journal About 2, no. 1 (2013): 28–36. http://dx.doi.org/10.7146/aprja.v2i1.121126.

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 Critical Media Arts do not only reflect on new technologies and how they transform society, they also offer a crucial laboratory for the development of new techniques and forms of presenting, structuring and convey- ing knowledge. The core aims of the project »Artistic Technology Research«, presented and reflected in this article, are to stress the critical discourse in (and about) new media, technology, society and its intersections to art/creativity/design. The term »Artistic Technology Research« is seen as a vehicle for creating new actions, interactions and interventio
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Kamola, Mamatkulova. "National Precedent Phenomena of Russian Artistic Discourse." European International Journal of Multidisciplinary Research and Management Studies 5, no. 5 (2025): 108–10. https://doi.org/10.55640/eijmrms-05-05-22.

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The article explores national precedent phenomena as key components of Russian artistic discourse. These phenomena serve as culturally marked units that function as carriers of collective memory and conceptual identity. Drawing on linguistic, cultural, and discourse analysis, the article outlines the typology, features, and functions of precedent phenomena in Russian literature, cinema, and media art. Special attention is paid to the interaction between precedent texts, names, and situations with the sociocultural context of Russian-speaking society.
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Dissertations / Theses on the topic "Artistic society"

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Beale, James Robert. "The Halle Concerts Society 1899-1999 : financial constraints and artistic outcomes." Thesis, City University London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340016.

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Tanner, Jeremy James. "The invention of art history : religion, society and artistic differentiation in ancient Greece." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296707.

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Barbour, Kim Jaime. "Constructing Artistic Integrity: An Exploratory Study." The University of Waikato, 2006. http://hdl.handle.net/10289/2474.

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This thesis explores the concept of artistic integrity. A historical foundation for artistic integrity is laid to provide a context within which eight artists' constructions of the concept can be placed. To date, little research has been conducted to discover how artists feel about artistic integrity, despite the fact that the concept is used frequently both in the popular media, and in arts and creative industries policy and research. Secondary research into European Romanticism and the growth of the creative industries traces the complex development of artistic integrity through to contempor
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Kinser, Amber E., Kym Freehling-Burton, and Terri Hawkes. "Performing Motherhood: Artistic, Activist, and Everyday Enactments." Digital Commons @ East Tennessee State University, 2014. https://www.amzn.com/1927335922.

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Performing Motherhood explores relationships between performativity and the maternal. Highlighting mothers lived experiences, this collection examines mothers creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts. Chapters contain theoretically grounded works that emerge from multiple disciplines and cross-dis- ciplines and include first-person narratives, empirical studies, artistic representations, and performance pieces. This book focuses on motherwork, maternal agency, mothers multiple identities and marginalized maternal voices, and explores ho
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Rose, Kathleen A. "Environment "atmosphere" /." Online version of thesis, 1989. http://hdl.handle.net/1850/11084.

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Currie, Athene. "Performing the Transformative." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/406080.

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Inherent in this artistic project is the question of why menopause is not defined in Western society as a natural process of transformation that has the potential to result in empowerment for the individual woman. The project Performing the Transformative speaks of this potential as it might be depicted in performance art through a series of videos and live performances that actively contemplate and represent the process of change in identity at the menopause. This is undertaken through the use of heuristic methodology that embraces a process of an internal search to discover the nature and me
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Borders, Elizabeth Furlong. "Working in an Artist Collective in Portland Oregon: The artistic benefits of cooperation and place in an underground art world." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/188.

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This ethnography explores the underground art world in Portland, Oregon by showing how a Portland area artist collective, Oregon Painting Society, navigates their art world. Participant observation, in-depth interviews, and a short latent content analysis triangulate data to show the features and values of the underground art world. Using Becker's concept of art worlds, I show how artists working outside of a traditional art career in a commercial gallery system do their work by exploring how Portland's art world is structured and sustained. I find that group work, cooperation, and resource sh
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Wan, Connie. "Samuel Lines and sons : rediscovering Birmingham's artistic dynasty 1794-1898 through works on paper at the Royal Birmingham Society of Artists : Volume 1, Text ; Volume 2, Catalogue ; Volume 3, Illustrations." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3645/.

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This thesis is the first academic study of nineteenth-century artist and drawing master Samuel Lines (1778-1863) and his five sons: Henry Harris Lines (1800-1889), William Rostill Lines (1802-1846), Samuel Rostill Lines (1804-1833), Edward Ashcroft Lines (1807-1875) and Frederick Thomas Lines (1809-1898). The thesis, with its catalogue, has been a result of a collaborative study focusing on a collection of works on paper by the sons of Samuel Lines, from the Permanent Collection of the Royal Birmingham Society of Artists (RBSA). Both the thesis and catalogue aim to re-instate the family’s posi
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Helguero, Lorenzo. "Transgresion y modernidad la prosa de Rubén Darío /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/453505739/viewonline.

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Delannoy, Leïla. "L'expérience artistique en prison : d'une triple inertie à l'expérimentation de transformations sociales." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100028/document.

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Cette recherche, menée dans le cadre d'un doctorat de sociologie sous la direction de Philippe Combessie, repose principalement sur une enquête de 24 mois dans des ateliers de création artistique installés dans la maison d’arrêt pour hommes du centre pénitentiaire de Marseille, que nous avons conjuguée à une enquête de 13 mois dans le centre éducatif fermé de Montfavet. Le travail engagé a surtout reposé sur la volonté d'examiner le maillage entre art, prison et société, considérant finalement que l'enfermement le plus visible pouvait, quand il devenait le point central d'une expérience artist
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Books on the topic "Artistic society"

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Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. University of Lagos Press, 2008.

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Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. University of Lagos Press, 2008.

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Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. University of Lagos Press, 2008.

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Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. University of Lagos Press, 2008.

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Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. University of Lagos Press, 2008.

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Ezeigbo, T. Akachi. Artistic creativity: Literature in the service of society. University of Lagos Press, 2008.

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Roux, Barbara A. Society of plants. B. Roux], 2001.

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Edward, Steichen, ed. Edward Steichen: The Royal Photographic Society Collection. Edizioni Charta, 1997.

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E, Gyul, ed. Boysun: Atlas of artistic crafts. UNESCO office in Tashkent, 2006.

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Ambanasom, S. A. Sociolo-artistic criticism of the African novel. S.A. Ambanasom, 1991.

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Book chapters on the topic "Artistic society"

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Bylieva, Daria. "Artistic Virtual Reality." In Technology, Innovation and Creativity in Digital Society. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-89708-6_39.

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Orr, John. "Thomas Mann: Bourgeois Affirmation and Artistic Tragedy." In Tragic Realism and Modern Society. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19787-3_10.

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Reinholdtsen, Trond. "My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_7.

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AbstractThe chapter details how Reinholdtsen’s own fanatical pursuit of ultimate artistic autonomy and control of the means of production have led him to founding his own artist institution, The Norwegian Opra. Weaving together Broodthaers’ affirmative critique of the museum with the aspirations of Wagner’s Ring des Nibelungen, he makes the case for the musical pursuit of a freely interdisciplinary compositional engagement with musical ‘material’, casting off historical cruft where it does not suit. Reinholdtsen points to our global institutional instability to underscore the need for musical artists to reaffirm their importance in society in a positive light, while never compromising their artistic expression.
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Jochum, Richard. "Crossing Thresholds: Artistic Practice in Times of Research." In Arts, Research, Innovation and Society. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09909-5_6.

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Green, Charles, Belinda Smaill, and Seán Cubitt. "Iconographies of Climate Catastrophe: The Representation of Climate Change in Art and Film." In Arts, Research, Innovation and Society. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56114-6_8.

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AbstractThis chapter reviews visual representations of climate in art and film across the last few decades, exploring shifting artistic, cinematic, televisual and narrative practices that have more recently shaped the communication of the climate emergency. It explores the iconographies that artists and filmmakers have used in the shift from representing contemporaneous and local environmental challenges to depicting the future consequences of climate warming, including widespread biospheric change. The authors sketch the shifting screen media formulations that imagine climate catastrophes, observing how both documentary film, television and contemporary art draw on popular and professional media practices, including news formats and visual effects.
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Carayannis, Elias G., and David F. J. Campbell. "Art and Artistic Research in Quadruple and Quintuple Helix Innovation Systems." In Arts, Research, Innovation and Society. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09909-5_3.

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Demidov, Vladimir, Ekaterina Dolzhenkova, Dmitry Mokhorov, and Anna Mokhorova. "Legal Aspects of Artificial Intelligence Application in Artistic Activity." In Technology, Innovation and Creativity in Digital Society. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-89708-6_17.

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Cloonan, Martin. "You Can’t Do That: The Beatles, Artistic Freedom And Censorship." In The Beatles, Popular Music and Society. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62210-8_7.

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Røyseng, Sigrid. "Artistic quality in the audit society – the case of Norway." In Accomplishing Cultural Policy in Europe. Routledge, 2022. http://dx.doi.org/10.4324/9781003277767-16.

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Mezentsev, Sergei. "Role of Digital Technologies in the Conceptual Transforming Foundations of Artistic Creativity." In Technology, Innovation and Creativity in Digital Society. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-89708-6_37.

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Conference papers on the topic "Artistic society"

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Wu, Hao. "Assessing Students' Ability to Identify AI-Generated Images: A Two-Dimensional Study of Realistic and Artistic Content." In 16th International Conference on Society and Information Technologies. International Institute of Informatics and Cybernetics, 2025. https://doi.org/10.54808/icsit2025.01.75.

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Feldmane, Iveta. "THE HEROIC AND THE GUILTY BODY IN POLITICAL AND SOCIAL POSTERS OF LATVIA DURING THE PERIOD OF SOVIET OCCUPATION." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s07.18.

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The poster as the genre of graphic arts is a medium where the representation of the human body functions as an important semiotic sign. This genre has also reflected and influenced the most diverse spectrum of artistic, social and political processes. In addition to informative and illustrative content, the inclusion of the human body in the composition of the poster has always had ideological purpose. The aim of this paper is to discuss how political ideology integrates the images of the human body in the posters and how it contradicts the individuals� personal feelings and bodily experiences
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Șeican, Valeria. "ARTISTIC EDUCATION — FOUNDATION FOR BUILDING A HEALTHY AND PROSPEROUS SOCIETY." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.35.

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Despite the total ignorance towards the field of artistic education, manifested in time, however, the Republic of Moldova, thanks to enthusiasts, continues to keep the art schools, colleges, the Academy. The system of institutions exists, but its importance and capitalization stagnates. Even in these unfavorable conditions, the system provides fascinating results, which, however, are used outside the country. There must be adopted the government policy of the civilized states that have realized that culture, through the creativity centers, is a driver of the social and economic development of
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Zhang, Liwei, and Weiwei Xu. "The Artistic Features and Significance of Artistic Life Pottery in Jingdezhen City." In 2017 International Conference on Society Science (ICoSS 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icoss-17.2017.63.

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NEAGU, Gelu. "The 21st century society and its sound ecotopes." In International Congress "Research – Innovation – Innovative Entrepreneurship". Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.17-18-05-2024.p395-401.

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Sound Ecotopia, as a synthesis of ecology and music, explores how sounds from nature and musical sounds create complex and unique sound experiences. In specific bioregions, this blend of sounds describes an ecological balance, forming soundscape utopias. The perspective of the culturalartistic approach translates the sound ecotopia as a place where music meets nature, stimulating emotions through vibrant interactions. The concept applied in various environments, including education, stimulates artistic innovation and blurs the boundaries between real and virtual, showing how nature inspires ar
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Hladky, Jan. "Artistic Impressions from Vienna." In The European Physical Society Conference on High Energy Physics. Sissa Medialab, 2016. http://dx.doi.org/10.22323/1.234.0617.

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Holovata, Roksolyana. "Between the Artist and the Patron: The Society of Friends of Fine Arts in Lviv (before 1914)." In Lviv Interactive. Lviv Interactive, 2024. https://doi.org/10.69915/lia008en.

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The Society of Friends of Fine Arts in Lviv was the first art organization in Lviv to operate from 1868 until the outbreak of the Second World War. The Society brought together artists and art connoisseurs, organized exhibitions, sold works of art and provided material support to artists. Through its activities, the Society animated artistic life in Lviv. Against the background of its history, not only the development of art, but also a general change in public mood in the city can be followed. Until 1914, the Society was the leading art organization in Lviv.
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Sprincean, Serghei. "Democratization perspectives through strengthening the person's security culture." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.33.

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The democratization of human society is directly related to the need to develop and impose a new model of approach to the security phenomenon. This new approach is an integral part of the security culture. The human society, but also the individual person, possesses a set of values and models regarding the counteracting of the security dangers and risks that form the security culture, among which the safety of the person occupies a central place. We believe that it is necessary to amplify, in the context of the globalization process, the culture of security, especially since the contemporary s
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Beriş, Yeter. "DEVELOPMENT OF FEMALE ARTIST IDENTITY IN THE 19TH CENTURY: AN EXAMINATION IN THE CONTEXT OF PRINT ART." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p65.

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The 19th century stands as a pivotal period in art history, marked by significant strides in both artistic expression and the struggle for women's rights. Women encountered various obstacles as they endeavoured to carve out their identities, seeking greater recognition and acceptance within the artistic sphere. However, this journey was fraught with substantial impediments to women's artistic and educational development. Initially, during the first half of the 19th century, access to art education for women was severely restricted. Often deprived of formal artistic training, they were typicall
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Ermurachi Machado, Carolina, and Teodora Hubenco. "Embroidery as artistic expression in japanese kimono." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.16.

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This article is dedicated to the historical contemporary contextualization of the Japanese kimono. Throughout its ancestral history, the Japanese kimono has been the main garment in Japanese society. It has always featured a wide variety of styles, colors, accessories and decorative embroideries. With the development of modern society, the kimono has become an international symbol of Japanese culture, with particular emphasis on its rich and decorative embroidery. In contemporary fashion creations, the kimono has been used as a central element in several collections by international designers,
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Reports on the topic "Artistic society"

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Mestre Delgado, Giselle. The Artistic Representation of the Witch: From Demonization to Empowerment. Florida International University, 2025. https://doi.org/10.25148/fiuurj.3.1.2.

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This journal article examines the portrayal of the witch archetype in Art History, uncovering not only the aesthetic choices made by artists but also the ways in which prevailing beliefs, moral panics, and societal anxieties have shaped these depictions. I discuss the iconography, visual imagery, literary inspirations, and historical context behind each examined artwork and artist to fully grasp this turbulent history. The term “witch” describes mythological figures with inborn or acquired magical powers. The ways these powers function differ from region and culture. However, one aspect prevai
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Vena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006015.

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The Cultural Development Program promotes cultural development in Latin America and the Caribbean by financing innovative projects for training to restore artistic traditions, preserve cultural heritage, and educate youth. In 2012, we supported civil society organizations that submitted training programs related to new technologies, creative industries, tourism and natural heritage, among others. Concerts, lectures, films, art exhibitions held at headquarters representing the Bank's member countries cultural heritage
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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations
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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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Gratzke, Michael. ‘Confessions of a MILF (I chose being an artist over being a wife)’. Love and relationships in Viv Albertine’s memoirs. University of Dundee, 2022. http://dx.doi.org/10.20933/100001240.

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The memoirs of (post-) punk musician Viv Albertine address the issue of choice or lack thereof in romantic and family relationships. They depict a world in which choice of romantic partners appears normal if often unsuccessful, whereas choice within family relationships is restricted. It is self-evident that one cannot choose one’s blood relatives. However, amplified by Albertine’s scepticism towards any social relationships, her two memoirs represent ‘negative choice’ (Eva Illouz) in heterosexual romantic relationships and the complex ways in which negative choice can change family dynamics.
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Berggren, Erik. Migration and Culture. Linköping University Electronic Press, 2024. http://dx.doi.org/10.3384/9789180757638.

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This report is written by students in the Ethnic and Migration Studies Master’s Programme, part of the Research Institute in Migration, Ethnicity, and Society (REMESO) at Linköping University, based on the Norrköping campus. REMESO is an internationally renowned institute that pursues research in migration and ethnic relations. The Master’s Programme is highly sought after, with students coming from all over the world to attend. Their interest in how migration transforms the world and how it influences other social phenomena has fuelled their work in this publication. In their first year of st
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A Beautiful Horizon: The Arts of Minas Gerais, Brazil. Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0006396.

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The exhibition comprises 56 objects that unites Baroque oratórios, folk and popular art, applied arts and works by contemporary artists representing a variety of artistic expressions from the State of Minas Gerais and its capital city, Belo Horizonte, site of the IDB¿s 47th Annual Meeting of Governors in April 2006, showing the interrelationships that exist in Brazilian society. The pieces were borrowed from the Museu do Oratório, Instituto Cultural Flávio Gutierrez, Museum de Arte da Pampulha Museu Histórico Abílio Barreto, Fundação Municipal de Cultura, Casa de Guignard Museum, and private c
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Parallel Realities: Five Pioneering Artists from Barbados. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0006427.

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Sixty-four pieces executed in a variety of media: sculpture, painting, pastel and pencil drawing, watercolor, linoleum and metal engraving, monotype and stencil, by two generations of Barbadian artists considered pioneers in 20th century Barbadian art: Golde White, Aileen Hamilton, Katherine Hawkins, Karl Broodhagen, and Ivan Payne; from the collections of the Barbados Gallery of Art, the Barbados Museum and Historical Society, and private collectors. Upon the exhibition¿s return to Barbados, it was reenacted at the Barbados Gallery of Art and the Barbados Museum and Historical Society in Brid
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Two Visions of El Salvador. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0006436.

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29 paintings and 1 sculpture by artists (including two women) from the early to late modern period of the 20th century, and 36 contemporary folk objects form this exhibition which juxtaposes the art of two different sectors of society ­the formally trained and the spontaneous, reflecting the circumstances and the social environments of each, but making all part of the national memory. The works come from the National Collection, the Julia Díaz Foundation-Museo Forma, and the INAR Foundation collection.
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