Relevant bibliographies by topics / Artistic society / Dissertations / Theses
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Dissertations / Theses on the topic 'Artistic society'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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1

Beale, James Robert. "The Halle Concerts Society 1899-1999 : financial constraints and artistic outcomes." Thesis, City University London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340016.

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2

Tanner, Jeremy James. "The invention of art history : religion, society and artistic differentiation in ancient Greece." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296707.

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3

Barbour, Kim Jaime. "Constructing Artistic Integrity: An Exploratory Study." The University of Waikato, 2006. http://hdl.handle.net/10289/2474.

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This thesis explores the concept of artistic integrity. A historical foundation for artistic integrity is laid to provide a context within which eight artists' constructions of the concept can be placed. To date, little research has been conducted to discover how artists feel about artistic integrity, despite the fact that the concept is used frequently both in the popular media, and in arts and creative industries policy and research. Secondary research into European Romanticism and the growth of the creative industries traces the complex development of artistic integrity through to contempor
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4

Kinser, Amber E., Kym Freehling-Burton, and Terri Hawkes. "Performing Motherhood: Artistic, Activist, and Everyday Enactments." Digital Commons @ East Tennessee State University, 2014. https://www.amzn.com/1927335922.

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Performing Motherhood explores relationships between performativity and the maternal. Highlighting mothers lived experiences, this collection examines mothers creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts. Chapters contain theoretically grounded works that emerge from multiple disciplines and cross-dis- ciplines and include first-person narratives, empirical studies, artistic representations, and performance pieces. This book focuses on motherwork, maternal agency, mothers multiple identities and marginalized maternal voices, and explores ho
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Rose, Kathleen A. "Environment "atmosphere" /." Online version of thesis, 1989. http://hdl.handle.net/1850/11084.

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6

Currie, Athene. "Performing the Transformative." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/406080.

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Inherent in this artistic project is the question of why menopause is not defined in Western society as a natural process of transformation that has the potential to result in empowerment for the individual woman. The project Performing the Transformative speaks of this potential as it might be depicted in performance art through a series of videos and live performances that actively contemplate and represent the process of change in identity at the menopause. This is undertaken through the use of heuristic methodology that embraces a process of an internal search to discover the nature and me
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7

Borders, Elizabeth Furlong. "Working in an Artist Collective in Portland Oregon: The artistic benefits of cooperation and place in an underground art world." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/188.

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This ethnography explores the underground art world in Portland, Oregon by showing how a Portland area artist collective, Oregon Painting Society, navigates their art world. Participant observation, in-depth interviews, and a short latent content analysis triangulate data to show the features and values of the underground art world. Using Becker's concept of art worlds, I show how artists working outside of a traditional art career in a commercial gallery system do their work by exploring how Portland's art world is structured and sustained. I find that group work, cooperation, and resource sh
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8

Wan, Connie. "Samuel Lines and sons : rediscovering Birmingham's artistic dynasty 1794-1898 through works on paper at the Royal Birmingham Society of Artists : Volume 1, Text ; Volume 2, Catalogue ; Volume 3, Illustrations." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3645/.

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This thesis is the first academic study of nineteenth-century artist and drawing master Samuel Lines (1778-1863) and his five sons: Henry Harris Lines (1800-1889), William Rostill Lines (1802-1846), Samuel Rostill Lines (1804-1833), Edward Ashcroft Lines (1807-1875) and Frederick Thomas Lines (1809-1898). The thesis, with its catalogue, has been a result of a collaborative study focusing on a collection of works on paper by the sons of Samuel Lines, from the Permanent Collection of the Royal Birmingham Society of Artists (RBSA). Both the thesis and catalogue aim to re-instate the family’s posi
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9

Helguero, Lorenzo. "Transgresion y modernidad la prosa de Rubén Darío /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/453505739/viewonline.

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10

Delannoy, Leïla. "L'expérience artistique en prison : d'une triple inertie à l'expérimentation de transformations sociales." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100028/document.

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Cette recherche, menée dans le cadre d'un doctorat de sociologie sous la direction de Philippe Combessie, repose principalement sur une enquête de 24 mois dans des ateliers de création artistique installés dans la maison d’arrêt pour hommes du centre pénitentiaire de Marseille, que nous avons conjuguée à une enquête de 13 mois dans le centre éducatif fermé de Montfavet. Le travail engagé a surtout reposé sur la volonté d'examiner le maillage entre art, prison et société, considérant finalement que l'enfermement le plus visible pouvait, quand il devenait le point central d'une expérience artist
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11

Гула, Євген, Анна Пугачова, Михайло Руденко та Матвій Кирилюк. "Жанр портрету в сучасному плакаті та його вплив на свідомість соціуму". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18096.

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Надано результати дослідження впливу портретного плакату на соціальний стан спільноти. Метою дослідження є визначення основних засобів виразності та особливостей застосування плаката-портрета як одного з чинників впливу на свідомість соціуму. Охарактеризовано ознаки портретного плакату, його композиційні схеми, образотворчі та технічні прийоми, які забезпечують суттєвий вплив на соціум втіленням та популяризацією відомих портретних образів.<br>The results of a study of the impact of a portrait poster on the social status of the community are presented. The aim of the study is to determine the
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12

Pajgrt, Adam. "Art and democracy: The impact and the role of the right to freedom of artistic expression in various political regimes." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-194654.

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The access to technology, the effects of instant information and the emergence of an increasingly empowered global citizen have contributed to the fundamental shift of the global political and economic landscape over the last twenty years. In consequence, the soft-power resources are becoming more and more important components of nation's foreign policy. Foreign policy instruments of public diplomacy and cultural diplomacy can effectively utilize such soft-power resources in order to assert foreign policy goals by purposefully supporting wide range of cultural and artistic activities. It is th
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13

Nabavi, Seyed Mohammad Nasser. "L'artiste aux prises avec la société et l'histoire dans l'œuvre de Pierre Michon." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC025/document.

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Cette thèse porte sur le thème de l’artiste dans l’œuvre de Pierre Michon. L’artiste comme pratiquant d’une carrière liée à la création (picturale, poétique, musicale, etc.) est une figure compliquée, car il habite à la lisière d’un monde intérieur propre à lui seul et de l’univers socio-historique qui l’entoure et qui oriente ses essais. Ayant beaucoup écrit sur les peintres et les écrivains Michon est l’un des auteurs contemporains qui ont largement traité le processus labyrinthique du devenir-artiste. D’ailleurs, la question de l’artiste chez cet auteur ne peut être abordée qu’en compagnie
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Пугачова, Анна. "Жанр портрету в сучасному плакаті". Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/19422.

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Надано результати аналізу художніх особливостей плакату-портрета, основних засобів його виразності та ролі у культурі сучасного суспільства. Виявлено композиційні схеми, образотворчі та технічні прийоми, які використовуються при створенні соціальних та рекламних плакатів-портретів з метою певного соціокультурного впливу на цільову аудиторію. Метою роботи є проаналізувати плакат-портрет з позиції художніх та композиційних особливостей створення, основних засобів виразності та можливих мотиваційних впливів на цільову аудиторію. Методом дослідження є спостереження та порівняння об’єктів плакатног
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15

Lefranc-Cervo, Lena. "La Société des architectes modernes (1922-1946) : stratégies professionnelles et postures intellectuelles d'un réseau d'architectes." Electronic Thesis or Diss., Rennes 2, 2024. http://www.theses.fr/2024REN20023.

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La thèse s’intéresse à une société professionnelle originale de la scène architecturale française de l’entre-deux-guerres, la Société des architectes modernes. Née en 1922 sous le nom de Groupe des architectes modernes (GAM), la SAM est fondée par des architectes novateurs du tournant des XIXe et XXe siècles tels que Hector Guimard, Henri Sauvage, Frantz Jourdain. Elle rassemblera tout au long de son existence des personnalités diverses d’architectes tels que Auguste Bluysen, Adolphe Dervaux, Albert Laprade ou encore Robert Mallet-Stevens. Elle regroupera tout au long de son existence plus de
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16

Schiller, Selma. "The acquisition of essential characteristics required for a contemporary graphic design career." Thesis, University of Pretoria, 2013. http://hdl.handle.net/2263/32970.

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In my eleven years of teaching graphic design at Tshwane University of Technology, I have come to realise that education is more than just teaching a student the fundamentals, techniques and new technologies, it is also about their personal development. I conducted this study to ensure that my educational practices challenge my graphic design students to acquire the essential characteristics – or more profoundly, the essential human qualities -­‐ required for a contemporary graphic design career through which the quality of life for
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17

Ndiaye, Elhadji Oumar. "La protection des bases de données par le droit d'auteur : approche comparative entre le droit français et le droit sénégalais." Thesis, Montpellier, 2017. http://www.theses.fr/2017MONTD060/document.

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Dans un contexte mondial marqué par l’essor d’une société de l’information, des savoirs partagés et de l’économie numérique, cette étude propose une évaluation de la protection des bases de données par le droit d’auteur, en privilégiant une approche comparative entre le droit français et le droit sénégalais. En mettant en exergue les éléments de convergence mais aussi de divergence qui ressortent de la confrontation des deux législations, cette analyse part de l’identification des forces et des faiblesses du droit d’auteur, en vue de proposer des orientations pour une amélioration du cadre jur
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18

Leung, Mei-yin. "The Chinese Women's Calligraphy and Painting Society the first women's art society in modern China /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628697.

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19

McCusker, Sharon. "In the name of God." restricted, 2009. http://etd.gsu.edu/theses/available/etd-04212009-104900/.

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Thesis (M.F.A.)--Georgia State University, 2009.<br>Title from file title page. Mark Burleson, committee chair; Susan Richmond, Constance Thalken, committee members. Description based on contents viewed June 12, 2009. Includes bibliographical references.
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20

Leung, Mei-yin, and 梁美賢. "The Chinese Women's Calligraphy and Painting Society: the first women's art society in modern China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38628697.

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21

Jacono, Dianne. "The quest and the woman artist in contemporary society." Thesis, Federation University Australia, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/165008.

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"The project concerns itself with the human condition and the search for meaning, specifically, from the perspective of a woman artist. This search for meaning is expressed as a journey. The journey of a fictional woman protagonist through landscape is the metaphor used to convey these ideas."<br>Master of Education (Visual Arts)
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22

Bedard, Pascale. "L'Art en pratique: éthos, condition et statut social des artistes en arts visueles au Québec et en Belgique francophone." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209178.

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Cette thèse présente les résultats d’une enquête sociologique sur la condition actuelle des artistes en arts visuels et plastiques, réalisée au Québec et en Belgique francophone. Il s’agit d’une étude comparative concernant les mondes de l’art dans lesquels évoluent ces artistes, mais également d’une recherche sur les représentations qu’ils entretiennent à l’égard de leur propre identité d’artiste, de leur rôle et de leur statut social aujourd’hui. Quels sont les enjeux d’une carrière artistique en 2013? En quoi consistent les épreuves et les balises, les facteurs de persistance ou d’abandon d
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Kim, Gumsun. "A question of equality : women and women's art under patriarchal society." Thesis, View thesis, 1995. http://handle.uws.edu.au:8081/1959.7/358.

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In the past and present the inter-gender relationship has been based on male domination resulting in the overlooking of the female role and value. Many male-inspired theories helped to establish this hierarchical relationship and to perpetuate the belief that men and women have been created differently and not equally privileged. My research on the status of Korean women verifies these theories by examining how much social and cultural conditions have contributed to the difference between the genders to the disadvantage of women. It also reveals the distortion of patriarchal theories by invest
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Tozer, Patricia Ann. "A portrait of the artist in society, Warhol paints Warhol." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ36624.pdf.

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Williams, Graeme. "The Melbourne art scene and the Victorian artists’ society 1870-2020." Thesis, Federation University Australia, 2020. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/173708.

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This thesis is a socio-cultural history, utilising the Victorian Artists’ Society as a longitudinal case study to look at the extent to which it has serviced the professional needs of artists. The Victorian Artists’ Society, formed in 1870, is the oldest organisation representing the visual arts in Victoria and, as such, is an appropriate vehicle to examine the discourse between history and the construction of cultural values in the visual arts in Melbourne. The Melbourne ‘art scene’ has existed since Victoria’s proclamation as a separate colony in 1851. During the greater part of this time, t
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26

Castiglione, Julia. "L'oeil et la main ˸ juger la peinture à Rome à l'orée du XVIIe siècle. Giulio Mancini, courtisan et théoricien." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030063.

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Juger les tableaux, évaluer leur qualité, estimer leur prix relève de nos jours d’une expertise spécifique, aux mains d’acteurs vers lesquels se tournent les salles de ventes, les musées ou les propriétaires de collections. À Rome au XVIIe siècle, différents groupes s’affrontent pour s’approprier cette compétence, notamment en vue d’accéder au rôle de conseiller à la cour des grands collectionneurs. Alors qu’émerge progressivement un marché des tableaux et que la circulation des œuvres s’amplifie, savoir estimer leur valeur devient une capacité essentielle. Si l’évaluation du prix est traditio
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Damon, François. "Les artistes vietnamiens contemporains. Traditions et singularités de 1980 à nos jours." Thesis, Pau, 2014. http://www.theses.fr/2014PAUU1002.

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À partir d'une libéralisation de l'économie instaurée en 1986 par le Doi Moi, ce qui signifie «changer pour faire du neuf », les artistes vietnamiens ont entrepris de rénover, sous l'angle de la contemporanéité, l'expression artistique traditionnelle selon des techniques nouvelles, empruntées à l'art occidental. Profondément attachés à la culture vietnamienne et à l'artisanat traditionnel, ils ont cependant créé des œuvres témoignant à la fois de leurs héritages et de leur ouverture à l’art contemporain international, pour les présenter au Vietnam et en divers lieux du monde. Ils ont alors ins
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Hargraves, Matthew Peter. "'Candidates for fame' : the Society of Artists of Great Britain, c.1760-1791." Thesis, Courtauld Institute of Art (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402382.

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Kinsella, Sharon. "Editors, artists and the changing status of manga in Japanese society, 1986-1995." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:4c437028-f0e3-4c00-915a-1e151d7e89db.

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The contemporary Japanese manga industry began in 1959 when the first weekly manga magazines were published. Throughout the 1960s publishing companies attracted a large adult readership by incorporating radical political themes and realistic drawing styles in manga magazines. The readership continued to expand throughout the 1970s and 1980s and manga became a mass medium on a similar scale to television or pop-music. This thesis identifies two distinct trends in the cultural status of manga which were developing from the mid-1980s onwards. On the one hand, what had previously been seen as 'com
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Murphy, Caroline. "Lavinia Fontana : an artist and her society in late sixteenth century Bologna." Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1349274/.

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This thesis is a study of the career of one of Europe's first truly successful female painters with the largest attributable oeuvre of any woman artist before the 18th century. It incorporates an analysis of the tastes and consumption patterns, lifestyles and mentalities of the patriciate clergy and scholars of Counter Reformation Bologna who were her patrons. The intent is to identify and categorise her patrons and to explore her artistic appeal to them and to explain the work opportunities created by Counter Reformation initiatives including church refurbishment and charity institutions. It
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Kim, Gumsun. "A question of equality : women and women's art under patriarchal society /." View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030801.151817/index.html.

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Reisman, David. "The social imagination : the education of didactic contemporary artists : public expression : didactic contemporary artists as educators /." Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11039917.

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Thesis (Ed.D)--Teachers College, Columbia University, 1991.<br>Typescript; issued also on microfilm. Sponsor: Ellen Condliffe Lagemann. Dissertation Committee: Rene Arcilla. Includes bibliographical references (p. 201-204).
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Astier, Aude. "Observatoire, conservatoire, laboratoire : l’institution théâtrale publique en France et en Italie à l’heure du néo-libéralisme et du postmodernisme : le TNS durant l'exercice de Stéphane Braunschweig, le TNP sous la direction de Christian Schiaretti et le Piccolo Teatro dirigé par Luca Ronconi et Sergio Escobar (1999-2014)." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100127.

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Issue d’une volonté démocratique d’émancipation du citoyen et d’élaboration d’une société nouvelle, l’institution théâtrale publique, en France comme en Italie, apparaît à nouveau, depuis le tournant des années 2000, comme en proie à une triple crise (politique, structurelle et artistique) qui permet d’interroger les rapports politiques et symboliques qui se jouent entre l’art et la société à l’intérieur d’un cadre institutionnel aiguillé par une mission de service public. À travers les exemples du Théâtre National de Strasbourg, du Théâtre National Populaire et du Piccolo Teatro de Milan, il
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De, Andrade Pissarra Mario. "Locating Malangatana: decolonisation, aesthetics and the roles of an artist in a changing society." Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31161.

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This thesis responds to the dearth of detailed studies of pioneering African modernists; and the need for fresh theoretical frameworks for the interpretation of their art. Building on recent scholarship that applies decolonisation as an epistemic framework, it argues that a productive decolonial discourse needs to consider concurrent forms of nationalism and cultural agency in both the anti/colonial and postcolonial periods. Central to this approach is an analysis of the aesthetic responses of artists to the experiences and legacies of colonialism. This thesis is grounded in a study of Malanga
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Gauthier, Eglantine. "De cadencer à danser "jupes en l'air" : anthropologie des appropriations mémorielles et spectaculaires du séga mauricien." Electronic Thesis or Diss., Paris, EHESS, 2023. http://www.theses.fr/2023EHES0162.

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L’objectif de cette thèse est de partir de l’observation de la danse séga pour étudier les enjeux des appropriations mémorielles et artistiques du passé colonial dans la société post-esclavagiste mauricienne. L’entrée par la danse a alors été heuristique pour appréhender la culture populaire du séga comme un processus. À différents moments de son histoire la requalification du séga a permis d’inscrire cet objet dans une culture tantôt envisagée comme noire, africaine, créole, multiculturelle, de lui attribuer des racines, et d’orienter les débats sur les circulations et bran
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Wang, Chunchun. "La Traversée vers la postmodernité : la transformation de l’Italie à travers le cinéma de Michelangelo Antonioni, Federico Fellini et Pier Paolo Pasolini (1957-1978)." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080020.

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La présente thèse étudie la transformation de l’Italie vers la postmodernité (1957-1978) à travers le cinéma de trois auteurs : Michelangelo Antonioni, Federico Fellini et Pier Paolo Pasolini. Elle explore l’historicité du cinéma, en interrogeant la manière par laquelle le septième art constitue une mise en forme et une écriture de l’histoire. Dans la convergence de deux histoires, celle humaine et celle du cinéma, elle met en récit l’expérience de la transformation sociétale et artistique. En dernière analyse, il est question d’étudier le cas italien comme un paradigme. En réactualisant les p
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Perkins, Morgan. "Reviewing traditions : an anthropological analysis of contemporary Chinese art worlds." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365526.

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Delday, Heather. "'Close' as a construct to critically investigate the relationship between the visual artist and the everyday." Thesis, Robert Gordon University, 2006. http://hdl.handle.net/10059/2121.

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This research proposes and develops a critical framework - a 'matrix' to make sense of the artistic process from the practitioner's perspective. It draws from the research of de Certeau into everyday culture and the art historical discourse of Bourriaud that positions art within models of social interaction. As a critical concept the everyday has benefits for re-thinking the nature of creative activity and its reception. The term participatory relational practice is used \ 11 this thesis to define an approach that situates the artist within the everyday. The matrix is constructed reflexively t
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Kawachi, Akiko. "Les artistes japonais à Paris durant les années 1920 : à travers le Salon de la Société des Artistes Français, le Salon de la Société Nationale des Beaux-Arts, le Salon d’Automne, le Salon de la Société des Artistes Indépendants et le Salon des Tuileries." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040188.

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A la fin du XIXe siècle et au début du XXe siècle, les artistes japonais s’installant à Paris sont peu nombreux. Cependant, après la Première Guerre mondiale, à partir de 1920, un grand nombre d’artistes japonais arrivent en France. Au total deux cent huit artistes japonais ont figuré dans les Salons parisiens durant la décennie entre 1920 et 1929. La plupart de ces artistes choisissent comme lieu de résidence le quartier de Montparnasse. A cette époque à Paris, dans le milieu des artistes travaillant la peinture à l’huile, dite « yô-ga », nous pouvons distinguer trois courants : Le premier ci
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Hachmeister, John. "Pluralism and the hard sell historically unique influences on young artists today." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9845.

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Deal, Claire Elizabeth. "Collaborative theater of testimony performance as critical performance pedagogy implications for theater artists, community members, audiences, and performance studies scholars /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3356.

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Thesis (Ph.D.)--George Mason University, 2008.<br>Vita: p. 244. Thesis director: Lorraine A. Brown. Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Studies. Title from PDF t.p. (viewed Jan. 11, 2009). Includes bibliographical references (p. 228-243). Also issued in print.
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Kim, Gumsun, of Western Sydney Nepean University, and Faculty of Visual and Performing Arts. "A question of equality : women and women's art under patriarchal society." THESIS_FVPA_XXX_Kim_G.xml, 1995. http://handle.uws.edu.au:8081/1959.7/358.

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In the past and present the inter-gender relationship has been based on male domination resulting in the overlooking of the female role and value. Many male-inspired theories helped to establish this hierarchical relationship and to perpetuate the belief that men and women have been created differently and not equally privileged. My research on the status of Korean women verifies these theories by examining how much social and cultural conditions have contributed to the difference between the genders to the disadvantage of women. It also reveals the distortion of patriarchal theories by invest
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Jones, Jacqueline. "The relationship and commitment of an artist to his or her society in a revolutionary environment." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/6662.

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From Introduction: In Aesthetics after Modernism, Peter Fuller writes that "good art can only be realized when a creative individual encounters a living tradition with deep tendrils in communal life" (Fuller, 1983: p.36). Yet Francis Bacon believed that "the suffering of people and the differences between people are what have made great art, and not egalitarianism ... " (Brighton and Morris, ' 1977: p.234 and 235). If it is true that art was once an integral part of society and reflected the aspirations of the whole community, its effect on society today has become marginal. Throughout history
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Ross, Julie Jane. "The role of the artist in environmental change : an investigation into collaborative, interactive and participative art practice in organisational contexts." Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366253.

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Earles, Bruce, University of Western Sydney, and School of Contemporary Arts. "Inquiry into the appeal of anonymity to the artist." THESIS_XXX_CAR_Earles_B.xml, 1998. http://handle.uws.edu.au:8081/1959.7/499.

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This paper, in conjunction with a series of paintings and drawings, attempts to outline the theme of anonymity. The work contains images portraying the feeling of remaining anonymous within a city. The inquiry not so much records the necessity of remaining anonymous for the purpose of urban experience but examines whether the subject matter of the artwork could be communicated to a group of spectators. During an exhibition of the artworks, 20 subjects were surveyed for their opinions. Questions relating to subject matter and aspects of anonymity were posed to the spectators in a questionnaire
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Kafer, Elijah. "Techné exploration of unmanifested shifts in cultural landscapes /." This title; PDF viewer required Home page for entire collection, 2008. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Estrella, Rachel Joy Tancioco. "Lessons from the wall muralism and the art of empowerment /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1324368911&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Dubois, Sylvie. "Métiers et société : artistes et artisans d'art à Dijon durant le second XVIIIe siècle." Dijon, 2009. http://www.theses.fr/2009DIJOL013.

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Dijon à la fin du XVIIIe siècle se hisse au rang de véritable capitale artistique provinciale grâce à un embellissement de son espace et à un accroissement du goût pour les arts, accompagné par l’apparition de nouveaux connaisseurs. Ce monde s’articule autour de deux grandes figures : le client et les exécutants, artistes et artisans réunis en corporations. Cette étude aborde le fonctionnement des corporations d’artistes et d’artisanat d’art en réservant une large place au parcours des individus au sein de ce cadre traditionnel. Cet univers est évoqué tour à tour par ses aspects réglementaires
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Cooper, Craig. "The interrelationship and inscription in the experience of place in Hong Kong: art, bodies and architectures." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/749.

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This thesis acknowledges the current situation of political unrest in Hong Kong and examines the volatile horizons that began to emerge from late 2014, while also understanding those that came before. The thesis unpacks the relationships between art, architecture and society and their significance in relation to Hong Kong. Through highlighting and identifying the potential restrictions and examining and responding to the legacy and logic of Occupy Central, this thesis proposes an expansion of the space of possibilities for art in Hong Kong.The interweaving of diverse subjects are part of an in
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Earles, Bruce. "Inquiry into the appeal of anonymity to the artist." Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/499.

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Abstract:
This paper, in conjunction with a series of paintings and drawings, attempts to outline the theme of anonymity. The work contains images portraying the feeling of remaining anonymous within a city. The inquiry not so much records the necessity of remaining anonymous for the purpose of urban experience but examines whether the subject matter of the artwork could be communicated to a group of spectators. During an exhibition of the artworks, 20 subjects were surveyed for their opinions. Questions relating to subject matter and aspects of anonymity were posed to the spectators in a questionnaire
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