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Journal articles on the topic 'Artistic-visual tool'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Mironova, Tatiana. "Plurality the types of art in contemporary art: specifics of media art." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 139–48. http://dx.doi.org/10.32461/2226-3209.2.2021.239992.

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The purpose of the article is to study the types of artistic creativity in modern fine arts, taking into account the specifics of media arts. The methodology is the cultural-semiotic analysis of the forms of manifestation of visualization of modern art culture. The application of a systematic approach allowed us to study semiotic systems that contribute to the comprehensive disclosure of the problem of the semantics of modern forms of visualization. The scientific novelty of the work is to understand the specifics of the new media arts, taking into account their interactivity, network communic

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Chernyakevich, Bogdan. "The phenomenon of visual illusions in fine arts as a tool of artistic research." Research in Arts and Education 2019, no. 3 (2019): 47–76. http://dx.doi.org/10.54916/rae.118899.

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Smanova, G. L., I. S. Smanov, and D. N. Baigutova. "The Educational Value of Visual Arts." Iasaýı ýnıversıtetіnіń habarshysy 135, no. 1 (2025): 371–80. https://doi.org/10.47526/2025-1/2664-0686.171.

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The article discusses the methods of using works of art and painting and their important role in enhancing the modern educational process at school. Painting, like any genre of art, has an amazing power of emotional impact: it not only broadens opens the visual horizons of the world, but also fascinates with the images depicted, for example, the Kazakh steppe is captivating with its beautiful nature. A student who comes into contact with painting expands their human capacity to love life in different ways. At the same time, they love life with a certain artistic flair, enriched by imagination

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Žmukić, Maja, Martina Kosec, Jasna Bajraktarević, and Viktor Gurović. "Integration of Visual Arts Methods in Education: Reducing Stress, Enhancing Introspection, and Emotional Well-being." Multidisciplinarni Pristupi u Edukaciji i Rehabilitaciji 7, no. 9 (2025): 81–91. https://doi.org/10.59519/mper7108.

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Contemporary global trends, marked by increasing levels of stress and anxiety, underscore the need for innovative approaches in education, visual arts and therapy. The therapeutic potential of artistic activities within educational settings highlighting their contribution to stress reduction, enhancement of emotional and cognitive abilities. This study analyzes the impact of artistic activity on the emotional and cognitive state of students, with a focus on the therapeutic application of drawing as a method for reducing stress assessing their emotional states before and after participation in

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Amini, Rohangiz, Ali Hosseini Khah, and Aboutaleb seadatee shamir. "Designing an Educational Intervention Package to Enhance Students' Artistic Intelligence Based on the Lived Experiences of Top Talents." Journal of Cognition, Behavior, Learning 1, no. 4 (2024): 1–13. https://doi.org/10.61838/jcbl.1.4.1.

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This study aimed to design and evaluate the effectiveness of an educational intervention package to enhance students' artistic intelligence based on the lived experiences of top talents in the field of art. This qualitative study employed a qualitative content analysis method, collecting data through semi-structured interviews with 15 university professors and art experts. Participants were selected through purposive sampling based on theoretical saturation. The interviews were analyzed and coded based on Gardner’s multiple intelligences theory and artistic creativity assessment tools, includi

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Melnyk, Oksana, and Viktor Shtets. "Typography as a means of image enhancement in wartime patriotic graphic creations in Ukraine (2022-2024)." Almanac "Culture and Contemporaneity" 26, no. 2 (2024): 55–67. https://doi.org/10.63009/cac/2.2024.55.

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The relevance of this study lies in the necessity of analysing the role of typography as a visual communication tool in the works of creative resistance in Ukraine under wartime conditions. The purpose of this research was to examine the compositional, artistic, and formal techniques in the typography of patriotic graphic works within Ukraine’s visual information space during the period of Russian military aggression. These techniques aim to strengthen national identity, support patriotic sentiment, and foster social unity. The study revealed that, in wartime realities, the creation of direct

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Rabi, Cynthia. "La expresión artística como una herramienta terapéutica: El artista y el paciente." Clínica e Investigación Relacional 16, no. 1 (2022): 95–106. http://dx.doi.org/10.21110/19882939.2022.160106.

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This paper is an attempt to resolve some theoretical concerns that arise in therapeutic work where art therapy techniques have been applied to the patients, citing some great thinkers of the relational model and its predecessors, as well as philosophers who theorize about the artistic creation. The text begins with the analysis of an interview with an artist, a speech that serves as a common thread woven with ideas capture the emotional background of the artistic experience and how it is transformed into a tool for therapeutic purposes. Almost at the end of the text a brief analysis is carried

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Pop-Curşeu, Ioan. "The Witch’s Body as a Narrative and Symbolic Tool." Studia Universitatis Babeş-Bolyai Dramatica 68, no. 1 (2023): 15–41. http://dx.doi.org/10.24193/subbdrama.2023.1.01.

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"This paper aims to propose an exploration of the corporeality of witches insofar as it has been used as a medium or nexus for narratives, or as a symbolic sign in various artistic forms and arrangements. The starting point is the highlighting of an antithesis, which is permanently nuanced and overcome in the long evolution of culture, namely between the beauty of young witches and the ugliness of old ones. A first section of the article focuses on painting, looking at works by Baldung Grien, Salvator Rosa, Frans Francken, Luis Ricardo Falero. A second section looks at the corporeal duality th

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Ibragimov, Aman, and Baimurat Ospanov. "CONCEPTUAL ROLE OF METAPHOR AS A STYLISTIC DEVICE IN CONTEMPORARY KAZAKHSTANI PAINTING." Central Asian Journal of Art Studies 9, no. 3 (2024): 236–54. http://dx.doi.org/10.47940/cajas.v9i3.910.

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The study focuses on the significance of metaphor as a fundamental stylistic device in contemporary Kazakhstani painting, exploring its ability to convey complex cultural and symbolic meanings. The aim of the study is to analyse how metaphor contributes to a deeper understanding of cultural identity and heritage, helping to enrich contemporary artistic expression in Kazakhstan. The methodology includes a comprehensive visual analysis of selected works by contemporary Kazakhstani artists. The study relies on interdisciplinary approaches, combining art history, cultural studies, and semiotics. I

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Wu, Faye, Chindhuri Selvadurai, Quinn Smithwick, et al. "The Seeing Machine Camera: An Artistic Tool for the Visually Challenged Conceived by a Visually Challenged Artist." Leonardo 45, no. 2 (2012): 141–47. http://dx.doi.org/10.1162/leon_a_00280.

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The Vision Group at the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (MIT) has developed the Seeing Machine Camera (SMC) under the direction of Elizabeth Goldring, a visually challenged artist. The SMC is an innovative tool that enables artistic expression for those with decreased vision. The camera enhances the ability to see the face of a loved one, look at a painting in a museum, photograph landscapes or create digital artwork. For visually challenged artists who may feel isolated from their visual world, the SMC provides an opportunity to connect t

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Laine, Anna. "Complementarity between Art and Anthropology: Experiences among kolam makers in South India." Suomen Antropologi: Journal of the Finnish Anthropological Society 34, no. 2 (2009): 58–60. http://dx.doi.org/10.30676/jfas.116522.

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As their first daily task, women in South India draw geometrical images, kolams, in front of their homes to greet the deities. These images engender and reinforce moods in the community, they construct feminine gender and they define the landscape as social. The paper describes how the employment of an artistic practice—photography—can affect the understanding of the kolam, an artistic practice in itself. Photography has a key role in that it has been used as a tool during field work, as well as in the presentation of research in the form of photographic essays. The expressive aspects in parti

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Talabbayev, Rustam. "VISUAL ARTS IN ANIMATED FILM PRODUCTION." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 4 (2023): 61–63. https://doi.org/10.5281/zenodo.7800722.

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The article is devoted to a relevant problem of synthesis of visual art and cinematography in the context of post-culture. The paper introduces the author's original methodology of working on animation project; the project itself is considered as an important tool, which allows solving both educational and cultural-educational tasks. Analysing artistic space formation in domestic animation projects, the author outlines prospects for further studies of interaction of plastic arts and cinematography in the process of animation of pictorial and graphical works.

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Jahanzaib Afridi and Hadia Saleem. "The Role of Truck Art in Sustaining Indigenous Artistic Traditions in Pakistan." Indus Journal of Social Sciences 3, no. 2 (2025): 169–78. https://doi.org/10.59075/ijss.v3i2.1105.

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This research investigated how truck art maintains native artistic customs in Khyber Pakhtunkhwa (KPK). The study analyzed truck art by using visual analysis as the main approach to investigate its cultural functions including identity maintenance and social commentary and cultural expression. The evaluation revealed cultural symbolism and identity as its first theme while religious and spiritual expression followed as the second theme before national pride and political messages emerged as the third theme and emotional and social commentary served as the fourth theme. Every theme within the s

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Iman Ariffin, Dhiya Qayyum, and Siti Nur Ain Abd Rahman. "Exploring Exaggeration in Animation: A Case Study of One Piece (2023)." International Journal of Art and Design 9, no. 1/SI (2025): 1–10. https://doi.org/10.24191/ijad.v9i1/si.3173.

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This research paper delves into the realm of animation, specifically focusing on exaggeration as a pivotal artistic tool in conveying emotions, enhancing storytelling, and shaping character dynamics. Employing a case study approach, the investigation centres around the renowned anime series "One Piece"(2023), known for its unique art style and expressive character animations. Through a meticulous analysis of selected episodes and character interactions, the study aims to uncover how exaggeration is employed as a narrative device and artistic technique in the animation industry. The research me

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Li, Jiawen, Junhao Zhong, Songyuan Liu, and Xiaoming Fan. "Opportunities and Challenges in AI Painting: The Game between Artificial Intelligence and Humanity." Journal of Big Data and Computing 2, no. 1 (2024): 44–49. http://dx.doi.org/10.62517/jbdc.202401106.

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This paper analyzes the rise of artificial intelligence (AI) painting technology and its profound impact on the traditional art field. Firstly, the paper describes the technical foundation of AI painting, including how to transform text descriptions into visual images through deep learning models. Then, the paper focuses on stable diffusion, an open source tool that has attracted much attention in the field of AI painting, and discusses its application potential in artistic creation as well as the possible copyright and ethical issues. Then, the paper further discusses the challenges of AI pai

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Plotnikov, I. I. "Утраченные и обретённые музыкальные жанры, формы и образы, как наследие замечательного композитора Эдуарда Николаевича Артемьева". Studia Culturae, № 54 (3 квітня 2023): 128. http://dx.doi.org/10.31312/2310-1245-2022-54-128-137.

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This article discusses listening to music suitable for sound perception and the associated changes in paradigms or ways of thinking that so often occur when we move from visual to auditory perception. The distinction between historically accepted and rejected sounds is used to show how the placement of sounds in our subconscious has shaped the form of listening in life. The experimental music of the 20th century, especially the music and reflections of Eduard Artemyev, opened the doors to our subconsciousness with the synthetics of sound, and at the same time weakened the visual paradigm of in

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Gunaydin Donduran, Cansu, Altug Kasali, and Fehmi Dogan. "Artificial Intelligence as a Pedagogical Tool for Architectural Design Education." Journal of Design Studio 6, no. 2 (2024): 219–29. https://doi.org/10.46474/jds.1533480.

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Artificial intelligence (AI) is increasingly influencing art and design, with tools like ChatGPT, DALL.E, and Midjourney transforming the way designers create visual content from written descriptions. Since its launch, AI-powered systems have sparked widespread interest and expanded production practices in design and artistic creativity. This transition has ushered in a new era of co-authorship, in which human designers and AI systems collaborate to reshape the boundaries of design. The introduction of language-based diffusion models has enabled a harmonic integration of language and visual el

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BROOKES, JAMES. "Images in Conflict: Union Soldier-Artists Picture the Battle of Stones River, 1862–1863." Journal of American Studies 54, no. 5 (2019): 870–99. http://dx.doi.org/10.1017/s0021875819000112.

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The Civil War marked a revolution in the use of visual culture, during which imagery became a soldier's tool. Engagement with imagery presented both an opportunity and a dilemma, forcing some soldier-artists to abandon existing artistic conventions, whilst others fortified them, in search of ways to represent both the war's violence and tedium. The visual idealization of war jarred uncomfortably with the depiction of the conflict's realities. The creation of a diverse grassroots archive ran parallel to the mainstream narrative, examination of which offers new insight into how some soldiers vis

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Annet, Kakembo Aisha. "Exploring the Intersection of Social Justice and Health through Art." RESEARCH INVENTION JOURNAL OF RESEARCH IN EDUCATION 4, no. 2 (2024): 58–61. http://dx.doi.org/10.59298/rijre/2024/425861.

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This paper examines the role of art in advocating for social justice and addressing health disparities. It highlights how various artistic mediums such as photography, installations, performance, and visual arts serve as powerful tools to communicate the complexities of structural inequality and promote public health advocacy. The review discusses the intersection of art and politics, as well as the potential for art to shift perspectives, foster empathy, and influence policy. It delves into case studies where artistic initiatives have contributed to health advocacy, particularly in marginaliz

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He, Shiyue. "From a Cross-Cultural Perspective, Modern Art Expression: Analyzing how Artists from Different Cultural Backgrounds Express Their Views and Emotions through Visual Art." SHS Web of Conferences 213 (2025): 02007. https://doi.org/10.1051/shsconf/202521302007.

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The purpose of this article is to analyze modern art expression from a cross-cultural perspective, emphasizing the use of visual art as a means for expressing personal opinions and emotions among artists from a variety of cultural backgrounds. A phenomenon of multicultural integration has been observed in the modern art world as a result of globalization. Artworks are not only a means for artists to express their emotions, but also a communication tool to overcome cultural barriers. Studying the creations of artists from different cultural backgrounds can reveal how artistic expression is infl

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Sharifi, Mohammad Maruf, Mohammad Sharif Omari, and Sayed Ehsanullah Nooryar. "Fraperspective: A Holistic Approach to Spatial Representation in Ancient Iranian and Modern Western Architecture." Journal of Engineering Research and Reports 27, no. 6 (2025): 273–85. https://doi.org/10.9734/jerr/2025/v27i61544.

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Perspective, as a crucial visual tool in architecture, significantly influences spatial representation and the communication of artistic and spatial concepts. This article conducts a comparative analysis of perspective in Iranian architecture vis-à-vis Western approaches, particularly linear perspective and spatial Cubism, while introducing Fraperspective (holistic perspective) as a novel method. The study highlights that traditional perspective techniques have inherent limitations in capturing spatial entirety. In contrast, Fraperspective, employing expansive viewpoints and multiple vanishing

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Annet, Kakembo Aisha. "Exploring the Impact of Art on Health Policy Changes." NEWPORT INTERNATIONAL JOURNAL OF LAW, COMMUNICATION AND LANGUAGES 4, no. 3 (2024): 10–14. http://dx.doi.org/10.59298/nijlcl/2024/4.3.101400.

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Art, in its various forms, has increasingly become a powerful tool for shaping health policy and driving social change. This review examined the multifaceted impact of artistic expression on health policy development by offering historical context, analyzing case studies, and discussing the interdisciplinary relationship between art and public health. Art’s role in influencing public sentiment, raising awareness, and inspiring policy reform is examined through visual, literary, and performing arts. Case studies demonstrate how artistic interventions have been instrumental in addressing health

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Korvackaya, Elena. "GEOGRAPHICAL MAPS IN THE YEARBOOK ‘GLOBUS’ (1930–1980S)." Children's Readings: Studies in Children's Literature 26, no. 2 (2024): 167–83. https://doi.org/10.31860/2304-5817-2024-2-26-167-183.

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This study analyzes the geographic yearbook for children and teenagers, “Globus”, published by “Detgiz” (“Children’s Literature”) from 1938 to 1990. “Globus” represented a unique phenomenon in Soviet publishing as an illustrated serial popular science book for adolescents and youth. For the first time, a brief analysis of the artistic design of the yearbook is provided. The visual appearance of “Globus” reflects key stages in the development of illustrated popular science books in the Soviet Union from the 1930s to the 1980s, alongside shifts in cultural eras and artistic directions. This incl

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Yu, Pong Yuk. "Exploring the Visual Communication of Illustration Narrative in Brand Promotion Through the Symbolic Meaning of Thorn Elements." Communications in Humanities Research 43, no. 1 (2024): 25–29. http://dx.doi.org/10.54254/2753-7064/43/20240129.

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Abstract: In todays market, the use of visual representations is increasingly prevalent, with illustrations becoming a key promotion tool. Due to their ability to deliver immediate and powerful impact on viewers, illustrations are now a top choice for companies in advertising. Various styles and techniques of illustration have evolved, enriching the artistic language of advertising; different combinations of elements can evoke diverse reactions and interpretations among audiences. This paper aims to establish a framework for the use of illustration in advertising by analyzing a specific elemen

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Mohamed, Eid, and Talaat Farouq Mohamed. "The Way We See It: Poetic-Visual Reciprocity in Egyptian Street Art Since 2011." Journal of Arabic Literature 53, no. 3-4 (2022): 351–81. http://dx.doi.org/10.1163/1570064x-12341470.

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Abstract This article traces the manifestations of the newly adapted artistic form of “calligraffiti,” or the synthetic braiding of poetry and graffiti on what became known as the “walls of protest” in post-2011 Egypt. This new mode of writing/drawing answers to the immediacy of an unprecedented revolutionary moment in Egypt and rewrites Egyptian history in peculiar artistic instantaneity. The image-text discursive dynamics of this hybrid form of expression enhance our understanding of the 2011 Egyptian uprising, enabling us to explore the potential of revolutionary impulse for stretching new

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May, Brittany Nixon, Amy Baird Miner, Terrell A. Young, and B. Gerilyn Ingalls. "Celebrating the Arts With The Noisy Paint Box." General Music Today 30, no. 3 (2017): 5–12. http://dx.doi.org/10.1177/1048371316686643.

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Children’s literature offers many benefits to children, which include developing imagination, building knowledge, enhancing vocabulary, and offering pleasure. As it promotes these areas of development, literature can also serve as a gateway for curriculum integration. Literature can be a particularly powerful tool in executing a dynamic, integrated music lesson. In this article, the authors share how The Noisy Paint Box (2014), written by Barb Rosenstock and illustrated by Mary Grandpré, provides a context for students to explore the four artistic processes identified in the National Arts Stan

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Annet, Kakembo Aisha. "The Role of Artistic Expression in Social Movements for Health Equit." IDOSR JOURNAL OF ARTS AND MANAGEMENT 9, no. 2 (2024): 16–21. https://doi.org/10.59298/idosrjam/2024/9.2.1621.

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Artistic expression is increasingly recognized as a powerful tool within social movements, particularly in advocating for health equity. Art intersects with activism, amplifying marginalized voices and deepening public understanding of health disparities. Through visual art, music, performance, and storytelling, artists are effectively engaging communities to address systemic inequalities affecting health. By examining historical and contemporary examples, this paper highlights the potential of art to mobilize collective action, foster community solidarity, and challenge social injustices that

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Brumă, Lucian. "ALTERNATIVE FORMS OF ARTISTIC RESEARCH IN THE ACADEMIC CONTEXT." Review of Artistic Education 28 (April 1, 2024): 208–15. http://dx.doi.org/10.35218/rae-2024-0026.

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The distinction between different forms of research is a subject of interest for a large part of theoreticians, philosophers, professors in universities, but also for contemporary artists. The current text proposes an alternative approach to artistic research, resulting from working with technology, associated with pictorial practice. The image, understood as the main resource of the visual medium, became in the case of the present research, a tool of analysis for the 3A application, a software developed (in the academic research context of the National University of the Arts in Bucharest) to

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LEVY UNGER, Vered, and Stefan COJOCARU. "Personal and Collective Memory Boards as an Instrument for Enhancing Community Belonging and Self-Esteem from Tribal Societies to Contemporary Ones." Revista de Cercetare si Interventie Sociala, no. 87 (December 15, 2024): 80–96. https://doi.org/10.33788/rcis.87.5.

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This article addresses the concept of memory boards as a community working tool. Collective and personal memory boards served several tribal cultures as a visual exhibit of a tribe’s story or a totem group alongside every member’s unique contribution. They are powerful tools to strengthen community belonging and sense of their members’ self-esteem. Two tribal art objects are represented as examples of efficient memory holders for their community members: Indigenous Australian Churinga in Australia and the Lukasa memory boards of the African Luba tribe. An intervention program based on the Hero

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Gröndahl, Laura. "From Candle Light to Contemporary Lighting Systems: How Lighting Technology Shapes Scenographic Practices." Nordic Theatre Studies 26, no. 2 (2014): 20. http://dx.doi.org/10.7146/nts.v26i2.24305.

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In this article, I discuss the influence of stage lighting on the processes of scenic design and the functioning of performance space. There has been a huge advance in lighting technology with regard to their accessibility, usability, luminosity and costs during the past decades. Light can no longer be thought of as a necessity that can just be added to the performance. It has become one of its basic visual elements, directing and focusing the spectators gaze. The rhythm of changing lighting cues create a visual dramaturgy, which has turned visual design from solid constructrions to a score of

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Aziz, Abdul, and M. Imam Tobroni. "Aesthetics exploration of chiaroscuro light: capturing the visual atmosphere of traditional markets in Jakarta." Gelar : Jurnal Seni Budaya 21, no. 1 (2023): 80–89. http://dx.doi.org/10.33153/glr.v21i1.5057.

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Photography is needed as a medium of expression and delivery of communication messages. In the field of art, Chiaroscuro is a new vehicle for expression to be translated as a visual object in creating street photography. The main focus that is interesting to know is about the aesthetics of chiaroscuro light in the art of photography. The purpose of this research is to describe how to visualize the aesthetic expressions of researchers about traditional markets in the area of Jakarta. The research method employs an artistic approach within the context of visual field research, emphasizing creati

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Tianxiang, Liu, Yulia Ivanova, Yanzhina Gomboeva, and Maksim Zakharov. "Historical Context of the Reproduction of National Identity of the Peoples of Northern China in Contemporary Fine Arts." Humanitarian Vector 20, no. 2 (2025): 28–38. https://doi.org/10.21209/1996-7853-2025-20-2-28-38.

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The relevance of this study stems from the need to identify mechanisms of visual representation of ethnic identity in multiethnic China, particularly through artistic interpretations of the cultures of the country’s northern peoples. Since the 1980s, Chinese oil painting has increasingly addressed the theme of national minorities, reflecting shifts in state cultural policy and capturing processes of self-representation within ethnic communities. We particularly focus on the way in which artistic images depict historical memory, ethnopolitical integration and the cultural heritage of China’s pe

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Chibalashvili, Asmati, Igor Savchuk, Svitlana Olianina, Ihor Shalinskyi, and Yuriy Korenyuk. "Creative Coding as a Modern Art Tool." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 14, no. 2 (2023): 115–27. http://dx.doi.org/10.18662/brain/14.2/447.

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The research examines the phenomenon of creative programming as an example of the interaction between art and technology. The historical prerequisites for its emergence and various tools for its implementation are analysed. Systematization and analysis of existing platforms and computer languages for creative programming made it possible to classify them chronologically, according to principles of work, and technical characteristics. The main ways of using creative programming in different periods were explored in analysing contemporary art projects that used creative programming. Thus, The Al

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Asmati, Chibalashvili, Savchuk Igor, Olianina Svitlana, Shalinskyi Ihor, and Korenyuk Yuriy. "Creative Coding as a Modern Art Tool." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 14, no. 2 (2024): 115–27. https://doi.org/10.18662/brain/14.2/447.

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The <em>research examines the phenomenon of creative programming as an example of the interaction between art and technology. The historical prerequisites for its emergence and various tools for its implementation are analysed. Systematization and analysis of existing platforms and computer languages for creative programming made it possible to classify them chronologically, according to principles of work, and technical characteristics. The main ways of using creative programming in different periods were explored in analysing contemporary art projects that used creative programming. Thus, Th

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Leonido, Levi, Mario Cardoso, and Elsa Gabriel Morgado. "The interdisciplinary method of musical literacy, education and artistic sensibilization: Objectives, structure and evaluation." International Journal of Education and Practice 12, no. 3 (2024): 782–96. http://dx.doi.org/10.18488/61.v12i3.3756.

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The Interdisciplinary Method of Musical Literacy, Education and Artistic Awareness (MILMESA) aims to provide a holistic and interdisciplinary approach to education, integrating four artistic expressions (theatre, music, visual arts and physical/motor expression) essential for the development of skills such as creativity, expression and improvisation in a school context. The method aims to prepare adults who are in training for future practices aimed at children, young people or adults. MILMESA integrates 129 activities, classified by degree of difficulty, to improve personal and artistic skill

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Kuznetsova, Evgenia Yu. "THE ROLE OF TYPOGRAPHICS IN THE DESIGN OF AN EXHIBITION SPACE. INTERACTION SCHEMES." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 15. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-15.

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The article discusses the evolution of the role of typographics in the exhibition space from the generally accepted design of labels to the use of typography as the main artistic tool that demonstrates the conceptual intent of the exhibition. A significant amount of visual material was reviewed. Based on this review, graphic schemes of interaction between typography and exposition space were developed. The schemes show the dependence of the typography on the object being displayed and the focus of the exhibition.

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Modrzejewska-Świgulska, Monika. "Do You Think the Painting is Finished? The Function of Correction/Conversation in Developing Painting Skills on the Example of Outdoor Painting." Nauki o Wychowaniu. Studia Interdyscyplinarne 16, no. 1 (2023): 144–61. http://dx.doi.org/10.18778/2450-4491.16.09.

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The aim of the article is to present the meaning of correction, i.e. the conversation accompanying the study of outdoor painting. Correction is a tool that can support and motivate to pursue artistic work, and at the same time it can introduce students to the language of visual arts. It is widely used at various levels of arts education. Art adepts in conversation with teachers / experienced artists and other painters gain declarative and procedural knowledge in the field of painting. The article uses materials from observations, conversations and interviews conducted during open-air painting

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Zhang, Qi. "Visual Language and Emotional Expression of Film and Television Art Explored in Depth." Scientific and Social Research 7, no. 5 (2025): 293–99. https://doi.org/10.26689/ssr.v7i5.10690.

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Visual language is the core expression of film and television art, which constructs a unique art form through basic elements such as picture, color, light and shadow, composition, and so on. These elements together constitute the visual language system of film and television art, making it an important medium for emotion transmission. In film and television works, visual language is not only a narrative tool but also a carrier of emotion, the importance of which lies in its ability to transcend the limitations of language and directly touch the audience’s heart. Through the clever use of visua

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BÜLBÜL, Handan. "Appropriation Method in Visual Art Teacher Education Painting Art Studio Course." International Education Studies 16, no. 4 (2023): 77. http://dx.doi.org/10.5539/ies.v16n4p77.

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This research is a case study aiming to reveal the experiences of art students towards the activity of &ldquo;reproduction through appropriation&rdquo;. During the activity process, students were firstly informed about appropriation and the art of appropriation, especially the works in which two works of art were appropriated by integrating them, and each student was asked to identify two works of art to be appropriated. Students made sketches by establishing relational links between the two works they chose. In the last stage, students were expected to make a new artistic production.

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Rusli, Edial. "IMAJINASI KE IMAJINASI VISUAL FOTOGRAFI." REKAM: Jurnal Fotografi, Televisi, dan Animasi 12, no. 2 (2017): 91. http://dx.doi.org/10.24821/rekam.v12i2.1426.

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AbstrakImaji visual fotografi merupakan media rekam visual yang objektif dan representatifkebenarannya dalam merekam suatu realitas. Revolusi teknologi menyebabkan perubahandari teknologi fotografi analog sebagai salah satu media yang menyatakan kebenaran ataubukti dan sebagai media yang representatif kebenarannya ke teknologi digital yang dapatmemungkinkan untuk merekayasa gambar digital melalui perangkat lunak. Teknologi digitaltelah menjadikan kebenaran dalam sebuah foto tidak lagi absolut. Akhirnya fotografi sebagaialat perekam imaji yang representatif kebenarannya semakin diragukan. Karen

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Blazhev, Boyan. "Visual Arts and Digital Technologies." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 7, no. 2 (2021): 191–207. http://dx.doi.org/10.26615/issn.2367-8038.2021_2_018.

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With the advent and dissemination of digital technologies, devices and means in the middle of the twentieth century, dramatic changes occurred in all spheres of life. The data reporting environment is changing and the era of new media is approaching. Digital technologies and the global network have a fundamental impact on culture, traditions and art. In this context, in terms of visual art, digital technologies allow for the emergence of new artistic practices that take their place next to classical art activities. Leading the way is the idea that digital technology is not just a tool, but rat

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Stamenković, Miloš. "Sports photography and its artistic dimensionality." Fizicko vaspitanje i sport kroz vekove 8, no. 2 (2021): 119–33. http://dx.doi.org/10.5937/spes2102119s.

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Sports photography is a powerful visual tool that can be used to promote sports, athletes and recreational physical activities. Her main role is to present sport as an art. In that respect, good sports photography also implies the recorded moment of the athlete in a specific movement position, which is unusual and which cannot be seen on television. When it comes to the promotion of professional sports, sports photography occupies a significant place in the sports press and sports magazines. On the other hand, sports photography also promotes recreational sports, which is intended for all thos

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ANTIPINA, INNA. ""MELODIYA" BY MYROSLAV SKORYK AS A CODE OF NATIONAL CULTURAL MEMORY: INTERPRETATION USING ARTIFICIAL INTELLIGENCE TOOLS." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(66) (March 13, 2025): 131–54. https://doi.org/10.31318/2414-052x.1(66).2025.333466.

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This article explores the potential of artificial intelligence (AI) as a tool for the digital interpretation of musical works, using Myroslav Skoryk’s iconic Melody as a case study. The research analyzes the cultural and philosophical dimensions of digitalization in the arts, focusing on the evolving role of the artist, new forms of representation, and the transformation of artistic perception in the digital age. Particular attention is paid to the philosophical and ethical challenges posed by AI-driven artistic practices, including issues of authorship, authenticity, and the shifting role of

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Torres Carceller, Andrés. "The ARTificial Revolution: Challenges for Redefining Art Education." Digital Education Review, no. 45 (July 1, 2024): 84–90. http://dx.doi.org/10.1344/der.2024.45.84-90.

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After years of development in the background, Artificial Intelligence (AI) has burst onto the global stage thanks to open tools for generating textual, visual, auditory, and audiovisual content. In this emerging context, AI is not only emerging as a technological phenomenon but also as a catalyst for innovation in the artistic and educational fields. Although we are only at the dawn, AI is rapidly evolving and leading us towards a revolution, opening a new field of possibilities in creative domains that will transform current aesthetic, procedural, and authorial conceptions. Its potential as a

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Perkins, Miriam Y. "Islamic Images of Isa/Jesus in the Chester Beatty Manuscript Collection: Visual Art as Framework for Comparative Christology." Religion and the Arts 16, no. 5 (2012): 488–506. http://dx.doi.org/10.1163/15685292-12341236.

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Abstract Textual analysis has served as a paradigmatic approach to comparative theology for some time while analysis through artistic and visual media has received less attention. Most approaches to comparative theology rely on textual comparison of sacred texts. However, visual art is also a compelling way to engage in comparative theology and specifically comparative Christology. To demonstrate the power of visual art as a tool for comparative theology, I draw upon two recently published sixteenth-century Islamic images of Isa/Jesus from the Chester Beatty manuscript collection to illustrate

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Budiastono, Herning, and Romel Noverino. "A Multimodal Critical Discourse Analysis of “The Marvels” Movie Poster." International Journal of English and Applied Linguistics (IJEAL) 4, no. 1 (2024): 106–15. http://dx.doi.org/10.47709/ijeal.v4i1.3779.

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Movie posters are not only used as a tool of artistic purposes, but also are essential elements within the extensive realm of film marketing, serving as visual representatives that are intended to charm and attract potential viewers. This research aims to provide a comprehensive understanding of how linguistic and multimodal elements intersect in the analysis of movie posters used in as a film promotion tool. This study uses Kress and van Leeuwen multimodal discourse analysis theory to discuss the findings carried out on The Marvels movie poster, which aim to reveal how verbal and visual signs

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Dębicka-Borek, Ewa, and Lidia Sudyka. "From the Narratives on Mythical Beasts to the Voicing of Power." Cracow Indological Studies 24, no. 2 (2022): 219–52. http://dx.doi.org/10.12797/cis.24.2022.02.08.

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Taking as the case study the Ikkeri Nayakas’ Vīrabhadra temple in Keladi (the current Karnataka state), the paper discusses the potential correlation between the narrative and the image in terms of the temple’s artistic programme and the myths it draws on. With the assumption that the artistic production can serve as a political tool aimed at expressing a ruler’s agenda, our focus is on the depictions of certain hybrid creatures found within the premises of the temple and their multidimensional symbolism attested to in Hindu narratives. Our analysis of the visual and the narrative material aga

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Krevchenko, Elena V. "SPECULATIVE MODELING AS A METHODOLOGICAL TECHNIQUE FOR IDENTIFYING THE REPRESENTATION PRINCIPLES OF WORLDVIEW IDEAS IN THE MEDIEVAL CARTOGRAPHY ILLUMINATION." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2020): 112–30. http://dx.doi.org/10.28995/2073-6401-2020-3-112-130.

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Medieval cartography had a wide functionality. The world map served as a historiographical and didactic tool, a spiritual guide, a mnemonic matrix, a visual encyclopedia, a philosophical model, a means of meditative practices, a manuscript illustration, an exegetical and moralizing text, a method for transmitting of narrative information, ideological and pedagogical concepts. To process a vast layer of data contained in authoritative verbal sources, the rumination method was used by a medieval cartographer. And to create the map itself, it was necessary to carry out preliminary speculative mod

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Motaianu, Cornelia. "Transferring Historical Iconography into a Contemporary Visual Perspective. Case Study: Adamclisi Monument." Journal for Social Media Inquiry 4, no. 1 (2022): 15–24. http://dx.doi.org/10.18662/jsmi/4.1/23.

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It's known that any form of communication uses signs. Communication through signs, the imagistic dimension of artistic creation, has been the basis of all periods of cultural development of humanity. Understanding these periods in human history has been a constant concern for historians, art historians and archaeologists. For example, the translation (the decoding) of the hieroglyphs (i.e. visual narratives) allowed the understanding of the complexity of the Egyptian culture. Another example comes from the time of ancient Rome, where visual narratives contain complex infographic messages. The

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Qureshi, Amna, Melanie Sarantou, and Satu Miettinen. "Meaning-making and interpretation through personal mandalas in the context of visual literacy." Journal of Visual Literacy 41, no. 3-4 (2022): 247–60. https://doi.org/10.1080/1051144X.2022.2132625.

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This research investigates the significance of creative freedomand self-expression through the visual analysis of artworks pro-duced in a workshop under the theme‘Visual Literacy’.Thismulti-layered qualitative study presents the findings from a par-ticipatory arts-based research approach that elicits students’cre-ative  expression  through  their  personal  mandalas.  Artworkscollected from this creative process were assessed using the inter-pretive phenomenological analysis method whereas the CommonEuropean Framework of Reference for Visual Lite

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