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Journal articles on the topic 'Artistic visual tools'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Locritani, Marina, Silvia Merlino, Sara Garvani, and Francesca Di Laura. "Fun educational and artistic teaching tools for science outreach." Geoscience Communication 3, no. 2 (2020): 179–90. http://dx.doi.org/10.5194/gc-3-179-2020.

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Abstract. The aim of scientific dissemination is to spread interest and knowledge of scientific issues by trying to reach people of all ages and social backgrounds. Simplifying, without trivializing, scientific concepts and making them attractive to the general public is therefore essential to achieve the previous objectives. For this purpose, it can be useful for scientists to work in close collaboration with artists, implementing new tools that can positively influence the emotional sphere and capture the attention of the people involved. Playful educational activity and visual language play

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Wu, Zhuo-Xun, and Ji-Sung Song. "A Study on the Creation of Cultural Products Image of Intangible Cultural Heritage Using Generative Artificial Intelligence : Based on the Chinese craft Cloisonne using Stable Diffusion and Midjourney." korea soc pub des 17 (June 30, 2025): 56–69. https://doi.org/10.54545/kspd.2025.06.56.

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As an intangible cultural heritage of China, Cloisonne embodies rich historical and cultural significance alongside unique artistic value. However, rapid modernization has led to a growing disconnection in traditional crafts, posing challenges for both preservation and innovation. This study explores innovative visual image generation methods using generative AI technologies—specifically Stable Diffusion and Midjourney—to design and create cultural product images inspired by Cloisonne. Employing literature review, design practice and expert evaluation, the research covers generative AI tools,

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Puadi, Mohd Farizal, Mohd Ekram AlHafis Hashim, and Nur Safinas Albakry. "Between Control and Collaboration: Artistic Autonomy in AI-Generated Visual Artworks." Semarak International Journal of Creative Art and Design 4, no. 1 (2025): 1–11. https://doi.org/10.37934/sijcad.4.1.111.

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With an emphasis on the developing concept of artistic autonomy, this essay examines how artificial intelligence (AI) is changing the creative dynamics of visual art production. The position of the artist changes from that of a lone creator to that of a co-director in a hybrid process influenced by both human intention and machine execution as generative AI systems become more and more involved in image-making. This study summarizes current discussions around authorship, originality, and collaboration in AI-driven artistic practices through a thorough literature assessment of 34 journal papers

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Davis, Nicholas, and Ellen Yi-Luen Do. "Quantifying the Artistic Experience with Perceptive Sketching Tools: Cognitive Technologies to Support Creativity Researchers." Comunicação e Sociedade 22 (December 15, 2012): 76–95. http://dx.doi.org/10.17231/comsoc.22(2012).1275.

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Creativity research has gradually moved away from controlled laboratory settings to more naturalistic and real world domains. As a result, new research methods are required to systematically analyze the artistic experience that includes the artist’s perception, behavior, and conception throughout the creative process. We use research findings from the Cognitive Science literature to create a framework called Perceptual Logic to categorize different types of artistic experience. This framework is applicable to open-ended artistic creativity. Empiri- cally validating such a framework requires ne

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Berdynskykh, Sviatoslav, Mykola Yakovliev, and Kalyna Pashkevych. "Creative experimentation and the generation of innovative ideas in artistic design." Art and Design, no. 1 (May 20, 2025): 11–22. https://doi.org/10.30857/2617-0272.2025.1.1.

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The creative component of the design process is fundamental, as it is associated with the search for innovative solutions. In the creative process, the designer’s imagination plays a leading role – it serves as the foundation for shaping and transforming the vision of the functional and aesthetic image of the future object. This study was aimed to identify and systematise the main strategic directions and techniques that stimulate the creative process in generating innovative solutions within modern design practice. The research methodology included the analysis of information sources on desig

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Sławek-Czochra, Małgorzata, and Joanna Sosnowska. "Perspective of the Audiovisual Arts: On Ways and Tools of Studying Emotions in the Current Visuals." Roczniki Kulturoznawcze 14, no. 1 (2023): 153–67. http://dx.doi.org/10.18290/rkult231401.9.

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Emotions in visual arts can be subject to an analysis on the level of the act of creation, the work itself, categories of technique and reception, as well as on the degree of division into form and content. Studies show a dichotomy between an intellectual (cognitive) sphere and an emotional (aesthetic) sphere, pointing to the role of recipients’ competence, allowing them to properly read the cultural and artistic code behind emotions presented in visual works. The article is a theoretical review of methods, trends and tools for researching emotions in audiovisual arts. It presents ways o

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Namazovna, Sultanova Dilshoda. "Harmony Of Art In Architecture Of Uzbekistan." American Journal of Social Science and Education Innovations 03, no. 05 (2021): 87–94. http://dx.doi.org/10.37547/tajssei/volume03issue05-16.

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The article describes the artistic features of harmonizing the visual and artistic means of Uzbekistan based on the analysis of theoretical sources and the practice of architecture. Also, the author's position on the definition of creation is outlined as a generalization of innovative tools in architecture, whose development is given taking into account national traditions in synthesis with modern trends.

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KURTSEVA, Olena. "USABILITY AS A PROBLEM OF EXPRESSIVE WEB DESIGN TOOLS: FROM THE PRACTICE OF WEB USABILITY TO THE CONTEXT OF WEB ACCESSIBILITY." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 1 (2023): 60–66. http://dx.doi.org/10.33625/hudprom2023.01.060.

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The article is devoted to the problem of analyzing the issue of web usability and web accessibility of using educational web resources in the context of the problems of expressive web design tools. The author considers web usability and web accessibility systems as components of a universal design problem that goes beyond narrow technical issues of website content consumption. An important component of the research discourse of the publication is the study and interpretation of the experience of using educational Internet resources from the point of view of the system of expressive means, aest

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Maying, Doris, Yakup Mohd Rafee, Mohd Affendi Azizan, Awangko' Hamdan Awang Arshad, and Mohamad Zamhari Abol Hassan. "VISUAL EXPERIENTIAL IN DIGITAL DOCUMENTATION FOR RURAL TOURISM PROMOTION OF BA’KELALAN, SARAWAK." International Journal of Applied and Creative Arts 4, no. 1 (2021): 14–27. http://dx.doi.org/10.33736/ijaca.4192.2021.

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This paper aims to share some research information based on the visual experiences during the field trip to Ba’Kelalan, Sarawak. Ba’Kelalan is a traditional village of the Lun Bawang community and is well-known as an eco-tourism area in Sarawak. All the experiences were documented using the digital documentation tools and have been recorded with reference to the formalistic artistic methods; in ensuring the visual effects have the best quality and high artistic value. The results will be discussed based on the implemented process and the impact of digital document preparation through experient

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Maizan, Siti Hajar, and Nurul Shima Taharuddin. "Creativity Unleashed: The Role of AI in Transforming Artistic Expression." International Journal of Research and Innovation in Social Science IX, no. III (2025): 3713–19. https://doi.org/10.47772/ijriss.2025.90300294.

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Artificial Intelligence (AI) is increasingly influencing various domains, including the arts, by transforming traditional forms of artistic expression and creating new possibilities for creativity. This review explores the impact of AI on artistic fields, including visual arts, music, literature, and performance arts. By analyzing recent advancements from 2013 to 2024, the paper examines how AI tools like generative algorithms, neural networks, and deep learning models are reshaping artistic processes and outcomes. The findings highlight both the opportunities AI presents for enhancing creativ

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Dimic, Zoran. "On artistic shaping of citizens’ political gatherings." Filozofija i drustvo 24, no. 3 (2013): 23–33. http://dx.doi.org/10.2298/fid1303023d.

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Following the new reading of Kant?s third critique, which was proposed by Hannah Arendt in her Lectures on Kant?s Political Philosophy, in this paper, the author deals with the function of art in the establishment, organization and profiling of political communities. The focus is primarily on the field of music. The analysis begins with ancient philosophers (Pythagoras, Plato, Aristotle) and continues with the problems which relate to artistic shaping of citizens? lives in modern epoch (Rousseau, Kant, Schiller). The goal of the paper is to show that the philosophy of art and the philosophy of

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Jamal, Saba. "Utilizing Artistic Expressions Inspired by the Equipment of the Audio-Visual Department to Develop the Drawings of Female Students at the Institute of Fine Arts." International Journal for Scientific Research 3, no. 10 (2024): 86–105. http://dx.doi.org/10.59992/ijsr.2024.v3n10p4.

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Our current research (The Employment of Artistic Expressions Inspired by Audiovisual Equipment to Develop the Drawings of Female Students at the Institute of Fine Arts) is divided into three chapters. Due to the importance of the topic, the problem was formulated through the following questions: To what extent do female students in the Audiovisual Department benefit from artistic expressions inspired by their specialization in developing their drawings? Additionally, to what extent does the subject of planning and colors contribute to improving the students' level and graduating them as art ed

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Rakhimov, Khasanboy Umarjon ugli. "THE PLACE OF GRAPHICS IN THE FINE ARTS." SOLUTION OF SOCIAL PROBLEMS IN MANAGEMENT AND ECONOMY 2, no. 2 (2023): 5–8. https://doi.org/10.5281/zenodo.7601645.

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This article provides detailed information about the history of the creation of graphics, one of the types of visual arts, the use of a mixture of artistic tools in the form of images in graphic works, graphic techniques and methods.

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Wu, Jiayue. "Promoting Contemplative Culture through Media Arts." Multimodal Technologies and Interaction 3, no. 2 (2019): 35. http://dx.doi.org/10.3390/mti3020035.

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This paper presents the practice of designing mediation technologies as artistic tools to expand the creative repertoire to promote contemplative cultural practice. Three art–science collaborations—Mandala, Imagining the Universe, and Resonance of the Heart—are elaborated on as proof-of-concept case studies. Scientifically, the empirical research examines the mappings from (bodily) action to (sound/visual) perception in technology-mediated performing art. Theoretically, the author synthesizes media arts practices on a level of defining general design principles and post-human artistic identiti

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Emilia, C. "Implementing new digital options in education/ occupational/ play/ art therapy as tools for self-knowledge, self-managements, self-esteem." European Psychiatry 64, S1 (2021): S681—S682. http://dx.doi.org/10.1192/j.eurpsy.2021.1808.

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IntroductionThe purpose of art in art-therapy, in this context, is not an exercise of the already acquired knowledge upon the artistic material, but a discovery of the yet unknown. “Multimedia technology, which has evolved into meaningful visual representations, incorporates the science behind human perception and knowledge…Contemporary visual arts bring together, in different degrees of relationship and fusion, fields of art that until now were understood and practiced more individually. The most suitable territory for this partnership is that of the physical and metaphysical environment, pro

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Lavrennikova, Dasha. "Haptic Thinking and Experience through Collective Artistic Research." POIÉSIS 20, no. 34 (2019): 159. http://dx.doi.org/10.22409/poiesis.v20i34.38294.

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This article offers a theoretical reflection and practical proposals from the HeterotRópico artistic laboratory, a nomadic laboratory - where we are investigating dance, performance, physical theater, in conjunction with other diverse social technologies. They bring tools to activate collective practices developed within open creative processes. We will focus on the seminar lab I have proposed at the Masters in Arts Practice and Visual Culture 2018-2019 in Madrid, bringing together an intercultural group of artists and thinkers of around practices of trans-disciplinary arts. Artistic laborator

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Amini, Rohangiz, Ali Hosseini Khah, and Aboutaleb seadatee shamir. "Designing an Educational Intervention Package to Enhance Students' Artistic Intelligence Based on the Lived Experiences of Top Talents." Journal of Cognition, Behavior, Learning 1, no. 4 (2024): 1–13. https://doi.org/10.61838/jcbl.1.4.1.

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This study aimed to design and evaluate the effectiveness of an educational intervention package to enhance students' artistic intelligence based on the lived experiences of top talents in the field of art. This qualitative study employed a qualitative content analysis method, collecting data through semi-structured interviews with 15 university professors and art experts. Participants were selected through purposive sampling based on theoretical saturation. The interviews were analyzed and coded based on Gardner’s multiple intelligences theory and artistic creativity assessment tools, includi

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Rulyan, Gautam. "The Convergence of Artificial Intelligence and Visual Art: Tools, Ethics, and the Future of Creativity." International Journal for Research in Applied Science and Engineering Technology 13, no. 7 (2025): 319–20. https://doi.org/10.22214/ijraset.2025.72993.

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Artificial Intelligence (AI) has rapidly emerged as a transformative force in the visual arts. From neural networks capable of generating images to real-time video synthesis, AI-powered tools such as DALL·E, Midjourney, and Sora are redefining how we conceptualize and create art. This paper explores the intersection of AI and visual art by evaluating the tools, methods, and ethical dilemmas surrounding generative art. It also examines authorship, copyright challenges, and how emerging AI platforms are reshaping the creative process. Through a multidisciplinary lens, the study underscores the g

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Isa, Alaa Isa, Mayyadah Hussein, and Wasef Moumani. "The Role of Artificial Intelligence in Enhancing the Artistic Aesthetics of Interior Design." International Journal for Humanities & Social Sciences (IJHS) 25, no. 1 (2025): 49–62. https://doi.org/10.69792/ijhs.25.1.7.

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Notably, the design process shapes artistic aesthetics and innovates creative methods. This research paper evaluates the effectiveness of artificial intelligence tools in enhancing interior design aesthetics from multiple aspects, such as design generation, trend analysis, and user personalization. This research highlights the role of AI techniques, such as machine learning algorithms and generative design tools, through an in-depth analysis of existing literature, documenting in greater depth how these tools redefine current business models, foster creativity, and improve the production of vi

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Balbekova, Irina Mikhailovna. "Creative rotation in conceptual art: Marcel Duchamp is a composer, John Cage is an artist." PHILHARMONICA. International Music Journal, no. 6 (June 2023): 23–36. http://dx.doi.org/10.7256/2453-613x.2023.6.37604.

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The subject of this study is the intersection points of music and visual art, demonstrated by the example of the creative interaction of conceptual artist Marcel Duchamp and composer John Cage. The possibility of reformatting creativity from the visual to the sound field is considered as a role rotation, within which Duchamp appears as a composer, and Cage as an artist. An attempt has been made to explain the motivation for such a choice. What is the meaning of this, and what do people mean when they choose this or that image for themselves, and create this or that image for themselves. How im

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Horichko, Yaryna. "Sacralisation of the female image during wartime in Ukraine and its reflection in graphic artworks." Art and Design, no. 1 (May 20, 2025): 23–44. https://doi.org/10.30857/2617-0272.2025.1.2.

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The purpose of the study was to analyse artistic strategies and visual mechanisms involved in the sacralisation of the female image in Ukrainian wartime graphics, particularly in posters, engravings, and illustrations from the periods of the world wars and contemporary armed conflicts. The study explored artistic techniques, symbolism, and iconographic traditions that shaped the sacral representation of women in war-related art. The methodological approach was based on a systematic analysis of artistic methods, compositional solutions, colour strategies, and stylistic features of the works exa

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Melnyk, Oksana, and Viktor Shtets. "Typography as a means of image enhancement in wartime patriotic graphic creations in Ukraine (2022-2024)." Almanac "Culture and Contemporaneity" 26, no. 2 (2024): 55–67. https://doi.org/10.63009/cac/2.2024.55.

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The relevance of this study lies in the necessity of analysing the role of typography as a visual communication tool in the works of creative resistance in Ukraine under wartime conditions. The purpose of this research was to examine the compositional, artistic, and formal techniques in the typography of patriotic graphic works within Ukraine’s visual information space during the period of Russian military aggression. These techniques aim to strengthen national identity, support patriotic sentiment, and foster social unity. The study revealed that, in wartime realities, the creation of direct

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Zaitcev, Aleksei Yakovlevich. "Artistic image in animated cinema as an integrative multilevel dynamic phenomenon." Человек и культура, no. 5 (May 2023): 39–46. http://dx.doi.org/10.25136/2409-8744.2023.5.29996.

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This article discusses the specific features of the artistic image, the artistic form of the screen, including animated works. The artistic image in animation is a complex and multilevel phenomenon that takes the expressive and visual form of the director's vision and conveys the content through the artistic form. The aim of the work is to attempt to define the "artistic image" in animated cinema. The object of the study is the form of an animated work as the integrity of its artistic concept, combining various audiovisual elements, involving a laborious technological embodiment on the screen,

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Zárate Moedano, Rodrigo. "(Audio)visual Artivist Research in Anti-Colonial and Anti-Racist Key." (pensamiento), (palabra)... Y obra, no. 30 (July 1, 2023): 217–57. http://dx.doi.org/10.17227/ppo.num30-19170.

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This article conceives of the University as a laboratory for the creation of anti-racist and anti-colonial practices through arts, communication, and education. It proposes the realization of (audio)visual artivist practices with an anti-colonial and anti-racist focus as the articulating axis of artistic creation experiences, art education, and educational research. It suggests the creation and exhibition of commented collages and short films of appropriation as instruments for individuals and groups to question colonialism and racism, both in the fields of audiovisual, visual, and sound cultu

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He, Xi Zhong, Yu Zhang, and Li Ping Xie. "A Preliminary Study on Artistic Transcending of Printing Dots." Applied Mechanics and Materials 262 (December 2012): 247–52. http://dx.doi.org/10.4028/www.scientific.net/amm.262.247.

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This article discusses diversifying graphic design elements based on existing print reproduction principles and technology. The authors studied color processing techniques derived from print reproduction principles and assorted image elements derived from restrains in printing technology. The authors also discussed disassembling and restoring procedures during image transformation and reproduction to explain and explore the different styles and compositions of art forms that carry profound information. The visual impact coming from pixel’s form, arrangement, color, direction, and other factors

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ZABELINA, MARIIA V. "VISUAL METAMORPHOSES: A CULTURAL ANALYSIS OF DIGITAL CYBERAESTHETICS." Art and Science of Television 20, no. 2 (2024): 245–69. http://dx.doi.org/10.30628/1994-9529-2024-20.2-245-269.

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This article focuses on the emerging styles of visual digital aesthetics that have become relevant in light of technological advancements and the introduction of innovative tools for creating and processing digital images. The analysis is based on a cultural approach and aims to identify the influence of contemporary digital technologies on the shaping of cultural benchmarks and aesthetic preferences in art and design. The primary focus is on scrutinizing the defining attributes of modern styles that have taken shape within the digital sphere at the onset of the 21st century (such as vaporwave

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Hetmański, Marek. "Visual metaphor and its narrative function." Cognitive Linguistic Studies 7, no. 1 (2020): 141–67. http://dx.doi.org/10.1075/cogls.00052.het.

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Abstract The paper aims at analyzing visual metaphors and allegories in the fine arts – particularly in the symbolic paintings by J. Malczewski – as creative tools of both artistic expression and discourse storytelling in which they play a vital role. Visual metaphors are suggestive and effective in artistic performance and, therefore, in communicating abstract ideas to the individual viewer and the public. Such paintings (symbolic and surrealistic), whilst encompassing concrete (source) and universal (target) domains in their depicted metaphoric structures, can be powerful enough to create po

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James, Hutson1* Andrew Smith2. "AI Satire and Digital Dystopia: The Dor Brothers Crafting Imperfection and Political Commentary in Contemporary Video Art." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) II, no. V (2024): 163–72. https://doi.org/10.5281/zenodo.13766474.

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<strong>Abstract</strong> <em>The Dor Brothers' AI-generated video content exemplifies an inflection point in digital creativity, where technological limitations are repurposed as aesthetic tools. Drawing on recent interviews with Yonatan Dor, this article explores the innovative techniques of the brothers, such as masking visual imperfections with retro filters and embracing the unpredictability of AI outputs. Through generating numerous clips and meticulously editing selections, they create a unique aesthetic that juxtaposes surrealism with a gritty realism, often reminiscent of early CCTV o

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Khalid Mohammed Al-Saud. "The Impact of Visual Culture and Environmental Factors on Artistic Expressions in Children’s Drawings." global journal al thaqafah 9, no. 1 (2019): 139–51. http://dx.doi.org/10.7187/gjat072019-11.

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The importance of this study is through the identification of children’s ability to express art through drawing, in addition to measuring the impact of visual culture and environmental factors on the development of this expression. The study sample consisted of the children of the sixth grade in the primary stage in the city of Al-Ahsa who are (130) students for the academic year 2018/2019. The researcher used in this study the scale of drawing test for the children’s responses and an analysis card for these drawings. All these tools were checked and verified. The study used the experimental m

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Domínguez-Lloria, Sara, Rut Martínez López de Castro, Sara Fernández-Aguayo, and Margarita Pino-Juste. "Content Analysis of Mobile Device Applications for Artistic Creation for Children between 4 and 12 Years of Age." Applied Sciences 11, no. 23 (2021): 11327. http://dx.doi.org/10.3390/app112311327.

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This article presents the results of the content analysis of 32 painting and drawing mobile applications aimed at children between 4 and 12 years old. The characteristics of the artistic dimension were studied, such as the possibilities of drawing, color, and experimentation, as well as the characteristics of the technical dimension related to the visual design of the interface, usability, and adaptability to users. The results collected show that mobile apps offer tools that have great potential for artistic and creative development, but also reveal certain limitations and problems in the qua

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Klein, Ilona. "Teaching Italian Romanticism through Philately and Choral Works." Essays in Romanticism: Volume 28, Issue 2 28, no. 2 (2021): 127–43. http://dx.doi.org/10.3828/eir.2021.28.2.6.

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Philately and choral works can be excellent integrative pedagogical tools when teaching Italian Romanticism at undergraduate level. In the classroom, postage stamps provide an historical narrative for students and can help clarify the political, artistic, and cultural mood of the time. The intrinsic symbolism of stamps represents the way a nation wants to be seen by the rest of the world. Instrumental and choral music, in their infinite combination of tones, blend sound with sung words, creating an artistic subtext that reveals the complexity and variety of human aesthetic expression. For the

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Barreda-Coaquira, Ana, Silvana Chata-Condori, Guilma Leonor Malaga-Pinto, Magdalena Marleni Marroquin Flores, and Grecia Libia Lazarte Sanga. "Integration of digital applications and their effect on creative expression in visual arts students." Minerva 6, no. 17 (2025): 82–92. https://doi.org/10.47460/minerva.v6i17.197.

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This study examines the relationship between the use of digital art applications and creative expression among visual arts students, considering creative self-efficacy as a mediating variable. A quantitative, correlational, and cross-sectional approach was employed with a purposive sample of 128 students from an art institution. Three instruments were used: a questionnaire on app usage, a creative self-efficacy scale, and a rubber applied by expert evaluators. Results revealed significant positive correlations between the variables, and regression analysis suggests that the effect of digital t

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ZHAO, J., and O. YEZHOVA. "STRATEGY OF DESIGN ONLINE MUSEUM EXHIBITION CONTENTS FROM THE PERSPECTIVE OF ARTIFICIAL INTELLIGENCE." Art and Design, no. 2 (August 8, 2024): 80–89. http://dx.doi.org/10.30857/2617-0272.2024.2.8.

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Purpose: analyzes the use of artificial intelligence to improve artistic design in online museum exhibitions. Methodology. The work combines a literature review with an analysis of design examples of online museums using artificial intelligence technologies. In particular, the following online museum cases were analyzed: the British Museum (England), the Louvre (France), the Shanghai Museum (China), the Vatican Museum (Vatican), as well as the Mei Lanfang digital project. The results. As a result of the analysis, it was found that artificial intelligence has a profound effect on the artistic c

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Poldma, Tiiu, and Mary Stewart. "Understanding the value of artistic tools such as visual concept maps in design and education research." Art, Design & Communication in Higher Education 3, no. 3 (2004): 141–48. http://dx.doi.org/10.1386/adch.3.3.141/1.

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Lim, Kyungeun, and Soon Goo Lee. "Integrating augmented reality (AR) and virtual reality (VR) for intercultural understanding: Exploring cultures and art through emerging technologies." International Journal of Education Through Art 21, no. 2 (2025): 203–21. https://doi.org/10.1386/eta_00197_1.

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Migration and globalization have exerted a significant influence on the field of education. Pre-service art teachers face the need for intercultural understanding in order to design suitable lessons for their K–12 students. As a novel approach to addressing the potential to utilize tools within the realm of intercultural education, virtual reality (VR) and augmented reality (AR) technologies have been integrated into intercultural education and visual art. This integration offers immersive and interactive experiences that traverse the boundaries between physical, virtual and augmented realitie

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Adi, Sigit Purnomo, Pande Made Sukerta, Martinus Dwi Marianto, and Sri Hadi. "PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL." Acintya : Jurnal Penelitian Seni Budaya 13, no. 1 (2021): 84–89. http://dx.doi.org/10.33153/acy.v13i1.3824.

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Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process

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Cedeño-Vega, Bladimir Enrique. "Tropical Futurism Aesthetics: The Impact of Latin American Women's Urban Art on Social Change." eTropic: electronic journal of studies in the Tropics 24, no. 2 (2025): 96–121. https://doi.org/10.25120/etropic.24.2.2025.4099.

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This article examines the impact of women’s urban art of Latin America, emphasizing how artists have utilized public spaces to construct visual discourses that challenge sociocultural norms and promote gender justice. By integrating elements of popular culture, advertising visual language, and plural feminist thought, these artists transform their work into aesthetic tools of cultural resistance. The analysis explores how feminist visual narratives are enriched through decolonial, tropicalizing, rhizomatic, and tropical futurism aesthetic approaches, enabling diverse interpretations that chall

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Mechitov, Yu M. "Old Tiflis vs Soviet Tbilisi: the origins and ways of Parajanov’s creativity." Urbis et Orbis Microhistory and Semiotics of the City 5, no. 1 (2025): 148–61. https://doi.org/10.34680/urbis-2025-5(1)-148-161.

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This article explores the cultural, biographical, and personal foundations of the creative work of Sergei Parajanov, one of the most distinctive artists of the post-Soviet space. Particular attention is given to the influence of the multiethnic environment of Tbilisi, Armenian family traditions, and the region’s visual culture on the formation of Parajanov’s aesthetic and worldview. The author considers Parajanov a figure whose artistic strategy, heritage, and radical innovation are organically combined. The article also focuses on the director’s traits, including his experiences of imprisonme

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Gagić Kičinbači, Ivana. "The Quest for Inner Freedom: An Artist’s Perspective." Religions 16, no. 2 (2025): 169. https://doi.org/10.3390/rel16020169.

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The article examines my artist’s struggle for inner freedom in practice-led artistic research through the medium of drawing. This inquiry, framed within a Catholic perspective, investigates the idea that the quest for inner freedom is vital for artistic work that aims to create and communicate the ineffable. This article focuses on my strive to reach deeper levels of spiritual experience and to work from that state of consciousness. I explore the artist’s role as a mediator, connecting the invisible, intuitively understood dimensions, and making them visible through artistic creations. I condu

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Genet-Verney, Rafaèle, Ricardo Marín-Viadel, and Antonio Fernández-Morillas. "An urban walk as a teaching strategy and investigative instrument in art education." Visual Inquiry 8, no. 3 (2019): 215–29. http://dx.doi.org/10.1386/vi_00006_1.

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Abstract This article explores interactions among three topics: the city, visual arts and education, all interconnected through an urban and artistic practice of walking. This reflection is carried out in three fields of thought: education, investigation and artistic creation. On an educative level, one questions how a path through the city can be a strategy for art education learning. In the research field, thanks to analysis of artistic and urbanism methodologies applied to the city, research is carried out using walking maps as tools of art and urban planning investigation. On an artistic l

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Покасов, В. Ф., И. А. Ануприенко, and А. С. Гончаров. "On working with intrahistory methods in the study of archived artistic and visual sources." All-Russian Scientific and Practical Journal of Social and Humanitarian Research, no. 1(8) (March 31, 2023): 69–73. http://dx.doi.org/10.46741/sgjournal.2023.8.1.010.

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В статье осуществлен анализ методов и некоторых приемов интраистории как исторического подхода при работе с архивными источниками. На примере художественно-изобразительных источников, прозы и драмы показаны принципы функционирования когнитем внутреннего мира автора-писателя и особенности их превращения в концепты художественно-изобразительного источника. Обоснован тезис о специфике формирования исторических представлений личности и формах расширения художественного пространства на трех основных уровнях. в ходе исследования уточнены положения о существовании мировоззренческих детерминант автора

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Shymko, Vitalii. "ART AS A MEANS OF FORMING COLLECTIVE MEMORY AND IDENTITY: METHODOLOGICAL TOOLS OF UKRAINE’S SECURITY AND DEFENSE SECTOR." Науковий вісник Київського інституту Національної гвардії України, no. 1 (June 30, 2025): 111–16. https://doi.org/10.59226/2786-6920.1.2025.111-116.

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The article explores the role of art in shaping collective memory in the context of Ukraine’s security and defense challenges. It examines how various artistic practices, including visual arts, music, and performative genres, contribute to the consolidation of society, the reinforcement of national identity, and the counteraction of information threats. Art serves as a powerful medium for representing historical narratives, preserving cultural heritage, and strengthening social resilience in times of crisis. A significant focus is placed on the symbolic power of art in mobilizing communities,

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Creed, Chris. "Assistive tools for disability arts: collaborative experiences in working with disabled artists and stakeholders." Journal of Assistive Technologies 10, no. 2 (2016): 121–29. http://dx.doi.org/10.1108/jat-12-2015-0034.

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Purpose – The purpose of this paper is to provide a review of the experiences in working collaboratively with physically impaired visual artists and other stakeholders (e.g. disability arts organisations, charities, personal assistants, special needs colleges, assistive technologists, etc.) to explore the potential of digital assistive tools to support and transform practice. Design/methodology/approach – The authors strategically identified key organisations as project partners including Disability Arts Shropshire, Arts Council England, the British Council, SCOPE, and National Star College (a

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Foortai, Francisca. "From Imitation of Reality to Fantastic Game: Evolution of the Image of War in the Visual Arts." International Journal of Culture and History 10, no. 2 (2023): 69. http://dx.doi.org/10.5296/ijch.v10i2.21447.

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The article is devoted to analyze the starting point of the evolution of military subjects in the visual arts of antiquity and the images that it came to in modern cinema. From the author's point of view, in the development of the image of war from the statement of war scenes in real life to fantastic games with machine warriors in the space of hyperreality, a crucial role was played not only by the impact of the historical era and the change of worldview, but also by the specifics of cinema as an art form, which perceived the theme of war as one of the archetypal artistic subjects.The article

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Dr., Komal. "Colors of Devotion: The Role of Drawing and Painting in Indian Religious Art." SIDDHANTA'S INTERNATIONAL JOURNAL OF ADVANCED RESEARCH IN ARTS & HUMANITIES 1, no. 4 (2025): 115–25. https://doi.org/10.5281/zenodo.15516895.

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This paper explores the integral role of drawing and painting in Indian religious art as expressions of devotion and spirituality. Indian art is deeply interwoven with religious traditions, where visual forms transcend aesthetic value to serve as tools of worship, instruction, and divine presence. Focusing on their use in temples, festivals, and rituals, this research highlights how paintings and drawings, from intricate temple murals to ephemeral ritual designs like <em>kolam</em> and <em>alpana</em>, convey religious narratives, invite divine blessings, and cultivate spiritual consciousness.

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Balbekova, Irina Mikhailovna. "Creative rotation in conceptual art: Marcel Duchamp вЂ“ composer, John Cage вЂ“ artist". PHILHARMONICA. International Music Journal, № 2 (лютий 2022): 22–36. http://dx.doi.org/10.7256/2453-613x.2022.2.37645.

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The subject of this study is the intersection points of music and fine art, demonstrated by the example of the creative interaction of the conceptual artist Marcel Duchamp and composer John Cage. The possibility of reformatting creativity from the visual to the sound field is considered as a role rotation, within which Duchamp appears as a composer, and Cage as an artist. An attempt is made to explain the motivation for such a choice. What is the meaning of this, and what do people mean when they choose this or that image for themselves, and create this or that image for themselves. How import

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Balbekova, Irina Mikhailovna. "Creative rotation in conceptual art: Marcel Duchamp вЂ“ composer, John Cage вЂ“ artist". PHILHARMONICA. International Music Journal, № 2 (лютий 2022): 22–36. http://dx.doi.org/10.7256/2453-613x.2022.2.37645.

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The subject of this study is the intersection points of music and fine art, demonstrated by the example of the creative interaction of the conceptual artist Marcel Duchamp and composer John Cage. The possibility of reformatting creativity from the visual to the sound field is considered as a role rotation, within which Duchamp appears as a composer, and Cage as an artist. An attempt is made to explain the motivation for such a choice. What is the meaning of this, and what do people mean when they choose this or that image for themselves, and create this or that image for themselves. How import

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Jagseer Singh. "Innovative Art Forms: Blending Traditional and Digital Techniques." Green Lifestyle and International Market 2, no. 1 (2025): 14–19. https://doi.org/10.34256/glim25.0201014.

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Background: In recent years, the distinction between contemporary digital technology and traditional artistic processes has become increasingly blurred within the realm of Contemporary Art. This shift is largely driven by the emergence and integration of digital tools and techniques, challenging long-standing artistic conventions. Purpose: The essay aims to investigate how contemporary artists are utilizing both accessible and advanced digital technologies to redefine the boundaries of artistic expression. It seeks to understand the impact of these technologies on conventional art forms and ho

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ANTIPINA, INNA. ""MELODIYA" BY MYROSLAV SKORYK AS A CODE OF NATIONAL CULTURAL MEMORY: INTERPRETATION USING ARTIFICIAL INTELLIGENCE TOOLS." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(66) (March 13, 2025): 131–54. https://doi.org/10.31318/2414-052x.1(66).2025.333466.

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This article explores the potential of artificial intelligence (AI) as a tool for the digital interpretation of musical works, using Myroslav Skoryk’s iconic Melody as a case study. The research analyzes the cultural and philosophical dimensions of digitalization in the arts, focusing on the evolving role of the artist, new forms of representation, and the transformation of artistic perception in the digital age. Particular attention is paid to the philosophical and ethical challenges posed by AI-driven artistic practices, including issues of authorship, authenticity, and the shifting role of

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Kosieradzka, Angelika. "Kłopotliwa wielka płyta. Sąsiedzkie i artystyczne praktyki transformowania przestrzeni sofijskich kompleksów mieszkaniowych." Kultura i Społeczeństwo 68, no. 1 (2024): 243–62. http://dx.doi.org/10.35757/kis.2024.68.1.11.

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The aim of the article is to show social practices (neighbourly and artistic) activated around the example of Sofia’s dissonant heritage, which is the space of a housing complex. The author interprets the capital’s block housing estates as zones of transition between what is public and what is private, where specialized urban planning meets the everyday experience of residents, and the dehumanizing uniformity of the landscape clashes with the effects of amateur activities aimed at personalizing the environment. Using the methodological tools of anthropology of visual culture and arts and cultu

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