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Relevant bibliographies by topics / Artistic work and poetic style

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Academic literature on the topic 'Artistic work and poetic style'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Books on the topic "Artistic work and poetic style"

1

Od psalmów słowiańskich do rzymskich medytacji: O stylu artystycznym Karola Wojtyly = From Slavic psalms to Roman meditations : on Karol Wojtyła's artistic style. Wydawnictwo Uniwersytetu Kardynała Stefana Wyszyńskiego, 2013.

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2

John, Piper. Seeing beauty and saying beautifully: The power of poetic effort in the work of George Herbert, George Whitefield, and C. S. Lewis. Crossway, 2014.

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3

Thucydides and Pindar: Historical narrative and the world of Epinikian poetry. Oxford University Press, 2004.

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4

Masters of repetition: Poetry, culture, and work in Thomson, Wordsworth, Shelley, and Emerson. St. Martin's Press, 1998.

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5

William, Blake. Milton a poem: And the final illuminated works: The ghost of Abel, On Homers poetry (and) On Virgil, Laoco"on. William Blake Trust, 1993.

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6

Los dorismos del Corpus Bucolicorum. A.M. Hakkert, 1990.

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7

Anne, West. Poetic formation: The curator and the open, artistic work. 1993.

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8

West, Anne. Poetic formation: the curator and the open, artistic work. 1993.

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9

Thomas, Greg. Border Blurs. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620269.001.0001.

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This book presents the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-70s. Concrete poetry was a literary and artistic style which reactivated early-twentieth-century modernist impulses towards the merging of artistic media while simultaneously speaking to a gamut of contemporary contexts, from post-1945 social reconstruction to cybernetics, mass media, and the sixties counter-culture. The terms of its development in England and Scotland also suggest new ways of mapping ongoing complexities in the relationship between those two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s-70s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard, and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research. It fills a gap in contemporary understandings of a significant literary and artistic genre which has been largely overlooked by literary critics. It also sheds new light on the development of British and Scottish literature during the late twentieth century, on the emergence of intermedia art, and on the development of modernism beyond its early-twentieth-century, urban Western networks.

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10

Shcherbakova, Marina I., ed. Literary process in Russia of the 18 th — 19 th centuries. Secular and spiritual literature. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/lit.pr.2020-2.

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Investigations of the creative heritage of Russian writers and poets of the 18 th -19 th centuries, as well as of the most prominent representatives of the Russian clergy and Russian culture, are presented in the scientific work; key issues of the writers’ work method and style, of their works’ genre features, creative self-determination, are raised; new and unique explanations of both widely known and less read classics’ works, which reveal deep meanings and ideas that have not yet been identified in literary criticism, are given. The literary process of the era is illustrated by the special continuity of thoughts and ideas characteristic of Russian literature for which, deep vision and understanding of life, religious consciousness (it is from the said position the study of the works’ artistic worlds is necessary). Materials of archives, rare book publications and periodicals equipped with scientific commentary are introduced into scientific circulation. The originality of the published investigations and materials gives the collective work topicality and special colour on the whole.

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