Relevant bibliographies by topics / Artists as authors

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Artists as authors'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Artists as authors"

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Bowry, Cal. "Contributing Authors and Artists." Encounters in Theory and History of Education 23 (December 19, 2022): 299–306. http://dx.doi.org/10.24908/encounters.v23i0.16166.

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Ilczuk, Dorota, and Anna Karpińska. "The Labour Market of Artists. Free, But Not Wild." Kwartalnik Ekonomistów i Menedżerów 50, no. 4 (2018): 159–70. http://dx.doi.org/10.5604/01.3001.0013.0632.

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The authors present a summary of previous research projects in the field of professional situation of artists in Poland. They refer to the conducted research of the Labour Market of Artists and Creators in Poland as well as the expertise of “The Support for Artists and Creators. International Perspective”. They also present their vision of a support system for creators and artists, which comprises: the monitoring and analysis; the status of an artist; remuneration (government programmes and potential mechanisms to stimulate demand; taxes; copyright law); insurance; foreign promotion of artists
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Hepburn, Peter, and Joan B. Fiscella. "Constructing Descriptive Records for an Art Image Database: What Do Use Statistics Tell Us?" College & Research Libraries 67, no. 4 (2006): 334–53. http://dx.doi.org/10.5860/crl.67.4.334.

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The study compares three sample sets of records taken from the AMICO database to examine possible factors influencing retrieval of images: named artist and artist reputation, word count, and record richness. The authors found that images of works by renowned artists tended to show high numbers of retrievals. When works depicted were by relatively unknown or anonymous artists, more retrievals were likely if accompanying records included higher unique word counts. The frequency of first occurrences of name, geographic, and time terms in the records showed no major differences among the three set
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Mahendranath, KM. "Rheumatic disorders in creative artists: Authors' reply." Indian Journal of Rheumatology 4, no. 2 (2009): 83. http://dx.doi.org/10.1016/s0973-3698(10)60183-5.

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Efimenko, V. "THE IMPORTANCE OF EVALUATING A WORK OF ART IN THE ARTIST’S WORK." Scientific Notes of V.I. Vernadsky Crimean Federal University. Philosophy. Political science. Culturology 10, no. 3 (2024): 62–74. https://doi.org/10.29039/2413-1695-2024-10-3-62-74.

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The analysis of the results of artistic creation, as well as the attitudes of authors, audiences, and experts towards them, is of particular relevance in contemporary culture, characterized by its inherent variability and fluidity of values. The process by which a work acquires social value attracts sustained research interest. This article aims to examine aspects such as: the alignment of the author’s creative aspirations with societal demands; the possibility and right of an individual artist to declare their work as a public aesthetic value; the commensurability of authorial and public eval
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Wolz, Stefanie H., and Claus-Christian Carbon. "What’s Wrong with an Art Fake? Cognitive and Emotional Variables Influenced by Authenticity Status of Artworks." Leonardo 47, no. 5 (2014): 467–73. http://dx.doi.org/10.1162/leon_a_00869.

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What’s wrong with art fakes? The authors tested effects of art “forgery” on aesthetic appreciation and the perceived quality of paintings in a multidimensional manner comprising cognitive and emotional variables: When naïve participants were exposed to replicas of works by renowned artists, information about the alleged authenticity status had a major effect on the perceived quality of the painting, and even on artist-associated values such as the artist’s talent. All these variables were negatively influenced when depictions were labeled as copies compared to identical ones labeled as origina
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Setai, Phokeng T., Jan K. Coetzee, Christoph Maeder, Magdalena Wojciechowska, and Leane Ackermann. "The Creative Process. A Case for Meaning-Making." Qualitative Sociology Review 14, no. 4 (2019): 86–99. http://dx.doi.org/10.18778/1733-8077.14.4.06.

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Since the beginning of time art-making has been a tool to express, preserve, and challenge the extant knowledge in society. Artists do this by finding or creatively constructing new understandings in society. An artist is able to do this through the medium he/she uses to relay the message of the artwork. The medium that an artist uses to express his/her artistic concept has an impact on the character that the artwork will take. The medium of expression forms but one of the many considerations that go through an artist’s mind when creating art. In the process of art-making, an artist seeks to c
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Tahlina, Yuliia, and Nataliia Ivanova. "ARTISTIC RESIDENCIES IN CONTEXT: CULTURAL DYNAMICS." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 68 (December 3, 2023): 13–24. https://doi.org/10.26565/2306-6687-2023-68-02.

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This paper explores the multifaceted nature and evolving roles of artist residencies, emphasizing their significance in fostering creative development and social engagement. Over the past two decades, artist residencies have diversified, offering a variety of formats, from rural retreats to urban institutional residencies. These programs provide artists withdedicated time and space, away from their usual environments, enabling deeper creative engagement and innovation. The research underscores the increasing emphasis on community involvement and social activism within residencies, highlighting
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Anderson, Gemma, Dorothy Buck, Tom Coates, and Alessio Corti. "Drawing in Mathematics: From Inverse Vision to the Liberation of Form." Leonardo 48, no. 5 (2015): 439–48. http://dx.doi.org/10.1162/leon_a_00909.

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The literature on art and mathematics has focused largely on how geometric forms have influenced artists and on the use of computer visualization in mathematics. The authors consider a fundamental but undiscussed connection between mathematics and art: the role of drawing in mathematical research, both as a channel for creativity and intuition and as a language for communicating with other scientists. The authors argue that drawing, as a shared way of knowing, allows communication between mathematicians, artists and the wider public. They describe a collaboration based on drawing and “inverse
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García, Esteban, and David Whittinghill. "Art and Code: The Aesthetic Legacy of Aldo Giorgini." Leonardo 44, no. 4 (2011): 309–16. http://dx.doi.org/10.1162/leon_a_00207.

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In 1975 Aldo Giorgini developed a software program in FORTRAN called FIELDS, a numerical visual laboratory devoted entirely to art production. Working extensively as both artist and scientist, Giorgini was one of the first computer artists to combine software writing with early printing technologies, leaving an aesthetic legacy in the field of the digital arts. His individual process was innovative in that it consisted of producing pen-plotted drawings embellished by the artist's hand with painting, drawing, and screen-printing. This paper is the product of a multi-year study of Giorgini's pri
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Dissertations / Theses on the topic "Artists as authors"

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Arrowsmith, Rupert Richard. "A British museum era : modernist artists and authors in London's museums, 1905-1918." Thesis, University of Oxford, 2007. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486968.

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This study considers the role of London's museums - especially the British Museum - as conduits for the delivery of extra-European visual art to the city's avant-garde during the years preceding World War One. It makes use of documents from the archives of the British Museum, the British Library, the Tate Gallery, the V&A, and the Royal Institute of British Architects - many of which have never before been quoted from or published - to show that the early modernist sculpture of Jacob Epstein, Henri Gaudier-Brzeska and Eric Gill; the philosophy of T.E. Hulme; and the poetic imagery of Ezra Poun
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Ryaby, Patricia Anne. "Comparative analyses in neurocognitive measures in male and female artists, engineers, and writers /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662146418.

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Queiros, Doralice Alves de. "Mulheres cordelistas : percepções do universo feminino na literatura de cordel /." Belo Horizonte : Faculdade de Letras da UFMG, 2006. http://www.bibliotecadigital.ufmg.br/dspace/bitstream/1843/ALDR-6WEK7J/1/disserta__o.pdf.

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Sitzia, Emilie. "L'artiste entre mythe et réalité dans trois œuvres de Balzac, Goncourt et Zola." Åbo : Åbo Akademis Förlag, 2004. http://books.google.com/books?id=mzRlAAAAMAAJ.

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Stokes, Caitlin C. "Re-Drawing History: the Artist as Author and Historian." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343046777.

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Manion, Christopher Edward. "Writers in religious orders and their lay patrons in late medieval England." Columbus, Ohio : Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1133188098.

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Pacouret, Jérôme. "Qu'est-ce qu'un auteur de cinéma ? : copyright, droit d'auteur et division du travail (années 1900-2010)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH084/document.

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Pourquoi les films de cinéma sont-ils souvent attribués à des auteurs alors même que leurs génériques énumèrent des dizaines de noms propres et de noms de métiers ? A la suite de Michel Foucault et de sa définition de la « fonction-auteur » comme forme d’appropriation des discours, cette thèse étudie la genèse et l’existence des auteurs de films au prisme des luttes de définition de leurs droits de propriété. Plutôt que de considérer les auteurs de cinéma comme ceux qui « font » les films ou comme une fiction occultant le caractère collectif de leur fabrication, elle montre que les auteurs son
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Guzda-Rivière, Frédéric. "L' au(c)torité de l'artiste et ses paradoxes : tentative de relecture historique, critique et poïétique du statut de l'artiste." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H303/document.

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Le premier travail de cette thèse a consisté à envisager l'artiste, essentiellement, comme un auteur. Il nous a conduit à suggérer, quant à l'auteur, que sa mort jadis annoncée imposait de penser sa résurrection à partir d'autres catégories et outils conceptuels que ceux qui ont permis de constater son décès. Après avoir démontré, d'une part, que l'auctorité (authorship) définissait exemplairement l'artiste, et s'être acquitté, d'autre part, d'un indispensable rappel historique permettant de comprendre les conditions de son apparition, nous avons tâché de faire jouer entre eux (au double sens
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Castilho, Takami Marina. "De la Sonate à Kreutzer (1956) au Trio en mi bémol (1987) : la musique comme modèle idéal dans l'œuvre d'Eric Rohmer." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080101/document.

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La musique était pour Éric Rohmer une passion et un modèle de création artistique. Dans cette perspective, elle participe intimement de sa pratique cinématographique et de sa théorisation sur les arts, ainsi que de sa reconnaissance comme artiste-intellectuel. Cette étude se consacre à l'analyse de l’œuvre du cinéaste dans le but de vérifier comment la musique peut être considérée comme son modèle idéal. Ce travail s'intéresse à la formation de la culture musicale de Rohmer en tant que facteur déterminant pour comprendre sa conception de l'art musical et, par conséquent, de la musique au ciném
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Kulykivska, Mariia. "President of Crimea. Constitution : Author(s) Autonomous Republic of Xena-Maria." Thesis, Konstfack, Institutionen för Konst (K), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7252.

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In this essay, two voices are heared, from two women: a certain artist Xena, who talks about her life and its dramas, interwoven with her own experiences from her diaries; and the voice of Maria, who analyzes Xena's life story and her art, diffracted through the prim of the history of 21stC art.  Art the outset, "President of Crimea. Constitution", announces its author as Xena-Maria; but it is not yet clear whether the author is one person or two, nor who they are. Is it Maria who writes here, or Xena, or both? Or are they one and the same person? But at the end of the story, which is told rat
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Books on the topic "Artists as authors"

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Heather, Brett, ed. Authors & artists: Introduction series 2. Windows Publications, 1996.

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Henry, Buckton, ed. Artists and authors at war. Cooper, 1999.

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Crawford, Bridget J. Estate planning for authors and artists. Tax Management Inc., 2004.

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Gillian, Naylor, ed. Bloomsbury: Its artists, authors, and designers. Little, Brown, 1990.

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Simon, Chasen Jerry, Norwick Kenneth P, and American Civil Liberties Union, eds. The rights of authors, artists, and other creative people: The basic ACLU guide to author and artist rights. 2nd ed. Southern Illinois University Press, 1992.

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Miclat, Alma Cruz. Soul searchers and dreamers: Artists' profiles. Maningning Miclat Art Foundation, Inc., Erehwon Center for the Arts, 2015.

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Zara, Christopher. Tortured artists. Adams Media, 2012.

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Gillian, Naylor, ed. Bloomsbury: The artists, authors and designers by themselves. Mitchell Beazley, 1993.

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Heinrich, Adel. Women composers as authors and artists: A sourcebook. Greenwood Press, 1996.

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Gillian, Naylor, ed. Bloomsbury: The artists, authors and designers by themselves. Pyramid, 1990.

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Book chapters on the topic "Artists as authors"

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Sweeney, Laura G. "Parallel Paradigms of Artists and Authors." In Paradigms in Theory Construction. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-0914-4_5.

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"About the Authors." In Artists' Things. J. Paul Getty Trust, The, 2024. http://dx.doi.org/10.2307/jj.8916143.68.

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"Chapter 7. Performing Artists." In Authors and Apparatus. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501734984-011.

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"Authors and Artists." In Leo. McGill-Queen's University Press, 2003. http://dx.doi.org/10.1515/9780773571570-013.

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de Silva, R. K., and W. G. M. Beumer. "Authors, Artists and Illustrators." In Illustrations and Views of Dutch Ceylon 1602-1796. BRILL, 1988. http://dx.doi.org/10.1163/9789004644526_007.

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"Artists and Authors Index." In The Poetics of Poetry Film. Intellect Books, 2020. http://dx.doi.org/10.2307/j.ctv36xw4c0.29.

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"Authors and Artists Index." In The Art of Biblical Interpretation. SBL Press, 2021. http://dx.doi.org/10.2307/j.ctv1wpppn5.18.

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"Credits: Authors and Artists." In Birds of the Yukon Terrirotry. University of British Columbia Press, 2007. http://dx.doi.org/10.59962/9780774856218-008.

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Lord, Barry, and Gail Dexter Lord. "About the Authors." In Artists, Patrons, and the Public. Rowman & Littlefield Publishers, 2010. http://dx.doi.org/10.5771/9780759119017-215.

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"About the Authors." In Educating Artists for the Future. Intellect Books, 2008. http://dx.doi.org/10.2307/j.ctv36xvp2m.25.

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Conference papers on the topic "Artists as authors"

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Svansson, Einar. "THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.21.

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic crisis with lockout and exile at home. The parents of the university professor f
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Rocaciuc, Victoria. "Repeated editions of the tale „Th e little purse with two half-pennies” by Ion Creangă. The evolution of artistic values in Moldovan book graphics in the Soviet and post-Soviet period." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.06.

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Th e tale „Th e little purse with two half-pennies” signed by Ion Creanga appeared in repeated editions in various countries and is one of the best known. Th e analysis and the history of the evolution of the literary subject are of special interest and deserve more extensive research. It is equally curious to compare various plastic approaches to the topics of the tale. In Soviet and post-Soviet Moldova, the book was illustrated by famous graphic artists such as Leonid Grigorașenco, Ilia Bogdesco, Lică Sainciuc, Igor Vieru, Filimon Hămuraru, Andrei Ţurcanu, Anatoli Smîșleaev, Alexei Colîbneac
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YURTBEKLER, Hasan. "TWO AUTHORS IN THE CONTEXT OF SOCIALIST-REALISTIC LITERATURE: JOHN STEINBECK AND ORHAN KEMAL." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-6.

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Increasing mechanization since the Industrial Revolution has affected many societies of the world, especially Western societies. Increasing mechanization with the revolution has brought with it migration movements due to economic origin. Increasing migration from rural areas to cities with the dream of a better life has resulted in worse socio-economic results rather than individuals leading a better life. The surplus of workers resulting from the ever-increasing population in the cities has provided the capital owners with the opportunity to employ workers at a lower cost. As a result, workin
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Bentes, Lúcia. "Between Words and Images – Eccentric Artists and Their Constructions of Reality in Recent German Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8932.

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This paper intends to analyse three eccentric figures and their constructions in contemporary German literature from the 1960s to 2005. The aim of this paper is to examine how the main characters, Hieronymus, Henry, and Fabian, from different books (one novel, two short stories) by German authors (Peter Weiss 1965, Eva Zeller 1983, Steffen Kopetzky 2005) share eccentrity on diferent levels. As obsessive collectors, the protagonists devote themselves to the construction of artistic projects through sensual and emotional experience in accordance with a phenomenological perspective (Gaston Bachel
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Silva, Mariana O., Gabriel P. Oliveira, and Mirella M. Moro. "Data Insights on Gender Representation: Analyzing the Book and Music Industries." In Anais Estendidos do Simpósio Brasileiro de Banco de Dados. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/sbbd_estendido.2024.243743.

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The entertainment industry has been historically dominated by men, which motivates growing recognition and advocacy for improved gender diversity and equality. We present a study on gender representation in the book and music industries by analyzing awarded authors and hit song artists. Through Data Science, we uncover patterns and trends that beg for a more balanced and diverse portrayal of gender in creative expressions and offer insights to foster inclusivity, diversity, and equitable opportunities in such a domain.
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Andreopoulou, Areti, and Visda Goudarzi. "Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD)." In The 23rd International Conference on Auditory Display. The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.031.

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This paper investigates the representation of women researchers and artists in the conferences of the International Community for Auditory Display (ICAD). In the absence of an organized membership mechanism and/or publicly available records of conference attendees, this topic was approached through the study of publication and authorship patterns of female researchers in ICAD conferences. Temporal analysis showed that, even though there has been an increase in the number of publications co-authored by female researchers, the annual percentage of female authors remained in relatively unchanged
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Jiang, Xue. "FEATURES OF TEACHING A GRAPHIC POSTER IN THE SYSTEM OF TRAINING ARTISTS-DESIGNERS DEVELOPMENT OF A SYSTEM FOR THE DESIGN OF STUDENT COURSES." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. by HNRI «National development» in cooperation with PS of UA. May 2024. - Harbin (China). Crossref, 2024. http://dx.doi.org/10.37539/240530.2024.42.49.015.

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This article examines the features of teaching graphic poster design in the system of training artist-designers. It explores the methods and approaches used in the development of a course formatting system that facilitates effective student learning in creating graphic posters. The authors discuss the importance of practical work, analyze the key stages of the poster development process, shed light on aspects of aesthetic composition, color schemes, typography, and visual communication. The research findings can be valuable to both educators and students engaged in graphic design.
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Abbas, Naqaa, and Hend Taher. "Celebrating Culture - Literary Communities of Practice in Doha." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0264.

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Our paper focuses on the role of arts and culture in Doha. More specifically, we examine literary circles in Doha (both Arab and English speaking) and regard them as ‘communities of practice.’ According to Etienne Wenger, communities of practice are “groups of people who share a concern or a passion for something they do and learn how to do it better as they interact regularly.” Moreover, such communities are seen as promoting innovation, developing social capital, facilitating and spreading knowledge within a group, and spreading existing knowledge. Recently, there has been a surge of active
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Adascalița-Crigan, Lucia. "Nicolae Macarenco - representative artist of satirical graphics." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.01.

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A prominent figure in the field of satirical graphics in the Republic of Moldova, Nicolae Macarenco, throughout his artistic career, conceived with great skill and dedication book illustrations for literary works signed by Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov, Alla Grekul, posters and aesthetically expressive and semantically valuable caricatures. Prodigious, talented, persevering and devoted to his profession, the protagonist is one of the established artists who, through his vocation and talent, marked an entire era in the satirical art of the Republic. Working successfully, es
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Воронина, С. П. "COHERENCE OF TEXT AND VISUALS: THE IMAGE OF VASILY TERKIN IN ILLUSTRATIONS BY VLADIMIR GALDYAEV." In Месмахеровские чтения — 2025. Crossref, 2025. https://doi.org/10.54874/9785605245896.2025.11.03.

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Образ Василия Тёркина, созданный писателем А. Т. Твардовским, неоднократно отражался в иллюстрациях советских и российских художников, которые становились соавторами, добавляя бойцу черты характера, раскрывая новые грани его личности перед читателем в визуальном сопровождении. Работы В. Л. Гальдяева (1938–2001) были необоснованно забыты, обзоров его творчества и искусствоведческого анализа отдельных работ практически не встретить в текстах отечественных исследователей. The image of Vasily Terkin, created by the writer A. T. Tvardovsky, was repeatedly reflected in the illustrations of Soviet an
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Reports on the topic "Artists as authors"

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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the cre
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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were publ
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Гамалі, Ольга Ігорівна, та Ольга Борисівна Каневська. Художественные концепты родина и чужбина в концептосфере Ивана Бунина. Ланьчжоуский политехнический университет, 2016. http://dx.doi.org/10.31812/0564/1387.

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The article deals with the peculiarity of literary-artistic concepts NATIVE LAND and OUTLAND in poetry by I. A. Bunin, identifies and describes the textual means for presenting the concepts, substantiates their relation to moral categories and key role for the author‘s conceptual sphere.
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Dmytrovskyi, Zenon. THE TEXTBOOK, THAT TEACHES AND BRINGS UP. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11414.

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The review is about textbook on television and radio communication for students, teachers of faculties and departments of journalism, as well as journalists-practitioners, prepared by the author’s team edited by Vasyl Lyzanchuk. Textbok absorbed some considerations and conclusions from previous theoretical developments, which found a new meaning here, deeper argumentation, supplemented by many interesting observations that correspond to the spirit of the time, the innovations that have appeared in recent years in the media space of Ukraine. The textbook has ten sections, each of which is desig
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Nezhyva, Liudmyla L., Svitlana P. Palamar, and Oksana S. Lytvyn. Perspectives on the use of augmented reality within the linguistic and literary field of primary education. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/4415.

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The article analyzes the scientific sources on the problem of augmented reality in the educational field. There is a fragmentary rationale for new technology in primary school, to a greater extent the experience of scientists and practitioners relate to the integrated course “I am exploring the world”. The peculiarities of Ukrainian and foreign writers’ works with AR applications, which are appropriate to use during the classes of literary reading, are analyzed. The authors substantiated the prospect of augmented reality technology for mastering the artistic image of the world of literary work
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Briman, Shimon. The Wars, Demons, and Ambitions of Babyn Yar. Edited by Nicolas Darius Dreyer. Otto-Friedrich-Universität, 2025. https://doi.org/10.20378/irb-105451.

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For many years and decades, the need for a memorial center at the Babyn Yar ravine in Kyiv has been discussed. On September 29-30, 1941, Nazi German Sonderkommando forces and local collaborators had murdered 33,771 Jews in the ravine. In 2016, the Ukrainian government announced together with an International Supervisory Board its intention to create an official Babyn Yar Holocaust Memorial Center (BYHMC) on the grounds of the massacre. Since then, the political and historiographical mandate, the building, the historical narrative and the artistic concept to be developed, as well as the future
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Bilous, Oksana. FEATURES OF ADVERTISING IN WESTERN UKRAINIAN PRESS. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12173.

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In the article, advertising communication is explored in the context of socio-political, socio-economic, and cultural-legal processes in Eastern Galicia (1919–1939); The ideological and educational concept of advertising materials is outlined, and the features of shaping Ukrainian civic-state consciousness, national and universal moral-spiritual values, interethnic mutual respect, and tolerance under the influence of press advertising are characterized. In the four chapters of the monograph, a comprehensive study of the essence of Ukrainian press advertising communication in Eastern Galicia is
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