Log in

Relevant bibliographies by topics / Artists' studios in photography / Journal articles

To see the other types of publications on this topic, follow the link: Artists' studios in photography.

Journal articles on the topic 'Artists' studios in photography'

Author: Grafiati

Published: 26 February 2023

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Artists' studios in photography.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Koureas, Gabriel. "Parallelotopia: Ottoman transcultural memory assemblages in contemporary art practices from the Middle East." Memory Studies 12, no. 5 (2019): 493–513. http://dx.doi.org/10.1177/1750698019870689.

Full text

Abstract:

This article engages with the conversations taking place in the photographic space between then and now, memory and photography, and with the symbiosis and ethnic violence between different ethnic communities in the ex-Ottoman Empire. It questions the role of photography and contemporary art in creating possibilities for coexistence within the mosaic formed by the various groups that made up the Ottoman Empire. The essay aims to create parallelotopia, spaces in the present that work in parallel with the past and which enable the dynamic exchange of transcultural memories. Drawing on memory the

APA, Harvard, Vancouver, ISO, and other styles

2

Sawant, Shukla. "The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”." BioScope: South Asian Screen Studies 8, no. 1 (2017): 1–29. http://dx.doi.org/10.1177/0974927617700768.

Full text

Abstract:

This essay examines the interface between the indexical and the gestural, through the practice of early twentieth-century painters active in the Bombay Presidency and adjoining princely states such as Kolhapur and Aundh. It draws upon archival materials such as biographies, memoirs, and photographs documenting artists at work in the studio, as well as remains of posed photographs that were produced as aide-mémoire for paintings. It throws light on the fraught place of photography as aesthetic practice in the art academy, its association with colonial protocols of scientific accuracy, capture a

APA, Harvard, Vancouver, ISO, and other styles

3

Aytemiz, Pelin. "Making Grandfather Come Out Better." Middle East Journal of Culture and Communication 8, no. 2-3 (2015): 355–73. http://dx.doi.org/10.1163/18739865-00802010.

Full text

Abstract:

In contemporary Turkey, a growing number of lower to middle-income families bring old and often damaged photographs of their deceased family members to digital studios for restoration. Digital restoration artists, whether working online or from photography studios, retouch these photographs in often highly creative ways, such as adding color and fantasy backgrounds, or combining discrete portraits into fictional (diachronic) family portraits. Digital technologies such as the Photoshop program are here called upon to perform a very old desire: that of ensuring a dead person’s continued presence

APA, Harvard, Vancouver, ISO, and other styles

4

Shields, Alison. "Studio conversations." International Journal of Education Through Art 14, no. 3 (2018): 379–84. http://dx.doi.org/10.1386/eta.14.3.379_3.

Full text

Abstract:

In 2014, I embarked on a cross-Canada journey, visiting artists in their studios. Through interviews with artists and photograph documentation of the studios, I sought to understand the creative processes that occur within these spaces through art making. This visual essay draws from metaphors used by artists to describe a studio alongside photographs that I took to reveal my visual exploration of the space and my visual analysis and interpretation of the metaphors. Through the use of these metaphors alongside the photographs, I propose that a studio is more than a room, but rather a way of th

APA, Harvard, Vancouver, ISO, and other styles

5

Ogden, Kate Nearpass. "Musing on Medium: Photography, Painting, and the Plein Air Sketch." Prospects 18 (October 1993): 237–81. http://dx.doi.org/10.1017/s0361233300004920.

Full text

Abstract:

The relationship of photography and painting has greatly intrigued art historians in recent years, as has the uneasy status of photography as “art” and/or “documentation.” An in-depth study of 19th-century landscape images suggests two new premises on the subject: first, that opinions differed on photography's status as an art in the 19th Century, just as they differ today; and, second, that the landscape photograph is more closely related to the plein air oil sketch than to the finished studio easel painting. For ease of comparison, the visual material used here will consist primarily of land

APA, Harvard, Vancouver, ISO, and other styles

6

Wulan, Evi Retno. "Written Approval for Commercialization of Portrai Photography: A Study of Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia." IJEBD (International Journal of Entrepreneurship and Business Development) 5, no. 4 (2022): 759–63. http://dx.doi.org/10.29138/ijebd.v5i4.1909.

Full text

Abstract:

Purpose: The purpose of this research is to examine the rules of written approval for the Commercialization of Portrait Photography as contained in Article 12 Paragraph (1) of the Copyright Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia. Design/methodology/approach: The type of legal research used is normative juridical research. The approach used in this research is the statutory approach and the conceptual approach. The sources of legal materials used in this doctrinal research consist of primary legal materials and secondary legal materials. The collec

APA, Harvard, Vancouver, ISO, and other styles

7

Abdullina, Darina Aleksandrovna. "Сhildin the Image or Image of Achild : Russian Child Portrait in Painting and Photography of the Late 19 th − Early 20 th Century". Secreta Artis, № 2 (12 серпня 2021): 68–83. http://dx.doi.org/10.51236/2618-7140-2021-4-2-68-83.

Full text

Abstract:

The stylistics of the child portrait in Russia in the 1850s – early 20th century underwent significant changes due to the emergence of photography (light painting). From the very beginning of its era, the 1850s, early photography borrowed composition, means of expression, and attributes from painting. Towards the end of the century, artists began to pay attention to the achievements of portrait photography, striving to depict children not in a staged way, but rather in moments of play, studies and rest, taking heed of photographic effects, in particular, cropped and “blurred” compositions. Man

APA, Harvard, Vancouver, ISO, and other styles

8

Kratz, Corinne A. "Afterword Uncertain trajectories and refigured social worlds: the image entourage and other practices of digital and social media photography." Africa 89, no. 2 (2019): 323–28. http://dx.doi.org/10.1017/s0001972019000032.

Full text

Abstract:

Drawn from East, West, Central and Southern Africa, the case studies in this special issue build on several decades of important work on photography in Africa. That work has examined colonial photography and postcards, studio work from colonial times to the present, activist photography, photojournalism, and artists who work with photographic images. It has addressed issues of representation, portraiture, aesthetics, self-fashioning, identities, power and status, modernities and materiality, the roles of photographs in governance and everyday politics, and the many histories and modes of socia

APA, Harvard, Vancouver, ISO, and other styles

9

Mwiti, Anne. "Leveraging art markets by artists from Africa with a special interest in the Kenyan art scene: The discrete charm of the NFTs from an artist's perspective." Prace Kulturoznawcze 29, no. 1 (2025) (2025): 109–18. https://doi.org/10.19195/0860-6668.29.1.8.

Full text

Abstract:

Abstract: This paper offers an overview of the African art scene, with a special focus on the Kenyan art scene. It will also examine non-fungible tokens (NFTs) as a new marketing tool and platform for artists from Africa, exploring how this technology has diversified artistic practices through experimentation beyond traditional painting and sculpture to video, performance art, installations, photography, and digital media. The paper does not delve into the technicalities of creating NFTs but presents an overview and experiences based on conversations with artists and a gallery owner based in K

APA, Harvard, Vancouver, ISO, and other styles

10

Nestayko, Markiyan. "Photos of Levko Yanushevych on the pages of Ukrainian magazines." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 362–75. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-26.

Full text

Abstract:

The article studies the activities of one of the famous Ukrainian photographers of the XX century — Levko Yanushevych in the field of photography. We have systematized and characterized the artist’s photographs on the pages of Ukrainian and foreign (for Ukrainian emigrants) periodicals of the XX century, specifically, «Dilo», «Nashi Dni», «Nova Khata» (all titles in Lviv), «Kholms’ka zemlya» (Krakow), «Ukrainskyi visnyk», «Holos» (both in Berlin), «Na slidi» (Augsburg). The process of shaping Yanushevych’s creative personality via a prism of public activity and cooperation with famous figures

APA, Harvard, Vancouver, ISO, and other styles

11

Stylianou-Lambert, Theopisti, and Elena Stylianou. "Editorial: Photography, artists and museums." Photographies 7, no. 2 (2014): 117–30. http://dx.doi.org/10.1080/17540763.2014.943053.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Bohm-Duchen, Monica. "Chasing Shadows." European Judaism 56, no. 1 (2023): 22–39. http://dx.doi.org/10.3167/ej.2023.560103.

Full text

Abstract:

Abstract Drawing on the influential concept of postmemory first mooted by Marianne Hirsch, and on the links between photography and mortality first explored by Susan Sontag and Roland Barthes, this article analyses the work of ten largely UK-based visual artists who, as members of the so-called second generation (namely, the descendants of Holocaust survivors and refugees), make use of the photographic medium to engage creatively and conceptually – and often in a conspicuously gendered way – with the legacy of their families’ traumatic histories. Some of the artists (Halter, Tucker) base their

APA, Harvard, Vancouver, ISO, and other styles

13

Muço, Edmond. "Pietro Marubi - Founder of The First Photography Studio in Albania." Pannoniana 7, no. 1 (2023): 187–95. http://dx.doi.org/10.32903/p.7.1.9.

Full text

Abstract:

This article aims to highlight the art of photography in Albania, which began at the end of the 1850s and is associated with the name Pietro Marubi (1834-1903). It deals with the origin of Pietro Marubi, who was Italian from Piacenza. For political reasons, he left Italy, sought refuge in Albania, and settled in the city of Shkodra. The scope is on his extraordinary work, including the founding of the first photography studio in Albania around 1855, which was a bold step at that time. Among his earliest photographs are those of Hamzë Kazazi (1858) and Leonardo de Martino (1859). He became a po

APA, Harvard, Vancouver, ISO, and other styles

14

Lessnau, Dani, Stéfy McKnight, and Julia Chan. "“The Pleasures in Being Seen”: An Interview with Dani Lessnau, Led by Drs. Stéfy McKnight and Julia Chan." Surveillance & Society 22, no. 1 (2024): 57–62. http://dx.doi.org/10.24908/ss.v22i1.16548.

Full text

Abstract:

When conceptualizing the call for this special issue, one artist came to our (Julia and Stéfy’s) minds: Dani Lessnau. Her work straddles complexities of surveillance, voyeurism, desire, and female pleasure. In particular, we want to highlight Lessnau’s provocative performance photography series extimité created in 2017. Using a pinhole camera inserted into her vagina, she photographs the sexual intimacies and relationships with her partners. We ask more broadly, what does it mean to use surveillance as a method of pleasure? And, how can artists subvert or appropriate the surveillant gaze in wa

APA, Harvard, Vancouver, ISO, and other styles

15

Gomez Lobon, Mar, Enric Juncosa Darder, Carlos Palomino Cabello, Marta Bauza, and Francesca Caterina Izzo. "Unveiling the Composition of La Pajarita PVAc-Based Paints in Joan Miró’s Studio and in Three Artworks from the 1970s." Polymers 16, no. 22 (2024): 3146. http://dx.doi.org/10.3390/polym16223146.

Full text

Abstract:

In this study, we present the first characterisation of the polyvinyl acetate (PVAc) paints of commercial Spanish brand La Pajarita preserved in the studios of Joan Miró (1893–1983) in Mallorca, Spain. Investigation of several black and white paint samples using complementary analytical techniques (XRD, SEM–EDX, FTIR, and Py–GC–MS) allowed for the identification of pigments and binding media in studio materials, as well as in three artworks dating from the 1970s. Through comparative analysis, it was possible to find significant similarities between the composition of La Pajarita paints conserv

APA, Harvard, Vancouver, ISO, and other styles

16

Goldhill, Judy, and Fay Ballard. "Inner Recreation." European Judaism 56, no. 1 (2023): 73–86. http://dx.doi.org/10.3167/ej.2023.560106.

Full text

Abstract:

Abstract This article is a conversation between Judy Goldhill and Fay Ballard, two second-generation artists, respectively Jewish and non-Jewish. Goldhill's parents escaped from Nazi Germany, whilst Ballard's father, the novelist J.G. Ballard, was interned in a Japanese prison camp. Goldhill works on photography, film and artists’ books and Ballard draws. They have collaborated extensively, following a conversation in 2016 about a shared experience of generational trauma and early parental loss. Both artists have been using recovered objects, photographs and letters in their artwork and this c

APA, Harvard, Vancouver, ISO, and other styles

17

Mureșan, Anca. "PHOTOGRAPHY IN THE PRACTICE OF CONTEMPORARY PAINTING. A PEDAGOGICAL PERSPECTIVE." Studia Universitatis Babeș-Bolyai Historia Artium 68 (December 30, 2023): 165–88. http://dx.doi.org/10.24193/subbhistart.2023.07.

Full text

Abstract:

Photography in the Practice of Contemporary Painting. A Pedagogical Perspective. Photography is a technological medium that suffers continuous evolution. From its earliest developments to the various types of recent printing, the photographic image has become an avatar of the world. Since images are irreversibly intertwined with human activity, their usage becomes an increasingly frequent practice in the area of traditional creative techniques. This article discusses some examples of this usage in the context of contemporary painting studios in higher education. Photography is accessed by youn

APA, Harvard, Vancouver, ISO, and other styles

18

Padmanabhan, Lakshmi. "A Feminist Still." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (2020): iv—29. http://dx.doi.org/10.1215/02705346-8631535.

Full text

Abstract:

What can photographic form teach us about feminist historiography? Through close readings of photographs by visual artist and documentary photographer Sheba Chhachhi, who documented the struggle for women’s rights in India from the 1980s onward, this article outlines the political stakes of documentary photography’s formal conventions. First, it analyzes candid snapshots of recent protests for women’s rights in India, focusing on an iconic photograph by Chhachhi of Satyarani Chadha, a community organizer and women’s rights activist, at a rally in New Delhi in 1980. It attends to the way in whi

APA, Harvard, Vancouver, ISO, and other styles

19

Higersberger, Renata. "The Académie Julian in Paris and Its Polish Students." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 349–74. https://doi.org/10.63538/rmnwns.013.18.

Full text

Abstract:

The paper discusses the presence of Polish women at the Académie Julian, a private Parisian art school which offered the highest level of teaching, and competed with the state-owned École de beaux-arts. Its greatest popularity with female students from outside France occurred at a time when admission to state universities was forbidden to women, i.e. before 1904. Founded by Rodolphe Julian (1839–1907) in 1868, the school operated in several districts of Paris for the next century. Its longest-running atelier was located at 5 rue de Berri. Many Polish artists, such as Anna Bilińska, trained the

APA, Harvard, Vancouver, ISO, and other styles

20

Kay, Ronald. "On photography Time split in two." ARTMargins 2, no. 3 (2013): 123–30. http://dx.doi.org/10.1162/artm_a_00063.

Full text

Abstract:

The text presented here constitutes the first time that Ronald Kay's work has been rendered and published in English translation. A fundamental figure within Chile's art scene during its recent dictatorial period (1973–1990), Kay's written, pedagogic, and editorial contributions were instrumental in shaping the sophisticated and insurgent discourse of the artists working under the rubric now known as the neovanguardia. The first chapter of Ronald Kay's Del Espacio de Acá (1980), “On photography Time split in two” lays out, in a style and rhetoric that are both lyrical and rigorous, Kay's theor

APA, Harvard, Vancouver, ISO, and other styles

21

Krasikova, Ksenia V. "TRANSFORMING IDEAS ABOUT PHOTOGRAPHY: SYSTEMATIZING EXISTING APPROACHES." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 100–108. http://dx.doi.org/10.17223/22220836/42/9.

Full text

Abstract:

The relevance of the study is to try to make sense of the changes in photography. The problem of research is the lack of a position in modern cultural studies on the essence of photography. The problem is methodological. The aim of the study is to study approaches to photography and their evolution. Research methods are associated with philosophical and cultural analysis of the problem. There are several approaches to studying photography. The author chooses those of them that will reveal the problem of changing the relationship to the essence of photography in the cultural and philosophical a

APA, Harvard, Vancouver, ISO, and other styles

22

Bajbor, Magdalena, Danuta Jackiewicz, Anna Masłowska, and Katarzyna Mączewska. "The Photography Room in the National Museum in Warsaw’s Gallery of 19th Century Art." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 78–108. https://doi.org/10.63538/rmnwns.013.04.

Full text

Abstract:

The article discusses the functioning of the Photography Room in the National Museum in Warsaw’s Gallery of 19th Century Art, which since 2022 has exhibited the museum’s collection of nineteenth and early twentieth century photography, a one of its kind in Poland. The institution owes its collection to donations from Polish collectors and purchases with its own funds. The Photography Room exhibitions change several times a year. Each iteration is based on an original theme devised by staff members responsible for the NMW Collection of Photography and Iconography. The first exhibition, titled T

APA, Harvard, Vancouver, ISO, and other styles

23

Jedlińska, Eleonora. "Francis Bacon (1909-1992)." Zbornik radova Filozofskog fakulteta u Splitu, no. 14 (December 17, 2021): 181–94. http://dx.doi.org/10.38003/zrffs.14.11.

Full text

Abstract:

Francis Bacon painted pictures based mostly on photographs published in encyclopaedias, popular magazines, the tabloid press, posters and packaging. He was interested in reproductions of paintings by great masters. He used photographs by Muybridge. Photographs, treated by Bacon as tools, were later “worked on” by the artist, becoming the canvas for his paintings. The scenes he chose – often drastic, depicting rape and violence – were painted into his canvases, creating a deformed image of the world that “emerged” from the horrors of both world wars. He painted portraits based on his photograph

APA, Harvard, Vancouver, ISO, and other styles

24

de la Torre, Osvaldo. "Introduction to Ronald Kay's “On photography Time split in two”." ARTMargins 2, no. 3 (2013): 114–22. http://dx.doi.org/10.1162/artm_a_00062.

Full text

Abstract:

The text presented here constitutes the first time that Ronald Kay's work has been rendered and published in English translation. A fundamental figure within Chile's art scene during its recent dictatorial period (1973–1990), Kay's written, pedagogic, and editorial contributions were instrumental in shaping the sophisticated and insurgent discourse of the artists working under the rubric now known as the neovanguardia. The first chapter of Ronald Kay's Del Espacio de Acá (1980), “On photography Time split in two” lays out, in a style and rhetoric that are both lyrical and rigorous, Kay's theor

APA, Harvard, Vancouver, ISO, and other styles

25

Cvetkovich, Ann. "Artists in the Archives." GLQ: A Journal of Lesbian and Gay Studies 29, no. 2 (2023): 183–214. http://dx.doi.org/10.1215/10642684-10308493.

Full text

Abstract:

Ulrike Müller's Herstory Inventory (HI) is a collection of over one hundred works on paper by “feminist” artists who were given “drawing assignments” that began with textual prompts taken from an archival list of T-shirts that Müller discovered in the collections of the Lesbian Herstory Archives (LHA). HI has also had multiple incarnations as a staged reading/live performance, audio installation, collective art project, art exhibition, and book, and its relay across media participates in a fascination with the archive that has pervaded LGBTQ culture, resulting in a proliferation of new archive

APA, Harvard, Vancouver, ISO, and other styles

26

Perna, Raffaella. "Feminist Photobooks in 1970s Italy." Journal of Asia-Pacific Pop Culture 9, no. 2 (2024): 300–328. https://doi.org/10.5325/jasiapacipopcult.9.2.0300.

Full text

Abstract:

Abstract From the beginning of the twenty-first century, the expression photobook has proven highly successful in the wake of a rich series of studies, festivals, workshops, fairs, and publishing initiatives. The term photobook has, however, often been used to indicate, without much distinction, different types of photographic books that do not necessarily share aesthetic, political, or social aims, generating misleading perspectives on the genre. In order to examine the history of feminist photobooks in Italy in the 1970s, this article analyzes both the material and symbolic structures of the

APA, Harvard, Vancouver, ISO, and other styles

27

Chivers, Sally. "Reimagining care: images of aging and creativity in House Calls and Year at Sherbrooke." International Journal of Ageing and Later Life 7, no. 2 (2013): 53–71. http://dx.doi.org/10.3384/ijal.1652-8670.1272a3.

Full text

Abstract:

This article looks at the relationship between the esthetic and documentary commentaries offered by two National Film Board of Canada (NFB) productions, chosen because they use the documentary form to interpret aging and care in Canada for Canadians, offering a Canadian example of an issue that is of international importance. The first film, House Calls (Ian McLeod 2004), follows the work of Mark Nowaczynski, a physician who photographs his elderly patients to illustrate their dignity amidst what he perceives to be their fragility and vulnerability. The second, A Year at Sherbrooke (Thomas Hal

APA, Harvard, Vancouver, ISO, and other styles

28

Cobb, Jasmine Nichole. "Making Space." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (2020): 132–41. http://dx.doi.org/10.1215/02705346-8631595.

Full text

Abstract:

In this interview, artist and scholar Deborah Willis describes the work of excavating and organizing the history of Black photography. Willis’s groundbreaking scholarship helped to formally establish an archive of Black visual practice before libraries and cultural institutions began to purposely catalogue such materials. Across projects, she has engaged questions of beauty, citizenship, Black culture, and family history from the nineteenth century to the present by closely examining the camera practices of legendary photographers and the cultural contexts surrounding iconic images. In this in

APA, Harvard, Vancouver, ISO, and other styles

29

Szupinska, Joanna. "The Photograph as Susceptible Material: An Introduction to “Reflection OR Creation” from Urszula Czartoryska's The Artistic Adventures of Photography." ARTMargins 14, no. 1 (2025): 147–55. https://doi.org/10.1162/artm_a_00404.

Full text

Abstract:

Abstract In her 1965 essay “Lustro rzeczywistości czy uległe tworzywo” [mirror of reality, or submissive material], presented here in its first English translation as “Reflection or Creation,” Urszula Czartoryska investigates the photographic medium's capacity for creative intervention. Among her case studies are Polish photographers Karol Hiller, Zbigniew Dłubak, and Fortunata Obrąpalska, who she situates as interconnected, international artists working within a context that encompasses France, Germany, and the Soviet Union. The introduction to the translation argues that Czartoryska's approa

APA, Harvard, Vancouver, ISO, and other styles

30

Pniewski, Dariusz. "The time of the “black sun”." Studia Norwidiana 37 English Version (2020): 261–70. http://dx.doi.org/10.18290/sn.2019.37-15en.

Full text

Abstract:

The text concerns the literary presentation of experiencing time that was characteristic of Romantics. In his latest book, Piotr Śniedziewski mentions time as a problem considered by 19th-century artists several times. The article presents this issue using the current reflection on the experience (Frank Ankersmit’s “historical sublime experience”) and the findings concerning the impact of photography that has been developing rapidly since 1839, on the way the literary represented world is shaped, as well as the use of photography as a tool of analysing time (“the visual model of time”).

APA, Harvard, Vancouver, ISO, and other styles

31

Ursu, Nataliya, Ivan Hutsul, and Ivan Pidhurnyi. "Bessarabian motifs in the creative heritage of Podolian photo artist Mykhailo Greim." JOURNAL OF ETHNOLOGY AND CULTUROLOGY 32 (December 2022): 48–56. http://dx.doi.org/10.52603/rec.2022.32.06.

Full text

Abstract:

The article is devoted to the work of the outstanding photo artist, one of the first masters of photography in Podolia, Mykhailo Greim. The review of publications of Ukrainian and foreign authors about the artist’s activity is presented, the purpose of the article is defined. It is noted that the studies almost do not mention a whole selection of images dedicated to the Bessarabian lands, which were closely adjacent to the Ukrainian Podolia. The life path, the formation of Greim as a photographer, the scope of his professional interests are considered. The range of genre photographic compositi

APA, Harvard, Vancouver, ISO, and other styles

32

Aksenova, N. V., N. V. Denisova, and N. O. Magnes. "COUNTERFACTUAL SOVIET PHOTOGRAPHY THROUGH THE LENS OF AMERICAN AND BRITISH ART CRITICS: EVALUATIVE DIMENSIONS OF ART DISCOURSE." Voprosy Kognitivnoy Lingvistiki, no. 1 (2023): 40–51. http://dx.doi.org/10.20916/1812-3228-2022-1-40-51.

Full text

Abstract:

The paper studies the axiological interpretation of Soviet photographs in British and American art reviews by examining the basic concepts STATE, ARTIST, and WORK OF ART. The analysis draws on the methods of cognitive discourse analysis, narratology, pragmatics, and semantics. Accepting R. Barthes’ view of the photograph as “a message without a code”, we hold that the main goal of art discourse is to construct an intermediary code to facilitate communication between the Operator and the Spectator, especially in the presence of a time/culture gap between the two. Through aesthetic distancing, a

APA, Harvard, Vancouver, ISO, and other styles

33

Dobrowolska, Anna. "“Why Don't They Display Male Nudes?”." Aspasia 17, no. 1 (2023): 164–82. http://dx.doi.org/10.3167/asp.2023.170109.

Full text

Abstract:

Abstract In the West, the 1970s were the decade of rapid sexual liberalization. Similarly, in state-socialist Poland new approaches toward sex and nudity also gained momentum. Female nudes started being printed in the popular press and displayed in gallery rooms. Simultaneously, early feminist artists such as Natalia LL, Teresa Murak, and Ewa Partum experimented with nudity to question gendered discourses and social norms. This article compares popular nude photography exhibitions with the works of women artists to analyze two approaches toward female nudity that developed in 1970s Poland. Thu

APA, Harvard, Vancouver, ISO, and other styles

34

Kudaibergenova, Diana T. "“My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia”." Journal of Eurasian Studies 8, no. 1 (2017): 31–43. http://dx.doi.org/10.1016/j.euras.2016.11.007.

Full text

Abstract:

This paper re-focuses the Silk Road discussions from the position of contemporary art in Central Asian region. Since the late 1980s contemporary art in Central Asia boomed and it eventually became an alternative public space for the discussion of cultural transformations, social and global processes and problems that local societies faced. Initially the questions raised by many artists concerned issues of lost identity and lost heritage during the period of Soviet domination in the region. Different artists started re-imagining the concept of the Self in their works and criticising the old rig

APA, Harvard, Vancouver, ISO, and other styles

35

Frąckowiak, Maciej, and Łukasz Rogowski. "Badania nad wizualnością w perspektywie multidyscyplinarnej. Kwestionariusz Kultury Wizualnej." Kultura i Społeczeństwo 53, no. 4 (2009): 3–55. http://dx.doi.org/10.35757/kis.2009.53.4.1.

Full text

Abstract:

The Kwestionariusz Kultury Wizualnej (Polish Visual Culture Questionnaire) is a nation-wide scientiﬁc project. Over forty Polish researchers and artists, representing the fields of sociology, anthropology, cultural studies, film studies, philosophy, photography, media studies and art history, were asked to answer two questions: what is visual culture?; whether it is worthy of study and how and why? This article contains the project’s assumptions and answers to the above questions.

APA, Harvard, Vancouver, ISO, and other styles

36

Henderson, Linda Dalrymple. "Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century." Science in Context 17, no. 4 (2004): 423–66. http://dx.doi.org/10.1017/s0269889704000225.

Full text

Abstract:

This issue of Science in Context presents a sampling of current work by art historians examining modern artists' engagement with science as well as the relationship of photography to both science and art. The essays' topics span the mid-to-later nineteenth century to the 1960s and, thus, in a series of case studies provide an introduction to aspects of artistic modernism. Indeed, it is impossible to understand fully many of the radical innovations of modern art without some knowledge of an artist's cultural context, and developments in science have often played a critical role in defining that

APA, Harvard, Vancouver, ISO, and other styles

37

Staessen, Annelies, Antonio José Salvador, and Ingfrid Lyngstad. "An Exploration of Artistic Expressions of Everyday Peri-Urban Landscapes as a Method of Socio-Spatial Analysis in Spatial Planning." Architecture 4, no. 1 (2024): 124–47. http://dx.doi.org/10.3390/architecture4010009.

Full text

Abstract:

Everyday landscapes, including peri-urban areas, play a pivotal role in shaping our physical and mental environments. Nevertheless, spatial planning often falls short of integrating contemporary everyday life and lived space. This paper advocates for an expanded approach beyond traditional planning methods, exploring the potential of artistic representations like drawings, photographs, and films to capture the nuances of peri-urban landscapes. Based on a selection of contemporary artistic works in the fields of drawing, photography, and cinema, this paper explores, through an analysis of speci

APA, Harvard, Vancouver, ISO, and other styles

38

Mohamad Farhah, Nuur Farisha, and Nadzri Mohd Sharif. "Developing Skill and Talent in Photography Art Entrepreneurship." International Journal of Art and Design 6, no. 2/SI (2023): 106–14. http://dx.doi.org/10.24191/ijad.v6i2/si.1137.

Full text

Abstract:

Art entrepreneurship is a complex and subjective matter. The definition of entrepreneurship is to achieve profitable outcomes. Previous studies have raised doubts and lack of clear explanation on the art and entrepreneurship. Artists state that they are experts in the field of art but lack skills in business. Therefore, education in the art of entrepreneurship will enable them to apply it to their business. The researcher uses the observation method in order to be able to examine to obtain the results of the study. Based on the objective, the aim is to identify that a company managed by indivi

APA, Harvard, Vancouver, ISO, and other styles

39

Fryer, Judith. "Women's Camera Work: Seven Propositions in Search of a Theory." Prospects 16 (October 1991): 57–117. http://dx.doi.org/10.1017/s036123330000449x.

Full text

Abstract:

Anaked woman stands before an artist seated in front of his easel, the elegance of his hat and frock coat, his little Vandyke beard somewhat anachronistic for 1914 (Figure 1). Light molds the back of the woman's body, outlining her outstretched right arm and her bent right leg, accenting her discarded dress draped over the seat of the chair. The shadows, the dark places of her body, echo the partial covering of the representation of nature that hangs like a sign on the screen on the wall behind her. All of the conventions of the artist's studio are here, from the black-and-white tiles to the l

APA, Harvard, Vancouver, ISO, and other styles

40

Wong, Yoong Wah Alex, and Ernesto Carlos Pujazon Patron. "A Review of the Interrelationships between Painting, Photography, Facial Recognition, and Artificial Intelligence Technologies in Portraiture Aesthetics." Athens Journal of Τechnology & Engineering 11, no. 2 (2024): 167–86. http://dx.doi.org/10.30958/ajte.11-2-4.

Full text

Abstract:

We see faces every day, and all of them leave us with different impressions. Our brains also respond emotionally to new and familiar faces we find in non-animated objects, paintings, and sculptures. To retain such memory of a face or express our feelings, we create portraits. Portraits have fascinated us for millennia. This paper reviews the interrelationships between painting, photography, facial recognition, and artificial intelligence technologies in portraiture aesthetics. The importance of portraits as a subject in artistic creation, studies, and research has led to various advancements i

APA, Harvard, Vancouver, ISO, and other styles

41

Chekh, Natalia. "Just playing: Valera and Natasha Cherkashin." Artistic Culture Topical Issues, no. 18(1) (May 31, 2022): 146–53. http://dx.doi.org/10.31500/1992-5514.18(1).2022.260444.

Full text

Abstract:

The paper outlines the game preconditions of artistic creativity of the artist Valera Cherkashin (Valery T.Cherkashenko, was born 1948 in Liptsy village, Kharkiv region, USSR) during the 1960s–1980s, as well asthe first period of his collaboration with Natasha Cherkashin (Natalia S. Polyakova, born 1958 in Damascus, Syria). From the first half of the 1960s to the 1980s, V.Cherkashin organized a number of art events in Kharkiv, using elements of Soviet and Western mass culture. Cherkashin’s artworks blur the boundaries between traditional genres and styles in the visual arts. While experimentin

APA, Harvard, Vancouver, ISO, and other styles

42

Bao, Hongwei. "The wedding complex: Chinese queer performance art as social activism." Journal of Contemporary Chinese Art 10, no. 1 (2023): 39–63. http://dx.doi.org/10.1386/jcca_00075_1.

Full text

Abstract:

Through public, intentional and interventionist displays of the queer body, queer Chinese artists have used performance art for identity expression, community building and social activism. This article focuses on some of these queer performance artworks, those that engage with the theme of weddings; that is, performance artworks that draw on and critique the social conventions of wedding ceremonies. Focusing on five case studies – the lesbian artist duo Shi Tou and Ming Ming’s photography and installation about queer women’s intimacy; queer filmmakers Fan Popo and David Zheng’s 2009 film New B

APA, Harvard, Vancouver, ISO, and other styles

43

Vincent, Karl, and Muhammad Adi Pribadi. "Perencanaan Komunikasi Pemasaran di Masa Pandemi (Studi Kasus Interaksi Simbolik Hann Prawira Fotografi)." Prologia 5, no. 2 (2021): 242. http://dx.doi.org/10.24912/pr.v5i2.10151.

Full text

Abstract:

In marketing activities, marketing communication planning plays a role and is applied as a sales and promotion solution for a product to the public which uses several effective and interactive ways and the content of its service products can be felt by all target audiences. Hann Prawira Photography is a service provider company in the form of photography, the service company does photo shoots for Indonesian or foreign artists, not only shooting artists but also working on photo shoots for commercial needs, such as shooting for billboards, websites and others. This communication research focuse

APA, Harvard, Vancouver, ISO, and other styles

44

M'rani Alaoui, Malika. "Early Photography in the Rijksmuseum’s Collection: A Group of Glass Negatives from the Estate of Laurens Lodewijk Kleijn (1826-1909)." Rijksmuseum Bulletin 68, no. 1 (2020): 5–29. http://dx.doi.org/10.52476/trb.9688.

Full text

Abstract:

In 1999 a group of nineteenth-century glass negatives were transferred to the Rijksmuseum from the University of Leiden’s Print Room. The negatives came from the estate of the Dutch artist Laurens Lodewijk Kleijn (1826-1909), who also made them. Kleijn lived in Rome between 1851 and 1868, became interested in photography and began to experiment with the medium. While he was in Italy, he came into contact with Princess Marianne, who awarded him a number of commissions. He also looked after her sizeable collection, first in Rome, later in her museum in Erbach. As the curator, Kleijn photographed

APA, Harvard, Vancouver, ISO, and other styles

45

Ehrmann, Lauren Elizabeth. "On the Edge of a New Perception: The Art of Moran and Watkins." IU Journal of Undergraduate Research 3, no. 1 (2017): 18–23. http://dx.doi.org/10.14434/iujur.v3i1.23324.

Full text

Abstract:

This essay examines the ways in which views about documentation and representation were shifting in mid-nineteenth-century America, using Thomas Moran’s The Grand Canyon of the Yellowstone (1872) and Carleton Watkins’s Grizzly Giant (1861) as case studies. The work of Moran and Watkins demonstrates an interest in utilizing and uniting concepts of the sublime and the scientific with economic concerns. The goal of the paper is to demonstrate that the advent of photography caused landscape artists and photographers to reexamine the ways in which they chose to portray landscapes, specifically the

APA, Harvard, Vancouver, ISO, and other styles

46

Neto, Pedro Leão. "Visual Spaces of Change: Self-reflection on Architecture and Urban Change Through Photography." Journal of Design Studio 4, no. 2 (2022): 293–15. http://dx.doi.org/10.46474/jds.1208215.

Full text

Abstract:

This paper synthetizes theoretical aspects of photography related to architecture, city and territory, as well as the case studies coming from the research project Visual Spaces of Change, focusing on the use of photography to investigate the dynamics of architecture and urban change. The project proposed to engage researchers and artists from the fields of architecture, art and image in the creation of visual narratives that promote public debates and a new understanding on urban change. The methodological framework adopted an integrative approach regarding Architecture, City and Territory in

APA, Harvard, Vancouver, ISO, and other styles

47

Preda, Caterina. "The transnational ‘memorialization’ of monumental socialist public works in Eastern Europe." International Journal of Cultural Studies 23, no. 3 (2019): 401–21. http://dx.doi.org/10.1177/1367877919885950.

Full text

Abstract:

This article analyses how three types of artistic memorialization of monumental socialist public works transform these into examples of socialist modernism in Eastern Europe. First, it tackles the issue of rendering socialist architecture visible through the Socialist Modernism online platform. Second, it focuses on the collection of documentary proofs by six documentary photography projects in Eastern Europe. Finally, it looks at how four contemporary artists in Bulgaria, Romania, Lithuania, and the Czech Republic are resignifying socialist art in their artistic practices. Analysed from a per

APA, Harvard, Vancouver, ISO, and other styles

48

Cagulada, Elaine. "Persistence, Art and Survival." Canadian Journal of Disability Studies 9, no. 4 (2020): 50–70. http://dx.doi.org/10.15353/cjds.v9i4.668.

Full text

Abstract:

   A world of possibility spills from the relation between disability studies and Black Studies. In particular, there are lessons to be gleaned from the Black Arts Movement and Black aesthetic about conjuring the desirable from the undesirable. Artists of the Black Arts Movement beautifully modeled how to disrupt essentialized notions of race, where they found “new inspiration in their African ancestral heritage and imbued their work with their experience as blacks in America” (Hassan, 2011, p. 4). Of these artists, African-American photographer Roy DeCarava was engaged in a

APA, Harvard, Vancouver, ISO, and other styles

49

Waldroup, Heather. "Photographs as layered objects in Oceania." Journal of New Zealand & Pacific Studies 12, no. 1 (2024): 7–19. http://dx.doi.org/10.1386/nzps_00183_1.

Full text

Abstract:

Historical photographs from the Pacific were often produced by white photographers, but they nevertheless serve as records of historical and cultural significance to Indigenous communities today. Although scholarship on photography from the Pacific has increased since the 1990s, the field has not entirely kept up with broader critical discussions in visual studies and Pacific Islands studies. This article takes a material approach to photographs, arguing for them (in spite of their flatness) as layered objects, much in the way taonga, or precious heirlooms, might be conserved and displayed thr

APA, Harvard, Vancouver, ISO, and other styles

50

Portuges, Catherine. "Hollywood on the Danube: Hungarian Filmmakers in a Transnational Context." Hungarian Cultural Studies 5 (January 1, 2012): 341–47. http://dx.doi.org/10.5195/ahea.2012.83.

Full text

Abstract:

Exile, emigration and displacement have marked the trajectories of Hungarian filmmakers over the past century. Michael Curtiz, the Korda brothers—Alexander, Vincent and Zoltán—André de Toth, Emeric Pressburger, Vilmos Zsigmond, Miklós Rózsa, Peter Lorre, Géza von Radvány and other talented artists have crossed borders, cultures and languages, creating such classics as Casablanca, Somewhere in Europe, The Red Shoes and The Lost One. The legendary sign posted in Hollywood studios read: "It is not enough to be Hungarian, you have to have talent, too!" Accompanied by film extracts, rare footage, p

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!