Relevant bibliographies by topics / Arts and industry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Arts and industry'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Arts and industry"

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Gibson, Lisanne. "The Arts as Industry." Media International Australia 90, no. 1 (February 1999): 107–22. http://dx.doi.org/10.1177/1329878x9909000112.

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There is a discursive split in Australian arts policy between subvention of the arts justified in terms of ‘humanistic’ objectives and subvention of the arts justified in terms of ‘economic’ objectives. It is possible to locate the emergence of this particular split to the 1976 Industries Assistance Commission Report, Assistance to the Performing Arts. Over the last two decades, these policy objectives have been constructed as in competition. This paper traces the history of the construction of the ‘arts as industry’ in Australian arts policy. In conclusion, it queries the more recent terms in which ‘arts as industry’ policy objectives have been set as in opposition to ‘public provision’ models of arts subvention.
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Ruastiti, Ni Made. "Tourist Performing Arts: Balinese Arts-Based Creative Industry." Mudra Jurnal Seni Budaya 25, no. 3 (September 30, 2010): 293–301. http://dx.doi.org/10.31091/mudra.v25i3.1567.

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Creative industry is part of creative economy, which is the implementation of the attempts made to create sustainable development through creativity. Sustainable development refers to a competitive economic climate with renewable resources. Creative economy refers to the fourth stage evolution after agricultural economy, industrial economy and informational economy. As far as the performing arts performed for tourism are concerned, arts seem to develop sustainably. The performing arts such as Cak, Barong and Legong performed for tourism by the Balinese community is the implementation of the local people’s creative industry in developing their artistic life sustainably. They are packaged as the local traditional performing arts.
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Miquel, Salvador Sanpere i. "Application of the Arts to Industry." Journal of Modern Craft 2, no. 2 (July 2009): 215–20. http://dx.doi.org/10.2752/174967809x463132.

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Kanita, Ghia Ghaida, and Resa Respati. "DYNAMIC CAPABILITIES IN THE CREATIVE ARTS INDUSTRY." JURNAL ILMU MANAJEMEN DAN BISNIS 10, no. 2 (September 1, 2019): 223–34. http://dx.doi.org/10.17509/jimb.v10i2.19715.

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Abstract. Dynamic ability is a form of knowledge that can create values for the company both with the results of innovation and transformation from input to output in order to produce sustainable competitive advantage. The purpose of this research is to know about what factors influence dynamic capabilities of a company or organization. In this study, more than that, what affects the dynamic capabilities in industries in Bandung. Creative industry is a collection of information related to information and information. Creative industry is an economic activity that produces added value from the art side. The creative arts industry is already boooming in Indonesia. Therefore, the author wants to learn about the dynamic capabilities that exist in the creative arts industry in Bandung. Things to look for are components such as environmental sensing capabilities, change capabilities and upgrades, technological flexibility capabilities, and organizational flexibility. Putri Pamayang Dance Studio is a dance studio in Bandung. This study uses a research-based design or Design Based Research (DBR). Based on the results of the study, the steps adopted by the Putri Pamayang Dance Studio are related to variation strategies, market testing strategies, development and development, backward integration, horizontal integration.Keywords. dynamic capabilities, sustainable competitive, environmental sensing capabilities, change and renewal capabilities, flexibility technology capabilities, and organizational flexibility.
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More, Elizabeth, Shane Carroll, and Kay Foss. "Knowledge management and the performing arts industry." Asia-Pacific Journal of Business Administration 1, no. 1 (April 17, 2009): 40–53. http://dx.doi.org/10.1108/17574320910942169.

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Park, Kyung-Ae, and Sook-Kyung Kim. "Collaborations in Fashion and Arts Across Industry Disciplines." Journal of the Korean Society of Clothing and Textiles 33, no. 7 (July 31, 2009): 1152–63. http://dx.doi.org/10.5850/jksct.2009.33.7.1152.

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Kim, Ahyoung. "How Does Disaster Reorganize the Performing Arts Industry?" Korean Journal of Communication & Information 107 (June 30, 2021): 43–83. http://dx.doi.org/10.46407/kjci.2021.06.107.43.

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Lee, Hak-Jun. "Taste of Traditional Martial Arts and Spread of Martial Arts Industry, and the World Martial Arts Mastership." Journal of Sport and Leisure Studies 58 (November 30, 2014): 45–54. http://dx.doi.org/10.51979/kssls.2014.11.58.45.

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Govil, Nitin. "Recognizing “Industry”." Cinema Journal 52, no. 3 (2013): 172–76. http://dx.doi.org/10.1353/cj.2013.0019.

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Sou, Joey Pek U., Thea Vinnicombe, and Tiffany Chang Han Leung. "Rebranding Macau: views of cultural industry insiders." International Journal of Culture, Tourism and Hospitality Research 10, no. 1 (March 7, 2016): 91–104. http://dx.doi.org/10.1108/ijcthr-01-2015-0004.

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Purpose – This paper aims to evaluate the feasibility of utilizing the performing arts as one element in changing the destination image of the Macau special administrative region from that of the Las Vegas of the East to a “World Centre of Tourism and Leisure”. The context is of particular interest as rebranding is typically associated with negative or outdated images, whereas Macau’s existing brand is strong and associated with positive tourism revenues. Design/methodology/approach – Semi-structured in-depth interviews with frontline participants in Macau’s performing arts sector are utilized to evaluate the relevant re-branding strategies and goals of the city’s administration. In-depth interviews focus on understanding policies through the thoughts and experiences of respondents. They are particularly useful in cases where insiders are likely to be better informed than others with respect to policy issues. Findings – Three main themes related to the use of the performing arts as a vehicle for destination rebranding are explored. Findings suggest that few elements common to successful branding campaigns are evident in the approach of the Macau administration. Shortcomings are evident, for example, in communication, infrastructure development, long-term planning and the allocation and monitoring of funding. Research limitations/implications – Although qualitative research relies on rich data from small numbers, the study focuses only on the views of informed insiders in the performing arts. Input from commercial stakeholders and higher-level policy makers would broaden the perspective. Practical implications – The findings are relevant for any destination wishing to alter or update its image. Originality/value – Cultural aspects are increasingly utilized in destination branding. This study is one of only a few which focuses on the performing arts sector.
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Dissertations / Theses on the topic "Arts and industry"

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Ross, Jane Elizabeth. "Regional Victorian arts festivals : from community arts to an industry based model /." Connect to thesis, 1999. http://eprints.unimelb.edu.au/archive/00000957.

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Brown, Nancy Kim. "Industry." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13850733.

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Artists throughout the centuries have infused art their art with their ideological outlook in order to persuade, educate or shock target audiences. Typically, these ideologies, revolve around religious and political systems. However, they can also encompass unpopular and revolting subject matter that many people choose to avoid. I embrace this tactic in my art and cast myself in the role of social critic and propagandist.

I create art with the intent to shed light on the effects of greed, because it serves as a disastrous catalyst for numerous problems within our society. These problems are addressed in my sculptures and prints by focusing on issues relating to agribusiness and the use of animals in industry.

The general public is not exposed to sufficient information regarding these negative aspects. They include the annual abuse of billions of animals for human consumption, as well as for clothing and product testing. Environmental damage caused by feedlots and pesticides should be a major concern, but is often overlooked. People need information in order to make knowledgeable decisions concerning what they eat and what they feed their children.

Therefore, by avoiding the abstract and the esoteric, and by creating visually appealing and potentially educational art, it is my intent to interest and inform my audience. This kind of easily-readable, propagandistic art can shed light on these subjects and is one step toward reform. Art holds an extraordinary power when it comes to influencing the masses and can be used as an educational tool to ignite positive social change. Like an artistic Pied Piper, this body of work is intended to lead an audience down the road to moral and culinary enlightenment.

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Zalewski, Sondra. "Design, graphic arts, and the environment /." Online version of thesis, 1994. http://hdl.handle.net/1850/12205.

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Dock, Amanda M. ""Inspired Industry."." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1098.

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This thesis supports the Master of Fine Arts exhibition entitled "Inspired Industry" at Johnson City Area Arts Council, Johnson City, Tennessee, from November 14 - December 22, 2005. It is the culmination of studies and research affected by the artist's own industry vis-à-vis personal inspirations, including: discussion of aesthetics and personal utilization of the techniques learned in relation to both functional and non-functional ceramic forms. This is a self-evaluation of personal preferences and how this body of ceramic work evolved.
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Enroth, Maria. "Developing tools for sustainability management in the graphic arts industry." Doctoral thesis, Stockholm : Computer Science and Communication, Royal Institute of Technology (KTH), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4169.

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Butler, Patrick Denis. "By popular demand : marketing change in the arts." Thesis, University of Ulster, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342307.

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Pease, David E. "A guide to computer-based training for the graphic arts industry /." Online version of thesis, 1992. http://hdl.handle.net/1850/11242.

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Handberg, Leif. "On the implementation of production management systems in the graphic arts industry." Licentiate thesis, KTH, Numerical Analysis and Computer Science, NADA, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-1705.

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Buckley, Cheryl. "Women designers in the north Staffordshire pottery industry, 1914-1940." Thesis, University of East Anglia, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282987.

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Drumwright, Colin Lee. "Regenerating Industry: An Urban Campus for the Arts Reclaimed from Lost City Fabric." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73331.

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Cities form from layers of different elements and uses to create an urban fabric. These elements include the location, geography, demography, culture, transportation, and building type. Buildings can be thought of in a similar way. Today, successful urban and building design engages in the idea of mixed-use, not only in the program, but in the diversity of spaces created and users of the space. One lost layer to Alexandria is at the northern edge of Old Town. This area is bookended by the Potomac Electric Power Company's abandoned power plant. The site sits along the Alexandria waterfront and Mount Vernon Trail with views looking toward Washington, DC. The power plant closed its doors in 2012 and there are no plans yet to redevelop the site. To regenerate new life to this neighborhood, a new satellite campus for Virginia Tech']s Schools of Visual and Performing Arts will replace the abandoned plant. This campus aims to integrate a long lost piece of Alexandria's waterfront to the city and community. The signature building of this campus is a two-stage theatre that weaves together the new student body with the existing Alexandrian community.
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Books on the topic "Arts and industry"

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John, Pick. Artists and the arts industry. London: Gresham College, 1992.

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John, Pick. Artists and the arts industry. London: Gresham College, 1992.

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Rauf, Don. Recording Industry. New York: Infobase Pub., 2010.

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Shelton, James N. Glossary of terms, graphic arts industry. [S.l: s.n., 1985.

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Follert, Melene. Data transmission for the graphic arts industry. Arlington, VA: National Composition Association, 1987.

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Service, Graphic Arts Marketing Information. Source book for graphic arts industry information. Alexandria, Va: Printing Industries of America, 1997.

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Showtime!: The entertainment industry. New York, NY: Gareth Stevens Pub., 2013.

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Food and culinary arts. New York NY: Ferguson, 2009.

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Lindbeck, John Robert. General industry and technology. Edited by Lathrop Irvin T, Feirer John Louis, and Lindbeck John Robert. Peoria, Ill: Bennett & McKnight Pub. Co., 1986.

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Moss, Stuart. The entertainment industry: An introduction. Cambridge, MA: CAB International, 2010.

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Book chapters on the topic "Arts and industry"

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Babu, Vimal, and Amirul Hasan Ansari. "Arts-Informed Leadership in Family-Run Business: Arts in Play." In The Indian Hospitality Industry, 155–94. Oakville, ON, Canada ; Waretown, NJ, USA : Apple Academic Press, 2017. | Series:: Apple Academic Press, 2017. http://dx.doi.org/10.1201/9781315225449-8.

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Brosio, Giorgio. "The Arts Industry: Problems of Measurement." In Cultural Economics And Cultural Policies, 17–22. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-1140-9_2.

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Fleming, Josephine, Robyn Ewing, and John Hughes. "The Industry Partners’ Perceptions." In Landscapes: the Arts, Aesthetics, and Education, 99–114. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7609-8_7.

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Hu, Yuxi. "Study of Martial Arts Industry in Henan Province." In Lecture Notes in Electrical Engineering, 729–36. London: Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-4853-1_89.

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Marty, Olivier, and Ray J. Amirault. "The “Conservatoire National des Arts et Métiers”: Preserving Industry." In Nicolas de Condorcet, 41–45. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43566-0_8.

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Xiang, Hardy Yong, and Hui Zhang. "Development Report on the Performing Arts Industry (2011–2012)." In China Cultural and Creative Industries Reports 2013, 139–56. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-38157-7_9.

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Angelo, Corallo, Lazoi Mariangela, Marra Manuela, and Quarta Lorenzo. "Innovating Performing Arts Management Through a Product Lifecycle Management Approach." In Product Lifecycle Management to Support Industry 4.0, 420–31. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01614-2_39.

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Hui, Fang. "Study on the Development of Martial Arts Industry in China." In Communications in Computer and Information Science, 565–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23020-2_84.

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Akhir, Noor Haslina Mohamad, Normaz Wana Ismail, Rusmawati Said, and Shivee Ranjanee A/P Kaliappan. "Traditional Craftsmanship: The Origin, Culture, and Challenges of Batik Industry in Malaysia." In Islamic perspectives relating to business, arts, culture and communication, 229–37. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-429-0_22.

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Chang, Shu-Hua. "The Strategies of Experiential Design in the Creative Life Industry." In Cross-Cultural Design. Applications in Arts, Learning, Well-being, and Social Development, 3–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77077-8_1.

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Conference papers on the topic "Arts and industry"

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Swiecicki, M. "Electrostatic Concerns In The Graphic Arts Industry." In Proceedings Electrical Overstress/Electrostatic Discharge Symposium. IEEE, 1997. http://dx.doi.org/10.1109/eosesd.1997.634255.

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Wibowo, Priyo Dwi, Feri Budi Setyawan, and Kun Setyaning Astuti. "Angklung in the Era of Industry 4.0." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.021.

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Usui, Nobuaki, and Takashi Sakamoto. "Screen's Color Management System for the graphic arts industry." In IS&T/SPIE's Symposium on Electronic Imaging: Science & Technology, edited by Eric Walowit. SPIE, 1995. http://dx.doi.org/10.1117/12.206544.

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Pai, Chih-Wei, and Huann-Ming Chou. "Estimation of the output of Taiwan's visual arts industry." In 2016 International Conference on Advanced Materials for Science and Engineering (ICAMSE). IEEE, 2016. http://dx.doi.org/10.1109/icamse.2016.7840327.

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Tuijn, Chris. "Workflow modeling in the graphic arts and printing industry." In Electronic Imaging 2004, edited by Reiner Eschbach and Gabriel G. Marcu. SPIE, 2003. http://dx.doi.org/10.1117/12.527456.

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Kristati, Sri. "The Urgency and Relevance of Art Education in the Industry 4.0." In 4th International Conference on Arts and Arts Education (ICAAE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210602.019.

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Silverman, Lee. "Color imaging technologies in the prepress industry." In Color Hard Copy and Graphic Arts. SPIE, 1992. http://dx.doi.org/10.1117/12.2322266.

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Masunah, Juju, and Rita Milyartini. "Building Entrepreneurship in Performing Arts Industry through the Incubation Model." In 2016 Global Conference on Business, Management and Entrepreneurship. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/gcbme-16.2016.156.

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Utama, Danar Gayuh, Ayu Niza Machfauzia, and Hana Permata Heldisari. "The Innovation Through Mind Mapping to Learn Classical Guitar Interpretation in Facing Industry 4.0." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.015.

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Amalia, Danti Rizki, and I. Ketut Sunarya. "Batik as the Local Content Subject in Elementary Schools: Skills to Respond to Industry 4.0." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.035.

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Reports on the topic "Arts and industry"

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Capous Desyllas, Moshoula. Visions and Voices: An Arts-Based Qualitative Study Using Photovoice to Understand the Needs and Aspirations of Diverse Women Working in the Sex Industry. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.23.

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Rando, Tom. A State of the Art Report of CAD/CAM/CIM Systems Technologies for the U.S. Shipbuilding Industry. Fort Belvoir, VA: Defense Technical Information Center, May 2002. http://dx.doi.org/10.21236/ada445762.

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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Winkler-Portmann, Simon. Umsetzung einer wirksamen Compliance in globalen Lieferketten am Beispiel der Anforderungen aus der europäischen Chemikalien-Regulierung an die Automobilindustrie. Sonderforschungsgruppe Institutionenanalyse, August 2020. http://dx.doi.org/10.46850/sofia.9783941627796.

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This publication based on a master thesis explores the challenges of the automotive industry regarding the European chemical regulations REACH and CLP, as well as potential improvements of the current compliance activities and the related incentives and barriers. It answers the research question: "To what extent should the compliance activities of actors in the automotive supply chain be extended in order to meet the requirements of European chemicals regulation; and where would it help to strengthen incentives in enforcement and the legal framework?“. The study’s structure is based on the transdisciplinary delta analysis of the Society for Institutional Analysis at the Darmstadt University of Applied Sciences. It compares the target state of the legal requirements and the requirements for corresponding compliance with the actual state of the actual compliance measures of the automotive players and attempts to identify their weak points (the delta). The main sources for the analysis are the legal texts and relevant court decisions as well as guideline-based expert interviews with automotive players based on Gläser & Laudel. As objects of the analysis, there are in addition answers to random enquiries according to Article 33 (2) REACH as well as the recommendations and guidelines of the industry associations. The analysis identifies the transmission of material information in the supply chain as a key problem. The global database system used for this purpose, the IMDS, shows gaps in the framework conditions. This results in compliance risk due to the dynamically developing regulation. In addition, the study identifies an incompliance of the investigated automobile manufacturers with regard to Art. 33 REACH. In answering the research question, the study recommends solutions to the automotive players that extend the current compliance activities. In addition, it offers tables and process flow diagrams, which structure the duties and required compliance measures and may serve as basic audit criteria. The analysis is carried out from an external perspective and looks at the entire industry. It therefore cannot cover all the individual peculiarities of each automotive player. As a result, the identified gaps serve only as indications for possible further compliance risks.
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Webb, Philip, and Sarah Fletcher. Unsettled Issues on Human-Robot Collaboration and Automation in Aerospace Manufacturing. SAE International, November 2020. http://dx.doi.org/10.4271/epr2020024.

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This SAE EDGE™ Research Report builds a comprehensive picture of the current state-of-the-art of human-robot applications, identifying key issues to unlock the technology’s potential. It brings together views of recognized thought leaders to understand and deconstruct the myths and realities of human- robot collaboration, and how it could eventually have the impact envisaged by many. Current thinking suggests that the emerging technology of human-robot collaboration provides an ideal solution, combining the flexibility and skill of human operators with the precision, repeatability, and reliability of robots. Yet, the topic tends to generate intense reactions ranging from a “brave new future” for aircraft manufacturing and assembly, to workers living in fear of a robot invasion and lost jobs. It is widely acknowledged that the application of robotics and automation in aerospace manufacturing is significantly lower than might be expected. Reasons include product variability, size, design philosophy, and relatively low volumes. Also, the occasional reticence due to a history of past false starts plays a role too. Unsettled Issues on Human-Robot Collaboration and Automation in Aerospace Manufacturing goes deep into the core questions that really matter so the necessary step changes can move the industry forward.
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Bates, C. Richards, Melanie Chocholek, Clive Fox, John Howe, and Neil Jones. Scottish Inshore Fisheries Integrated Data System (SIFIDS): Work package (3) final report development of a novel, automated mechanism for the collection of scallop stock data. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23449.

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[Extract from Executive Summary] This project, aimed at the development of a novel, automated mechanism for the collection of scallop stock data was a sub-part of the Scottish Inshore Fisheries Integrated Data Systems (SIFIDS) project. The project reviewed the state-of-the-art remote sensing (geophysical and camera-based) technologies available from industry and compared these to inexpensive, off-the -shelf equipment. Sea trials were conducted on scallop dredge sites and also hand-dived scallop sites. Data was analysed manually, and tests conducted with automated processing methods. It was concluded that geophysical acoustic technologies cannot presently detect individual scallop but the remote sensing technologies can be used for broad scale habitat mapping of scallop harvest areas. Further, the techniques allow for monitoring these areas in terms of scallop dredging impact. Camera (video and still) imagery is effective for scallop count and provide data that compares favourably with diver-based ground truth information for recording scallop density. Deployment of cameras is possible through inexpensive drop-down camera frames which it is recommended be deployed on a wide area basis for further trials. In addition, implementation of a ‘citizen science’ approach to wide area recording is suggested to increase the stock assessment across the widest possible variety of seafloor types around Scotland. Armed with such data a full, statistical analysis could be completed and data used with automated processing routines for future long-term monitoring of stock.
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7

Pevey, Jon M., William B. Rich, Christopher S. Williams, and Robert J. Frosch. Repair and Strengthening of Bridges in Indiana Using Fiber Reinforced Polymer Systems: Volume 1–Review of Current FRP Repair Systems and Application Methodologies. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317309.

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For bridges that are experiencing deterioration, action is needed to ensure the structural performance is adequate for the demands imposed. Innovate repair and strengthening techniques can provide a cost-effective means to extend the service lives of bridges efficiently and safely. The use of fiber reinforced polymer (FRP) systems for the repair and strengthening of concrete bridges is increasing in popularity. Recognizing the potential benefits of the widespread use of FRP, a research project was initiated to determine the most appropriate applications of FRP in Indiana and provide recommendations for the use of FRP in the state for the repair and strengthening of bridges. The details of the research are presented in two volumes. Volume 1 provides the details of a study conducted to (1) summarize the state-of-the-art methods for the application of FRP to concrete bridges, (2) identify successful examples of FRP implementation for concrete bridges in the literature and examine past applications of FRP in Indiana through case studies, and (3) better understand FRP usage and installation procedures in the Midwest and Indiana through industry surveys. Volume 2 presents two experimental programs that were conducted to develop and evaluate various repair and strengthening methodologies used to restore the performance of deteriorated concrete bridge beams. The first program investigated FRP flexural strengthening methods, with a focus on adjacent box beam bridges. The second experimental program examined potential techniques for repairing deteriorated end regions of prestressed concrete bridge girders. Externally bonded FRP and near-surface-mounted (NSM) FRP were considered in both programs.
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8

Rich, William B., Robert R. Jacobs, Christopher S. Williams, and Robert J. Frosch. Repair and Strengthening of Bridges in Indiana Using Fiber Reinforced Polymer Systems: Volume 2–FRP Flexural Strengthening and End Region Repair Experimental Programs. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317310.

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Abstract:
For bridges that are experiencing deterioration, action is needed to ensure the structural performance is adequate for the demands imposed. Innovate repair and strengthening techniques can provide a cost-effective means to efficiently and safely extend the service lives of bridges. The use of fiber reinforced polymer (FRP) systems for the repair and strengthening of concrete bridges is increasing in popularity. Recognizing the potential benefits of the widespread use of FRP, a research project was initiated to determine the most appropriate applications of FRP in Indiana and provide recommendations for the use of FRP in the state for the repair and strengthening of bridges. The details of the research are presented in two volumes. Volume 1 provides the details of a study conducted to (i) summarize the state-of-the-art for the application of FRP to concrete bridges, (ii) identify successful examples of FRP implementation for concrete bridges in the literature and examine past applications of FRP in Indiana through case studies, and (iii) better understand FRP usage and installation procedures in the Midwest and Indiana through industry surveys. Volume 2 presents two experimental programs that were conducted to develop and evaluate various repair and strengthening methodologies used to restore the performance of deteriorated concrete bridge beams. The first program investigated FRP flexural strengthening methods, with focus placed on adjacent box beam bridges. The second experimental program examined potential techniques for repairing deteriorated end regions of prestressed concrete bridge girders. Externally bonded FRP and near-surface-mounted (NSM) FRP were considered in both programs.
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9

Software Development, Modeling, and Analysis: We're Developing Advanced Design Tools to Support the Wind Industry with "State-of-the-Art" Analysis Capability (Fact Sheet). Office of Scientific and Technical Information (OSTI), January 2010. http://dx.doi.org/10.2172/971872.

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