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Dissertations / Theses on the topic 'Arts and transnationalism'

Author: Grafiati

Published: 26 February 2023

Last updated: 31 July 2025

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1

Snider, Mitchell Beam. "BEING A MAN IN KENTUCKY: PERSPECTIVES OF RURAL MIGRANT WORKERS." Lexington, Ky. : [University of Kentucky Libraries], 2008. http://hdl.handle.net/10225/899.

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Thesis (M.A.)--University of Kentucky, 2008.<br>Title from document title page (viewed on October 29, 2008). Document formatted into pages; contains: v, 71 p. : ill. (some col.), map. Includes abstract and vita. Includes bibliographical references (p. 63-69).

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2

Gretarsdottir, Tinna. ""ART IS IN OUR HEART": TRANSNATIONAL COMPLEXITIES OF ART PROJECTS AND NEOLIBERAL GOVERNMENTALITY." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/67865.

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Anthropology<br>Ph.D.<br>In this dissertation I argue that art projects are sites of interconnected social spaces where the work of transnational practices, neoliberal politics and identity construction take place. At the same time, art projects are "nodal points" that provide entry and linkages between communities across the Atlantic. In this study, based on multi-sited ethnographic fieldwork in Canada and Iceland, I explore this argument by examining ethnic networking between Icelandic-Canadians and the Icelandic state, which adopted neoliberal economic policies between 1991 and 2008. The ne

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3

Tricker, Spencer. "Exiled as the Ship Itself: Liminality and Transnational Identity in Malcolm Lowry's Ultramarine, Under the Volcano, and Dark as the Grave Wherein My Friend is Laid." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5537.

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The themes of empire, nationality, and self-imposed exile constitute underexplored topics in critical discussions of modernist author Malcolm Lowry (1909-1957). Until recently, most academic studies have approached his work from biographical, mythological, and psychoanalytic perspectives. While a few studies have performed historical readings of his novels, such investigations tend, primarily, to focus on his engagement with western literary and theoretical movements of the early twentieth century. Of the few studies that address the cross-cultural reach of his novels, most are limited to disc

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4

Maviga, Tawanda. "Transnational Activities of the Zimbabwean diaspora in London, United Kingdom: Evidence from a Survey." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23404.

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The key question that this paper seeks to answer is (1) To what extent are Zimbabweans living in London, in the United Kingdom involved in transnational activities to their country of origin? To try to answer this question I have carried out quantitative analysis of primary data gathered in London and the results show that the Zimbabwean migrants are actively involved in transnational activities to their country of origin. Contact with family and sending money home seem to be the most carried out transnational activities than others. In the context of this research project, transnational activ

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5

Arimitsu, Michio. "Black Notes on Asia: Composite Figurations of Asia in the African American Transcultural Imagination, 1923-2013." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11208.

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Black Notes on Asia: Composite Figurations of Asia in the African American Transcultural Imagination, 1923-2013 sheds new light on the hitherto neglected engagements of African American writers and thinkers with various literary, cultural, and artistic traditions of Asia. Starting with a reevaluation of Lewis G. Alexander's transcultural remaking of haiku in 1923, this dissertation interrogates and revises the familiar interracial (read as "black-white") terms of the African American struggle for freedom and equality. While critics have long taken for granted these terms as the sine qua non of

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Thobani, Sitara. "Dancing diaspora, performing nation : Indian classical dance in multicultural London." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:c189d163-b113-408f-9f3b-181c6fd5fbce.

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This thesis examines the performance of Indian classical dance in the contemporary 'diaspora space' (Brah 1996) represented by the city of London. My aim is to analyse whether and how performances of "national" art, assumed to represent an equally "national" culture, change when performed in transnational contexts. Drawing upon theories of postcolonialism, multiculturalism and diaspora, I begin my study with an historical analysis of the reconstructed origins of the dance in the intertwined discourses of British colonialism and Indian nationalism. Using this analysis to ground my ethnography o

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7

Lee, Tsung-Hsin. "Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594914032775976.

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8

Guerdin, Daphnée. "Puissance et persistance du mélodrame dans le cinéma sud-coréen : se raconter pour se réinventer." Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAC008.

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Ce travail a pour vocation d’interroger l’omniprésence du mélodrame dans le cinéma sud-coréen, afin de cerner les puissances du genre dans la fabrique en constante mutation d’un imaginaire commun. Il s’agit d’aborder le mélodrame selon l’espace intertextuel que tracent les œuvres pour y déceler les rapports de pouvoir – socio-historiques, politiques, transnationaux – qui se déploient au cœur des formes qu’il prend ou reprend au cours de son histoire. Nous analysons les conditions ayant favorisé son émergence dès les débuts du cinéma en Corée, interrogeons ses potentiels conformiste et subversi

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9

Buffington, Adam. "In Relation to the Immense: Experimentalism and Transnationalism in 20th-Century Reykjavik." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587637102245713.

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10

Copley, Alexandra. "Transmigrants weaving a new American landscape /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1218551523.

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11

Stewart, Abel C. "Undocumented Migrants and Engaging Public Spaces of Listening." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1388746240.

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12

Boissier, Annabelle. "L'art contemporain est-il par définition international? : les relations transnationales dans le processus de légitimation de l'art contemporain en Thaïlande." Paris, EHESS, 2008. http://www.theses.fr/2008EHES0349.

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Au cours des années quatre-vingt-dix, un réseau d'art contemporain se structure en Thaïlande. Comment et pourquoi ce réseau s'est institutionnalisé et , contrairement aux mouvements d'avant-gardes s'épanouissant depuis les années soixante, a ravi le monopole détenu jusque là par l'académie? L'analyse montrera que cette pratique a obtenu une légitimité locale grâce aux liens mis en place par ses acteurs avec la scène internationale. Les modalités d'existences de ces liens seront examinées en vue de questionner , à partir de la situation taïlandaise, les enjeux de la participation des artistes n

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13

Noble, Jonathan Scott. "Cultural Performance in China: beyond resistance in the 1990s." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1047438964.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains x, 253 p. Includes bibliographical references (p. 235-253). Available online via OhioLINK's ETD Center

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14

Guimaraes, de Freitas Magali. "Les prix de transfert pratiqués par les entreprises transnationales françaises et brésiliennes de 1994 à 2010 : ‘Cas des droits de la propriété incorporelle’." Thesis, Paris Est, 2010. http://www.theses.fr/2010PEST2004/document.

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Les prix de transfert sont les prix auxquels les services, les biens corporels et les biens incorporels sont échangés entre parties ayant un lien de dépendance dans le cadre d'opérations transfrontalières. Les prix de transfert des transactions avec les droits de la propriété incorporelle adoptés par un groupe de parties ayant un lien de dépendance ont une incidence directe sur les bénéfices déclarés par chacune de ces parties dans leur pays respectif. Les dispositions législatives françaises et brésiliennes incorporent le principe de pleine concurrence, néanmoins de façon implicite. La questi

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15

Hendren, Claire. "La patrimonialisation de l’impressionnisme français aux États-Unis (1870-1915)." Thesis, Paris 10, 2019. http://faraway.parisnanterre.fr/login?url=http://bdr.parisnanterre.fr/theses/intranet/2019/2019PA100035/2019PA100035.pdf.

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Cette thèse se focalise sur la circulation et l’intégration de l’impressionnisme français aux États-Unis entre 1870 et 1915. Afin d’apporter un éclairage nouveau sur la propagation du mouvement outre-Atlantique, une méthodologie pluridisciplinaire a été développée. D’une part, une base de données des collectionneurs et des expositions tenues aux États-Unis vise à discerner les grandes tendances de la propagation du mouvement dans le pays. L’homogénéité géographique de la dispersion des œuvres du mouvement est ainsi abordée. En effet, si le Nord-Est du pays demeure le foyer central de diffusion

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16

Flett, Edward Charles. "Virtual frontiers and the technological state : contemporary American narratives in a global context." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:608353cc-62d8-496c-b8df-d79de028f03e.

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This thesis analyses a series of threshold states located within contemporary culture. It investigates the effects of technology on spatial relations and human conditions in recent centuries, with a specific interest in the rise of virtual phenomena and the ongoing process of virtualisation. Key to the discussion is measuring the extent to which America and its narratives have influenced the virtual layer attached to contemporary global technological culture. Prevalent within this framework is the idea of the frontier as an idealised outpost, a lingering threshold state that is scrutinised in

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17

Hosseinioun, Mishana. "The globalisation of universal human rights and the Middle East." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:8f6bdf79-2512-4f32-840a-3565a096ae8d.

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The goal of this study is to generate a more holistic picture of the diffusion and assimilation of universal human rights norms in diverse cultural and political settings such as the Middle East and North Africa (MENA). The overarching question to be investigated in this thesis is the relationship between the evolving international human rights regime and the emerging human rights normative and legal culture in the Middle East. This question will be investigated in detail with reference to regional human rights schemes such as the Arab Charter of Human Rights, as well as local human rights dev

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18

Kowalczyk, Beata Maria. ""Transnational" art world : career patterns of japanese musicians in the European world of classical music." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01E003.

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Toujours plus visibles sur les scènes occidentales de la musique classique, les musicien-ne-s japonais-e-s évoluant en Europe constituent un phénomène social intéressant. Adoptant deux perspectives complémentaires - celle des «mondes de l’art» et des trajectoires d’artistes d’un côté, et celle des mobilités et des migrations de travailleurs d’un autre -, cette thèse vise à examiner la construction des carrières artistiques des musicien-ne-s japonais en Europe étudiées comme des trajectoires «transnationales» de professionnel-le-s qualifié-e-s. Comment se fait-il que des personnes socialisées d

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19

Guerpin, Martin. "Adieu New York, bonjour Paris ! : les enjeux esthétiques et culturels des appropriations du jazz dans le monde musical savant français (1900-1930)." Thèse, Paris 4, 2015. http://hdl.handle.net/1866/15948.

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Thèse réalisée en cotutelle avec l'Université Paris-Sorbonne et l'Université de Montréal. Composition du jury : M. Laurent Cugny (Université Paris-Sorbonne) ; M. Michel Duchesneau (Université de Montréal) ; M. Philippe Gumplowicz (Université d'Evry-Val d'Essonne) ; Mme Barbara Kelly (Keele University - Royal Northern College of Music) ; M. François de Médicis (Université de Montréal) ; M. Christopher Moore (Université d'Ottawa)<br>Cette version de la thèse a été tronquée de certains éléments protégés par le droit d’auteur (exemples musicaux et iconographie). Par conséquent, ces élém

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20

Happe, Rosalin. "The Limits of Transnationalism in Olga Grjasnowa's "Gott ist nicht schüchtern"." 2019. https://scholarworks.umass.edu/masters_theses_2/742.

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The terms “refugees” and “refugee crisis” have been prominent in media discourse all over the world – especially since the beginning of the Syrian civil war in 2011 and large incoming numbers of refugees into Europe since 2015. Germany, whose media initially celebrated its “Willkommenskultur”, has become increasingly critical of refugees; political and civic exclusion has intensified, and emphasis has been placed on belonging based on peoples’ passports and hence nationalities, which determine whether or not someone belongs in a country. The author Olga Grjasnow, born 1984 in Baku, Azerbaijan

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21

Buchholz, Larissa. "The Global Rules of Art." Thesis, 2013. https://doi.org/10.7916/D8KP8DM8.

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The past three decades have witnessed the extraordinary emergence of several global cultural realms for the crossborder flow and consecration of cultural goods (e.g., in the visual arts, music, or literature). Scholars have debated whether such accelerated dynamics of the globalization of culture are leading to the worldwide dominance of cultural goods from a few Western countries--and in this sense to growing cultural homogeneity--or whether they facilitate the increasing transnational dissemination and recognition of cultural creations from other non-Western contexts, such as Asia, Latin Ame

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22

Kim, Na Rae. "A Transnational Perspective On Vietnam War Narratives of The U.S. and South Korea." 2015. http://scholarworks.gsu.edu/english_theses/187.

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Despite the fact that many countries participated in the Vietnam War, their war stories tend to marginalize one another. In this study, I use a transnationalist critical lens to compare the ethnocentric stories of the U.S. and South Korea. Instead of presenting transnationalism as a focus on the changes that arise through travel between different cultures, I rely on another meaning of transnationalism as a form of consciousness. In order to compare differing perspectives on the Vietnam War as represented in the U.S. and South Korea, I compare Tim O’Brien’s In the Lake of the Woods and Suk-Yong

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23

Roxo, Pedro Miguel Meio-Tostão. "Bollywood, Bhajan e Garba: práticas expressivas e representações identitárias na Diáspora Hindu-Gujarati em Moçambique, Portugal e Inglaterra." Doctoral thesis, 2016. http://hdl.handle.net/10362/19538.

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Partindo de uma Etnografia multi-situada e de propostas analíticas no âmbito da Etnomusicologia e da Antropologia centradas no estudo da ‘identidade’ e nos processos identitários de populações migrantes, esta dissertação problematiza o uso da cultura expressiva nos trajectos migratórios da população hindu-gujarati de genealogia indiana historicamente associada aos processos coloniais e pós-coloniais que marcaram Portugal. O consumo e a prática ubíqua de música Bollywood (associada à indústria cinematográfica indiana centrada na área de Bombaim), bhajan (canção devocional hindu) e garba (

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