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Journal articles on the topic 'Arts, Belarusian'

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1

Gorny, Aleksander. "Implementation of the Politics of Memory in the Belarusian National Movement in Interwar Poland." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840024132-4.

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The article deals with the little-studied issue of the memory politics of Belarusian national activists in interwar Western Belarus. In historiography, this issue is just beginning to acquire its own research field using new approaches and methods. The author of the article reveals the role of historical education and upbringing in the memory politics of Belarusians in interwar Poland, analyzes commemorative practices connected with the installation of monuments to famous Belarusian public figures in cemeteries and holding memorial events, gives a definition of the “literary” direction of hist
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2

Kozhinova, Alla. "Soul in the Belarusian folk culture." Przegląd Wschodnioeuropejski 10, no. 1 (2019): 305–13. http://dx.doi.org/10.31648/pw.4526.

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The article deals with the representation of the soul in mythological consciousness of the Belarusians, which is reflected in the folk culture texts. Research is based on the ethnolinguistic point of view. The ethnographic materials of the 19th – the beginning of the 20th centuries, modern studies of Belarusian folk culture and Belarusian dialect dictionaries are the factual basis of the research. The author proves that all pagan ideas in these texts are determined by the general paradigm of the Belarusian traditional culture, in which Christian and pagan principles coexist without an obvious
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3

Gurchenko, Alesia Ivanovna. "Folklore Traditions of Belarusians in the Context of Professional Training of Specialists at the Belarusian State University of Culture and Arts." Ethnic Culture 3, no. 1 (2021): 58–61. http://dx.doi.org/10.31483/r-97966.

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The purpose of the article is to analyze the specifics of training at the Belarusian State University of Culture and Arts, whose professional activities are associated with the embodiment of the traditions of oral folk art in culture and in one of its phenomena – art. In this article, the object of research is the process of training at the Belarusian State University of Culture and Arts. The subject of the research was the filling of the educational process with educational disciplines of folklore, aimed at the formation of social, personal and professional competencies of future specialists
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4

Kavalenia, A. A. "Belarusian humanitarian knowledge in the XXI century." Doklady of the National Academy of Sciences of Belarus 67, no. 6 (2024): 447–53. http://dx.doi.org/10.29235/1561-8323-2023-67-6-447-453.

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5

Kavalenia, A. A., V. I. Liaukovich, and V. S. Yushkevich. "Achievements and prospects of academic humanitarian science development." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 70, no. 1 (2025): 7–14. https://doi.org/10.29235/2524-2369-2025-70-1-7-14.

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The article analyzes the results and achievements of scholars the Department of Humanities and Arts of the National Academy of Sciences of Belarus in 2021–2024. The work denotes unparalleled and the most important fundamental studies that reveal rich historical, cultural and spiritual heritage of Belarusian people. Authors also show the place and the role of social and humanitarian sciences in Belarusian society.The work stresses that the main objective of the research of scholars­humanists is not only the defence of the historical legitimacy of the Belarusian statehood and national­state inte
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6

Kavalenia, A. A., V. I. Liaukovich, and V. S. Yushkevich. "Achievements and prospects of academic humanitarian science development." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 70, no. 1 (2025): 7–14. https://doi.org/10.29235/2524-2369-2025-70-17-14.

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The article analyzes the results and achievements of scholars the Department of Humanities and Arts of the National Academy of Sciences of Belarus in 2021–2024. The work denotes unparalleled and the most important fundamental studies that reveal rich historical, cultural and spiritual heritage of Belarusian people. Authors also show the place and the role of social and humanitarian sciences in Belarusian society.The work stresses that the main objective of the research of scholars­humanists is not only the defence of the historical legitimacy of the Belarusian statehood and national­state inte
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7

Hansbury, Paul. "From Frying Pan to Fire: Protest, War and the Forging of a Belarusian Nation." Journal of Belarusian Studies 13, no. 1 (2024): 3–29. http://dx.doi.org/10.30965/20526512-12350027.

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Abstract The mass street protests after Belarus’s 2020 presidential election failed to oust dictator Alyaksandr Lukashenka. They nonetheless represented a political and national awakening of Belarusian society, with a level of popular engagement in politics unseen in Belarus during the preceding three decades. Eighteen months after the election crisis, Belarusians were plunged into a new crisis as their state provided a supporting role in Russia’s large-scale invasion of Ukraine. This article identifies the main causes of the 2020 protests and their relationship to Belarusian national identity
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8

Solopova, Oksana V. "DEVELOPMENT OF HUMANITARIAN COOPERATION BETWEEN THE REPUBLIC OF BELARUS AND RUSSIAN FEDERATION. AGENDA, CHALLENGES AND PROSPECTS IN THE LATE 2020S." RSUH/RGGU Bulletin. Series Eurasian studies. History. Political science. International relations, no. 1 (2021): 71–84. http://dx.doi.org/10.28995/2686-7648-2021-1-71-84.

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The article is devoted to the situation and prospects of humanitarian cooperation between the Republic of Belarus and the Russian Federation in the last few years. The author, Senior Lecturer of the Department of History of Post-Soviet Countries, Head of the Laboratory of the Diaspora and Migration History, Deputy Dean, Academic Secretary of the Faculty of History at Lomonosov Moscow State University, shows the evolution of forms and methods in the Russian and Belarusian cooperation in higher education and academic science using various programmes and joint projects of Lomonosov Moscow State U
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9

Hopta, I., and L. Hoptová. "Slovak-Belarusian culture relations." Post-Soviet Issues 6, no. 4 (2020): 450–63. http://dx.doi.org/10.24975/2313-8920-2019-6-4-450-463.

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The Slovak Republic (SR) established diplomatic relations with the Republic of Belarus (RB) in January 1993. Bilateral relations between two Slavic countries, which are historically not burdened with negative experience or problems, are developing in several areas. In recent years, an unprecedented development of Slovak-Belarusian relations can be observed, which is mainly associated with an active political dialogue between the two countries. Bilateral relations are developing in the fields of economics, education, tourism, as well as in the cultural sphere.The main pillar of Slovak-Belarusia
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10

Obukhova, Elena. "The Concept of the Grand Duchy of Lithuania in the Historical Politics of the Republic of Belarus: Stages of Formation and Current State." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840024134-6.

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The article considers the formation of the concept of the history of the Grand Duchy of Lithuania in the post-Soviet Belarusian historiography. The author singles out the main stages of this process, shows the evolution of scientific comprehension of the place of the Belarusian people in this state formation. A special attention is paid to the mechanisms of translating conceptual provisions of the history of the Grand Duchy of Lithuania in the society, in particular, through the system of state education. The peculiarities of interpretation of the process of formation of the Grand Duchy of Lit
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11

Valodzina, Tatsiana. "The Historiolae in Belarusian Incantations." Incantatio. An International Journal on Charms, Charmers and Charming 9 (December 2021): 80–112. http://dx.doi.org/10.7592/incantatio2020_9_valodzina.

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The article deals with one of the most popular techniques in Belarusian magical medicine — the so-called historiolae, the essence of which is to recall precedent situations. This implies that the “disequilibrium of being, which has arisen in human life at the present moment (e.g. a disease), is restored according to a sacred pattern that took place in the past”. The texts declare connections between different levels of the worlds, past and present, but to the same extent between the microcosm and the macrocosm, erasing all distinctions between the real and the supernatural worlds. The present
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12

Kavalenia, A. A. "Аcademic humanitarian science – the challenge of the XXI century". Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 69, № 1 (2024): 7–17. http://dx.doi.org/10.29235/2524-2369-2024-69-1-7-17.

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The article shows the history of the development of Belarusian humanitarian science from ancient times to the present day. Particular attention is paid to the achievements of the Department of Humanitarian Sciences and Arts of the National Academy of Sciences of Belarus at the beginning of the 21st century.
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13

Frankowiak, Anita. "Ojczystość i dziedzictwo pogranicza w twórczości Sokrata Janowicza (na wybranych przykładach)." Przegląd Wschodnioeuropejski 8, no. 2 (2018): 181–90. http://dx.doi.org/10.31648/pw.3579.

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Sokrat Janowicz is a Belarusian writer, a resident of Krynki, author of over twenty books, apologist Belarusian signs and signs enclosed in a beautiful word – Native Land. Discussion opens and closes the frontier – open space, without borders, multicultural and emotional. Native Land its most important element. The aim of the article is to identify and define the categories of Native Land in the writing by Sokrat Janowicz. It was assumed that it is precisely this category is superior to all others appearing in his work, is the key not only to the Belarusian home, or to his Belarusian, but also
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14

Jurkowski, Roman. "Współczesne białoruskie, polskie i rosyjskie badania biograficzne dotyczące dziejów Europy Środkowo-Wschodniej w XIX wieku." Przegląd Wschodnioeuropejski 10, no. 2 (2019): 51–65. http://dx.doi.org/10.31648/pw.5461.

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Common past of Belarusians, Poles and Russians create the history of the Eastern lands of the former Polish-Lithuanian Commonwealth. Historical biographical dictionaries play an important role in studies of the historians from these lands. The article discusses 4 Belarusian, 3 Polish and 2 Russian biographical dictionaries describing important people from the 19th century and the beginning of the 20th century. In this article, two encyclopedias devoted to the Russian State Duma and the State Council reformed after 1906 were also assessed. The whole article shows the meaning of the historical b
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15

Rakityanskaya, Anna. "Belarusian Politics and Society Web Archive: Preserving the Belarusian Grassroots Protest." Journal of Belarusian Studies 12, no. 1-2 (2023): 81–94. http://dx.doi.org/10.30965/20526512-12350021.

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Abstract Belarusian Politics and Society (BPAS) is a curated web archive created under the auspices of the Ivy Plus Library Confederation to preserve online grassroots content created in, or related to, Belarus since 2020. The article describes the historical context of the creation of BPAS (focusing on the events in Belarus in 2020–2022 and particularly, the role of online media) and the web archiving context (by exploring Internet Archive’s coverage of Belarus) as well as demonstrates how both contexts guided the curatorial work on BPAS and the decision to focus the scope of collection on fr
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16

Bekus, Nelly, and Mischa Gabowitsch. "Introduction: The Sociology of Belarusian Protest." Slavic Review 80, no. 1 (2021): 1–3. http://dx.doi.org/10.1017/slr.2021.27.

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17

LaVey, A. M. "Reading Belarus: The Evolving Semiosis of Belarusian Textiles." Journal of Belarusian Studies 11, no. 2 (2021): 175–205. http://dx.doi.org/10.30965/20526512-12350011.

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Abstract This paper analyses the communicative features of traditional Belarusian textiles and embroidery, exploring their history and their use as cultural code from the earliest times to the present. Using cultural semiotic analysis, the article highlights the evolving statements textiles make in regard to contemporary Belarusian culture, with specific attention being paid to the use of textiles in the months surrounding the 2020 presidential election and its aftermath, as well as engaging current fashion design. This paper, combating ideas of Belarusian invisibility, brings to light how tex
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18

Koroleva, Inna A. "Regional toponymy: toponymic system commonality of the Smolensk-Vitebsk borderland." Neophilology, no. 27 (2021): 425–33. http://dx.doi.org/10.20310/2587-6953-2021-7-27-425-433.

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The issues of studying regional toponymic vocabulary are currently among the priority areas of onomastic research. The particular interest is the consideration of borderland toponymic systems, since the base of toponyms that exist in border zones contain voluminous linguocultural information that reflects the interaction of languages and cultures of neighboring ethnic groups. We analyze a fragment of Smolensk-Vitebsk borderland toponymic system, a territory that historically reflects the commonality of Russian and Belarusian peoples, their languages and cultures. We describe in detail the name
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19

Artiukh, Volodymyr. "The Anatomy of Impatience: Exploring Factors behind 2020 Labor Unrest in Belarus." Slavic Review 80, no. 1 (2021): 52–60. http://dx.doi.org/10.1017/slr.2021.26.

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The wave of labor unrest that accompanied Belarusian post-election protests had no precedents in the country's independent history or recent post-Soviet political protest mobilizations. These protests challenge the prevalent trend in the current literature on the post-Soviet working class to stress its weakness in terms of organization, as well as structural and material resources. This article relies on a database of workplace-related protest events (August 10–September 30) and a selection of statements, interviews, and social media discussions among participants of the protests, in order to
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20

Gorbunov, I. V. "A. F. Kovalev – Belarusian artist, sculptor, designer, teacher." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 65, no. 3 (2020): 336–44. http://dx.doi.org/10.29235/2524-2369-2020-65-3-336-344.

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The biography of the Belarusian artist, sculptor, designer, teacher, professor Anatoly Fedorovich Kovalev is considered. A. F. Kovalev was one of the organizers of Belarusian education in the field of fine and decorative arts. He was the author of the first design dissertation in the BSSR, a member of the Union of Artists of theUSSRand Belarusian Union of Artists, a veteran of the Great Patriotic War. During his long career he transferred knowledge and a huge professional experience to more than one generation of talented students, including workers of culture and art ofBelarus– V. K. Lebedko,
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21

Ilyicheva, Inna, Chunxia Chen, and Anzhela Saidzi. "Representation of key concepts in Belarusian and Chinese linguo-cultures." SHS Web of Conferences 134 (2022): 00136. http://dx.doi.org/10.1051/shsconf/202213400136.

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The paper unfolds the content of the concepts “Bison” and “Dragon” in the Belarusian and Chinese linguo-cultures. Through reference to the study of the national language and literature in close connection with the cultures and mentalities as well as with the national identity of both countries the concepts are reconstructed through the prism of such modern linguistic disciplines as linguoculturology and linguoconceptology. The study of the means of verbal and non-verbal expressions of the concepts “Bison” and “Dragon” enables the authors to distinguish the most significant features of the conc
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22

Gapova, Elena. "Class, Agency, and Citizenship in Belarusian Protest." Slavic Review 80, no. 1 (2021): 45–51. http://dx.doi.org/10.1017/slr.2021.21.

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This paper focuses on the unprecedented mobilization that unravelled in the aftermath of the Bearusian elections of 2020. The argument made is that issues of agency and participation in political decision making are it its core.
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23

Gabowitsch, Mischa. "Belarusian Protest: Regimes of Engagement and Coordination." Slavic Review 80, no. 1 (2021): 27–37. http://dx.doi.org/10.1017/slr.2021.28.

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The Belarusian protest movement that started in August 2020 has been discussed from the point of view of strategy and objectives, and as the cradle of a new subjectivity. This essay goes beyond those two perspectives by looking at the regimes of engagement, developing in interaction with the material and technological environment, that have given the protests their distinctive style. The first part looks at coordination and representation at protest events and in producing protest symbols such as flags. The second part discusses the role of Telegram and the emergence of local protest groups. E
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24

Belozorovich, Viktor. "Formation of Belarusian National Historiography in 1918—1928." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840024130-2.

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The article reveals the development of the historiography of the history of Belarus as an independent scientific direction in 1918—1928. It notes the existence of two directions of national historiography: national-democratic and national-Marxist. The author analyzes the works which formed the conceptual vision of national history in Belarusian society. The article reveals the methodological approaches of the researchers to the knowledge of the past. The peculiarities of comprehension of the history of Belarus by representatives of professional and non-professional historiography are highlight
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25

Gieba, Kamila. "Czarnobylska strefa w kontekście ukraińskim i białoruskim – przykłady reporterskie." Przegląd Wschodnioeuropejski 11, no. 1 (2020): 181–90. http://dx.doi.org/10.31648/pw.5979.

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The subject of the article is the representation of Chernobyl disaster and the differences and similarities between the Belarusian and the Ukrainian context. The source material is primarily reportages on the background of cultural, historical and anthropological findings. The analysis included nature of the closed zone, ways of representing the Ukrainian and the Belarusian part of zone, historical and political contexts of Chernobyl disaster.
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26

McMillin, Arnold. "The Belarusian leadership, his country and squalor as depicted in the work of young Belarusian prose writers." Przegląd Wschodnioeuropejski 9, no. 2 (2018): 83–93. http://dx.doi.org/10.31648/pw.3084.

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This article reviews some of the recent texts of young Belarusian prose writers about leadership, the country itself, squalor and alcohol abuse. The attitudes to the Leader in this highly varied selction of stories are at best humorous and more often disrespectful, whilst the picture of Belarus given is of a backward, sometimes squalid country with serious social problems, like violence and excessive drinking.
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27

Bekus, Nelly. "Echo of 1989? Protest Imaginaries and Identity Dilemmas in Belarus." Slavic Review 80, no. 1 (2021): 4–14. http://dx.doi.org/10.1017/slr.2021.25.

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The revolution of 2020 in Belarus has often been described as a new 1989 and there is no doubt that the emancipatory appeal of the Belarusian protests is similar to the one that sustained the 1989 revolutions. But will building the democratic system—the major aspiration of the Belarusian protesters—follow the scripts of liberalization and westernization in evidence in other eastern and central European countries? Will self-determination in post-Lukashenka Belarus follow a scenario modelled on the patterns adopted by other east European and post-Soviet states, where ethnocentric national identi
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28

Grishchenko, Anton Borisovich. "Features of Fixing the Architectural Heritage in the Belarusian Fine Arts (on the Example of the Exhibition «My Minsk – My Inspiration»." Ethnic Culture 4, no. 3 (2022): 18–22. http://dx.doi.org/10.31483/r-103090.

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The exhibition titled «My Minsk – My Inspiration» was organized at the Museum of the History of Minsk and the Belarusian Union of Artists and held in 2021 from September 9 to 26 at the Mikhail Savitsky Art Gallery. This exhibition brought together fine arts and cinema: along with pictorial and graphic works, a number of documentaries in Minsk were presented for viewing, as well as feature films shot especially in Minsk. The purpose of the article is to evaluate paintings and graphic works from the collection of the Belarusian Union of artists presented at the exhibition «My Minsk – my inspirat
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29

Shauliakova-Barzenka, Iryna. "Paradoxes of National Consciousness: Belarusian Idea as a Symbol of Belonging to the Minority Reflected in Modern Belarusian Literature." Neohelicon 33, no. 2 (2006): 105–18. http://dx.doi.org/10.1007/s11059-006-0028-0.

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30

Zylevich, Dina P. "The Author’s Book in the Modern Repertoire of Belarusian Publications." Tekst. Kniga. Knigoizdanie, no. 26 (2021): 143–63. http://dx.doi.org/10.17223/23062061/26/9.

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The modern Belarusian author’s book still rarely attracts researchers’ attention. At the same time, the 21st century, with its attention to the form of any work, brought both “writing artists” and “drawing authors” into literature. The article aims to review author’s books presented in the repertoire of modern Belarusian publishing houses in 2014–2019. The author’s book is usually understood as an edition in which the text and design are created by one person. From the point of view of the interaction of text and illustrations, the article analyzes 20 modern author’s books issued by Belarusian
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31

Novikau, Aliaksandr. "Nuclear power debate and public opinion in Belarus: From Chernobyl to Ostrovets." Public Understanding of Science 26, no. 3 (2016): 275–88. http://dx.doi.org/10.1177/0963662516647242.

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The Belarusian government’s decision of the last decade to build a nuclear power plant near the city of Ostrovets, in northern Belarus, has proven to be controversial, resulting in a great deal of debate about nuclear energy in the country. The debate was inevitably shaped by the traumatic event that affected Belarus – the Chernobyl nuclear accident of 1986. The Belarusian authorities have consistently promoted a positive view of nuclear energy to the population in order to overcome the so-called ‘Chernobyl syndrome’ and deliberately shaped nuclear risk communication. As a result, the issue of
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Voloshyna, Iryna. "The Songs of Old Europe—Ancient Belarusian Folk Songs." Journal of American Folklore 135, no. 537 (2022): 377–78. http://dx.doi.org/10.5406/15351882.135.537.26.

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33

Yasinovskyi, Yurii. "MIGRATION AND ARTIFICIAL MOVEMENTS OF UKRAINIAN AND BELARUSIAN IRMOLOGY." Ukrainian music 41, no. 3 (2021): 40–46. http://dx.doi.org/10.32782/2224-0926-2021-3-4.

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34

McMillin, Arnold. "Three Generations of Belarusian Historical Fiction in Prose and Verse: Inspiration and Iconoclasm." Przegląd Wschodnioeuropejski 14, no. 2 (2023): 285–301. http://dx.doi.org/10.31648/pw.9717.

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Beginning with attempts to deny or repress the very idea of Belarusian history, this article is devoted the use of historical themes by three generations of Belarusian writers, with the youngest first and ending with three from the middle generation who, as a rule, do not show the influence of their elders on themselves, nor do they seem greatly to influence the younger writers. All ages, however, are engaged in the same struggle to counter the anti-historical ideas propagated by the leadership of their country, and the younger writers bring a sometimes unusual, indeed iconoclastic, approach t
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35

Razor, Sasha. "The Code of Presence: Belarusian Protest Embroideries and Textile Patterns." FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association 26 (July 29, 2022): 72–98. http://dx.doi.org/10.17161/folklorica.v26i.18373.

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Since the fraudulent presidential elections of 9 August 2020, the Republic of Belarus has become a battleground between the women-led democratic opposition forces and the authoritarian regime of Alexander Lukashenka. Current forms of political oppression in Belarus make open public protest dangerous. This exhibition report highlights safer ways to express dissent in a dictatorial society by grounding it in the textile arts, collective labor, and participatory practices. “The Code of Presence: Belarusian Protest Embroideries and Textile Patterns” is a permanent digital exhibition that I curated
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36

Wang, Yixuan. "Development of The Arts in China and Belarus in the Context of State Policy." Highlights in Art and Design 5, no. 1 (2024): 12–16. http://dx.doi.org/10.54097/hiaad.v5n1.03.

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In the history of international relations, cooperation in the field of art is closely connected with the foreign policy aspect of the development of interstate relations. As Belarusian-Chinese interaction deepens, the cultural factor has become one of the important aspects influencing bilateral relations. This article notes that over the 30 years since the establishment of diplomatic relations between Belarus and China, cultural cooperation has gone through different periods. The history of the development of contacts in the field of art between the two countries is examined, the achievements
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37

Korbut, Alina. "PRESERVATION OF PEOPLE’S CULTURE IS THE KEY TASK OF BELARUSIAN STATE UNIVERSITY OF CULTURE AND ARTS." Culture in the Eurasian Space 1 (2019): 71–77. http://dx.doi.org/10.32340/2514-772x-2019-1-71-77.

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38

Linchenko, Andrey. "The Collapse of the USSR: Images of Historical Responsibility in the Discursive Space of the Republic of Belarus (1991—2020)." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840024093-1.

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The article analyses the transformation of the images of historical responsibility in political, media and educational discourses of the Republic of Belarus in 1991—2020. On the basis of the constructivist approach the social nature of historical responsibility is considered on the example of the Belarusian case as a social practice, formed within a certain community and network of actors, focused on the appropriation or participation in the distribution of symbolic capital. The results of content analysis and comparison of political, media and educational discourses make it possible to conclu
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Kiklewicz, Aleksander, Julia Mazurkiewicz-Sułkowska, and Helena Pociechina. "Art in protest discourses – on the example of the Belarusian anti-government protest movement." Przegląd Wschodnioeuropejski 14, no. 2 (2023): 303–21. http://dx.doi.org/10.31648/pw.9718.

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In protest discourses the problem of using aesthetic and artistic elements lies in the centre of attention. The authors draw empirical material from the Belarusian protest movement, especially the anti-government protests of 2020. In the current study the problem of the use of aesthetic elements in protest discourses is considered in two aspects: 1) in the aspect of artistic activism, i.e. the involvement of artists in resistance activities; 2) in terms of the use of aesthetic speech acts in various forms of protest activity, i.e. as a special rhetorical tool with emphatic and persuasive funct
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Snapkouski, Yury. "Aleksander Łappa (1802-1869) – ostatni marszałek szlachty guberni mińskiej z wyboru. Część I: Rodowód i działalność powiatowa (1823-1859)." Przegląd Wschodnioeuropejski 14, no. 1 (2023): 9–22. http://dx.doi.org/10.31648/pw.9018.

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A large number of archival and printed sources, as well as scientific literature analyzed by the author of the article, allows to reconstruct the genealogy and family networks of one of the key figures of the noble self-government of the westernmost parts of the Russian Empire of the 1850-1860s – Marshal of the Nobility of Bobruisk County, then Minsk Governorate Alexander Łappa. Due to successful careers, marriages and land deals, the Belarusian-Lithuanian minor landed noble family of Łappa, represented by a retired officer of the Russian troops Dominik Łappa and his son Alexander, were among
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Matylitskaya, Natalia Viktorovna. "The Priority of Spiritual Values of Traditional Culture During Students’ Learning Process at the Specialty "Ethnophonology"." Ethnic Culture, no. 1 (1) (December 26, 2019): 59–61. http://dx.doi.org/10.31483/r-64079.

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The article reveals some features of the innovative specialization «Ethnophonics». The purpose of the article is to actualize its significance for education and culture in Belarus. Based on the methods of generalizing pedagogical experience, the scientific and methodological activity of the Department of Ethnology and Folklore of the Belarusian State University of Culture and Arts in teaching students authentic folklore was studied and generalized. The research results revealed the actual content of students' professional training and determined the priority pedagogical task – the development
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Vaitsekhovich, Nadezhda Yurievna. "Professional adaptation of graduates of the specialty «Library and Information Activities»." Vestnik of Saint Petersburg State University of Culture, no. 4 (53) (December 2022): 164–70. http://dx.doi.org/10.30725/2619-0303-2022-4-164-170.

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The purpose of the article is a comprehensive analysis of the adaptation experience of graduates of the specialty “Library and Information Activities” based on the results of a sociological study. The survey involved graduates of the Belarusian State University of Culture and Arts, who received state allocation to the libraries of the Republic of Belarus in the last three years. The survey made it possible to analyze the content and organizational aspects of the adaptation process in the library, to identify its specifics; to determine the factors and patterns that affect the content and resul
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Siwek, Beata. "Aleksander Barszczewski: uczony i poeta (w 90. rocznicę urodzin)." Przegląd Wschodnioeuropejski 11, no. 1 (2020): 209–18. http://dx.doi.org/10.31648/pw.5981.

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This article discloses scientific, organizational, didactic and literary activity of the most outstanding Belarusian scientist, a professor of the University of Warsaw and, for many years, the head of the Department of Belarusian Studies – Alexander Barshchewski. In the article his academic achievements were outlined, the most important directions of his researches were presented and a special attention has been drawn not only to multidimensionality and interdisciplinarity of issues and problems that he had been taking up in his monographs and scientific articles, but also to impressive didact
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KOLOBAEVA, U. "CULTURAL AND EDUCATIONAL ACTIVITIES OF BELARUSIAN PARTISANS DURING THE GREAT PATRIOTIC WAR: HISTORIOGRAPHY OF THE PROBLEM." Herald of Polotsk State University. Series A. Humanity sciences, no. 1 (February 17, 2025): 27–30. https://doi.org/10.52928/2070-1608-2025-73-1-27-30.

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The historiography of the issue related to the cultural and educational activities of Belarusian partisans is analyzed. Scientific works and studies of the Soviet period, modern domestic historiography, as well as studies of foreign researchers are considered. The author's analysis focuses on the organization of partisans' leisure (fiction, fine arts, amateur performances), the activities of "forest schools" and the functioning of the partisan press. The main monographs, dissertations and scientific articles on the indicated problem are considered, and the features of the study of this problem
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Batsiayev, Vasil F. "Theatrical arts of Jews in Belarus." Humanitarian: actual problems of the humanities and education 21, no. 1 (2021): 31–47. http://dx.doi.org/10.15507/2078-9823.053.021.202101.031-047.

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Introduction. Spiritual culture occupies an important place in the life of the Jews in Belarus. Its important component is art, including theatrical. In Belarus since the 16th century there are many different Jewish theatrical associations, but they have not been sufficiently studied to date. There are no special works on this problem in the ethnological literature. At the same time, the analysis of the process of their creation, repertoire and activity, determination of forms and structure is of great scientific interest and is of great practical importance. Research Methods. The structural m
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Lewis, Simon. "“Tear Down These Prison Walls!” Verses of Defiance in the Belarusian Revolution." Slavic Review 80, no. 1 (2021): 15–26. http://dx.doi.org/10.1017/slr.2021.24.

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This contribution examines the creative energy behind the ongoing protests in Belarus, with a focus on poetry and music. Belarus is traditionally a “versocentric” society, where poetry and music have historically played important roles in consolidating national culture. In the 2020 protest movement, fast and widespread distribution through social media has made poetry and music a crucial instrument for cementing a sense of collective identity among protestors, establishing transnational solidarity, and affecting the emotional regime of Belarusian society.
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Belova, Olga. "Folklore “Historical” Narrative Within the Context of Landscape Mythology (Russian-Belarusian Borderlands)." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840024092-0.

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The article presents a narrative and structural analysis of texts from the collection of the State Archive of the Smolensk region reflecting folk beliefs about cult trees. These records can be regarded as “historical” narratives in which trees, being objects of folk veneration (ritual practices aimed at healing) and superstition (“treasure under a tree” legend), are at the same time associated with historical or quasi-historical events (adventures of local robbers, the 1812 Patriotic War). Stories about unusual trees demonstrate a close connection with the mythology of space, and the natural o
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Казачёнок, Катарина. "СОТРУДНИЧЕСТВО БЕЛОРУСОВ ЛАТВИИ С НЕБЕЛОРУССКИМИ ЛАТВИЙСКИМИ ПОЛИТИЧЕСКИМИ ОРГАНИЗАЦИЯМИ В 1928—1931 ГГ." Nordic and Baltic Studies Review, № 1 (грудень 2016): 8. http://dx.doi.org/10.15393/j103.art.2016.461.

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Kuleszewicz, Anna. "Aleś Puszkin — czołowa postać białoruskiej awangardy?" Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 7 (July 31, 2018): 87–98. http://dx.doi.org/10.14746/kw.2017.7.7.

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Avant-garde, a rebellious band of new trends and tendencies in art that appeared in the early 20th century, lasted for years being transformed, yielding the new forms of expression. It is also a trend of art most often associated with contemporaryBelarusian art (partially due to “school of Vitebsk”, Marc Chagall and Kazimir Malevich), still enjoying popularity in the country. One of the most recognizable Belarusian artistsis Ales Pushkin, born in 1965 in Bobr, associated with the Achremczuk’s National Schoolof Music and the Arts in Minsk and Vitebsk artistic environment. Pushkin is known for h
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Patonia, Aliaksei I. "Great Expectations: The Case of the Belarusian Nuclear Power Plant." Journal of Belarusian Studies 10, no. 1 (2020): 3–31. http://dx.doi.org/10.30965/20526512-12350010.

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Abstract As extreme dependence of Belarus’s economy on Russian hydrocarbons poses a national security threat, the Belarusian Government decided to mitigate this challenge by constructing a nuclear power plant (NPP) that will cover two fifths of the domestic electricity demand and contribute to increased excess electricity generating capacity for export to the EU. This article assesses a combination of diplomacy and domestic adjustments to develop four scenarios representing the most feasible mechanisms to address the challenges associated with this excess capacity. Having evaluated each scenar
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