Relevant bibliographies by topics / Arts Council Collection

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Arts Council Collection'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Arts Council Collection"

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Siddiqa, Dr Tahira, and Dr Muhammad Naveed. "Three Unpublished Stage Plays of Athar Shah Jodi: A Research and Critical Review." Noor e Tahqeeq 8, no. 04 (2024): 42–56. https://doi.org/10.54692/nooretahqeeq.2024.08042287.

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Athar Shah Khan, a renowned Pakistani Urdu comedian, poet, actor, and director, began his career at Radio Pakistan Karachi, where he gained recognition and showcased his talent. He later transitioned into drama writing, creating several successful plays for Pakistan Television, many of which he also acted in. Khan’s work extended beyond television, as he also wrote and directed stage plays for Al Hamra Arts Council Lahore, further establishing his creative influence. These stage plays played a significant role in highlighting his unique style and his contribution to the world of theatre. This
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Cumberlidge, Jane. "The Visual Research Centre at Dundee Contemporary Arts." Art Libraries Journal 28, no. 3 (2003): 47–52. http://dx.doi.org/10.1017/s0307472200013249.

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Dundee Contemporary Arts was created through a partnership between Dundee City Council, Dundee Contemporary Arts Ltd and the University of Dundee. Its unique building gives the University of Dundee’s Visual Research Centre scope for multi-disciplinary research, events and exhibitions, an archive and an artist books collection. But Gaelic culture, environmental issues and a library – just what, exactly, is the VRC all about?
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Maddrell, Susan. "ARTSDOC: Arts Documentation Service." Art Libraries Journal 11, no. 1 (1986): 21–24. http://dx.doi.org/10.1017/s0307472200004466.

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Computer technology, particularly in the area of data bases and networking systems, enables arts librarians to overcome some of the problems engendered by isolation and great distances. The Australia Council Library aims to provide greatly increased access to its large collection of press clippings on the arts in Australia through its data base, ARTSDOC. The artists’ file, a 22,500 record, A-Z sequence of press clippings covering the past decade, forms the basis of ARTSDOC. It is anticipated that input from 1986 onward will include all press clippings culled by the Library, whether they are ar
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Jules-Rosette, Bennetta, and Robert Cancel. "Introductory Remarks on African Humanities." African Studies Review 29, no. 1 (1986): 1–2. http://dx.doi.org/10.1017/s0002020600011665.

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This issue of the African Studies Review is devoted to research in the African humanities. The appearance of new approaches to the study of literary texts, oral traditions, and the popular arts has inspired us to assemble this collection. Recently, the African humanities have been neglected as an important area in which new empirical and theoretical advances have been made for the study of oral texts, art, and performance.The articles in this collection by Robert Cancel, David Coplan, Bennetta Jules-Rosette, and V. Y. Mudimbe were presented at the Conference on Popular Arts and the Media in Af
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Anguix, Laia. "‘A collection of mere travesties of time-honoured originals’." Journal of the History of Collections 32, no. 3 (2020): 523–36. http://dx.doi.org/10.1093/jhc/fhz034.

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Abstract In 1909 the city of Newcastle was offered the bequest of J.A.D. Shipley. Containing 2,500 paintings attributed to masters such as Rembrandt and Raphael, and linked to a sum of £30,000 for museum accommodation, it caused a media stir. C. B. Stevenson, curator of the Laing Art Gallery in Newcastle upon Tyne, reported that the collection contained many ‘feeble imitations . . . unworthy of the names attached to them.’1 Nevertheless, he recommended its acceptance, because of the benefit it would confer on the Laing. But Newcastle council rejected Stevenson’s advice, favouring external repo
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Fulton, Allegra, Tony Hamill, Jon Kaplan, et al. "Another Perfect Piece, Beyond the Pale: Dramatic Writing from First Nations Writers and Writers of Colour, Monologues: Plays from Martinique, France, Algeria, Quebec." Canadian Theatre Review 93 (December 1997): 76–78. http://dx.doi.org/10.3138/ctr.93.014.

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It is not every day I have the pleasure of commenting on the work of 140 playwrights. The first two books are publications of Playwrights Union of Canada, which has approximately 350 members, receiving, in 1996, 136 new scripts from members and non-members. With funding from the Canada Council and the Ontario Arts Council, the Union, through its publishing imprint Playwrights Canada Press, publishes six to seven plays a year in trade book format. It also maintains a list of cerlox-bound copyscripts. This year, for sale in book stores, it will also start publishing copyscripts that sell well in
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DAVIES, VERONICA. "HOW TO IMPROVE THE WORLD: 60 YEARS OF BRITISH ART THE ARTS COUNCIL COLLECTION BY MICHAEL ARCHER ET AL." Art Book 14, no. 3 (2007): 16–17. http://dx.doi.org/10.1111/j.1467-8357.2007.00827.x.

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Van Bueren, Truus. "'de beste Schilders van het gantsche Nederlandt' Karel van Mander en het Haarlemse cultuurbeleid 1603-1606." Oud Holland - Quarterly for Dutch Art History 105, no. 4 (1991): 291–305. http://dx.doi.org/10.1163/187501791x00164.

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AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a central role. In 1603, the porter at the Prinscnhof was instructed not to refuse admission to people who wanted to view the paintings and other objects of art housed there. That same year Hendrik Goltzius, Cornelis van Haarlem and Hendrik Vroom were commissioned to paint pictures of their own choice to commemmorate their art. The paintings were to hang in the Prinsenhof. In 1605 the council cndcavoured to ensure the city'
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WHATLEY, SARAH. "Archives of the Dance (21): Siobhan Davies Dance Online." Dance Research 26, no. 2 (2008): 244–57. http://dx.doi.org/10.3366/e0264287508000212.

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In 2006, an Arts and Humanities Research Council (AHRC) grant was awarded to researchers at Coventry University to create a digital archive of the work of Siobhan Davies Dance. The award is significant in acknowledging the limited resources readily available to dance scholars as well as to dance audiences in general. The archive, Siobhan Davies Dance Online, 1 will be the first digital dance archive in the UK. Mid-way through the project, Sarah Whatley, who is leading the project, reflects on some of the challenges in bringing together the collection, the range of materials that is going to be
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Heinrich, Anselm. "Theatre in Britain during the Second World War." New Theatre Quarterly 26, no. 1 (2010): 61–70. http://dx.doi.org/10.1017/s0266464x10000060.

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In this article Anselm Heinrich argues for a renewed interest in and critical investigation of theatre in Britain during the Second World War, a period neglected by researchers despite the radical changes in the cultural landscape instigated during the war. Concentrating on CEMA (the Council for Encouragement of Music and the Arts) and the introduction of subsidies, the author discusses and evaluates the importance and effects of state intervention in the arts, with a particular focus on the demands put on theatre and its role in society in relation to propaganda, nation-building, and educatio
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Dissertations / Theses on the topic "Arts Council Collection"

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De, Villiers Katerina Lucya. "The JH Pierneef collection of the City Council of Pretoria housed in the Pretoria Art Museum." Diss., University of Pretoria, 1997. http://hdl.handle.net/2263/27532.

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This study is based on the catalogue/checklist of Pierneef works in the Pretoria Art Museum collection. The artist’s life, social, political and artistic influences of the period, both local and international, may be deduced from works analysed and discussed. The Arts and Crafts movement was a powerful influence affecting ideas on national identity, folk art and the vernacular from the middle of the nineteenth century onwards. A world-wide romantic nationalism stimulated a search for identity and exploitation of the indigenous. It is argued that these trends may be identified in the artistic d
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Harper, Cheryl. "Changes and Context in the Role of Women in the 1960s Visual Arts Environment: A Case Study." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/199591.

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Art History<br>M.A.<br>This thesis examines changes in gender attitudes between the years 1962 and 1967 as seen through the activities of a group of female volunteers at a regional community center, specifically the Fine Arts committee of the Arts Council at the Young Men's and Women's Hebrew Association in Philadelphia. I demonstrate how the women were conditioned both within and outside their community to accept a subservient role to husbands and male hierarchy. By considering two of the committee's major projects, one that took place in 1962 and the other in 1967, and examining the Jewish c
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Books on the topic "Arts Council Collection"

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Collection, Arts Council, and South Bank Centre, eds. Ace!: Arts Council Collection new purchases. South Bank Centre, 1996.

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England, Arts Council of, ed. The Saatchi gift to the Arts Council Collection. Hayward Gallery Pub., 2000.

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England, Arts Council of. Bad behaviour: From the Arts Council Collection. Hayward Gallery Pub., 2003.

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England, Arts Council of, and Hayward Gallery, eds. Head first: Portraits from the Arts Council Collection. South Bank Centre, 1998.

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Natalie, Rudd, Jackson Clare, Hayward Gallery, National Touring Exhibitions, Arts Council Collection, and Yorkshire Sculpture Park, eds. Size matters: Exploring scale in the Arts Council Collection. Hayward Gallery Publishing, 2005.

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Craddock, Sacha. New painting. South Bank Centre, 1994.

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Sublime : the darkness and the light 1999-2000. Sublime: The darkness and the light ; works from the Arts Council Collection. Hayward Gallery Publishing, 1999.

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Pavilion, De La Warr, Harris Museum and Art Gallery (Preston, Lancashire, England), and Durham Light Infantry Museum and Arts Centre, eds. Unpopular culture: Grayson Perry selects from the Arts Council Collection. Hayward Pub., 2008.

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Arts Council of Great Britain. Built up areas: Urban landscapes from the Arts Council collection. Arts Council of Great Britain, 1986.

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John, McDonald, Purves Stuart, Penrith Regional Gallery & the Lewers Bequest., and Australian Galleries Pty Ltd, eds. Pearls of Arts Project Australia: Stuart Purves collection. Australian Galleries, 2007.

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Book chapters on the topic "Arts Council Collection"

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Demin, Anatoly S. "From Research on the Literary Hermeneutics." In Hermeneutics of Old Russian Literature: Issue 20. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/horl.1607-6192-2021-20-9-84.

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The research consists of the series of articles analyzing the pre- viously unexplored expressiveness, figurativeness, fantasy and sarcasticity of a number of Old Russian works. The first article reveals the expressiveness of the “Turkic” utterances of Afanasy Nikitin in The Journey Beyond Three Seas according to the list of the Russian State Archive of Ancient Acts (RSAAA), f. 181, no. 371 of the first quarter of the 16th century. The second article characterizes the distorted, fantastic earthly worlds depicted in the Tale of the Twelve Dreams of King Shahaisha according to the list of the Rus
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Strachan, Rob, and Marion Leonard. "Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland." In The Business of Music. Liverpool University Press, 2002. http://dx.doi.org/10.5949/liverpool/9780853235286.003.0010.

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Lowenfeld, Andreas F. "United Nations and Other Collective Sanctions." In International Economic Law. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199226931.003.0024.

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Abstract The drafters of the United Nations Charter, as mentioned in the introduction to this Part, made provision for economic sanctions, along with other provisions not involving the use of force, in Articles 39 and 41 of the Charter. But the decision on sanctions was to be taken only in the event of a threat to the peace, breach of the peace, or act of aggression, and both the determination of the existence of such a situation and the determination of what, if any, measures should be taken in response were committed to the Security Council. Thus sanctions under Articles 39 and 41 could only
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Rogers, Asha. "First Aid for Writers." In State Sponsored Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857761.003.0003.

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This chapter reflects on the aesthetic commitments of the welfare state through the lens of the Arts Council Literature Department, which emerged belatedly in the mid-1960s. Focusing on the influential scheme of literary ‘first aid’ grants introduced by the poet Cecil Day-Lewis in 1966, it discusses the relatively idealist terms in which the Arts Council envisioned the obligations of writers to a wider public. The third section centres on three emblematic beneficiaries of state funding between 1966 and 1981, the avant-gardists B.S. Johnson and Dambudzo Marechera, who both tended to strain agai
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McCulloch, Margery Palmer. "Roman Interlude 1948–1950." In Edwin and Willa Muir. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192858047.003.0017.

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Abstract 1948–1950. Back in Britain again, Edwin suffers a deep depression after the stress and the lost hopes of their time in Prague. His spirits recover when the British Council place him as director of the Rome Institute. Edwin is moved by what he calls a sense of ‘incarnation’, what he feels to be the physical presence of the human spirit in the old city, its streets, its art, and it people. This theme is discussed, along with the dangers of interpreting poems along exclusively biographical lines, with reference to Edwin’s later collection One Foot in Eden (1956). The Muirs greatly enjoy
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Bantekas, Ilias, and Efthymios Papastavridis. "11. Use of force." In International Law Concentrate. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198840978.003.0011.

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This chapter examines under what circumstances States may use armed force under customary international law and Arts 2(4) and 51 UN Charter. After noting that the use of armed force is generally prohibited and only limited to self-defence, and then only if the target State is under an armed attack, we show that several States have expanded the notion of armed attack. Besides self-defence, the Security Council may authorize the use of armed force through a process of collective security. Several examples of collective security are offered, as well as the ICJ’s position on what constitutes an ar
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Bantekas, Ilias, and Efthymios Papastavridis. "11. Use of force." In International Law Concentrate. Oxford University Press, 2021. http://dx.doi.org/10.1093/he/9780192895684.003.0011.

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This chapter examines under what circumstances States may use armed force under customary international law and Arts 2(4) and 51 UN Charter. After noting that the use of armed force is generally prohibited and only limited to self-defence, and then only if the target State is under an armed attack, we show that several States have expanded the notion of armed attack. Besides self-defence, the United Nations Security Council may authorize the use of armed force through a process of collective security. Several examples of collective security are offered, as well as the ICJ’s position on what co
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Gilks, David. "The Mask of Constitutionalism, 1796–9." In Quatremère de Quincy. Oxford University PressOxford, 2024. https://doi.org/10.1093/oso/9780198745563.003.0010.

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Abstract This chapter examines Quatremère’s life under the Directorial Republic after a sympathetic jury acquitted him of conspiring against the state. It describes how he became a leading Clichyean deputy in the Council of Five Hundred, where he exploited his role as a legislator to advance the Clichy club’s politics and attack the ruination of art and education since 1789. Despite wearing what he called the ‘mask of constitutionalism’, the Directory prescribed him after the Fructidor coup. The chapter concludes by shedding light on his exile in Eutin and the conservative Christian intellectu
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Bantekas, Ilias, and Efthymios Papastavridis. "11. Use of force." In International Law Concentrate. Oxford University Press, 2017. http://dx.doi.org/10.1093/he/9780198803874.003.0011.

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This chapter examines under what circumstances States may use armed force under customary international law and Art 2(4) and 51 UN Charter. After noting that the use of armed force is generally prohibited and only limited to self-defence, and then only if the target State is under an armed attack, we show that several States have expanded the notion of armed attack. Besides self-defence, the Security Council may authorize the use of armed force through a process of collective security. Several examples of collective security are offered, as well as the ICJ’s position on what constitutes an arm
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Toth, A. G. "O." In The Oxford Encyclopaedia of European Community Law. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780198257042.003.0014.

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Abstract Council Reg. 139/2004 of 20 January 2004 on the control of concentrations between undertakings (the EC Merger Regulation) (OJ 2004 L24/1) prohibits as incompatible with the common market those concentrations that significantly impede effective competition in the market or in a substantial part thereof, in particular as result of the creation or strengthening of a dominant position (Art. 2(3)). In light of this substantive test, the existence or reinforcement, as a result of a transaction, of factors which may constitute incentives to reduce competition in a concentrated market will be
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Conference papers on the topic "Arts Council Collection"

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Strmečki, Simona, and Silvija Pejaković-Đipić. "DATA PROTECTION, PRIVACY AND SECURITY IN THE CONTEXT OF ARTIFICIAL INTELLIGENCE AND CONVENTIONAL METHODS FOR LAW ENFORCEMENT." In International Scientific Conference “Digitalization and Green Transformation of the EU“. Faculty of Law, Josip Juraj Strossmayer University of Osijek, 2023. http://dx.doi.org/10.25234/eclic/27462.

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Unlike conventional methods and technologies of collecting, processing and analysing the personal data of natural persons as part of law enforcement activities, the broader use of different artificial intelligence methods brings into focus the need for specific rules regulating the application of various artificial intelligence methods to protect two independent fundamental rights as regulated by EU Charter of Fundamental Rights, Art. 7 and 8 – data protection and privacy. Privacy, the protection of personal data and the security of their processing and transmission within law enforcement acti
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Arason, Magnús, Olafur S. Haraldsson, and Steve Christer. "A curved footbridge with hidden extras." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.1995.

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&lt;p&gt;For improved safety and ease of travel for pedestrians and cyclists across the busy 4-lane main road Breidholtsbraut in the suburb of Breidholt in Reykjavik, Iceland, the Icelandic Road and Coastal Administration and Reykjavik City Council engaged EFLA Consulting Engineers and Studio Granda Architects for the design of a footbridge over the road. The bridge is an 86-m long, post-tensioned concrete girder in four spans and follows a curved alignment that plays on the landscaped surroundings. The attractive shape of the underside of the concrete girder is formed by a series of arcs; the
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Carvalho, Thomaz, Ana Luisa Ferreira, and Tulio C. Lourenço. "Petrobras Transporte S.A.: Transpetro’s Ultrasonic Flow Meter Recalibration Program." In 2014 10th International Pipeline Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/ipc2014-33536.

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In recent years, the use of ultrasonic flow meters has gained worldwide acceptance for natural gas custody transfer applications. TRANSPETRO has also increased significantly the use of this technology because of the important role it plays in reducing lost and unaccounted for (LUAF) gas. A plan of this equipment is essential to guarantee the proper operation and the specified accuracy of the meter runs as well as mandatory in order to comply with a national regulatory agency (ANP) ordinance, which requires ultrasonic meters to be recalibrated every 30 months. This interval can be extended if t
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McConnell, D. R. "Prospects for Marine Minerals in the US Pacific OCS and EEZ." In Offshore Technology Conference. OTC, 2024. http://dx.doi.org/10.4043/35266-ms.

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Abstract The seafloor in the US Pacific OCS and EEZ is enriched to varying degrees in critical and economically important minerals such as nickel, manganese, cobalt, copper, zinc, REY (rare earth elements plus yttrium), titanium, vanadium, antimony, gold, and silver. These mineral deposits take the form of polymetallic nodules on the seabed, cobalt rich ferromanganese crusts on seamounts and ridges swept clean of sediment accumulation, and seafloor massive sulfides formed by hydrothermal systems at geologic plate spreading centers and volcanic margins. Each of these mineral deposits form on or
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Reports on the topic "Arts Council Collection"

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Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena, and Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, 2022. http://dx.doi.org/10.5204/rep.eprints.227800.

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The arts do not exist in vacuum and cannot be valued in abstract ways; their value is how they make people feel, what they can empower people to do and how they interact with place to create legacy. This research presents insights across Australia and Aotearoa New Zealand about the value of arts and culture that may be factored into whole of government decision making to enable creative, vibrant, liveable and inclusive communities and nations. The COVID-19 pandemic has revealed a great deal about our societies, our collective wellbeing, and how urgent the choices we make now are for our future
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