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Journal articles on the topic 'Arts Council Collection'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Siddiqa, Dr Tahira, and Dr Muhammad Naveed. "Three Unpublished Stage Plays of Athar Shah Jodi: A Research and Critical Review." Noor e Tahqeeq 8, no. 04 (2024): 42–56. https://doi.org/10.54692/nooretahqeeq.2024.08042287.

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Athar Shah Khan, a renowned Pakistani Urdu comedian, poet, actor, and director, began his career at Radio Pakistan Karachi, where he gained recognition and showcased his talent. He later transitioned into drama writing, creating several successful plays for Pakistan Television, many of which he also acted in. Khan’s work extended beyond television, as he also wrote and directed stage plays for Al Hamra Arts Council Lahore, further establishing his creative influence. These stage plays played a significant role in highlighting his unique style and his contribution to the world of theatre. This

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Cumberlidge, Jane. "The Visual Research Centre at Dundee Contemporary Arts." Art Libraries Journal 28, no. 3 (2003): 47–52. http://dx.doi.org/10.1017/s0307472200013249.

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Dundee Contemporary Arts was created through a partnership between Dundee City Council, Dundee Contemporary Arts Ltd and the University of Dundee. Its unique building gives the University of Dundee’s Visual Research Centre scope for multi-disciplinary research, events and exhibitions, an archive and an artist books collection. But Gaelic culture, environmental issues and a library – just what, exactly, is the VRC all about?

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Maddrell, Susan. "ARTSDOC: Arts Documentation Service." Art Libraries Journal 11, no. 1 (1986): 21–24. http://dx.doi.org/10.1017/s0307472200004466.

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Computer technology, particularly in the area of data bases and networking systems, enables arts librarians to overcome some of the problems engendered by isolation and great distances. The Australia Council Library aims to provide greatly increased access to its large collection of press clippings on the arts in Australia through its data base, ARTSDOC. The artists’ file, a 22,500 record, A-Z sequence of press clippings covering the past decade, forms the basis of ARTSDOC. It is anticipated that input from 1986 onward will include all press clippings culled by the Library, whether they are ar

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Jules-Rosette, Bennetta, and Robert Cancel. "Introductory Remarks on African Humanities." African Studies Review 29, no. 1 (1986): 1–2. http://dx.doi.org/10.1017/s0002020600011665.

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This issue of the African Studies Review is devoted to research in the African humanities. The appearance of new approaches to the study of literary texts, oral traditions, and the popular arts has inspired us to assemble this collection. Recently, the African humanities have been neglected as an important area in which new empirical and theoretical advances have been made for the study of oral texts, art, and performance.The articles in this collection by Robert Cancel, David Coplan, Bennetta Jules-Rosette, and V. Y. Mudimbe were presented at the Conference on Popular Arts and the Media in Af

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Anguix, Laia. "‘A collection of mere travesties of time-honoured originals’." Journal of the History of Collections 32, no. 3 (2020): 523–36. http://dx.doi.org/10.1093/jhc/fhz034.

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Abstract In 1909 the city of Newcastle was offered the bequest of J.A.D. Shipley. Containing 2,500 paintings attributed to masters such as Rembrandt and Raphael, and linked to a sum of £30,000 for museum accommodation, it caused a media stir. C. B. Stevenson, curator of the Laing Art Gallery in Newcastle upon Tyne, reported that the collection contained many ‘feeble imitations . . . unworthy of the names attached to them.’1 Nevertheless, he recommended its acceptance, because of the benefit it would confer on the Laing. But Newcastle council rejected Stevenson’s advice, favouring external repo

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Fulton, Allegra, Tony Hamill, Jon Kaplan, et al. "Another Perfect Piece, Beyond the Pale: Dramatic Writing from First Nations Writers and Writers of Colour, Monologues: Plays from Martinique, France, Algeria, Quebec." Canadian Theatre Review 93 (December 1997): 76–78. http://dx.doi.org/10.3138/ctr.93.014.

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It is not every day I have the pleasure of commenting on the work of 140 playwrights. The first two books are publications of Playwrights Union of Canada, which has approximately 350 members, receiving, in 1996, 136 new scripts from members and non-members. With funding from the Canada Council and the Ontario Arts Council, the Union, through its publishing imprint Playwrights Canada Press, publishes six to seven plays a year in trade book format. It also maintains a list of cerlox-bound copyscripts. This year, for sale in book stores, it will also start publishing copyscripts that sell well in

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DAVIES, VERONICA. "HOW TO IMPROVE THE WORLD: 60 YEARS OF BRITISH ART THE ARTS COUNCIL COLLECTION BY MICHAEL ARCHER ET AL." Art Book 14, no. 3 (2007): 16–17. http://dx.doi.org/10.1111/j.1467-8357.2007.00827.x.

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Van Bueren, Truus. "'de beste Schilders van het gantsche Nederlandt' Karel van Mander en het Haarlemse cultuurbeleid 1603-1606." Oud Holland - Quarterly for Dutch Art History 105, no. 4 (1991): 291–305. http://dx.doi.org/10.1163/187501791x00164.

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AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a central role. In 1603, the porter at the Prinscnhof was instructed not to refuse admission to people who wanted to view the paintings and other objects of art housed there. That same year Hendrik Goltzius, Cornelis van Haarlem and Hendrik Vroom were commissioned to paint pictures of their own choice to commemmorate their art. The paintings were to hang in the Prinsenhof. In 1605 the council cndcavoured to ensure the city'

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WHATLEY, SARAH. "Archives of the Dance (21): Siobhan Davies Dance Online." Dance Research 26, no. 2 (2008): 244–57. http://dx.doi.org/10.3366/e0264287508000212.

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In 2006, an Arts and Humanities Research Council (AHRC) grant was awarded to researchers at Coventry University to create a digital archive of the work of Siobhan Davies Dance. The award is significant in acknowledging the limited resources readily available to dance scholars as well as to dance audiences in general. The archive, Siobhan Davies Dance Online, 1 will be the first digital dance archive in the UK. Mid-way through the project, Sarah Whatley, who is leading the project, reflects on some of the challenges in bringing together the collection, the range of materials that is going to be

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Heinrich, Anselm. "Theatre in Britain during the Second World War." New Theatre Quarterly 26, no. 1 (2010): 61–70. http://dx.doi.org/10.1017/s0266464x10000060.

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In this article Anselm Heinrich argues for a renewed interest in and critical investigation of theatre in Britain during the Second World War, a period neglected by researchers despite the radical changes in the cultural landscape instigated during the war. Concentrating on CEMA (the Council for Encouragement of Music and the Arts) and the introduction of subsidies, the author discusses and evaluates the importance and effects of state intervention in the arts, with a particular focus on the demands put on theatre and its role in society in relation to propaganda, nation-building, and educatio

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Ansari, Sarah. "Editor's Foreword." Journal of the Royal Asiatic Society of Great Britain & Ireland 22, no. 1 (2012): 1. http://dx.doi.org/10.1017/s1356186312000090.

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We are delighted to publish this collection of articles on the world of the Paramāra dynasty, edited by Dr Michael Willis FRAS of the British Museum. Between 2006–10 Dr Willis led an Arts and Humanities Research Council-funded project in collaboration with the Department of History at SOAS and the Welsh School of Architecture, Cardiff, entitled ‘The Indian Temple: Production, Place and Patronage’. This project examined how Indian temples were designed, built and patronised and explored the social and economic role played by temples in medieval India. The project formed the backdrop for the art

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Watkin, Jeffrey, Ian Stead, Duncan Hook, and Susan Palmer. "A Decorated Shield-Boss from the River Trent, near Ratcliffe-on-Soar." Antiquaries Journal 76 (March 1996): 17–30. http://dx.doi.org/10.1017/s0003581500047405.

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Part of an Iron Age shield has recently been identified amongst the collection of Leamington Spa Art Gallery and Museum, Warwickshire, adding another example to the corpus of Iron Age shields recently published in this journal. The newly recognized remains are in three parts and were recorded in the museum's accessions register as ‘3 pieces of horse armour’. These pieces were re-identified as the boss, spine and terminal discs of an Iron Age shield in the course of a project carried out between September 1992 and March 1994 to fully document and record on a computer database the whole of the m

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Ryzhova, Olga, and Inna Ivakina. "“The Council of the Kyiv-Pechersk Saints” as a Reflection of the General Christian Ideal in the Kyiv Art Culture." ARTISTIC CULTURE. TOPICAL ISSUES, no. 21(1) (May 26, 2025): 72–79. https://doi.org/10.31500/1992-5514.21(1).2025.333482.

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The article, using a comparative analysis of the composition “The Council of the Kyiv-Pechersk Saints” in the monuments of Kyiv’s fine art—murals, paintings, engravings, and metal—reveals the relationship between art and religion as components of artistic and spiritual culture. An art historical and cultural study of plot analogies from the collection of the National Reserve “Kyiv-Pechersk Lavra” and the National Art Museum of Ukraine was conducted; their artistic features and main iconographic characteristics were revealed, the connection of images with verbal sources was traced, and the sign

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Bagshaw, Simon, and Emily K. M. Scott. "Talk Is Cheap: Security Council Resolution 2286 & the Protection of Health Care in Armed Conflict." Daedalus 152, no. 2 (2023): 142–56. http://dx.doi.org/10.1162/daed_a_01997.

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Abstract In May 2016, as attacks on health care in armed conflicts were increasing globally, the United Nations Security Council adopted Resolution 2286, demanding warring parties comply with their international obligations to prevent and address such attacks. The resolution was adopted unanimously by the Council and cosponsored by eightyfive UN member states. New data collection and public attention on attacks against health care at the time signaled that, contrary to scholarly expectation, the Council might use tools already at its disposal to ensure compliance with the resolution. Yet in th

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Cochrane, Thandeka. "The politics of literature in Malawi: Filemon Chirwa, Nthanu za Chitonga and the battle for the Atonga tribal council." Africa 92, no. 5 (2022): 819–38. http://dx.doi.org/10.1017/s000197202200064x.

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AbstractIn 1932, as Nyasaland (present-day Malawi) was heading to indirect rule, a small vocal community in the north of the country resisted the colonial government’s attempts to assign them a Native Authority. Instead, they proposed their own form of government: a council of thirty-two mafumu (chiefs) who would make decisions on an egalitarian basis, the Atonga tribal council. The champion of this alternative form of governance was a Tonga intellectual named Filemon K. Chirwa. At the height of the political manoeuvring to institute the Atonga tribal council, Filemon wrote and published his o

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Doran, Michelle. "Introducing the Digital Humanities in Ireland Landscape Report Dataset." Studi irlandesi. A Journal of Irish Studies 12 (June 30, 2022): 33–42. http://dx.doi.org/10.36253/sijis-2239-3978-13743.

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The UK-Ireland Digital Humanities Network was jointly funded in July 2020 by the Irish Research Council (IRC) and the UK Research and Innovation’s (UKRI) Arts and Humanities Research Council (AHRC) under the ground-breaking Collaboration in Digital Humanities Networking Grant Scheme. The joint aims of the Network were to: a) undertake research and consultation towards the implementation of a permanent UK-Ireland Digital Humanities Association; and b) to develop a clear roadmap for collaboration in the field between the two countries. An ancillary objective of the Irish Network members is to pr

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Mulyono, Tri, Basukiyatno Basukiyatno, Leli Triana, Afsun Aulia, and Rofi’udin Rofi’udin. "Guidance on Poetry Writing 11th Grade Students of SMA PGRI 3 Randudongkal, Pemalang Regency." ASEAN Journal of Empowering Community 3, no. 2 (2024): 1–16. https://doi.org/10.24905/ajecom/vol3issue2.61.

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This community service activity was conducted in Pemalang Regency, Central Java, specifically at SMA PGRI 3 Randudongkal, organized in collaboration between LPPM UPS and the Literary Committee of the Regional Arts Council (DKD) of Pemalang Regency. Students of SMA PGRI 3 Randudongkal have a very high interest in literature but do not yet have the skills to write poetry well. Therefore, this activity is expected to equip them with poetry writing skills. The activities packaged in the form of a workshop not only provide participants with material about poetry but also require them to produce poe

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Divine, Ebong-Pende Epie, Kingsley Lyonga Ngange, and Stephen N. Ndode. "Perceptions of SONARA’S Corporate Reputation by the Host Community, Limbe II Council Area, Cameroon." Advances in Social Sciences Research Journal 11, no. 4 (2024): 133–65. http://dx.doi.org/10.14738/assrj.114.16820.

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This study examines how the population of Limbe II council area perceives the Cameroon National Refining Company Ltd (SONARA) in terms of its business activities, its relationship with this major stakeholder group, its respect for environmental ethics, and the contribution of the company to the socio-economic development of the area. The population under study is the Limbe II council area, made up of 11 communities with 42300 inhabitants. Two methods of data collection are used: survey and qualitative content analysis of SONARA’s corporate policy documents. The questionnaire was administered t

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Popov, Danail, Priyanka Roychoudhury, Helen Hardy, Laurence Livermore, and Ken Norris. "The Value of Digitising Natural History Collections." Research Ideas and Outcomes 7 (December 7, 2021): e78844. https://doi.org/10.3897/rio.7.e78844.

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The Natural History Museum, London has been creating digital data about collections for many years, with a formal Digital Collections Programme since 2014. Efforts to monitor the outcomes and impact of this work have focused on metrics of digital access, such as download events, and on citations of digital specimens as a measure of use. Digitisation projects and resulting research have also been used as impact case studies, highlighting areas such as human health and conservation. In 2021, the Museum decided to explore the economic impacts of collections data in more depth, and commissioned Fr

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Łuczyńska, Alicja. "Księgozbiór Johanna Graumanna (1487–1541) w zbiorach Biblioteki Muzeum Warmii i Mazur w Olsztynie – charakterystyka kolekcji." Z Badań nad Książką i Księgozbiorami Historycznymi 16, no. 4 (2023): 479–542. http://dx.doi.org/10.33077/uw.25448730.zbkh.2022.727.

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The library of the Museum of Warmia and Mazury in Olsztyn has a rich collection of old prints. Among them, volumes once belonging to the Königsberg preacher Johann Graumann (1487–1541), known under the pseudonym Poliander, have been identified. There are 28 volumes with 157 bound titles. The theologian’s private library numbered nearly 1,000 copies. After his death, it was handed over to the care of the Königsberg City Council. In accordance with his will, the volumes initiated the Königsberg City Library (Stadtbibliothek Königsberg). After the end of the Second World War, the Königsberg book

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Beaudoin, Jennifer, and Miranda D’Amico. "Look both ways before crossing: Using a triangulation of artbased methods to transform student – staff relationships as it relates to school climate (online first)." IJAR – International Journal of Action Research 20, no. 3-2024 (2024): 1–28. http://dx.doi.org/10.3224/ijar.vxix.366359.

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By engaging in an art(s) based action-research case study, youth from a Montréal school considered student-staff relationships as they relate to school climate. Three arts-based data collection methods (timeline, relational map, and photovoice) were used to gain awareness on how relationships with staff constituted the primary determinant of student behavior, student engagement, and a robust school climate. Positive relationships were found to be facilitated by staff who authentically engage with students’ lives outside the classroom, demonstrate equity and discretion in classroom management p

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Beaudoin, Jennifer, and Miranda D’Amico. "Look both ways before crossing: Using a triangulation of art-based methods to transform student – staff relationships as it relates to school climate." IJAR – International Journal of Action Research 20, no. 3-2024 (2025): 213–40. https://doi.org/10.3224/ijar.v20i3.02.

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By engaging in an art(s)-based action research case study, youth from a Montréal school considered student-staff relationships as they relate to school climate. Three arts-based data collection methods (timeline, relational map, and photovoice) were used to gain awareness on how relationships with staff constituted the primary determinant of student behavior, student engagement, and a robust school climate. Positive relationships were found to be facilitated by staff who authentically engage with students’ lives outside the classroom, demonstrate equity and discretion in classroom management p

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Özdemir, Sibel. "Education Profile of Akademic Staff Teaching in The Department of Tourism Management in Turkey." Abant Sosyal Bilimler Dergisi 25, no. 1 (2025): 452–69. https://doi.org/10.11616/asbi.1585808.

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The principal objective of the study is to conduct a comprehensive analysis of the educational profiles of academic staff engaged in the delivery of undergraduate programmes in tourism management at public and foundation universities in Turkey. In the process of data collection, the descriptive survey method, which is one of the qualitative research methods, was employed. The data for this study were obtained from the academic website of the Council of Higher Education (YÖK) and the official web pages of the relevant universities. The analysis of the collected data revealed that there are a to

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Samarin, Alexander Yu. "Bibliophile, Bibliologist, Researcher of the Book Art (on the 60th Anniversary of Mikhail Vadimovich Seslavinsky)." Bibliotekovedenie [Russian Journal of Library Science] 73, no. 1 (2024): 61–72. http://dx.doi.org/10.25281/0869-608x-2024-73-1-61-72.

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The article is devoted to scientific, exhibition and collecting activities of Mikhail Vadimovich Seslavinsky, candidate of historical sciences, full member of the Russian Academy of Arts, leader of the modern Russian bibliophile community, Chairman of the Council of the National Union of Bibliophiles. His scientific and popular science works in the field of book history, bibliography, art of the book, history and modern state of Russian bibliophilia are analyzed (in total — more than 40 book publications, including major monographic works, about 300 articles, reports, notes, publications of do

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Samarin, Alexander Yu. "Bibliophile, Bibliologist, Researcher of the Book Art (on the 60th Anniversary of Mikhail Vadimovich Seslavinsky)." Bibliotekovedenie [Russian Journal of Library Science] 73, no. 1 (2024): 61–72. http://dx.doi.org/10.25281/0869-608x-2024-1-73-61-72.

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The article is devoted to scientific, exhibition and collecting activities of Mikhail Vadimovich Seslavinsky, candidate of historical sciences, full member of the Russian Academy of Arts, leader of the modern Russian bibliophile community, Chairman of the Council of the National Union of Bibliophiles. His scientific and popular science works in the field of book history, bibliography, art of the book, history and modern state of Russian bibliophilia are analyzed (in total — more than 40 book publications, including major monographic works, about 300 articles, reports, notes, publications of do

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FitzGerald, Lisa, Eva Urban, Rosemary Jenkinson, David Grant, and Tom Maguire. "Human Rights and Theatre Practice in Northern Ireland: A Round-Table Discussion." New Theatre Quarterly 36, no. 4 (2020): 279–91. http://dx.doi.org/10.1017/s0266464x20000664.

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This round-table discussion, edited by Eva Urban and Lisa FitzGerald, took place on 5 July 2019 as part of the conference ‘New Romantics: Performing Ireland and Cosmopolitanism on the Anniversary of Human Rights’ organized by the editors at the Brian Friel Theatre, Queen’s University Belfast. Lisa FitzGerald is a theatre historian and ecocritic who completed postdoctoral fellowships at the Centre de Recherche Bretonne et Celtique (CRBC), Université Rennes 2 and the Rachel Carson Centre for Environment and Society, Ludwig Maximilian University of Munich. She is the author of Re-Place: Irish The

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Taufan, Mochammad, Luthfiyati Nurafifah, and Gading Gading. "Etnomatematika dalam Proses Pembuatan Kertas Daluang di Kabupaten Indramayu." Indo-MathEdu Intellectuals Journal 6, no. 2 (2025): 2177–88. https://doi.org/10.54373/imeij.v6i2.2870.

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This research will explore the mathematical knowledge contained in the traditional elements of making Daluang paper in Indramayu Regency. This research was carried out at Rumah Daluang, the Indramayu Arts Council, and the Sawo Kecik Theater House as groups engaged in making Daluang paper in Indramayu. This research is qualitative research using an ethnographic approach. Data collection techniques used were interview, observation and documentation techniques. The validity of the data in this research will be tested through credibility, transferability, dependability and confirmability. Data ana

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Norton, Christopher. "The Buildings of St Mary's Abbey, York and Their Destruction." Antiquaries Journal 74 (March 1994): 256–88. http://dx.doi.org/10.1017/s0003581500024446.

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St Mary's Abbey, York was one of the richest Benedictine monasteries in the country and its buildings reflected its wealth and status. The quality of its architectural remains is of the highest order, and the collection of medieval sculpture from the site is outstanding. Indeed, the set of life-size column-figures brought to light in 1829 must count as one of the most exciting discoveries ever made in the field of the history of sculpture in this country. Nor is the later history of the site any less interesting. At the Dissolution it became the seat of the King's Council in the North and acqu

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Shevtsova, Maria. "Of ‘Butterfly’ and Men: Robert Wilson Directs Diana Soviero at the Paris Opéra." New Theatre Quarterly 11, no. 41 (1995): 3–11. http://dx.doi.org/10.1017/s0266464x00008824.

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In NTQ40 (November 1994), in the first of two pieces on modern directorial approaches to the staging of opera as music theatre, Maria Shevtsova discussed Peter Brook's production of Impressions de Pelléas, complementing her own analysis with an interview with one of the leading actor-singers, Vincent Le Texier. Pursuing a similar dual-faceted approach, here she provides a detailed explication of Robert Wilson's production of Madame Butterfly, seen at the Opéra de Paris Bastille in 1993, exploring the ways in which Puccini's original orientalisms are translated and transmuted into a version of

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Darmawati, Darmawati, and Birusman Nuryadin. "The Development of Biru Kersik Coast Tourism in Marangkayu, Sub-District of Kutai Kartanegara (A Review of Sharia National Council-Indonesian Ulema Council Fatwa Number 108/DSN-MUI/X/2016 about Tourist Guidelines Based on Sharia Principles)." AL-FALAH : Journal of Islamic Economics 7, no. 1 (2022): 23. http://dx.doi.org/10.29240/alfalah.v7i1.3953.

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Purpose: The aim of this study is to knowing the concept of sharia tourism services and facilities at Biru Kersik Coast in Marangkayu through reviewing the DSN-MUI Fatwa number 108/DSN-MUI/X/2016, and how its development accompanied by supporting and inhibiting factors.Design/Method/Approach: This study uses a descriptive analytical approach, to reveal a problem and the situation as it is at Biru Kersik Coast. It intensively implemented a qualitative approach to obtain information. The data collection techniques used in this study were interviews, observation, and documentation. The selected i

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Protas, Maryna. "Jeff Koons’ Moon Odyssey: The Return of Post-Minimal Sculpture." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(1) (April 22, 2024): 116–23. http://dx.doi.org/10.31500/1992-5514.20(1).2024.306920.

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The two-year epic of sending a sculpture by Jeff Koons to the Moon on an expedition aboard the Odysseus spaceship is almost over: the module with the world’s first authorized public sculpture on the surface of another extraterrestrial body of the Solar System made a landing but overturned, entering the phase of hibernation. It is not yet clear whether and when it will be possible to directly land the sculpture on the surface of the Earth’s satellite. However, despite the obstacles of its inhospitable field conditions, the project has, in addition to the orbital conquistador mission, two other

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Yardımcı, Mehmet Emin, Bengü Doğangün Yasa, and Ednan Ayvaz. "Tax Farming Revenues and Accounting in Ottoman Finance: The Case of Kocaeli (1846–1847)." SAGE Open 12, no. 2 (2022): 215824402210966. http://dx.doi.org/10.1177/21582440221096636.

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Unlike the European nations that shifted from privatized tax collection to a centralized government control system, the Ottoman Empire successfully maintained its tax farming system. Yet, there is ample evidence against the views that such a system was backward and wasteful are not entirely correct, but that the Ottoman tax collection method was successful in its own historical context. Therefore, the aim of this study was to reveal evidence of whether the Ottoman Empire implemented a successful tax farming system in the 19th century based on the accounting records of tax farming revenues cons

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Simkó, Krisztián. "Remedies for a Prince with a Nosebleed: SAA 10, 321–322 and the Missing Medical Tablet of Urad-Nanaya." Zeitschrift für Assyriologie und vorderasiatische Archäologie 114, no. 2 (2024): 203–20. http://dx.doi.org/10.1515/za-2024-0019.

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Abstract K 1452, a previously unpublished tablet from the Kouyunjik Collection in the British Museum, contains pharmaceutical remedies and incantations against nasal haemorrhage. The format of this tablet suggests that it was prepared for practical purposes. Neo-Assyrian medical letters offer the closest parallels in Nineveh, and two of them, SAA 10, 321 and 322, record remedies for a prince suffering from a heavy nosebleed. The former letter also mentions a text (mašṭaru) sent by the chief physician. In this paper, it is argued that K 1452 may very well be the text mentioned in SAA 10 321. Wo

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Francesco, Salamone, Lorenzo Belussi, Ludovico Danza, et al. "Bringing students closer to the issues of indoor environmental quality and technology using nEMoS device: an experience in Albania." Acta Polytechnica CTU Proceedings 38 (December 21, 2022): 424–28. http://dx.doi.org/10.14311/app.2022.38.0424.

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The article presents the outcomes of a monitoring campaign and a survey performed in a~school building in Tirana. Included in the Bilateral Agreement between the National Research Council of Italy and the Ministry of Education and Sport of the Republic of Albania, the research is based on environmental analysis, collection of data from monitoring of environmental variables and students' feedback. The monitoring of Indoor Environmental Quality (IEQ) was carried out with a~nearable Environmental Monitoring System (nEMoS) for IEQ purposes, designed and developed by ITC-CNR based on the Do-It-Your

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Sekarjati, Amalia, and Tamara Adriani Salim. "Penilaian Arsip Kesenian di Dewan Kesenian Jakarta." Khazanah: Jurnal Pengembangan Kearsipan 18, no. 1 (2025): 1. https://doi.org/10.22146/khazanah.106459.

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This study aims to identify the archival appraisal process, analyze the value, and interpret the patterns of art archives at the Jakarta Arts Council (DKJ). The selection of informants used purposive sampling technique, namely DKJ members for the 2020-2023 period and staﬀ who have interacted and utilized DKJ archives. The data collection method was using document analysis, interviews, and observation. It was found that DKJ does not yet have an appraisal instrument such as retention schedule in determining what is kept and disposed. However, during the 2020-2023 period, there was an awareness t

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Caston, Emily. "Music videos in the British screen industries and screen heritage: From innovation to curation. Introduction." Alphaville: Journal of Film and Screen Media, no. 19 (July 23, 2020): 154–59. http://dx.doi.org/10.33178/alpha.19.13.

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In December 2019, Rolling Stone magazine ran a piece on the best videos of the year which began by asking, “What even counts as a music video now?” (Shaffer). Vevo, Tiktok and Instagram TV have blurred the lines. Videos can be an hour long. They can be events on YouTube Premiere. They can be virtual reality. The idea that the world of the earliest creators of pop promos was simple in comparison to today subtends this dossier. In 2015, I was awarded an Arts and Humanities Research Council (AHRC) grant to investigate the history of music videos in Britain since 1966. At the end of the grant, I c

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Ab Rahman, Muhamad Firdaus, Hussein `Azeemi Abdullah Thaidi, Ahmad Syukran Baharuddin, Azman Ab Rahman, and Siti Farahiyah Ab Rahim. "Expansion of Agricultural Zakat Revenue in Malaysia on the Basis of the Current Maslahah." Al-Jami'ah: Journal of Islamic Studies 57, no. 1 (2019): 231–56. http://dx.doi.org/10.14421/ajis.2019.571.231-256.

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The reality concerning the agricultural zakat in Malaysia only impose the zakah on the paddy crops based solely on the opinion of Imam Shafi`i rather than an opinion of other scholars. This paper aims to critically examine the agricultural zakat in Islam based on Malaysian context and analyse the transformation of expanding the agricultural zakat based on the objective of Shariah. A qualitative methodology was employed to analyse the data through inductive, deductive, comparative and field research. As for the field research, the study has conducted semi-structured interviews with the Zakat Co

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Hartkamp, Arthur, and Beatrijs Brenninkmeyer-De Rooij. "Oranje's erfgoed in het Mauritshuis." Oud Holland - Quarterly for Dutch Art History 102, no. 3 (1988): 181–232. http://dx.doi.org/10.1163/187501788x00401.

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AbstractThe nucleus of the collection of paintings in the Mauritshuis around 130 pictures - came from the hereditary stadholder Prince William v. It is widely believed to have become, the property of the State at the beginning of the 19th century, but how this happened is still. unclear. A hand-written notebook on this subject, compiled in 1876 by - the director Jonkheer J. K. L. de Jonge is in the archives of the Mauritshuis Note 4). On this basis a clnsor systematic and chronological investigation has been carried out into the stadholder's. property rights in respect of his collectcons and t

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Fierro, Julieta. "Astronomy Books in Spanish." Transactions of the International Astronomical Union 24, no. 3 (2001): 166. http://dx.doi.org/10.1017/s0251107x0000064x.

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Great cultures have created language. They have discovered its strength among other reasons for education. For a long time the Bible was one of the few books available in western culture, its influence is beyond any doubt. Many developing nations have no science books in their mother tongue. They might carry a few translations but these do not convey the local culture so it is harder for students to grasp the concepts and to build on what they know. Books, even if they are extremely simple, should be written in local languages because that will facilitate the conveying of knowledge and the cre

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Smith, Vincent, Helen Hardy, and Tara Wainwright. "DiSSCo UK: A new partnership to unlock the potential of 137 million UK-based specimens." Biodiversity Information Science and Standards 6 (August 23, 2022): e91391. https://doi.org/10.3897/biss.6.91391.

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Between September 2021 and March 2022, a consortium across the twelve nations and regions of the United Kingdom (UK), led by the Natural History Museum (NHM), London, participated in a study to develop the business case and plan to support a national programme of natural science collections digitisation. This work, funded by the Arts and Humanities Research Council (AHRC), sought to understand the size and diversity of UK natural science collections; establish the readiness of UK institutions to undertake digitisation; and develop training materials to pilot regional digitisation, building on

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Mohini, Chandra. "Matérialité." ARCHIVO PAPERS 3, no. 1 (2023): 126–33. https://doi.org/10.5281/zenodo.7951401.

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Mohini Chandra is an internationally renowned artist and researcher based in England, UK. Her artistic work expands from the personal scale of her multi-layered cultural identity into inquieries on the global flow of people and cultures. She inscribes herself in the history of the Indian diaspora in Fiji, which caused decades of mass immigration from India to the Pacific region in the late 19th century through the colonial “Indentured labour system”. From this transcultural perspective, Mohini Chandra reflects on the mutual conditionality of cultural identi

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Martens, Didier. "Un disciple tardif de Rogier de la Pasture: Maître Johannes (alias Johannes Hoesacker?)." Oud Holland - Quarterly for Dutch Art History 114, no. 2-4 (2001): 79–106. http://dx.doi.org/10.1163/187501701x00406.

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AbstractThe triptych which has hung above the main altar of Our Lady of the Immaculate Conception at Maria-ter-Heide (Brasschaat, near Antwerp) since the nineteenth century unfolds a highly unusual iconographical programme. The representation on the central panel is a 'Holy Kinship' with Saint Anne; the left and right shutters show a 'Tree of Jesse', and the 'Kinship of Effra and Ismeria' respectively. This unusual combination of themes, and the coat of arms of the abbey at Tongerlo on the staff of the kneeling donor on the left shutter, enable us to identify the triptych from an old descripti

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Martín Viso, Iñaki, and Juan Ignacio García Hernández. "Reclamar y construir los paisajes comunales: Los devasos de Ciudad Rodrigo en la Edad Media." Historia Agraria Revista de agricultura e historia rural, no. 84 (May 11, 2021): 7–38. http://dx.doi.org/10.26882/histagrar.084e06v.

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This paper focuses on the analysis of the ways which areas of collective use were created and claimed in the Middle Ages, through the case of the devasos of Ciudad Rodrigo. They were lands used preferentially to the grazing of cattle and to the collection of firewood; the inhabitants of the town of Ciudad Rodrigo as well as the neighbours of the villages that surrounded those areas had rights of entitlement to access. The means of claiming communal rights over those spaces between eleventh and fifteenth centuries have been studied thanks to a combination of archaeological record and written so

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Peter, Ogundola Ilesanmi, Agboola Babajide Gabriel, and Usman Asipita Kehinde. "Vocational Development Initiatives for Youth Empowerment: Case of the Nigeria Secondary Schools’ Curriculum." Mediterranean Journal of Social Sciences 11, no. 2 (2020): 116. http://dx.doi.org/10.36941/mjss-2020-0024.

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The study was carried out to evaluate the Vocational Development initiatives of the Nigerian secondary education curricula introduced by the National Education Research and Development Council (NERDC). Five research questions were formulated to guide the study. Descriptive survey design was adopted. The study was carried out in Kogi State. Sample for the study was 220 respondents made up of 102 male and 118 female senior secondary school students offering trade subjects. A structured questionnaire titled Vocational Development Initiatives for Youth Empowerment (VDIYE) questionnaire was develop

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Ogutu, Wanyama. "The Future of Return of the African Artefacts: A Review of African Union (AU) Vision 2063 on Africa with a Strong Cultural Identity Common Heritage, Values and Ethics." East African Journal of Arts and Social Sciences 6, no. 2 (2023): 356–62. http://dx.doi.org/10.37284/eajass.6.2.1605.

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The successful return of African artefacts was absolutely echoed by the later Zairian President, Kukugbedu Zambanga Seseseko Mobuto, at the United Nations in New York. The parliaments' legislation, enactment of the national laws, and mutual agreement treaties in the joint International Council of Museums (ICOM) were implemented at a slow pace across Africa. The paper reviews discourse on "Africa with a Strong Cultural Identity Common Heritage, Values and Ethics" since unveiling the African Union (AU) Vision 2063 in the year 2021. It aims to unravel some issues that affect the return of African

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Mahdi Syahbandir, Wais Alqarni, Dahlawi MAZ, Abdul Hakim, and Bunyamin Muhiddin. "State Authority for Management of Zakat, Infaq, and Sadaqah as Locally-Generated Revenue: A Case Study at Baitul Mal in Aceh." AL-IHKAM: Jurnal Hukum & Pranata Sosial 17, no. 2 (2022): 554–77. http://dx.doi.org/10.19105/al-lhkam.v17i2.7229.

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Aceh is a region with an autonomy in implementing Islamic law (sharia) and Baitul Mal is one of the institutions formed by the local government to support it. This article aims to discuss the authority of the state in managing zakat, infaq, and sadaqah (ZIS), and describe the authority of the Baitul Mal in managing ZIS as locally-generated revenue (PAD) in Aceh. The study used a case study approach by using the theory of authority as an analytical tool. Data collection techniques were carried out through interviews and document studies. The informants interviewed were the staff of the Baitul M

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Dedinkin, M. O. "Friedrich Wilhelm Brass, Creator of the Genossenschaft for Proletarian Art in Berlin: the First Experience of a Biography." Art & Culture Studies, no. 3 (August 2022): 38–63. http://dx.doi.org/10.51678/2226-0072-2022-3-38-63.

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The purpose of this article is to study the life and activity of Friedrich Wilhelm Brass, founder of Genossenschaft for Proletarian Art in Berlin (1920). Friedrich Wilhelm Brass (1873–1931) throughout his life sought to combine the commercial interests of a contemporary art dealer with the ideas of the social reorganization of the world. One of the first to call himself a communist in Germany, he created in 1920 in Berlin the Genossenschaft for Proletarian Art, the collection of which became the first contemporary western art brought to Soviet Russia. On the basis of this collection kept in th

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Budy, Gandhes Sembodro. "Akademi Lalare Orchestra Sebagai Pengembang Kreativitas Musik Pada Anak Di Kabupaten Banyuwangi." Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 4, no. 1 (2021): 11. http://dx.doi.org/10.26740/vt.v4n1.p11-19.

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Abstract: Creativity is a talent possessed by every individual and can be honed or nurtured through the right educational institutions. In a creativity formation, children need help to build their creativity. Supporting factors and the formation of creativity in children, namely with the full support of the people or the environment around them. The Lalare Orchestra Academy is an educational institution that teaches children to be more creative in playing musical instruments. This research uses descriptive qualitative method with data collection using observation and interview techniques, whil

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Nasrullah, Nasrullah. "School Readiness in Implementing the Independent Learning Curriculum at SMP Islam Yaqin 1 Montong Batu Bawi, Jerowaru District." MANAZHIM 6, no. 2 (2024): 514–34. http://dx.doi.org/10.36088/manazhim.v6i2.5245.

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The curriculum plays a holistic function in the world of education. In its strategic position, it serves as a vehicle and medium for the conservation, internalization, crystallization, and transformation of knowledge, technology, arts, and human life values. The objectives of this research are: 1) To understand the efforts of schools in implementing the Merdeka Belajar curriculum at SMPI Yaqin 1 Montong Batu Bawi Jerowaru; 2) To identify the roles of teachers in implementing the Independent Learning Curriculum at SMPI Yaqin 1 Montong Batu Bawi Jerowaru; and 3) To analyze the supporting and inh

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De Bujanda, J. M. "Travaux sur la censure et les index des livres interdits réalisés à l’Université de Sherbrooke." Renaissance and Reformation 37, no. 4 (2015): 101–14. http://dx.doi.org/10.33137/rr.v37i4.22642.

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L’invention de l’imprimerie au XVe siècle s’avère un puissant facteur de diffusion des idées dont se servent les autorités civiles et religieuses ainsi que le mouvement humaniste. Quand au XVIe siècle l’imprimerie devient le principal moyen de diffusion de la Réforme protestante, les autorités ecclésiastiques et civiles qui restent fidèles à l’Église romaine essaient d’empêcher l’impression, la vente, la possession et la lecture des ouvrages hétérodoxes. C’est ainsi qu’on assiste à la parution des premières listes des ouvrages et des auteurs condamnés, désignés comme index d

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