Relevant bibliographies by topics / Arts, directories

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Arts, directories'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Arts, directories"

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Shaw, Gareth, and Tim Coles. "European directories: a universal source for urban historians." Urban History 22, no. 1 (May 1995): 85–102. http://dx.doi.org/10.1017/s0963926800011391.

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This article stresses the need to develop a more systematic approach to data sources in a context of greater European comparative study. The work and initial findings of the European Directories Project to provide a resource guide of one universal European data source, the town directory, are outlined here. Pathways and mechanisms of directory evolution are considered with special reference to Germany. This is succeeded by a discussion of the problems associated with the compilation of a pan-European directory database and the potential difficulties associated with directory use in urban historical research.
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BARKER, HANNAH. "‘Smoke cities’: northern industrial towns in late Georgian England." Urban History 31, no. 2 (August 2004): 175–90. http://dx.doi.org/10.1017/s0963926804002093.

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The industrial towns of northern England have been largely overlooked during the late eighteenth and early nineteenth centuries. This article examines newspaper advertising, directories, public building and improvement in Manchester, Leeds and Sheffield and identifies a middling, consumerist society, where urban culture was firmly rooted in the localities in which it developed. The nature of this culture challenges simplistic understandings of metropolitan dominance and questions the utility of national models of consumerism and ‘politeness’ that ignore the importance of regional variation and provincialism.
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Varley, Gillian. "Making the vision work." Art Libraries Journal 19, no. 3 (1994): 13–17. http://dx.doi.org/10.1017/s0307472200008890.

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How has the vision of the pioneers of ARLIS translated into the activities and achievements of the Society and its members in the present? The relationship of ARLIS and the National Art Library at the Victoria and Albert Museum has radically improved; collaborative projects in the areas of periodicals, slides and exhibition catalogues have yielded fruits in the form of union lists, surveys and directories; the longstanding Directory of members has been joined by a new directory documenting art, design and architecture resources in the UK and Ireland. However, as the Follett Report shows, the demands on libraries in the UK are heavier than ever before and will continue to increase, meaning that libraries will have to find new strategies to keep abreast of demand and take advantage of the new technologies. ARLIS should broaden its membership and may be able to achieve some of its long-term goals through the Visual Arts Library and Information Plan.This article is a revised version of a paper delivered to the 25th Anniversary Conference of ARLIS/UK & Ireland, London, 7th-10th April 1994.
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RAVEN, NEIL. "Chelmsford during the industrial revolution, c.1790–1840." Urban History 30, no. 1 (May 2003): 44–62. http://dx.doi.org/10.1017/s0963926803001032.

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Were England's old shire towns marginalized from the process of economic change during the period of the classical Industrial Revolution? A number of contributors to The Cambridge Urban History of Britain, Vol. II make this claim, others emphasize the continued relevance of these towns in the emerging industrial age. With few investigations undertaken into the county towns of the late eighteenth and early nineteenth centuries, detailed case study analysis is needed. Using trade directories to profile Chelmsford's business community, this article presents evidence of a dynamic and prosperous urban economy.
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Rodger, Richard. "Gareth Shaw and Allison Tipper, British Directories: A Bibliography and Guide to Directories published in England and Wales (1850–1950) and Scotland (1773–1950). Leicester: Leicester University Press, 1989. viii + 440pp. 14 figures. 5 tables. £47.50." Urban History 16 (May 1989): 240–41. http://dx.doi.org/10.1017/s0963926800009548.

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McCracken, Peter. "Association and Division Membership among Small College Librarians." College & Research Libraries 60, no. 4 (July 1, 1999): 364–71. http://dx.doi.org/10.5860/crl.60.4.364.

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This study explores ALA membership among directors at small liberal arts colleges. Results show that directors at the smallest colleges are much less likely to be members of ALA and ACRL than their colleagues at larger colleges are. The study investigates trends based on the director’s level of completed education, the director’s tenure at her or his institution, and the relative size of the institutions. The discussion questions why directors at smaller colleges are less likely to be members of ALA and ACRL and examines how those associations might expand their services among these individuals.
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Eze, Sunday C., Vera C. A. Chinedu-Eze, and Hart O. Awa. "Key Success Factors (KSFs) Underlying the Adoption of Social Media Marketing Technology." SAGE Open 11, no. 2 (April 2021): 215824402110066. http://dx.doi.org/10.1177/21582440211006695.

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In developing world, most decisions by Micro, Small, and Medium Enterprises (MSMEs) to adopt social media marketing technology (SMMT) rely heavily on study findings from the Western World without much recourse to cross-context differences in structure and managerial capabilities. Thus, the lack of inquiries that provide complete guideline on the adoption of SMMT in developing economies hinders the development of integrated framework(s) that explains MSMEs’ successful adoption. The study used technology–organization–environment (T-O-E) framework as the theoretical basis to examine the critical factors that stimulate MSMEs adoption of SMMT in Nigeria. The adopted methodological choice was qualitative, involving interviews with 20 participants selected from the online directories via purposive and snowball sampling techniques. However, thematic analysis was the data treatment technique; and the study extended the T-O-E framework to provide an understanding into the dominant factors that specifically influence MSMEs’ adoption, without losing sight of vendors who would rely on the extended framework to get audiences continually satisfied.
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Hollern, Matthew. "Conference Arts Director's Statement." Leonardo 43, no. 4 (August 2010): 324. http://dx.doi.org/10.1162/leon_e_00003.

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Borsay, Peter, Callum Brown, and M. J. Daunton. "P.J. Atkins, The Directories of London, 1677–1977. London and New York: Mansell, 1990. 732pp. 38 figures. Tables. Bibliography. £60.00." Urban History 19, no. 1 (April 1992): 160–61. http://dx.doi.org/10.1017/s0963926800009810.

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Rosevear, Alan, Dan Bogart, and Leigh Shaw-Taylor. "The spatial patterns of coaching in England and Wales from 1681 to 1836: A geographic information systems approach." Journal of Transport History 40, no. 3 (September 26, 2019): 418–44. http://dx.doi.org/10.1177/0022526619875258.

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Passenger coach services grew enormously in England and Wales between 1681 and 1836. This article documents the spatial patterns using data from trade directories, original maps and geographic information systems. Digital mapping illustrates the development of long-distance services from London to various destinations, including resorts, ports, industrial towns and county towns. Mapping also illustrates the development of Country services between provincial towns, especially major hubs like Manchester and Birmingham, and commuter traffic around large conurbations. Overall the maps and figures point to substantial change in destinations and the structure of the coach network. Country coach services increased after the 1790s to complement the London services. By 1835, an extensive, interlinked network of long-stage coaches grew across the country and a radial network of daily-return services grew on roads leading into London. Beyond coaching, our findings illustrate how traditional primary sources can yield new insights when combined with geographic information systems.
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Dissertations / Theses on the topic "Arts, directories"

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Faw, Bruce Duane. "A system for the application of computer mediated communication to scholarly discourse." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1275.

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Faust, Pamela June. "The characteristics of effective Executive Directors in Nonprofit Arts Organizations." Connect to resource, 2000. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1152214016.

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Wright, Mathew. "RENT: A Director's Process." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/106161.

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Theater
M.F.A.
RENT: A Director's Process describes the process a director undergoes in the creation of a piece of theater. It uses as its example Temple Theaters' 2010 production of RENT, and it examines how an MFA thesis production encapsulates the material garnered over three years' intensive study in a conservatory setting of the art and craft of directing. It explores the methodologies behind the pre-production process, including concept, approach, design, and casting, and continues into the production process, including rehearsal and performance. This thesis suggests a method of directing that is based on a formal approach, and shows this method to be as applicable to populist styles, such as musical theater, as it is to more experimental forms.
Temple University--Theses
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Wurth, Paul Stephen. "The Director's Presence." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1013.

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This text is partial record and narrative of the process and productions of Orphans by Lyle Kessler that opened on March 29th 2007 for a four day run ending on April 1st, The Pillowman by Martin McDonagh that opened October 28th 2007 for a three day run ending on October 30th, and Terra Nova by Ted Tally that opened on February 21st 2008 for a four day run ending on February 24th. The majority of the text follows the three shows from Spring 2007, Fall 2007, to Spring 2008, focusing on the process of direction of each production. Incorporated in the writing are the experiences, lessons, and complications that arose while directing the three shows. The text contains several notes on directing, acting, collaboration, choreography, casting, rehearsal and different perspectives on the creative process of the productions: all combined create an aesthetic inherent in the author's three years of study at the Virginia Commonwealth University Theatre Pedagogy Program with an emphasis in Acting and Directing.
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Taouya-Joseph, Catherine. "Jules Barbey d'Aurevilly et les arts visuels." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040073.

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Jules Barbey d’Aurevilly et les arts visuels peut sembler un sujet de thèse paradoxal, tant il est convenu de considérer Jules Barbey d’Aurevilly comme incompétent dans le domaine artistique. Catholique, à la fois romancier, diariste, épistolier et critique d’art éphémère, il demeure l’un des auteurs les plus inclassables du XIXe siècle. Si le critique d’art est généralement contesté, nous proposons ici un jugement plus nuancé. Nous montrons combien l’esthétique de son écriture profane et catholique renvoie à des évocations qui sont de véritables transpositions d’œuvres d’art, où sculpture et peinture rivalisent. Quelques couleurs spécifiques sont en effet récurrentes au point de faire l’objet d’une évidente déclinaison liturgique. Au plan matériel, son goût pour la couleur est démontré par ses manuscrits. Barbey révèle au monde une écriture picturale, mais aussi une personnalité source d’inspiration et de représentation pour de nombreux artistes. Nous nous attachons également à la réception du personnage, afin de montrer comment le dandy spectaculaire, devient lui-même œuvre d’art pour ses contemporains et un sujet d’artefacts, dont les sculpteurs Zacharie Astruc et Auguste Rodin s’emparent en lui façonnant chacun un buste de bronze. Nous montrons enfin combien Barbey est une source d’inspiration pour divers artistes, allant des illustrateurs par images fixes, jusqu’aux adaptateurs, réalisateurs cinéastes et téléastes
Jules Barbey d’Aurevilly and the visual arts could be a paradoxical thesis because Jules Barbey d’Aurevilly is considered as incompetent in the artistic domain. Catholic, novelist, diarist, letter writer, and controversial art critic, he is regarded as one of the most unclassifiable authors of the XIXth century. He is one of the last romantics, but also one of the precursors of symbolism. His suggestive writing stimulates the reader’s imagination. If the art critic is controversial, yet the judgment must be qualified. His profane and religious esthetic way of writing suggests a real transposition of master works of arts, rivaling painting and sculpture. Some specific colours keep recurring so that they become the object of an obvious liturgical declension. Graphically, his taste for colour is demonstrated by his manuscripts. Barbey reveals to the world a pictorial way of writing, but also his personality is a source of inspiration and representation for numerous artists. In this thesis, the reader becomes attracted by the reception of his character, a Spectacular Dandy, who becomes a work of art himself for his contemporaries: the sculptors Zacharie Astruc and Auguste Rodin made bronze busts of him. Jules Barbey d’Aurevilly inspires the whole field of the visual arts, from illustrators of his published books, up to adapters, directors, film-makers and television directors
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Laframboise, Charles. "The autonomy of executive directors of selected national sport governing bodies in performing their duties." Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/5215.

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Wan, Hong. "Two Essays on Corporate Governance⎯Are Local Directors Better Monitors, and Directors Incentives and Earnings Management." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002494.

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Farris, Charles Adron III. "CHARLES MEE’S HOTEL CASSIOPEIA: A DIRECTORIAL COMPOSITION IN SEARCH OF THE ‘INNER LIFE’." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1247861560.

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Arreola, Dora A. "Staging Through Rituals: Directorial Exploration of The Imaginary Invalid." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/266/.

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Suchy, Sherene, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "An international study on the director's role in art museum leadership." THESIS_CAESS_CAR_Suchy_S.xml, 1998. http://handle.uws.edu.au:8081/1959.7/517.

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By the 20th Century, tax codes made a distinction between for-profit and not-for-profit organisations. The distinction was that not-for- profits were to supply a service to society like hospitals, churches and museums. The distinctions are no longer clear. There is a demand for 'new breed' or hybrid directors in an environment favoring economic capital and searching for people who can be champions for social capital. This international cross-disciplinary research explores the leadership challenge through personal interviews and survey feedback with 72 museum directors or associate directors across Australia, the United States, England and Canada. Organisation psychology and management theory is brought to the field of art history. Art history is the traditional breeding ground for museum directors. In concluding, the thesis argues for a range of propositions to address the current leadership crisis in art museums based on a new understanding of leadership and leadership development
Doctor of Philosophy (PhD)
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Books on the topic "Arts, directories"

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Herold, Patricia. New Jersey arts. New Brunswick: Rutgers University Press, 1990.

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Wolff, Hennie. Visual arts handbook. 3rd ed. Toronto: Visual Arts Ontario, 1991.

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Doling, Tim. Lesotho arts directory. London: Visiting Arts, 1999.

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Navaretta, Cynthia. Whole arts directory. New York: Midmarch Arts Books, 1987.

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Doling, Tim. Zimbabwe arts directory. London: Visiting Arts, 1999.

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Doling, Tim. Zambia arts directory. London: Visiting Arts, 1999.

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Association, Caithness Arts. Caithness Arts Directory: A window to the Arts in Caithness. Thurso: Caithness Arts Association, 2005.

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Dugan, Gene. Alaska arts resource directory. Anchorage, AK (P.O. Box 104880, Anchorage, 99510): Arts Alaska, 1987.

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Schoenberg, Mollie L. People in the arts: Newton. 2nd ed. Newton, Mass: Newton Free Library, 1986.

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Oakland (Calif.). Cultural Arts Division. Oakland arts resource directory '99. 4th ed. Oakland, Calif: Cultural Arts Division, 1999.

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Book chapters on the topic "Arts, directories"

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Crook, Paul B. "The Director’s Portfolio." In The Art and Practice of Directing for Theatre, 188–201. New York : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315669588-13.

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Crook, Paul B. "The Director’s “Rules”." In The Art and Practice of Directing for Theatre, 22–34. New York : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315669588-3.

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Crook, Paul B. "Skills Directors Need." In The Art and Practice of Directing for Theatre, 12–21. New York : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315669588-2.

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Aktaş, Seda. "Labelling Directors as “Women”." In Advances in Media, Entertainment, and the Arts, 188–99. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1774-1.ch013.

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The subject of this chapter is the conditions of the film industry in Turkey and the effects of the invisible pressures of the male-dominated system have on female directors and their productions. The basic question to be analysed is whether the problems they face are related to their gender and patriarchal system. Interviews will be conducted with female directors in order to understand the processes of production they undergo within the industry, the factors which influence their narrative choices, as well as to unpack the meaning of what it entails to be a “woman”/“female” director.
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"Working with Directors." In Storyboards: Motion In Art, 115–23. Routledge, 2012. http://dx.doi.org/10.4324/9780080465951-30.

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Schmid, Marion. "Painterly Hybridisations." In Intermedial Dialogues, 86–126. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474410632.003.0004.

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New Wave film exhibits a wealth of interactions with painting, ranging from the most literal inscriptions - the referencing of paintings, presence of painter figures and recording of the act of painting - to a plethora of more subterranean interactions. Taking Eric Rohmer's essay 'The Century of Painters' and André Bazin's'Painting and Cinema' as its starting point, this chapter analyses the movement's appropriation and reframing of the visual arts. Revisiting Jean-Luc Godard's incorporation of artworks in his films,it considers the director's practicealongside two filmmakers who were trained in the fine arts, AgnèsVarda and Guy Gilles. The chapter investigates seminal intermedial figurations such as the tableau vivant, as well as charting the three directors' varied engagement with a visual heritage no longer perceived as a restrictive model, but, on the contrary, as a rich repository of iconographies, motifs and techniques to be appropriated and reimagined.
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"Director’s Foreword." In "A Modern World: American Design from the Yale University Art Gallery, 1920–1950". Yale University Art Gallery, 2011. http://dx.doi.org/10.37862/aaeportal.00002.004.

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"WORKING WITH DIRECTORS." In The Craft and Art of Scenic Design, 49–66. Routledge, 2016. http://dx.doi.org/10.4324/9781315676173-8.

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Zugazagoitia, Julián. "Director’s Foreword." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.6.20.

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Uy, Michael Sy. "The National Endowment for the Arts, the U.S. Bicentennial, and the Expansion Arts and Jazz/Folk/Ethnic Programs." In Ask the Experts, 155–82. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197510445.003.0007.

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This chapter investigates the National Endowment for the Arts’s (NEA’s) jazz program, Expansion Arts division, Bicentennial fellowships for “jazz/folk/ethnic” artists, and Folk Arts division. While the NEA mirrored a policy of matching requirements in its Treasury grants—which supported predominantly symphony orchestras—it also provided several millions of dollars to otherwise underrepresented and undersupported artists and communities. Not only were the NEA’s officers keenly committed to helping jazz and folk music, but also they brought in experts from urban, suburban, and rural communities to work as program directors. Vantile Whitfield and A. B. Spellman—key figures in the black arts movement of the 1970s—became directors. These experts recruited panelists of a broader geographical, racial, and gender representation, and similarly funded more diverse musicians and artists. Compared to the Ford and Rockefeller Foundations, which rarely provided funding to jazz or the music of minority communities, the government agency was a lifeline to otherwise unseen and unheard cultural practices.
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Conference papers on the topic "Arts, directories"

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Wimmer, Raphael. "Files as directories: some thoughts on accessing structured data within files." In 2018: 2nd International Conference on the Art, Science, and Engineering of Programming 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3191697.3214323.

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Cojocaru, Cristina. "JOINT STOCK MANAGEMENT IN ROMANIAN LAW. ON THE LIABILITY OF DIRECTORS." In 5th International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/1.2/s02.080.

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Veigel, Maarika. "ESTONIAN YOUTH WORKERS? PROFESSIONALITY: YOUTH CENTERS DIRECTORS? AND YOUTH FIELD COORDINATORS? OPINIONS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.4/s13.039.

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Tchernavskij, Philip. "Critique of ‘files as directories: some thoughts on accessing structured data within files’ (1)." In 2018: 2nd International Conference on the Art, Science, and Engineering of Programming 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3191697.3214324.

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Kell, Stephen. "Critique of ‘files as directories: some thoughts on accessing structured data within files’ (2)." In 2018: 2nd International Conference on the Art, Science, and Engineering of Programming 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3191697.3214325.

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Krugerova, Martina. "ANALYSIS OF COMPANY STATUTORY BODIES MEMBERS? LIABILITY AND ADVANTAGES OF DIRECTORS AND OFFICERS LIABILITY INSURANCE." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/12/s02.041.

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Qu, Liang, and Linyan Zeng. "U-Shaped Relationship Between Board of Directors’ Disparity And Corporates’ Strategy Adjustment." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.152.

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Yiping, Gao. "The Development and Change of Chinese Sitcoms- Styles of Representative Directors." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.016.

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Alesenkova, Victoria. "Types of Transsemantic Constructions in the Russian Director’s Theatre of the 21st Century." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.012.

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Majdanova, M. N. "On the problem of the stage implementation of content in the Russian director's theater beginning of XX century." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-11.

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