Relevant bibliographies by topics / Arts, Ethiopian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Arts, Ethiopian'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Arts, Ethiopian"

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Thompson, Daniel K. "Border crimes, extraterritorial jurisdiction, and the racialization of sovereignty in the Ethiopia–British Somaliland borderlands during the 1920s." Africa 90, no. 4 (2020): 746–73. http://dx.doi.org/10.1017/s0001972020000303.

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AbstractThis article argues that the politics of extraterritorial jurisdiction in the 1920s reshaped relations between ethnicity and territorial sovereignty in Ethiopia's eastern borderlands. A 1925 criminal trial involving Gadabursi Somalis began as what Britons deemed a ‘tribal matter’ to be settled through customary means, but became a struggle for Ethiopia's regent, Ras Tafari, to assert Ethiopia's territorial authority and imperial sovereignty. British claims of extraterritorial jurisdiction over Somalis amidst 1920s global geopolitical shifts disrupted existing practices of governance in Ethiopia's eastern borderlands and created a dilemma for Ethiopian authorities. In order to uphold international obligations, Ethiopian officials effectively had to revoke their sovereignty over some Somalis indigenous to Ethiopia. Yet Britons’ practical application of extraterritoriality to Somalis was predicated on assumed racial differences between Somalis and highland Ethiopians (‘Abyssinians’). Thus, Ethiopia's recognition of British extraterritorial jurisdiction would lend legitimacy to claims exempting Somalis from Ethiopian sovereignty due to differences in identity. The case reveals how assertions about race, nationality and ‘tribal’ identity articulated to subordinate Ethiopian rule to British interests and, in the longer term, to delegitimize Ethiopian governance over Somalis.
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Sinshaw, Girmaw Ashebir. "ANALISIS KURIKULUM JURUSAN PENDIDIKAN SENI TEATER ETHIOPIA." Imaji 17, no. 2 (2019): 157–65. http://dx.doi.org/10.21831/imaji.v17i2.27808.

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Tujuan penulisan artikel ini adalah untuk menganalisis pendidikan seni teater Ethiopia sebagai bentuk seni kreatif. Di Ethiopia, seni teater baru terbentuk tahun 1978, yang hingga sekarang belum menunjukkan kemajuannya. Kurikulum pendidikan seni teater di Ethiopia belum terlihat baik, dalam arti masih terdapat kekurangan di sana sini, sehingga sampai sekarang masih perlu penyempurnaan. Pendidikan seni teater ditopang oleh jurusan seni yang lain di Universitas Addis Ababa. Hal ini menyebabkan aspek musik, tari, seni rupa, dan seni kriya ikut membentuk terbentuknya pendidikan seni teater. Sekarang, pendidikan seni teater disuntik dengan seni teater tradisional yang menyebabkan bentuknya menjadi seni kreatif namun tidak menunjukkan teater yang mapan. Setiap teater di Ethiopia memilih bahan baku untuk memakmurkan pendidikan seni teater yang sekarang sedang digarap dalam kurikulum pendidikan seni teater Ethiopia. Kata Kunci: teater, pendidikan seni, kurikulum, senikreatif, Ethiopia CURRICULUM ANALYSIS OF THETHEATRE ARTS EDUCATION DEPARTMENT IN ETHIOPIA Abstract The purpose of this article is to analyze the theatrearts education in Ethiopia as a form of creative arts. In Ethiopia, the new theatrearts were formed in 1978, which until now has not shown significant progress. There are still shortages here and there in the curriculum for theatre arts education in Ethiopia, so that it still needs improvement. Theatre education is supported by other art majors at Addis Ababa University. This has caused aspects of music, dance, visual arts, and art to form the formation of theatrearts education. Now, the theatrearts education isinjected with traditional theatre arts, causing their form to become creative arts but not showing established theatre. Likewise, theatre arts in Ethiopia choose raw materials to prosper the theatrearts education which is now being worked on in the Ethiopian theatre arts education curriculum. Keywords: theatre, arts education, curriculum, creative arts, Ethiopia
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Goss, David. "The Invention of a Chair Tradition in Ethiopia: A Case Study of Liminoid Design." Journal of Design History 33, no. 3 (2020): 243–58. http://dx.doi.org/10.1093/jdh/epaa026.

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Abstract Both design and invention deal with future materializations, facilitating the environment and artefacts into different categories. These categories are conceptual constructs and any transgression of, combination of, or entering interstices between their imagined conceptual borders is Liminoid Design. Liminoid design is defined in this article as a momentary state of liminality: unstructuredness, transience, inter-categorical or uncategorizable. Though a very common phenomenon, it potentially creates new configurations of reality and new categories in design. This article describes manifestations of liminoid design, through the development of a contemporary Ethiopian chair with the merging of two categories: a side chair with imagery of the historic Aksum stelae. The Aksum stelae are monolithic stone monuments in northern Ethiopia erected during the ancient Kingdom of Aksum (in the early Christian period between the fourth and sixth centuries AD). This amalgamation emphasizes the contemporary connection to the past with a significant moment in Ethiopian history. Though seemingly traditional, this article identifies these chairs as a newly invented design type—the Aksum chair. During several visits to Ethiopia, I visited furniture workshops in Addis Ababa and Aksum and visited purchasers of the chairs as well. This helped the research to trace the proliferation and initiation of an invented traditional style.
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Heldman, Marilyn E., and David Appleyard. "Ethiopian Manuscripts." African Arts 30, no. 1 (1997): 16. http://dx.doi.org/10.2307/3337467.

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Skjerdal, Terje S. "Journalists or activists? Self-identity in the Ethiopian diaspora online community." Journalism 12, no. 6 (2011): 727–44. http://dx.doi.org/10.1177/1464884911405471.

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This study investigates the role of the diaspora online media as stakeholders in the transnational Ethiopian media landscape. Through content analysis of selected websites and interviews with editors, the research discusses how the sites relate to recognized journalistic ideals and how the editors view themselves in regard to journalistic professionalism. It is argued that the journalistic ideals of the diaspora media must be understood towards the particular political conditions in homeland Ethiopia. Highly politicized, the diaspora websites display a marked critical attitude towards the Ethiopian government through an activist journalism approach. The editors differ slightly among themselves in the perception of whether activist journalism is in conflict with ideal-type professional norms, but they justify the practice either because of the less than ideal conditions back home or because they maintain that the combination of activism and professionalism is a forward-looking journalism ideology. The online initiatives of the Ethiopian diaspora are found to prolong media contestations in the homeland as well as reinforcing an ideal-type professional journalism paradigm.
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Anderson, Addell Austin. "The Ethiopian Art Theatre." Theatre Survey 33, no. 2 (1992): 132–43. http://dx.doi.org/10.1017/s0040557400002362.

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The Ethiopian Art Theatre was founded in response to the racial strife of early twentieth-century Chicago. From 1910 to 1920, the migration of Southern blacks to Chicago more than doubled the black population from 44,103 to 109,458. White citizens felt threatened by the influx, fearing unemployment and epidemics in crime and health. Racial tensions increased from 1917 to 1919 as white gangs openly assaulted blacks. So-called “neighborhood improvement societies” bombed black homes and realty offices suspected of attempting to break up white residential areas. The Chicago Association of Commerce and the Chicago Tribune encouraged blacks to return to the South.
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Bender, Wolfgang. "Ethiopian Traditional Painting." African Arts 21, no. 3 (1988): 75. http://dx.doi.org/10.2307/3336450.

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Verhoeven, Harry. "The Grand Ethiopian Renaissance Dam: Africa's Water Tower, Environmental Justice & Infrastructural Power." Daedalus 150, no. 4 (2021): 159–80. http://dx.doi.org/10.1162/daed_a_01878.

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Abstract Global environmental imaginaries such as “the climate crisis” and “water wars” dominate the discussion on African states and their predicament in the face of global warming and unmet demands for sustainable livelihoods. I argue that the intersecting challenges of water, energy, and food insecurity are providing impetus for the articulation of ambitious state-building projects, in the Nile Basin as elsewhere, that rework regional political geographies and expand “infrastructural power”–the ways in which the state can penetrate society, control its territory, and implement consequential policies. The Grand Ethiopian Renaissance Dam should be understood as intending to alter how the state operates, domestically and internationally; how it is seen by its citizens; and how they relate to each other and to their regional neighbors. To legitimize such material and ideational transformations and reposition itself in international politics, the Ethiopian party-state has embedded the dam in a discourse of “environmental justice”: a rectification of historical and geographical ills to which Ethiopia and its impoverished masses were subjected. However, critics have adopted their own environmental justice narratives to denounce the failure of Ethiopia's developmental model and its benefiting of specific ethnolinguistic constituencies at the expense of the broader population.
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Kebede, Kassahun. "‘Ethiopia is misunderstood’: transnationalism among second-generation Ethiopian Americans." African and Black Diaspora: An International Journal 12, no. 2 (2019): 243–66. http://dx.doi.org/10.1080/17528631.2018.1559781.

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Edelstein, Arnon. "Intimate Partner Jealousy and Femicide Among Former Ethiopians in Israel." International Journal of Offender Therapy and Comparative Criminology 62, no. 2 (2016): 383–403. http://dx.doi.org/10.1177/0306624x16652453.

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Ethiopian immigrant women in Israel are overrepresented as victims of femicide; they are killed at more than 16 times the rate of the general population. This article suggests integrating current theoretical and empirical models to explain Ethiopian femicide, and stresses that considering psychological or sociocultural explanations as risk factors alone is not enough to understand this phenomenon. We distinguish between risk factors and triggers for femicide against Ethiopian women. While sociocultural and even psychological changes are risk factors for femicide, one, two, or three main triggers may activate such potential risk factors, such as the woman’s willingness (WW) to leave the intimate relationship, sexual jealousy (SJ), and formal complaints against the abusive partner. The first two triggers are jealousy oriented. To analyze this phenomenon in Israel, we examined all court decisions on intimate partner homicide (IPH) from 1990 to 2010. After reading former studies on IPH and identifying important variables that could explain the phenomenon, we first catalogued the data in every decision and verdict according to main independent variables mentioned in the literature. The study population consists of first-generation immigrants, N = 194: native Israelis (47%), new immigrants from the former Soviet Union (FSU; 31%), and Ethiopians (16%). Our analysis of court decisions reveals that triggers containing jealousy components are responsible for 83% of femicide cases committed by Ethiopian men, in comparison with native Israelis (77%) and immigrant Russian men (66%) who murdered their intimate partners. In addition, there is a significant correlation among motive (jealousy), method of killing (stabbing), and “overkilling” (excessive force).
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Dissertations / Theses on the topic "Arts, Ethiopian"

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de, Fraguier Niels, and Jannik Halfwassen. "Youth empowerment as an educational incentive in Ethiopian rural areas." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23903.

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With a tremendous demographic boom and the high importance of the youth population, Ethiopia is currently dealing with critical challenges to ensure sustainable development within the country. The recent appointment of Abiy Ahmed as prime minister has brought new hope for Ethiopian liberalisation and the improvement of former political systems. Positively impacting the non-governmental sector, concrete measures taken by the federal government are still lacking whereas time is running on the youth generation. Quality education and enrolment rates in schools remain low which has high consequences on the participation of youths in the labour market. Lacking basic skills, youth are not provided with opportunities and trust that are essential for favouring their self-development. Conducted in parts of Ethiopia’s rural areas, this research aims to understand, discuss and elaborate on different youth empowerment methods for educational incentives to contribute to the overall improvement of youth conditions. In collaboration with local and international stakeholders working on policy and field level in the country, this research provides the reader with a clear understanding of the Ethiopian youth sector situation and the need for improvement in order to ensure meaningful youth participation and empowerment towards inclusive sustainable change. The role of the government has been discussed in extent in order to provide the reader with concrete recommendations for policy-making and other issues related to skills-mismatching, access to resources, training, and data, as well as cross-collaboration between youth and other stakeholders to increase awareness about challenges faced. The study concludes with giving clear guidance on youth empowerment in Ethiopia and future research on the overall topic.
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Omar, Abdurahman. "The Ethiopian Muslims Protest in the Era of Social Media Activism." Thesis, Uppsala universitet, Teologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-419675.

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The Islamic movement study mostly focused on radical, extremist, violent, or military aspects. The current research was carried out to examine the nonviolent elements of the Islamic movement. Based on the ethnographic photo research conducted in the Ethiopian Muslims Protest, the Islamic movements nonviolent aspect investigated. The Ethiopian Muslims were organized social media-led protests called Let Our Voices be Heard for their religious rights between 2011 and 2015. The study first examined where this Let Our Voices be Heard protest fits in civil resistance studies. Second, it investigated Facebook's role in initiating, organizing, and sustaining the nonviolent Islamic movement in Ethiopia. Using Johnston's defining terms of social movement theory, the Let Our Voices be Heard protest tested. The result shows that the protest well fit with the dimensions and components of social movement theory. The result indicates that the Let Our Voices be Heard protest exemplifies nonviolent Islamic movement in the Eastern Africa region, Ethiopia. The study further shows that Facebook, when used for a common goal, is a robust platform for successfully mobilizing nonviolent Islamic movements.
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Abdi, Ali Dusit. "The bright hopes and desoluted dream of Ethiopian women : A study of circular migration to middle east and the gulf states." Thesis, Uppsala universitet, Institutionen för kulturantropologi och etnologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-343986.

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Migration and re-migration of economically and socially marginalized Ethiopian women and girls has become a phenomenon. Based on interviews with 12 Ethiopian migrant women returned from the Middle East and the Gulf States, the primary aim of this thesis is to describe and study Ethiopian women migrants’ circular migration to the Middle East. I will mainly focus on how social dynamics in the family, gender relations and economic circumstances are intricate. The process of women’s migration and how the expectations of the family can be gender differentiated are discussed. Further, the migrant women’s power relation when class and ethnicity determine their position is discussed. Relations with the sending family and the issues related to the women who return, as well as problems affecting them at home and in the destination countries, are looked at. Various and complex issues of migration and the women’s roles are discussed with reference to the women’s experiences. Migration provides women with opportunities for social and economic mobility but can also subject them to ethnic discrimination, exploitation, and abuse. The movement is generally seen as voluntary labor migration and it has placed them in a vulnerable position both at home and abroad. Their migration is interconnected to the economic need but also the responsibilities they have towards their family and kin.
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Fayers-Kerr, Kate Nialla. "Beyond the social skin : healing arts and sacred clays among the Mun (Mursi) of Southwest Ethiopia." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:f0831040-95b1-4548-a1f6-ebe2dda62d87.

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Bedaso, Zelalem K. "Stable Isotope Studies of Paleoenvironment and Paleoclimate from Afar, Ethiopia." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3004.

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ABSTRACT The sedimentary deposits of the Hadar Formation at Dikika and the Mount Galili Formation at Galili preserve a wealth of paleoenvironmental and paleoclimatic records spanning the last 5.29 Ma. Stable carbon and oxygen isotopic compositions of herbivore tooth enamel were analyzed for more than 600 specimens of 15 different taxa from 10 stratigraphic intervals. The application of carbon and oxygen isotopes here aims principally at reconstructing shifts in the relative abundance of C4 grasses, and its implications for climate indicators including temperature, aridity, and seasonality. The full range of δ13Cenamel values throughout the Plio-Pleistocene signifies a wide range of foraging strategies by the fauna, which in turn reflects the mosaic of vegetation at Dikika and Galili. Estimates of ecosystem carbon isotope composition (δ13Cecosystem , which is given by average δ13Cenamel of each large vertebrate taxon weighted by the respective faunal abundance and the estimated daily biomass consumption) is used to asses shifts in the ecosystem-scale proportion of C3 and C4 vegetation. In the Plio-Pleistocene, the general paleoenvironmental conditions varied from wooded grassland to grasslands with the total amount of C4 grass cover on the landscape varying between 35% and 91%. Likewise, the paleohabitat reconstructions indicate the presence of grassland, wooded grassland, woodland habitats throughout the Pliocene and in Middle Pleistocene but the relative proportion of the habitats has changed substantially with time. Although this result agrees with the general trend towards more open grassland since the Late Miocene, a rebound of closed habitats and C3 resources from closed canopy woodlands or forests is evident in the middle Pliocene between 3.42 Ma and 3.24 Ma. These changes in the proportion of habitats could have affected the distribution and availability of preferred food resources and has an implication on the interaction of the animals on the paleolandscape and competition for resources. 18Oenamel values also show a wide range of variation within each stratigraphic member and through time. Temporal variation of δ13Cenamel values within a given taxon, as well as differences among sympatric taxa, document different aspects of the environment and climate, including changes in drinking water source, seasonality, and periods of strong evaporation. Estimated δ13Cmeteoric water based on the most 18O-depleted hippo tooth enamel, displays values of -1.94 / (VSMOW) and -5.24 / (VSMOW) in the Middle Pleistocene of Asbole and middle Pliocene of Galili, respectively. A major shift in the isotopic composition of water at ~ 3.0 Ma was accompanied by a 6.0 / increase from middle Pliocene to the present. While a +3.8 / shift from early to middle Pliocene was documented. The isotopic composition of meteoric water between 4.6 Ma and 4.38 Ma was most 18O-enriched compared to the rest of the Pliocene estimates. Likewise, an increase in the estimated δ13Cmeteoric water values was documented in the Awash Valley and elsewhere in East Africa, which indicate a regional climate change since the early Pliocene. An increase in the aridity, which is expressed as mean annual water deficit (i.e., the difference between potential evapotranspiration and mean annual precipitation) is also evident since the early Pliocene. These changes during the Pliocene in the region may in part be attributed to a regional decrease in the amount of precipitation and changes in the moisture source superimposed on global climate changes.
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Merrill, John C. "Water Management and Decision-Making in the Nile Basin: A Case Study of the Nile Basin Initiative." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/402.

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The management of international waterways presents riparian nations with a challenging set of political, economic, environmental, and geographic difficulties. Historically, the Nile Basin has exemplified many of these problems as witnessed by inter-basin conflict, devastating floods, crippling drought, and unstable political and economic development. Despite their tumultuous past the ten riparian nations of the Nile Basin established a supranational water management institution in 1999, the Nile Basin Initiative (NBI), in order to develop collective solutions to their common water related problems. However, serious challenges to the cooperative process threaten to derail the NBI and enflame underlying causes of conflict. This thesis seeks to determine how the NBI has affected water related decision making in the Nile Basin. This will be achieved by examining patterns of decision-making before and after the establishment of the NBI. Specifically, the impact of the NBI will be tested by examining patterns of decision-making within three measures of conflict, namely the allocation of water resources, the sharing of technical data and expertise, and the financing of water related projects and programs.
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Ménonville, Siena-Antonia de. "Image in decency : an anthropology of Christian Orthodox image production in Ethiopia today." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCB221.

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La recherche présentée dans cette thèse a pour objet les producteurs d'images dans l'Éthiopie chrétienne orthodoxe contemporaine et la manière dont ils sont perçus. Ce travail s'inscrit à la croisée de l'anthropologie de la religion, de l'image et de la morale. J'argumenterai que les images servent d'articulation à un réseau de rapports sociaux complexes et qu'elles deviennent en retour les objets d'un discours moral ambivalent. Leur dimension spirituelle place leurs producteurs au cœur d'un tissu d'interactions avec le visible, l'invisible, le matériel et l'immatériel. L'étude des images et de leur production nécessite ainsi un examen du contexte social qui- nous le verrons- à la fois les condamne, les dissimule et leur donne leur sens. Le terrain de cette recherche est réduit à deux types de producteurs d'image : le peintre de l'EOTC (l'Église chrétienne orthodoxe éthiopienne) et le créateur d'images talismaniques appelé debtera. Je soutiendrai que si ce dernier est particulièrement l'objet d'un discours moral ambivalent, c'est avant tout que les images qu'il produit entrent en relation avec le domaine du spirituel dans le but de traiter les souffrances physiques et les problèmes liés à des affects comme la jalousie, la haine et certains désirs. Les affects dont il est question ici ont en commun d'être moralement condamnés et exclus du domaine de l'Église. Je soutiendrai que ces affects particuliers nécessitent un objet- ici, le talisman- pour pouvoir être exprimés. Enfin, dans cette recherche, l'étude des rapports complexes entretenus avec l'objet-médiateur, d'une part, et son producteur, d'autre part, se fera à travers l'examen d'une donnée particulière : le « gossip », c'est-à-dire l'ensemble des discussions informelles, ragots, opinions partagés et exprimés spontanément<br>This dissertation is a study of Orthodox image-producers and how they are perceived in Ethiopia today. Its central thesis is that the image-producer creates objects that not only mediate relationships and exercise social power or agency, but also have the capacity to incite a moral discourse. Images in this context can have a spiritual impact that entangles their producers in a web of relationships with the visible, invisible; the material and immaterial: they necessitate an examination of the social agency that defines and obscures them. The focus of this study is restricted to two types of image-producer: the Ethiopian Orthodox Tewahedo Church painter and the creator of talismanic images (known as a debtera). I argue that the debtera is perceived to be more morally problematic than the church painter because his images are intended to interact in the spiritual realm to treat certain forms of physical and emotional suffering. The kinds of emotions that a talismanic image treats however are "socially reprehensible" (eschewed by official Church doctrine, and as such condemned morally) as are those who interact with these emotions through image production- the debtera. I situate this thesis at the crossroads of the anthropology of religion, imagery and morality. Here, personhood, relationships and the dialogue between materiality and immateriality must be taken into account. This dissertation's intent is to articulate some of the nuances in object-mediated social relations that are made apparent through gossip. I stipulate that, in this culture, certain officially proscribed emotions require objects (such as the talismanic images) to be expressed. As a consequence of this proscription, the image-producer responsible for the creation of that object is subject to moral opprobrium. In a sense, given the full range of human conduct and emotions, the strict limits that the Ethiopian Orthodox Tewahedo Church places on what is acceptable in these realms creates a vacuum in which the proscribed conduct and emotions must be expressed in the shadows of the Church. And because of the particular importance this culture places on the image as the instrument that acts in these domains, the debtera and the talisman achieve a centrality that rivals that of the Church-sanctioned image producers
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Bosc-Tiessé, Claire. "Art, Eglise et royauté en Ethiopie aux XVIIe et XVIIIe siècles : écriture de l'histoire et "fabrique" des images dans les églises du lac Tana." Paris 1, 2001. http://www.theses.fr/2001PA010645.

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Dans ce travail, la production artistique en Éthiopie aux XVIIe et XVIIIe siècles est étudiée sous l'angle des relations entre les souverains et les moines, plus particulièrement dans les églises du lac Tana. L'étude des oeuvres anciennes conservées sur le lac définit tout d'abord l'héritage culturel des moines au XVII siècle. L'analyse des interventions des souverains dans la vie interne des monastères et de la commande artistique conduit à poser quelques jalons pour mieux comprendre la peinture au XVIe siècle et l'évolution fondamentale de l'art au cours du XVIIe siècle. La politique du roi Iyasu I marque ensuite un tournant dans les relations des souverains de Gondar avec les monastères du lac Tana. A travers les travaux et des oeuvres qu'il a patronné se dégagent les traits particuliers de la commande royale et la part assumée par les religieux proches des souverains dans la conception de nouvelles images. L 'histoire des textes amène à définir en parallèle les intérêts en jeu dans la constitution de la mémoire officielle ou monastique et la place que prend l'image dans ce processus. L'analyse des différentes composantes d'une fondation royale au XVIIIe siècle en plein centre du lac Tana montre la position que prend alors la reine Mentewwab vis à vis des monastères du lac, quelles sont sa politique et ses pratiques de manière plus globale pour asseoir son pouvoir. Dans ce contexte, le chantier de construction et de peintures de l'église permet de distinguer les différentes facettes d'une commande royale, les moyens qu'elle met à disposition des peintres, comme la collection des manuscrits royaux enluminés et les recueils de gravures occidentales
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Kiugu, Aphaxard M. "The proliferation and illicit trafficking of small arms and light weapons in the Great Lakes and Horn of Africa." Fort Leavenworth, KS : US Army Command and General Staff College, 2007. http://handle.dtic.mil/100.2/ADA471369.

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Chekroun, Amélie. "Le" Futuh al-Habasa" : écriture de l'histoire, guerre et société dans le Bar Sa'ad ad-din (Ethiopie, XVIe siècle)." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010699/document.

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Le "Futuh al-Habasa", récit en arabe de différentes guerres menées par l'imam Ahmad depuis le sultanat du "Bar Sa'ad ad-din" contre le royaume chrétien d'Ethiopie entre les années 1520 et 1535/1537, relate notamment comment l'essentiel des territoires chrétiens est passé provisoirement sous domination musulmane au cours de la « conquête de l'Abyssinie » (1531-1543). En analysant cette source endogène unique en son genre, cette thèse vise à proposer un changement de perspective dans la manière dont est abordée l'histoire de l'Ethiopie, an accordant sa pleine place à l'islam éthiopien, au carrefour entre les études éthiopiennes et celles sur l'islam médiéval.L'analyse littéraire du "Futuh al-Habasa" révèle que son auteur, Arab Faqih, rédigea cet ouvrage après l'échec de la « conquête de l'Abyssinie », probablement en vue de convaincre les élites du "Bar Sa'ad ad-din" de repartir à la conquête du royaume chrétien. En faisant appel à la littérature des premiers siècles de l'islam mais aussi à des références plus contemporaines, Arab Faqih réalise ainsi une apologie du "gihad" en présentant l'imam Ahmad comme le modèle du parfait "mugahid".D'autre part l'étude de l'histoire du "Bar Sa'ad ad-din" (1415-1583), des rapports de pouvoir au sein du sultanat et des relations que ce dernier entretenait avec le royaume chrétien voisin, révèle les facteurs internes à cette société qui ont conduit l'imam Ahmad à entreprendre une telle guerre. Le Futuh al-Habasa montre enfin que cette conquête vit l'émergence de nouvelles pratiques de guerre et de nouvelles manières de la penser, et détaille le projet d'une « grande Ethiopie musulmane » qui ne survécut pas à la mort de l'imam en 1543<br>The Futuh al-Habasa is an Arabic language account of a number of wars initiated by the imam Ahmad from the Bar Sa'ad ad-din sultanate against the Christian kingdom of Ethiopia between the years 1520 and 1535/1537 ; of particular interest is its narrative of the temporary Muslim domination of the majority of the Christian territories during the conquest of Abyssinia (1531-1543). Through analysis of this unique endogenous source this PhD aims to propose a new way to approach th history of Ethiopia by considering the Ethiopian Islam as a full-fledged topic, at the crossroads between the studies on Ethiopia and those on Medieval Islam.The literary analysis of the Futuh al-Habasa reveals that its author, Arab Faqih, wrote this account after the failure of the « conquest of Abyssinia », probably with a view to convince the elites of the Bar Sa'ad ad-din to march on the Christian kingdom once again. Drawing on literature from the first centuries of Islam as well as on more contemporary references, Arab Faqih thus writes an apology of gihad, presenting the imam Ahmad as being an example of the perfect mugahid.On the other hand, studying the history of the Bar Sa'ad ad-din (1415-1583), the power relationships inside the sultanate and its links with the neighbouring Christian kingdom, reveals the factors internal to this society that pushed the imam Ahmad to undertake such a war. The Futuh al-Habasa shows finally that during this conquest, new practices of war and new ways of conceiving it emerged. It also details the project of a « great Muslim Ethiopia » that didn't survive the death of the imam in 1543
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Books on the topic "Arts, Ethiopian"

1

Hecht, Elisabeth-Dorothea. Visitors' manual. Addis Ababa University, 1988.

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Roberts, Mary Nooter. A sense of wonder: African art from the Faletti family collection. Phoenix Art Museum, 1997.

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Fisseha, Girma. Mensch und Geschichte in Äthiopiens Volksmalerei. Pinguin-Verlag, 1985.

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ʼAndand yatāwaqu ya ʼItyopyā ṡa ʻāliwoč ʼčer yaheyewat tārik. Kurāz ʼasātami dereget, 1991.

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Stanisław, Chojnacki, and Gossage Carolyn 1933-, eds. Ethiopian icons. Skira, 2000.

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1932-, Donaldson Jeff, Debela Achamyeleh 1949-, Katchka Kinsey, and National Museum of African Art (U.S.), eds. Ethiopian passages: Contemporary art from the diaspora. Philip Wilson, 2003.

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Ethiopia's hidden treasures: A guide to the paintings of the remote churches of Ethiopia. Shama Books, 2007.

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Ethiopian art: An exhibition. Sam Fogg, 2001.

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Burhardt, Majka. Coffee story: Ethiopia. Ninety Plus Press, 2011.

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Ethiopia. ABC-CLIO, 2011.

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Book chapters on the topic "Arts, Ethiopian"

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Huylebrouck, Dirk. "Multiplication in the Yoruba and “Ethiopian” Way." In Mathematics, Culture, and the Arts. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04037-6_6.

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Khurana, Karan. "Ethiopia." In Palgrave Studies in Business, Arts and Humanities. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-98860-3_2.

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Perkinson, James W. "Talismanic Depiction: Messianic Repair and Folk Arts (Ethiopia)." In Messianism Against Christology. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137325198_5.

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Wood, Brian, and Peter Danssaert. "Africa and the Regulation of Transnational Arms Brokering: Challenges to Implement International Standards." In Ethiopian Yearbook of International Law. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55912-0_9.

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Love, Roy. "Ethiopia: Political Volatility and Small Arms Proliferation." In The Palgrave Handbook of Small Arms and Conflicts in Africa. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-62183-4_34.

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Belay, Mezgebu. "Feuding and the ‘Myth of Masculinity’ as Expressed through the Traditional Verbal Arts in Eastern Goǧǧam, Amhara Region." In Oral Traditions in Ethiopian Studies. Harrassowitz, O, 2018. http://dx.doi.org/10.2307/j.ctvcm4fb5.16.

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Aston, Judith. "Database Narrative, Spatial Montage, and the Cultural Transmission of Memory." In Digital Media and Technologies for Virtual Artistic Spaces. IGI Global, 2013. http://dx.doi.org/10.4018/978-1-4666-2961-5.ch011.

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This chapter discusses ways in which the database narrative techniques of virtual media can be used to explore the relationship between real-world oral storytelling and embodied performance in the cultural transmission of memory. It is based on an ongoing collaboration between the author and the historical anthropologist, Wendy James, to develop a multilayered associative narrative, which considers relationships between experience, event, and memory among a displaced community. The work is based on a substantial living archive of photographs, audio, cine, and video recordings collected by Wendy James in the Sudan/Ethiopian borderlands from the mid-1960s to the present day. Its critical context relates to the ’sensory turn’ in anthropology and to ’beyond text’ debates within the arts and humanities regarding ways in which we can capture and represent the sensory experiences of the past.
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"East Timor – Ethiopia." In International Directory of Arts 2016. De Gruyter Saur, 2015. http://dx.doi.org/10.1515/9783110404524-011.

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"The Theme of “Ethiopia” and “Ethiopians” in Patristic Literature." In The Image of the Black in Western Art, Volume II: From the Early Christian Era to the “Age of Discovery”, Part 1: From the Demonic Threat to the Incarnation of Sainthood. Harvard University Press, 2010. http://dx.doi.org/10.37862/aaeportal.00139.009.

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Pietrangeli, G., G. Pittalis, M. Rinaldi, and R. Cifra. "Design and construction of composite cut-off system at Grand Ethiopian Renaissance Dam, Ethiopia." In Tunnels and Underground Cities: Engineering and Innovation meet Archaeology, Architecture and Art. CRC Press, 2019. http://dx.doi.org/10.1201/9780429424441-156.

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Conference papers on the topic "Arts, Ethiopian"

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Chang, Angela, Lidet Tilahun, and Breazeal Breazeal. "Visualisations of Data from the Literacy Tablet Reading Project in Rural Ethiopia." In Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.35.

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Khalil, H., E. Bileha, and H. Mortada. "Urban conservation of the historic city of Jugol, Ethiopia: a syntactic approach." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. WIT Press, 2016. http://dx.doi.org/10.2495/iha160131.

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