Relevant bibliographies by topics / Arts, europe

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Arts, europe'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Arts, europe"

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Kleinschmidt, Harald, and Sydney Anglo. "The Martial Arts of Renaissance Europe." Journal of Military History 65, no. 2 (April 2001): 481. http://dx.doi.org/10.2307/2677174.

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Sunshine, Glenn S., and Sydney Anglo. "The Martial Arts of Renaissance Europe." Sixteenth Century Journal 33, no. 1 (2002): 317. http://dx.doi.org/10.2307/4144328.

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Sheppard, P. "The Martial Arts of Renaissance Europe." Notes and Queries 49, no. 2 (June 1, 2002): 274–76. http://dx.doi.org/10.1093/nq/49.2.274-a.

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Sheppard, Philippa. "The Martial Arts of Renaissance Europe." Notes and Queries 49, no. 2 (June 1, 2002): 274–76. http://dx.doi.org/10.1093/nq/490274a.

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Kovarovic, David J. "The Martial Arts of Renaissance Europe." History: Reviews of New Books 29, no. 2 (January 2001): 77. http://dx.doi.org/10.1080/03612759.2001.10525781.

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Dummett, Ann. "Europe? Which Europe?" Journal of Ethnic and Migration Studies 18, no. 1 (October 1991): 167–75. http://dx.doi.org/10.1080/1369183x.1991.9976291.

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Carter, Tina. "Contemporary street arts in Europe: aesthetics and politics." Research in Drama Education: The Journal of Applied Theatre and Performance 18, no. 4 (November 2013): 418–20. http://dx.doi.org/10.1080/13569783.2013.838342.

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Borg, Alan. "The Martial Arts of Renaissance Europe, Sydney Anglo." English Historical Review 116, no. 465 (February 2001): 206–7. http://dx.doi.org/10.1093/enghis/116.465.206.

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Bennett, Susan. "Contemporary Street Arts in Europe: Aesthetics and Politics." Performance Research 18, no. 6 (December 2013): 154–56. http://dx.doi.org/10.1080/13528165.2013.908075.

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Borg, A. "The Martial Arts of Renaissance Europe, Sydney Anglo." English Historical Review 116, no. 465 (February 1, 2001): 206–7. http://dx.doi.org/10.1093/ehr/116.465.206.

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Dissertations / Theses on the topic "Arts, europe"

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Price, Brian R. "The Martial Arts of Medieval Europe." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103377/.

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During the late Middle Ages and into the Renaissance, fighting books—Fechtbücher—were produced in northern Italy, among the German states, in Burgundy, and on the Iberian peninsula. Long dismissed by fencing historians as “rough and untutored,” and largely unknown to military historians, these enigmatic treatises offer important insights into the cultural realities for all three orders in medieval society: those who fought, those who prayed, and those who labored. The intent of this dissertation is to demonstrate, contrary to the view of fencing historians, that the medieval works were systematic and logical approaches to personal defense rooted in optimizing available technology and regulating the appropriate use of the skills and technology through the lens of chivalric conduct. I argue further that these approaches were principle-based, that they built on Aristotelian conceptions of arte, and that by both contemporary and modern usage, they were martial arts. Finally, I argue that the existence of these martial arts lends important insights into the world-view across the spectrum of Medieval and early Renaissance society, but particularly with the tactical understanding held by professional combatants, the knights and men-at-arms. Three treatises are analyzed in detail. These include the anonymous RA I.33 Latin manuscript in the Royal Armouries at Leeds; the early German treatise attributed to Hanko Döbringer that glosses the great Johannes Liechtenauer; and the collection of surviving treatises by the Friulian master, Fiore dei Liberi. Each is compared in order to highlight common elements of usage that form the principles of the combat arts.
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Jakobsson, Malin. "Welcome Europe." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27096.

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Denna uppsats har som syfte att undersöka samt analysera klipptekniker och kameraarbete genom en jämförelse mellan Eurovision Song Contest år 2000 respektive år 2016. Detta för att visa på hur kamera och klippning påverkar bidrags konstnärliga uttryck samt diskutera en eventuell utveckling. Barry Salts arbete angående kopplingen mellan datainsamling och filmstil appliceras på denna uppsats och ger den dess metodologi. En djupgående analys på utvalda bidrag genomförs utifrån en multimodal infallsvinkel. Detta för att förtydliga förhållandet mellan diskurs och produktion och därigenom ge uppsatsen en beskrivning av klipptekniker och kameraarbetes vikt i bidragens individualitet. Uppsatsens undersökning samt analys visar på en förändring under åren. Speciellt i vilka tekniker som används för att uttrycka bidragens konstnärliga faktorer men det som kvarstår är viljan att anpassa det visuella arbetet efter varje bidrags specifika egenskaper.
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Aka-Evy, Jean-Luc. "L'image des arts d'Afrique Noire dans le discours esthétique occidental moderne : de la Renaissance au temps de Picasso puis de "l'art primitif" aux "arts premiers"." Paris 1, 2006. http://www.theses.fr/2006PA010608.

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Par conséquent, l'objectif de cette recherche fondamentale est de circonscrire, aussi précisément que possible, l'image des arts d'Afrique Noire, telle qu'elle a été pensée et aménagée dans le discours esthétique occidental moderne; de procéder à l'archéologie des différentes positions de ce discours à propos de ces arts, et de déterminer les impacts de ce dernier dans le processus de la création artistique européenne contemporaine et de (re)situer sa (re)découverte et sa réappropriation dans l'imaginaire plastique africain d'aujourd’hui.
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Bojinov, Jivco. "Democracy in Eastern Europe: society, government, and economy." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1361.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Sciences
Political Science
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Rutily, Aline. "Tapis-jardin. Migration, mutation, transculturalité : entre Orient et Europe, arts visuels et littérature." Paris 1, 2012. http://www.theses.fr/2012PA010654.

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Notre thèse s'articule autour de trois notions : la migration, la mutation, la transculturalité. Ces notions sont analysées à partir d'un corpus d'œuvres personnelles réalisées entre 1992 à 2011, autour d'un thème commun: le Tapis-Jardin. Ces notions permettent de confronter une démarche artistique aux prises avec des déplacements et des territoires d'enfance, en relation avec un espace de références articulant les arts du tapis et du jardin, aux champs de la littérature et des arts visuels. Les problématiques sont liées à des évolutions de pratiques au sein du thème récurrent, d'installations in situ, puis des Carnets de chemins, de carnets virtuels, d'installations in process, jusqu'à la notion d' « installation virtuelle» en ligne. Les questionnements portent également sur des expériences pédagogiques réalisées sur le même sujet. Les dialectiques entre l'ancrage et le déplacement, entre le réseau et le territoire permettent de fonder une démarche de « paysage migrant», de « paysage mutant» et d'une transculturalité construite à partir du Tapis-Jardin comme pluralité de cultures au croisement des singularités
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Lönegren, Lovisa. "The European Green Capital Award - Towards a sustainable Europe?" Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23912.

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Today a grand majority (around 80%) of the European citizens live in cities or towns. Europe is more urbanised than ever. Contemporaneously, climate change and global warming is an increasing threat worldwide. In 2006, the European Commission of the European Union (EU) therefore launched the idea of implementing the yearly European Green Capital (EGC) award. The aim was (and still is) to create role models by promoting cities that constantly take strong actions for the environment and thereby inspire other cities to make green choices too. In February 2009 the first two EGC winners were announced: Stockholm (Sweden) 2010 and Hamburg (Germany) 2011. The question is whether an award of this kind is the right method for the EU to deal with environment issues. If not, the EU should invest its resources elsewhere. This thesis aims at evaluating the EGC by looking closer at Stockholm as the EGC winner of 2010 and by analysing the impacts the EGC title has on Sweden’s EU Presidency the second half of 2009. The ecological modernisation theory reconciles economic growth and environmental protection, and provides several relevant features and aspects to this thesis regarding sustainable development, voluntary approaches and environmental policy-making. By applying the theory on the EGC many things such as the underlying visions and methods of the award can be explained and analysed. The conclusion of the thesis is that the EGC in some respects is leading to a greener and more sustainable Europe or at least has the potential to do so.
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Lageira, Jacinto. "Miscellanées esthétiques : psychanalyse, sémiotique, phénoménologie : de quelques influences sur les théories des arts plastiques." Paris 1, 2003. http://www.theses.fr/2003PA010605.

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Trois disciplines extérieures au champ de la pensée esthétique se sont intéressées tout au long du XXè siècle à l'art et aux théories de l'art : la psychanalyse, la sémiotique et la phénoménologie. Le présent travail est une démarche à la fois historique et critique qui cherche à évaluer quelles furent leurs incidences et leurs influences sur les théories de l'art (esthétique, histoire et critique d'art). Bien que partant le plus souvent des disciplines el,les-mêmes et des auteurs qui ont produit une réflexion sur l' art, ou encore d ' auteurs qui, sans provenir aucunement de ces disciplines, ont pu recourir à la psychanalyse, à la sémiotique ou à la phénoménologie, il s ' est agit de traiter de certaines problématiques communes (compréhension, interprétation, évaluation) du point de vue de l'esthétique, et de voir quels furent les apports ou les impasses de ces disciplines comparativement à l' esthétique. Le point de vue esthétique ici adopté est celui d'une " rationalité esthétique " prise comme le cadre théorique de référence à l'aune duquel sont mesurées les questions soulevées par les trois disciplines.
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Gallian, Nastasia. "Les collections d’estampes en Europe (v. 1450-v. 1610)." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL144.

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La naissance des collections de gravures constitue un phénomène mystérieux, qui ne peut être ni daté, ni localisé avec une précision absolue. Les premières manifestations remontent au milieu du XVe siècle, à une époque où les estampes sont collectées dans le but d’être collées dans des textes manuscrits ou imprimés. À partir des années 1470-1480, ces pratiques archaïques sont relayées progressivement par une approche proprement moderne des collections de gravures, qui se diffusent alors dans toute l’Europe, jusqu’à être largement répandues dans certaines couches de la société au moment où l’on bascule dans l’âge baroque. Plusieurs types d’ensembles coexistent à cette époque. Les collections d’amateurs tels que Fernand Colomb, Willibald Imhoff ou Abraham Ortelius témoignent d’une affinité particulière pour l’art de l’estampe et mettent en place les premiers outils pour sélectionner, conserver et classer les gravures. De nombreux princes, tels que Ferdinand de Tyrol et Philippe II d’Espagne, s’intéressent également à ces œuvres, auxquelles ils consacrent une section dans leurs collections encyclopédiques ou leurs bibliothèques. D’autres collections, à but utilitaire, émergent également à cette période. On trouve ainsi des fonds d’estampes dans de nombreux ateliers d’artistes et d’artisans, où elles sont employées pour former les apprentis et servir de modèles ou de supports à la création. Les érudits s’emparent également des gravures et constituent des fonds documentaires spécialisés en histoire, géographie et sciences naturelles. Cette grande diversité dans les pratiques est une des caractéristiques essentielles des premières collections d’estampes
The origins of print collecting are ill documented and cannot be dated nor located with certainty. The early signs can be traced back to ca. 1450, when prints were collected to be pasted in manuscripts and printed books. From the 1470s-1480s onwards, these archaic practices tended to be replaced by modern collecting. It then spread throughout Europe and became a common practice at the dawn of the Baroque era. There are several types of print collectors at that time. Enthusiasts and connoisseurs such as Ferdinand Columbus, Willibald Imhoff and Abraham Ortelius created special methods for selecting, storing and classifying high quality engravings and woodcuts. Ferdinand of Tyrol, Philip II of Spain and others princes gathered prints in their encyclopedic collections and libraries. Other collectors were interested in using them as sources. Artists and craftsmen kept prints to train apprentices and use them as models and tools in the creative process. Scholars purchased them for their subject-matter and used them as historical, geographical, and scientific documents. This wide range of practices is maybe what define the most early print collecting
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Shroukh, Sara. "Traditions iconographiques et arts de la mémoire : ethnologie et histoire." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0677.

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La première partie de cette thèse est consacrée à une lecture novatrice des arts de la mémoire de la tradition occidentale. À partir de l’étude des dynamiques propres au champ visuel des représentations mnémoniques, nous avons pu développer un modèle de mémorisation se fondant sur des relations rythmiques entre images et mots. Ces arts nous sont alors apparus comme des techniques qui, tout en conduisant à l’établissement d’une tradition, forgent de véritables outils pour la pensée. Cette perspective focalisée sur la notion de rythme, nous a permis de saisir la projection possible des règles des arts de la mémoire sur un domaine nouveau : le geste liturgique. L’acte rituel, dans sa dynamique propre, devient un des supports de la mise en place d’un système mnémonique. C’est ainsi que nous avons pu élargir le concept d’art de la mémoire au delà de l’Occident et explorer le rôle que les arts de la mémoire jouent dans le contact culturel, notamment en Amérique dans le Yucatan colonial, comme en témoignent ces grands textes mayas que sont les livres de Chilam Balam. La dernière partie de cette thèse se veut un tout premier développement de cette piste d’étude. L’analyse que nous y avons conduite d’une interprétation de la symbologie de la Messe, à laquelle il est fait allusion dans le livre de Chilam Balam de Kaua, permet d’ouvrir des perspectives nouvelles dans les études consacrées aux processus de la traduction culturelle et, tout particulièrement, aux modalités de l’établissement d’un « nouveau » patrimoine de représentations et de croyances religieuses au sein de sociétés qui se situent à la frontière entre deux traditions, comme celle du Yucatan de l’époque coloniale
The first part of this thesis has been dedicated to a new approach in the reading the arts of memory in its western translation. From the study of those dynamics specific to the visual field of mnemonic representations, I was able to develop a memorisation model based on the rhythmic relations between images and words. Those arts thus seemingly like techniques that lead to the establishment of a tradition while forging anthentic tools for thought. This perspective focused on the notion of rhythm enabled me to reach out for the possible projection of the rules of these arts of memory in to a new domain: the lithurgical gesture. The ritual act in its own dynamic becomes one of the bases of the establishment of a mnemonic system. I was thus able to expand the concept of memory arts beyond the "western culture" and explore the role that the arts of memory play in cultural contact, expecially in America, in the colonial areaof Yucatan. In this matter, the books of Chilam Balam (one of the most important Mayan testimonials of the colonial epoca) has been crucial. The final part of this thesis is intended as a first development of this study track. The analysis I conducted on an interpretation of the symbology of Mass which can be found in the book of Chilam Balam of Kaua enabled me to open new perspectives in the field of studies dedicated to cultural translation processes and, in particular, to the modalities of establishment of a "new" heritage of representations and religious beliefs within societies - such as the yucatan one in the colonial epoca - located at the boundaries of two traditions
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Smith-Laing, Tim. "Variorum vitae : Theseus and the arts of mythography in Medieval and early modern Europe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0f4305c6-3c62-4f89-a3b2-d8204893fdfb.

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This thesis offers an approach to the history of mythographical discourse through the figure of Theseus and his appearances in texts from England, Italy and France. Analysing a range of poetic, historical, and allegorical works that feature Theseus alongside their classical and contemporary intertexts, it is a study of the conceptions of Greco-Roman mythology prevalent in European literature from 1300-1600. Focusing on mythology’s pervasive presence as a background to medieval and early modern literary and intellectual culture, it draws attention to the fragmentary, fluid and polymorphous nature of mythology in relation to its use for different purposes in a wide range of texts. The first impact of this study is to draw attention to the distinction between mythology and mythography, as a means of focusing on the full range of interpretative processes associated with the ancient myths in their textual forms. Returning attention to the processes by which writers and readers came to know the Greco-Roman myths, it widens the commonly accepted critical definition of ‘mythography’ to include any writing of or on mythology, while restricting ‘mythology’ to its abstract sense, meaning a traditional collection of tales that exceeds any one text. This distinction allows the analyses of the study’s primary texts to display the full range of interpretative processes and possibilities involved in rewriting mythology, and to outline a spectrum of linked but distinctive mythographical genres that define those possibilities. Breaking down into two parts of three chapters each, the thesis examines Theseus’ appearances across these mythographical genres, first in the period from 1300 to the birth of print, and then from the birth of print up to 1600. Taking as its primary texts works by Giovanni Boccaccio, Geoffrey Chaucer, John Lydgate and William Shakespeare along with their classical intertexts, it situates each of them in regard to their multiple defining contexts. Paying close attention to the European traditions of commentary, translation and response to classical sources, it shows mythographical discourse as a vibrant aspect of medieval and early modern literary culture, equally embedded in classical traditions and contemporary traditions that transcended national and linguistic boundaries.
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Books on the topic "Arts, europe"

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Europe, Northern Telecom Arts. Northern Telecom Arts Europe. London: Morthern Telecom Arts Europe, 1991.

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Haedicke, Susan C. Contemporary Street Arts in Europe. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291837.

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Arts Council of Great Britain. Performing arts yearbook for Europe. London: Arts Council, 1992.

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Sarah, Watson, and Dunlop Sarah, eds. Performing arts yearbook for Europe. London: Arts Publishing International, 1992.

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Martin, Huber, and Fisher Rod, eds. Performing arts yearbook for Europe. London: Arts PublishingInternational, 1991.

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Robinson, Ken. Arts education in Europe: A survey. Strasbourg: Council of Europe, 1996.

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Karin, Junker, ed. PAYE: Performing arts yearbook for Europe. London: Arts Publishing International, 2001.

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Groër, Léon de. Decorative arts in Europe, 1790-1850. New York: Rizzoli, 1986.

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Grau, Andree. Europe Dancing. London: Taylor & Francis Inc, 2004.

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Grau, Andree. Europe Dancing. London: Taylor & Francis Group Plc, 2004.

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Book chapters on the topic "Arts, europe"

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Dekker, Teun. "Liberal Arts in Europe." In Encyclopedia of Educational Philosophy and Theory, 1–6. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-287-532-7_569-1.

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Berry, Mark. "The Arts." In A Companion to Eighteenth-Century Europe, 208–24. Oxford, UK: Blackwell Publishing Ltd., 2009. http://dx.doi.org/10.1002/9781444303032.ch13.

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Black, Jeremy. "Culture and the Arts." In Eighteenth-Century Europe, 263–305. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27768-1_8.

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Sperber, Jonathan. "The Arts and Sciences." In Bourgeois Europe, 1850–1914, 155–72. 2nd ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351106610-13.

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Sperber, Jonathan. "The Arts and Sciences." In Bourgeois Europe, 1850–1914, 45–62. 2nd ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351106610-5.

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Sperber, Jonathan. "The Arts and Sciences." In Bourgeois Europe, 1850–1914, 282–98. 2nd ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351106610-21.

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Black, Jeremy. "Culture and the Arts." In Eighteenth Century Europe 1700–1789, 223–60. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20632-2_8.

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Fuchs, Rachel G., and Victoria E. Thompson. "Culture, the Arts, and Sciences." In Women in Nineteenth-Century Europe, 101–19. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80216-2_7.

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Dabbs, Julia. "The Visual Arts." In The Routledge History Of Women In Early Modern Europe, 335–56. New York : Routledge, 2019. | Series: Routledge histories |: Routledge, 2019. http://dx.doi.org/10.4324/9780429355783-15.

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Eça, Teresa, and Ângela Saldanha. "Building relationships through arts." In Arts-Based Interventions and Social Change in Europe, 22–29. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003376927-5.

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Conference papers on the topic "Arts, europe"

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Volkova, Anastasia. "Gypsy Art in Europe." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.65.

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Carnelli, Silvia. "“SPIRITUALIT(IES)” AND “CRIES” FOR “MOTHER GAIA” IN THE 20TH-CENTURY AND IN CONTEMPORARY EUROPE." In Arts & Humanities Conference, Venice. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/ahc.2016.001.002.

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"Historical Review on the Spread of Chinese Martial Arts in Northern Europe." In 2018 4th International Conference on Innovative Development of E-commerce and Logistics. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/icidel.2018.077.

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Thiesse, Anne-Marie. "The Transnational Creation of National Arts and Crafts in 19th-Century Europe." In NISE Essay 1. openjournals ugent, 2013. http://dx.doi.org/10.21825/nise.90262.

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Rudyk, Iryna. "Intercultural Education in Europe: The Bridge Teaching Values of Cultural Diversity." In – The European Conference on Arts & Humanities 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-1111.2020.1.

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Petranova, Dana. "NON-FORMAL MEDIA EDUCATION IN EUROPE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/41/s16.027.

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Nagata, Yoshihiro. "World Order, Regime and Law of the U.S., UK, France and Europe." In – The European Conference on Arts & Humanities 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-1111.2020.13.

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Korecko, Jaroslav. "ANALYSIS OF SELECTED MIGRANT STATISTICS IN EUROPE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/41/s15.001.

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Aziri, Elmi Shaqir. "COMPARATIVE ANALYSIS OF CAPITAL EXPENDITURES IN SOUTHEAST EUROPE." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b22/s6.009.

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Croitoru, Ion. "THE FLOW OF MENTALITIES IN SOUTH-EASTERN EUROPE." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b31/s11.095.

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Reports on the topic "Arts, europe"

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Laird, Robbin F. West European Arms Control Policy. Fort Belvoir, VA: Defense Technical Information Center, January 1988. http://dx.doi.org/10.21236/ada191519.

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Loveless, Paul A. The Science and Art of Operational Maneuver in Post CFE-EUROPE. Fort Belvoir, VA: Defense Technical Information Center, May 1990. http://dx.doi.org/10.21236/ada234003.

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Baxley, Carl R. Mutual Security and Arms Reductions in Europe: A Joint Soviet-American Simulation Exercise. Fort Belvoir, VA: Defense Technical Information Center, June 1990. http://dx.doi.org/10.21236/ada227289.

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Kume, Junko. Medieval European Art History in Japan. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/itma.2023.16.03.

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Iyer, Padmini. Further into the Margins: A regional report on Roma communities displaced by the Ukraine crisis. Oxfam International, September 2023. http://dx.doi.org/10.21201/2023.621547.

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This research report examines the experiences of Roma communities who have been displaced by the war in Ukraine. Roma in Ukraine and in Europe have historically faced discrimination and prejudice due to widely held stereotypes among the non-Roma majority. This report highlights how Roma internally displaced persons and refugees are discriminated against, and how, whereas many Ukrainian refugees have been welcomed with open arms in European countries, the same welcome has not been extended to Roma. The report also highlights the role of Roma-led organizations in supporting displaced Roma and reinvigorating the fight for the rights of Roma communities.
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Wezeman, Pieter D., Katarina Djokic, Mathew George, Zain Hussain, and Siemon T. Wezeman. Trends in International Arms Transfers, 2023. Stockholm International Peace Research Institute, March 2024. http://dx.doi.org/10.55163/pbrp4239.

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Imports of major arms by states in Europe increased by 94 per cent between 2014–18 and 2019–23, while the global volume of international arms transfers decreased marginally, by 3.3 per cent. There were overall decreases in arms transfers to all other regions, but states in Asia and Oceania and the Middle East continued to import arms in much larger volumes than those in Europe. Nine of the 10 biggest arms importers in 2019–23, including the top 3 of India, Saudi Arabia and Qatar, were in Asia and Oceania or the Middle East. Ukraine became the fourth biggest arms importer globally after it received transfers of major arms from over 30 states in 2022–23. Arms exports by the United States, the world’s largest arms supplier, rose by 17 per cent between 2014–18 and 2019–23, while those by Russia fell by more than half (–53 per cent). France’s arms exports grew by 47 per cent and it moved just ahead of Russia to become the world’s second largest arms supplier. From 11 March 2024 the freely available SIPRI Arms Transfers Database includes updated data on transfers of major arms for 1950–2023, which replaces all previous data on arms transfers published by SIPRI. Based on the new data, this fact sheet presents global trends in arms exports and arms imports, and highlights selected issues related to transfers of major arms.
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Pounds, T. Monitoring technologies in conventional arms control verification: The CFE (Conventional Armed Forces in Europe) context. Office of Scientific and Technical Information (OSTI), June 1990. http://dx.doi.org/10.2172/7076228.

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Wezeman, Pieter D., Aude Fleurant, Alexandra Kuimova, Nan Tian, and Siemon T. Wezeman. Trends in International Arms Transfers, 2017. Stockholm International Peace Research Institute, March 2018. http://dx.doi.org/10.55163/kflq6518.

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The volume of international transfers of major weapons in 2013–17 was 10 per cent higher than in 2008–12. This is a continuation of the upward trend that began in the early 2000s. The flow of arms to the Middle East and Asia and Oceania increased between 2008–12 and 2013–17, while there was a decrease in the flow to the Americas, Africa and Europe. The SIPRI Arms Transfers Database now includes data on arms transfers in 2017 and updated information for 1950–2016. This Fact Sheet highlights some of the key global and regional trends and issues in arms transfers based on the new data.
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BROWN, I. High pathogenicity avian influenza and vaccination: application in Europe Region. O.I.E (World Organisation for Animal Health), October 2022. http://dx.doi.org/10.20506/tt.3335.

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The main objectives of the presentation of Technical Item II during the 30th Conference of the WOAH Regional Commission for Europe (Catania, Italy, 3–7 October 2022) are (i) to set the proper framework of questions to make science-based decisions regarding the vaccination policy against infection with highly pathogenicity avian influenza viruses (HPAI) in Europe, and (ii) to organise the mechanism which would support WOAH and Members in addressing these questions. It is not to set specific vaccine choices or recommendations on types of vaccines to apply. This paper presents the state of the art and draws together the key factors that need to be considered as relevant for the Region when defining vaccination policy.
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Wezeman, Pieter, Aude Fleurant, Alexandra Kuimova, Diego Lopes da Silva, Nan Tian, and Siemon Wezeman. Trends in International Arms Transfers, 2019. Stockholm International Peace Research Institute, March 2022. http://dx.doi.org/10.55163/yjyw4676.

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The volume of international transfers of major arms in 2015–19 was 5.5 per cent higher than in 2010–14 and 20 per cent higher than in 2005–2009. The five largest exporters in 2015–19 were the United States, Russia, France, Germany and China. The five largest importers were Saudi Arabia, India, Egypt, Australia and China. Between 2010–14 and 2015–19, there were increases in arms transfers to the Middle East and to Europe, while there were decreases in the transfers to Africa, the Americas and Asia and Oceania. From 9 March 2020 the freely accessible SIPRI Arms Transfers Database includes updated data on arms transfers for 1950–2019. Based on the new data, this Fact Sheet presents global trends in arms exports and arms imports and highlights selected issues related to arms transfers.
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