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Dissertations / Theses on the topic 'Arts – political aspects'

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Published: 25 July 2024
Last updated: 31 July 2025

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1

Maguire, Geoffrey William. "Political postmemory : childhood, memory and politics in Argentina's post-dictatorship generation (2003-2013)." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709107.

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2

Ancel, Marie-Eve Zoe. "Les aspects juridiques du transport des œuvres d'art /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34007.

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Not only usual goods are carried: some of a particular nature need particular regulations. The transportation of dangerous goods regulated by specific international rules is a good illustration while the example of artworks carried to be exposed in temporary exhibitions is less famous. Their material protection is insured by museum professionals and specialized carriers. Their legal protection is insured on two levels: on one side, detailed customs procedures are set up to regulate their movement; moreover, specific contractual rules have been created by professionals, but they do apply intern
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3

Young, Thomas Chesnutt. "Russell Kirk's Column "To the point": Traditional Aspects of Conservatism." [Johnson City, Tenn. : East Tennessee State University], 2004. http://etd-submit.etsu.edu/etd/theses/available/etd-0714104-151923/unrestricted/YoungT080504f.pdf.

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Thesis (M.A.)--East Tennessee State University, 2004.<br>Title from electronic submission form. ETSU ETD database URN: etd-0714104-151923 Includes bibliographical references. Also available via Internet at the UMI web site.
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4

Antrobus, Richard Roy. "The advent of the 'Festivore' an exploration of South African audience attendance in the performing arts at the National Arts Festival." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002362.

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In South Africa, the performing arts have contributed to enhancing national identity and distinctiveness despite coming up against weak legislation, policy and infrastructure to support their growth and proliferation (Fredericks, 2005: 9). Coupled with a decline in both government and consumer support and the contradictory disparity between valuing the arts and the funding of the arts, theatre companies can no longer rely on the comfort of external subsidies and financial support. In order to be economically viable and sustainable to ensure their survival, there is an increasing demand for the
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Polgovsky, Ezcurra Mara. "Touched bodies : corporeal ethics in Latin American art at the onset of the media age." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709431.

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6

Law, Nga Wing. "Performing identities: performative practices in post-handover Hong Kong art & activism." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/518.

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This is an autoethnographic account of the performative practices in the Umbrella Movement (2014, Hong Kong), a struggle that I myself and some fellow artists participated in. Instead of making a discursive analysis of postcolonial identity, this thesis focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement. This thesis starts with an overview of the political situation in Hong Kong before relating it to the social turn in contemporary art practice and the performative turn in art and research practices. Instead of using per
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7

Cooper, Craig. "The interrelationship and inscription in the experience of place in Hong Kong: art, bodies and architectures." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/749.

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This thesis acknowledges the current situation of political unrest in Hong Kong and examines the volatile horizons that began to emerge from late 2014, while also understanding those that came before. The thesis unpacks the relationships between art, architecture and society and their significance in relation to Hong Kong. Through highlighting and identifying the potential restrictions and examining and responding to the legacy and logic of Occupy Central, this thesis proposes an expansion of the space of possibilities for art in Hong Kong.The interweaving of diverse subjects are part of an in
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Snowball, Jen. "The economic valuation of cultural events in developing countries: combining market and non-market valuation techniques at the South African National Arts Festival." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002703.

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The arts in many countries, but particularly in developing ones, are coming under increasing financial pressure and finding it difficult to justify the increases in government funding needed to maintain and grow the cultural sector. The trend in cultural economics, as well as in other areas, appears to be towards including qualitative valuations, as well as the more traditional quantitative ones. This thesis argues that the value of cultural events should include long term historical qualitative analysis, financial or economic impact and a valuation of the positive externalities provided by cu
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9

Shaw, Nancy (Nancy Alison) 1962. "Modern art, media pedagogy and cultural citizenship : the Museum of Modern Art's television project, 1952-1955." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36790.

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The Museum of Modern Art's television project sponsored by the Rockefeller Brother's Fund between 1952 and 1955 was designed to educate a democratic and cultured citizenry through the principles and practices of modern art and liberal humanism. Through a close reading of four television programs, related policy documents and exhibitions, as well as critical, educational and promotional literature, this study will show how within the context of the MoMA's mandate and history, the television project was a decisive, yet highly troubled attempt to forge cultural citizenship through the burgeoning
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10

Lochner, Eben. "The democratisation of art CAP as an alternative art space in South Africa." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002205.

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While formal arts education was inaccessible to many during Apartheid, community-based centres played a significant role in the training of previously disadvantaged artists. By engaging in a socio-political critique of the history of South African art, this thesis argues that even though alternative art spaces are often marginalised, they remain essential to the diversification and democratisation of contemporary South African art today with its re-entry into the international art scene. According to Lize van Robbroeck (2004:52), “some of the fundamental ideals of community arts need to be rev
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11

Kaden, Martha J. "Herinnering, geskiedenis, identiteit : 'n ondersoek na beeld en teks in mito-poesis." Thesis, Stellenbosch : University of Stellenbosch, 2002. http://hdl.handle.net/10019.1/8546.

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Thesis (MA)--University of Stellenbosch, 2002.<br>214 Leaves printed on single pages, preliminary pages i- xvi and numbered pages 1-191. Includes bibliography and illustrations.<br>Digitized at 600 dpi grayscale to pdf format (OCR), using a Bizhub 250 Konica Minolta Scanner. Digitized by Ivan Jacobs on request of Niel Hendrickz, 15 April 2011.<br>ENGLISH ABSTRACT: This investigation is informed by the assumption that language, as representation and as image, is positioned in a metaphorical relationship to reality. Language, as a structure of representation, is the way in which we represent
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12

Botma, Gabriel Johannes. "Manufacturing cultural capital : arts journalism at Die Burger (1990-1999)." Thesis, Stellenbosch : Stellenbosch University, 2011. http://hdl.handle.net/10019.1/18065.

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Thesis (PhD)--Stellenbosch University, 2011.<br>ENGLISH ABSTRACT: This study examines the discursive role and positioning of arts journalism at Die Burger during a period of radical transformation in South African society. The study is conducted within a critical-cultural paradigm. Arts journalists are considered to be manufacturers of cultural capital, a term devised by Pierre Bourdieu as part of his comprehensive field theory framework. While Bourdieu uses cultural capital in the main to describe the role of education and culture in the maintenance of elite power hierarchies, this study
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Resmann, Brittany. "The Games Must Go On: The Struggle Between Internationalism and Nationalism in Modern Olympic Movement." Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/989.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Political Science
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De, Kock-Wiesener Cornelia. "Teken, landskap en kennis : 'n ondersoek na die rol van teken in Suid-Afrikaanse kuns." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53613.

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Thesis (MA)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: This thesis explores the role played by drawings in the creation of knowledge. The study specifically focuses on drawings of the South African landscape and how it led to knowledge of our country. The Western perception of the concept of nature in relation to culture or civilisation is investigated by brief reference to a few periods in Western history. It is argued that man and nature was separated in Western thought by the establishment of rational thinking. This concept led to man's exploitation of nature to his own adv
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Purnomo, Setianingsih. "The voice of muted people in modern Indonesian art." Thesis, View thesis, 1995. http://handle.uws.edu.au:8081/1959.7/661.

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This research into Indonesian socialist-realism art, examines how art has shaped the political and social environments of the new order government. This text examines contemporary artists’ attitudes toward social commitment and social commentary during the period 1980-1995. Conflicting views of contemporary Indonesian artists were obtained from research undertaken in Indonesia in 1995. In this thesis, the problem is raised that Indonesian socialist-realism art is not only a style of art for contemporary Indonesian artists, but also as a union of artists’ attitudes towards Indonesian society. T
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Carrasco, Clare. "The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862862/.

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This dissertation investigates how German-language critics articulated and publicly negotiated ideas about music and expressionism in the first five years after World War I. A close reading of largely unexplored primary sources reveals that "musical expressionism" was originally conceived as an intrinsically musical matter rather than as a stylistic analog to expressionism in other art forms, and thus as especially relevant to purely instrumental rather than vocal and stage genres. By focusing on critical reception of an unlikely group of instrumental chamber works, I elucidate how the acts of
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Chen, Fangyu. "The post-2000 Hong Kong film workers." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/751.

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This thesis is an interdisciplinary study that traces the commerce-art-politics nexus of Hong Kong cinema since the new millennium, through investigating the current young generation of film workers who joined the industry as it gradually entered an era marked by the domination of Hong Kong/Mainland co-productions. It reveals the filmmaking ideologies of emerging filmmakers from both within and beyond their film texts, and uncovers the artistic and ideological discrepancies between this young generation and their predecessors - the established generation who contributed to the glory days of Ho
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18

Morelos, Ronaldo. "Symbols and power in the theatre of the oppressed." Thesis, Queensland University of Technology, 1999.

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Augusto Boal developed Theatre of the Oppressed as a way of using the symbolic language of the dramatic arts in the examination of power relations in both the personal and social contexts. Boal understood that symbolic realities directly influence empirical reality and that drama, as an art form that employs the narrative and the event, serves as a powerful interface between symbols and actuality. In the dramatic process, the creation and the environment from which it emerges are inevitably transformed in the process of enactment. These transformations manifest in the context of power relatio
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19

Van, Robbroeck Lize. "Writing white on black : modernism as discursive paradigm in South African writing on modern Black art." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1329.

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20

Mouzakis-Neolis, Fotis. "Empirical and theoretical aspects of the international arms trade." Thesis, University of Surrey, 1999. http://epubs.surrey.ac.uk/2148/.

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21

Oliveira, Mariana Bueno de. ""Tenho gatilhos e tambores" : impasses estéticos e engajamento político nas canções de Sérgio Ricardo (1958 - 1967) /." Marília, 2018. http://hdl.handle.net/11449/157168.

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Orientador: Marcelo Augusto Totti<br>Banca: Rodrigo Czajka<br>Banca: Thaís Regina Pavez<br>Resumo: A presente pesquisa aborda o engajamento da bossa nova por meio da análise da obra fonográfica de Sérgio Ricardo, momento de impasses de uma geração de artistas que se debateu no limiar do engajamento artístico, da politização das artes e da emergência de uma indústria cultural no Brasil. Temos no período um projeto desenvolvimentista que contempla grande parte da classe média no Brasil, dessa mesma classe média surge um grupo de artistas e intelectuais que estão completamente relacionados com um
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Hayaud-Din, Mian Ahad. "U.S. Foreign Policy in Islamic South Asia: Realism, Culture, and Policy Toward Pakistan and Afghanistan." [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000074.

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23

Dickenson, Rachelle. "The stories told : indigenous art collections, museums, and national identities." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98919.

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The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts, illustrates concepts of race in the development of museums in Canada from before Confederation to today. Located at intersections of Art History, Museology, Postcolonial Studies and Native Studies, this thesis uses discourse theory to trouble definitions of nation and problematize them as inherently racial constructs wherein 'Canadianness' is institutionalized as a dominant white, Euro-Canadian discourse that mediates belonging. The recent reinstallations of the permane
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24

Samwanda, Biggie. "Postcolonial monuments and public sculpture in Zimbabwe." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006825.

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The study critically examines public art in postcolonial Zimbabwe‘s cities of Harare and Bulawayo. In a case by case approach, I analyse the National Heroes Acre and Old Bulawayo monuments, and three contemporary sculptures – Dominic Benhura‘s Leapfrog (1993) and Adam Madebe‘s Ploughman (1987) and Looking into the future (1985). I used a qualitative research methodology to collect and analyse data. My research design utilised in-depth interviews, observation, content and document analysis, and photography to gather nuanced data and these methods ensured that data collected is validated and/or
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Fouche, Pierre. "The distance between us : strategizing a queer, artistic, personal and social politic." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/2137.

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Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006.<br>This thesis considers radical and reactionary political strategies for questioning systems of gender/sexuality categorisation and finds both wanting in terms of the cultural insularity and mainstream assimilation each respectively engenders. An alternative is posited in the form of radical assimilation, a theory borrowing the best elements from both approaches. The remainder of the study is focussed on the search for personal and iconographic strategies to pursue a politic of radical assimilation in my creative production. The
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Rodrigues, Carolina Cantarino 1977. "Entre corpos, tempos e sujeitos = ciências, políticas e artes improvisando identidades." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281012.

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Orientador: Suely Kofes<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-18T04:09:55Z (GMT). No. of bitstreams: 1 Rodrigues_CarolinaCantarino_D.pdf: 1843354 bytes, checksum: 031f4fba100c91c59658e4cf7d56f968 (MD5) Previous issue date: 2011<br>Resumo: A proposta dessa tese é pensar a ciência e a arte em suas criações de políticas que se efetuam por entre corpos, tempos e sujeitos. A ciência será discutida através do modo como ela mobiliza e é mobilizada numa política de identidades, tomando-se como horizon
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Younge, James Gavin Forrest. "The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953." Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/16370.

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Bibliography: pages 232-240.<br>This dissertation argues that abstract art is not ideologically neutral. In spite of many artists' anti-fascist stance early in their careers, the mantle of neutrality was assumed as a reaction to the protracted struggle between the two major ideologies confronting artists living in Europe and the United States of America in the period 1933-1953, namely capitalism and communism. These ideologies were not peripheral to artists lives, but were actively debated by both artists and intellectuals and resulted in the establishment of powerful cultural organisations. T
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Khwela, Gcwelumusa Chrysostomus. "Challenges of arms transfers facing the emerging supplier states in the new international political economy." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53324.

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Thesis (MMil)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: The fundamental motivation for emerging arms suppliers to produce arms was the desire to overcome their position of dependence in the system of arms production and transfers. However, their predicament as late entrants into the system castigated them to fail in this endeavour. This failure is based on three criteria, which also assist in the identification of emerging suppliers. Firstly, the weaponry they produce is far below the sophistication characterised by higher levels of technological advancement. Secondly, they ca
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Vilas, Boas Alexandre Gomes [UNESP]. "Artivismo: Arte + Política + Ativismo: sistemas híbridos em ação." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/128178.

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Made available in DSpace on 2015-10-06T13:03:43Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-06-17. Added 1 bitstream(s) on 2015-10-06T13:18:07Z : No. of bitstreams: 1 000849699.pdf: 6825760 bytes, checksum: a415df8cb472143cb708a98404db87e2 (MD5)<br>Esta dissertação apresenta o estudo e a problematização da produção plástica deste artista-pesquisador, oferecendo ao leitor, um fio condutor que percorre o caminho entre as origens e os desdobramentos do que se convencionou chamar de arte ativista, engajada, ou arte política. A reflexão sobre este processo e sua trajetória, são fatores
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Bassas, Assumpta. "La trayectoria de tres artistas en el pasaje del conceptualismo en Cataluña: Silvia Gubern, Àngels Ribé y Eulàlia." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/387112.

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Este trabajo de investigación reconstruye y comenta la trayectoria artística de Silvia Gubern, Àngels Ribé y Eulàlia (Grau Donada), principalmente en la etapa de las llamadas “prácticas conceptuales”, a partir de fuentes primeras y documentales e introduciendo la voz y el relato de las artistas. Estas tres monografías incorporan también la recepción crítica y la valoración de la prensa especializada. La autora propone lecturas y reflexiones de estas prácticas artísticas y de la concepción de la creatividad de las artistas, vinculándolas a partir de las orientaciones que asume como guías teóric
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Koekemoer, Carmen. "Political grey : areas of ambiguity and contradiction." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013136.

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This Master of Fine Arts submission, consisting of a thesis titled ‘Political Grey: Areas of Ambiguity and Contradiction’ accompanied by an exhibition titled ‘Positions’, encompasses the concept of leadership while uncovering and expressing its ‘grey areas’ in a contemporary and undefined moment in South Africa. The concept of leadership has been complicated throughout the thesis in terms of how it is conceptualised in a traditional royal African art context as well as how Leader-Figures have been and are portrayed in both Western and African portrait genres. The notion that the new is built u
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Garcia-Sheets, Maria. "An ideological criticism of David Duke's rhetoric of racism and exclusion." Scholarly Commons, 1999. https://scholarlycommons.pacific.edu/uop_etds/525.

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This study focuses on the rhetoric of racial politics and the ideology of exclusion it produces. This study analyzes the political rhetoric constructed by David Duke, white supremacist, disavowed neo-Nazi, Ku Klux Klan member, and former Louisiana State Representative. The topics of affirmative action, reverse discrimination, immigration, and welfare were chosen for analysis. Using ideological criticism, this study reveals the role Duke pays in America's increasingly exclusionary political environment. Specifically, this study uses the concepts employed by Louisa Martin Rojo in exploring the r
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Pinto, Camila Antonino. "Entre arte(s) e poder(es)." Florianópolis, SC, 2008. http://repositorio.ufsc.br/xmlui/handle/123456789/91646.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em Antropologia Social.<br>Made available in DSpace on 2012-10-24T01:07:12Z (GMT). No. of bitstreams: 1 258454.pdf: 3531616 bytes, checksum: c60911faabd2a6de35ae666c7047487c (MD5)<br>Esta dissertação investiga eventos ligados às comemorações dos 500 anos do Brasil, ocorridos no ano de 2.000: a festa de Porto Seguro, a Mostra do Redescobrimento e um dos módulos que a compôs, a exposição #Negro de Corpo e Alma#. A análise gira em torno da interface entre os campos da
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Brognoli, Ila da Silva. "Frida Kahlo." Florianópolis, SC, 2009. http://repositorio.ufsc.br/xmlui/handle/123456789/92682.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em História.<br>Made available in DSpace on 2012-10-24T11:10:11Z (GMT). No. of bitstreams: 1 267120.pdf: 9178918 bytes, checksum: d65620173222f9ea8c079645fa7c84e3 (MD5)<br>A revolução ocorrida em princípios do século XX no México teve grande impacto sobre o país e a sua repercussão foi sentida em diversos campos sociais e culturais. Nesta dissertação me ocuparei sobretudo de abordar a transição ocorrida no meio artístico, uma vez que este também teve papel fundamen
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Donelson, Sarah L. "Cries of agony : a work in photographic montage." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864904.

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The statement of the problem for this creative thesis project was: How to construct photomontages that expressed the photographer's personal concerns regarding the human condition and the environmental status of the earth. Secondary components of this problem were the use of color within the work and how to reproduce this color. The goal of this project was: To stimulate individual awareness resulting in a reevaluation of one's own position and responsibilities towards humanity and the environmental status of the earth.A description of the significance of this problem is given along with suppo
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Pinto, Levi Fernando Lopes Vieira 1991. ""A par dum trabalhador, devemos fazer um pensador" : a cultura anarquista paulistana nas práticas artísticas e pedagógicas das Escolas Modernas n. 1 e 2. /." São Paulo, 2019. http://hdl.handle.net/11449/183268.

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Orientador(a): Rita Luciana Berti Bredariolli<br>Banca: Rejane Galvao Coutinho<br>Banca: Anna Mae Tavares Bastos Barbosa<br>Resumo: No final do século XIX, o anarquismo chegou ao Brasil graças a imigração europeia, estimulada tanto pela crise econômica alguns países do continente, como a Itália, Espanha e Portugal, quanto pelo financiamento a essa imigração por parte do governo brasileiro, sobretudo no Estado de São Paulo. A consolidação do anarquismo no interior da classe operária paulistana - classe social que começou a surgir com a progressiva reconfiguração do capitalismo brasileiro que co
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Josephy, Svea Valeska. "The development of a critical practice in post-apartheid South African photography." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52508.

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Thesis (MA)--Stellenbosch University, 2001.<br>ENGLISH ABSTRACT: South African photography in the 20th century was dominated by the documentary genre. This genre has its roots in 19th century Modernist and colonialist belief in the accuracy of the camera as a tool of representation, and faith in the camera's objectivity and ability to present empirical evidence and 'truth'. These positivist notions were carried into South African documentary practice during the apartheid era. Apartheid-era South African documentary photography was particularly focused on exposing the socio-political ills
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Fonseca, Felipe Schmidt 1978. "Redelabs : laboratórios experimentais em rede." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268901.

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Orientador: Rafael de Almeida Evangelista<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-25T01:40:46Z (GMT). No. of bitstreams: 1 Fonseca_FelipeSchmidt_M.pdf: 842718 bytes, checksum: db69fc2f640a09ed14658b4ef1332c6f (MD5) Previous issue date: 2014<br>Resumo: Esta dissertação relata as descobertas, hipóteses e conclusões de pesquisa a respeito de um tipo de produção colaborativa que aproxima arte, ciência, ativismo, inovação, design, entre outras áreas. Concentra-se no surgimento, em anos recentes, dos as
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Souza, Paulo Rogério Luciano Vilela de. "A cidade imaginada: percursos poéticos." Universidade Federal de Uberlândia, 2013. https://repositorio.ufu.br/handle/123456789/12326.

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This master\'s research in the search line \"practices and processes in the arts,\" has a proposal to look and reflect on the city (Uberlândia, MG) from art projects, considering their physical appearance as opposed to users perceptions of their urban space, what they observe and what they think and report through their lines. Seeks to address this town contextualized and which blends the dynamics of life, trade, power, conformation and longings. Give yourself through artwork interspersed reflection and theoretical approaches of these exercises plastics. So is contextualized in the exercise of
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Purnomo, Setianingsih, University of Western Sydney, Faculty of Visual and Performing Arts, and Department of Art History and Criticism. "The voice of muted people in modern Indonesian art." THESIS_FVPA_XXX_Purnomo_S.xml, 1995. http://handle.uws.edu.au:8081/1959.7/661.

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This research into Indonesian socialist-realism art, examines how art has shaped the political and social environments of the new order government. This text examines contemporary artists’ attitudes toward social commitment and social commentary during the period 1980-1995. Conflicting views of contemporary Indonesian artists were obtained from research undertaken in Indonesia in 1995. In this thesis, the problem is raised that Indonesian socialist-realism art is not only a style of art for contemporary Indonesian artists, but also as a union of artists’ attitudes towards Indonesian society. T
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Almeida, Gabriel Bueno. "Política, subjetividade e arte urbana." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106968.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Psicologia, Florianópolis, 2013.<br>Made available in DSpace on 2013-12-05T22:52:13Z (GMT). No. of bitstreams: 1 319164.pdf: 1630881 bytes, checksum: f57807af94736927f26b0d6e3da7b7c8 (MD5) Previous issue date: 2013<br>Esta pesquisa teve como objetivo realizar uma imersão etnográfica na cultura da arte urbana de Florianópolis. Características destacadas desta cultura foram sua dimensão política, sua relação com a cidade e como os sujeitos nela envolvidos se con
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Czajka, Rodrigo. "Praticando delitos, formando opinião : intelectuais, comunismo e repressão no Brasil (1958-1968)." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280603.

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Orientador: Marcelo Siqueira Ridenti<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-13T14:51:55Z (GMT). No. of bitstreams: 1 Czajka_Rodrigo_D.pdf: 28867714 bytes, checksum: 679abe450c88d07ab4e58df2eaf474c6 (MD5) Previous issue date: 2009<br>Resumo: A produção artística e cultural realizada no Brasil entre as décadas de 1950 e 1960 é permeada de intensas discussões, tensões e conflitos que envolvem a disputa de distintos projetos intelectuais. Assim, a formação de um campo intelectual, a diversificação
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Lorenzi, Marie-Emilie. "Activisme rose : cultures et arts féministes queer en France." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010578/document.

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Le terme "Queer" ne résonne pas de la même façon en version originale - le contexte anglo-saxon d'émergence - qu'en version française. L'objectif principal de cette recherche est de questionner les phénomènes de transferts culturels dans le contexte français du féminisme queer, à la fois mouvement de pensée critique, activisme et subculture apparus au milieu des années 1980 aux Etats-Unis. De cette traduction culturelle du mouvement queer en France est né un activisme rose qui à l'inverse du contexte anglo-saxon a développé une politique basée sur une forte affirmation identitaire, à la fois c
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Santos, Ricardo Sant'Ana Felix dos. ""Antígonas tribunal de mulheres": arte como estratégia política de memória histórica." reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/135095.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Sociologia Política, Florianópolis, 2015.<br>Made available in DSpace on 2015-09-22T04:03:19Z (GMT). No. of bitstreams: 1 334683.pdf: 2811634 bytes, checksum: 4114b9e8d6d674dc9f2636ba2a01ea4e (MD5) Previous issue date: 2015<br>Esta pesquisa pretende investigar aspectos da prática artística de um grupo de mulheres vítimas de violências decorrentes do conflito armado colombiano como estratégia política de memória histórica. Através da relação comumente estabel
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Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.

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Scenario House, a gallery based installation, is comprised of a room constructed as a ???family room??? within a domestic space, a television with a looped video work and a sound componant played through a 5.1 sound system. The paper is intended to give my work context in relation to the processes leading up to its completion. This is achieved through clarification of the basis for the installation including previous socio-political discourses within my art practice. It then focuses on ways that the installation Scenario House is based on gun practice facilities such as the Valhalla Shooting
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Steyn, Pieter Andrew. "The relationship between the concept 'art' and its institutionalisation during the period 1850-1871 in South Africa." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005626.

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This research evolved as part of a personal struggle to understand my role as 'art' student. As such the essay is concerned with both the theory and practice of 'art', and the relationship between the two. It is, however, my experience of the lack of an analysis of the concept 'art' as a social and historical phenomenon, and the suppression of the politics of culture in most fine art courses, that has led me to concentrate on theoretical and political issues, rather than the formal aspects of painting. This essay is therefore not concerned with individual 'works of art', but with the general c
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Filippin, Christina Christoforo da Silva. "Teatro legislativo: aspectos teatrais, políticos e jurídicos." Universidade do Estado de Santa Catarina, 2009. http://tede.udesc.br/handle/handle/1330.

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Made available in DSpace on 2016-12-08T16:52:06Z (GMT). No. of bitstreams: 1 ANEXOA.pdf: 34871 bytes, checksum: a99eddb20f2f49b8e7ad44111435aa86 (MD5) Previous issue date: 2009-01-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The scientific inquiry presented has as central object the Legislative Theatre, of Augusto Boal. First of all, we try to register the experience carried through by Boal during his public mandate while councilman in the city of Rio de Janeiro in the year of 1993; by that time, the performances resulted on the approval of some municipal laws. From t
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Behrens, Monika Art College of Fine Arts UNSW. "Silent bang." Publisher:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/42557.

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The research project uses still life as a means of exploring current events of violence and oppression. These events are represented through juxtaposing plastic toys with organic objects. The toys include a range of popular generic toys such as army men, cowboys and Indians and toy soldiers. The organic objects were selected for their relationship to the specific event being represented. The toys and organic objects were positioned to create interesting and logical compositions. Themes of the series include opposing objects and ideas pitched against each other such as plastic/organic, perpetr
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Mussi, Joana Zatz. "O espaço como obra : ações, coletivos artísticos e cidade." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-161737/.

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O ESPAÇO COMO OBRA: Ações, Coletivos Artísticos e Cidade é uma reflexão a respeito dos processos de criação e impacto social das ações dos coletivos artísticos Contrafilé, Frente 3 de Fevereiro e Política do Impossível de São Paulo e GAC de Buenos Aires, que começaram a atuar em meados dos anos 1990. A dissertação foi desenvolvida a partir de diversas vozes, que se complementam e entrecruzam: uma voz narrativa, que vai apresentando descobertas feitas em minha atuação como artista no espaço urbano e que surge de uma dimensão local, inclusive íntima, chegando a uma voz mais \"reflexiva e acadêmi
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Ganczak, Iwona. "At the crossroads of politics and culture : Polish dissident art of the 1980s." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83104.

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This thesis will examine the political and social significance of the new artistic language that emerged in Poland in the 1980s. The new artistic language pertains to symbols, imagery and themes that originated in the discourse of the opposition and can be defined as the amalgam of the traditional religious vocabulary and time-specific symbols of oppression under Communism. The most prominent in this category are the symbols of the cross, the flowers, the national red and white flag, exclusively contemporary symbols such as the "television-people" as well as an array of traditional reli
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