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Journal articles on the topic 'Artuqid'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Schulze, Dr Wolfgang. "TWO FREQUENTLY MISDESCRIBED ARTUQID COINS." Ukrainian Numismatic Annual, no. 6 (December 30, 2022): 217–22. http://dx.doi.org/10.31470/2616-6275-2022-6-217-222.

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In the following article, two copper coins of the Artuqid ruler Fakhr al-Dīn Qarā Arslān are presented and discussed. These two coins are widely known, but are described and interpreted differently. It will be demonstrated how, through superficial observation and careless description of coins, errors can be found even in the standard literature. Such errors, as will be demonstrated here, lead to interpretations that are largely erroneous.

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2

Schulze, Wolfgang. "A COPPER COIN OF THE ARTUQID RULER NAJM AL-DIN ALPI WITH SIX COUNTERMARKS." Ukrainian Numismatic Annual, no. 4 (December 20, 2020): 82–88. http://dx.doi.org/10.31470/2616-6275-2020-4-82-88.

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Scope of the study. A specific series of copper coins of the Artuqid rulers Hussam al-Din Timurtash and his son Najm al-Din Alpi were extensively countermarked during the twelfth century. The scientific novelty The author discusses this system of countermarking and presents a countermark naming Najm al-Din Alpi, which was applied six times on his own coins.The Artuqids were a Turkmen dynasty that ruled in Eastern Anatolia, Northern Syria and Northern Iraq in the eleventh and twelfth centuries. On Il-Ghazi’s death in 516 (1122) his kingdom was divided among three heirs, with Timurtash retaining

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3

binti Abdul Rahim, Norraha, and Zakaria bin Bojeng. "Pengenalan ringkas duit syiling Islam Koleksi Jabatan Muzium Sarawak." Sarawak Museum Journal LXXX, no. 101 (2018): 35–54. http://dx.doi.org/10.61507/smj22-2018-vz6r-02.

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This article, briefly discusses on the coins in the Sarawak Museum collection: coins in general, the earliest coin produced, coin making, and some selected Islamic coins, representing the Dynasties of Umayyad, Abbasid, Fatimid, Anatolia Seljuk, Almoravid, Mamluk, Artuqid, Ilkhanid, Safavid, Qajar and Ottoman, that are on display at the Sarawak Islamic Heritage Museum. Each of these coins has certain characteristics that made them unique from coins of other Islamic periods. Among the common features found on Islamic coins are the use of the Hijri year (commencing with the migration of Prophet M

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4

Hamed, Doaa El-Sayed. "A new study of the unillustrated Artuqid silver coins of Al-Malik Al-Mansur Nasir al-Din Artuq Arslan (597-637AH/ 1200- 1239AD)." Luxor International Journal of Archaeological Studies 8, no. 1 (2025): 469–508. https://doi.org/10.21608/lijas.2025.437510.

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5

Berkey, Jonathan P. "Carole Hillenbrand, A Muslim Prinicipality in Crusader Timers: The Early Artuqid State, (Istanbul: Nederlands Historisch-Archaeologisch Institut, 1990). Pp. 260." International Journal of Middle East Studies 24, no. 3 (1992): 538–39. http://dx.doi.org/10.1017/s0020743800022212.

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6

Faraj, Aso Mohammed, and Zryan Salar Hama Arif. "Badi az-Zaman Abu l-Izz Ismail ibn ar-Razaz al-Jazari(548-630AH/ 1153-1233AD) His Engineering innovations in Islamic civilization." Halabja University Journal 7, no. 3 (2022): 64–79. http://dx.doi.org/10.32410/huj-10422.

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The Islamic civilization is one of the most important civilizations in history because it presented many innovations and scientists to human history. The greatness of Islamic civilization is reflected in the fact that it is a brilliant civilization in a universal religion under which many nations and peoples have developed. The pillars of this civilization are the scientists, including Kurdish scholars who play a significant role in this field. In the present study, we discuss one of the inventive scholars of Islamic civilization who was of Kurdish descent. He is (Badi az-Zaman Abu l-Izz

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7

Pensato, Rino. "1911-2011. Il centenario artusiano e Casa Artusi a Forlimpopoli." SOCIETÀ E STORIA, no. 136 (July 2012): 413–18. http://dx.doi.org/10.3280/ss2012-136009.

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L'autore ricostruisce il contributo di Pellegrino Artusi all'unificazione dei costumi alimentari degli italiani, cento anni dopo la sua morte (1911) e 120 anni dopo la pubblicazione del suo capolavoro, La scienza in cucina e l'arte di mangiar bene (1891). Il suo "ricettario" viene pubblicato ininterrottamente da 120 anni ed č l'unico ricettario italiano ad essere stato tradotto nelle principali lingue del mondo. Il successo č dovuto al metodo di raccolta e scelta delle ricette, prelevate, piů che da altri ricettari italiani e stranieri, dalla "pratica" di cercare le ricette direttamente, da cu

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8

LEMOS, VIRGÍNIA SILVA, and ANA MARIA LEAL-ZANCHET. "Two new species of Notogynaphallia Ogren & Kawakatsu (Platyhelminthes: Tricladida: Terricola) from Southern Brazil." Zootaxa 1907, no. 1 (2008): 28–46. http://dx.doi.org/10.11646/zootaxa.1907.1.2.

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Two new species of Notogynaphallia Ogren & Kawakatsu, 1990, from South Brazil, are described. Notogynaphallia pseudoceciliae sp. nov. and Notogynaphallia arturi sp. nov., present elongate bodies with parallel margins and the dorsum with five dark longitudinal stripes on a yellowish background. Additionally, N. arturi has two large lateral bands of brown pigment between the paramedian and lateral stripes. Both species, which are appended to a complex of striped species previously described for the genus Notogynaphallia, show a unique combination of characters of external and internal morpho

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9

Zerova, M. D., L. Ya Seryogina, W. S. Kuslitzky, and Ya Argov. "Species of the Genus Idiomacromerus (Hymenoptera, Chalcidoidea, Torymidae) Reared from Flower Heads of Some Asteraceae in Israel." Vestnik Zoologii 47, no. 2 (2013): 57–61. http://dx.doi.org/10.2478/vzoo-2013-0016.

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Four species of the genus Idiomacromerus Crawford, 1914 are recorded from Israel as reared from flower heads of Centaurea spp. (Asteraceae). Two of them, Idiomacromerus artusis Zerova, sp. n. and I. persimilis Zerova, sp. n. are described

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10

Callia, Isabella Magalhães. "A prosa gastronômica de Pellegrino Artusi: cultura, gosto e alteridade em um receituário oitocentista." Revista Criação & Crítica, no. 18 (June 30, 2017): 82. http://dx.doi.org/10.11606/issn.1984-1124.v0i18p82-95.

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A presente reflexão é uma leitura interpretativa dos enunciados de três receitas do livro A Ciência na cozinha e a Arte de comer bem – Manual prático para as famílias, compilado por Pellegrino Artusi (1891), considerado o cânone histórico da culinária moderna italiana. Discorrendo sobre os conceitos de cultura, gosto e interculturalidade, o foco se encontra na relação entre a inovativa forma escrita da obra e a sua recepção por parte do público. A intenção é de evidenciar que a inclusão do outro nas narrativas das receitas - alternando-se como sujeito e objeto - foi um diferencial na escrita d

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11

Cattaneo, Simone. "A taula amb Pellegrino Artusi i Josep Pla: l’art de fer país a Itàlia i a Catalunya amb el que hem menjat." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 22, no. 22 (2023): 288. http://dx.doi.org/10.7203/scripta.22.27831.

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Resum: L’objectiu de l’article és mostrar com l’italià Pellegrino Artusi (Forlimpopoli, 1820-Florència, 1911) i el català Josep Pla (Palafrugell, 1897-Llofriu, 1981) –en uns períodes de transició política, social i cultural als respectius països– aprofitaren la cuina en els llibres La scienza in cucina e l’arte di mangiar bene (1891) i El que hem menjat (1972) per enfortir un sentiment individual i col·lectiu d’arrelament territorial, contribuint a forjar unes idees més cohesionades d’Itàlia i de Catalunya. Es tracta d’una tasca que ambdós dugueren a terme, per una banda, aferrant-se a unes tr

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12

Baughman, Ilona. "Pellegrino Artusi and the invention of Italy." Appetite 56, no. 2 (2011): 519. http://dx.doi.org/10.1016/j.appet.2010.11.161.

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13

FONTANA, TAYARA, BÁSLAVI CÓNDOR-LUJÁN, FERNANDA AZEVEDO, THIERRY PÉREZ, and MICHELLE KLAUTAU. "Diversity and distribution patterns of Calcareous sponges (subclass Calcinea) from Martinique." Zootaxa 4410, no. 2 (2018): 331. http://dx.doi.org/10.11646/zootaxa.4410.2.5.

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Calcareous sponges of the subclass Calcinea from Martinique (Caribbean Sea) are presented under an integrative perspective (morphology and DNA: ITS and C-LSU). Eleven species of six genera have been found in Martinique, three of them being new to science: Borojevia crystallina sp. nov., Clathrina delicata sp. nov., and Ernstia adunca sp. nov. Among these new records, four species were previously known from other Caribbean localities: Arturia vansoesti, Clathrina insularis, C. mutabilis, and Leucaltis clathria. Two species previously known in Brazilian waters are reported for the first time in

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14

Lorenzetti, Stefano. "La ‘serva padrona’. Chiose alla polemica Artusi-Monteverdi." Italique 26 (April 22, 2024): 229–58. http://dx.doi.org/10.47421/ita_26_229-258.

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15

Popovic, Ivana, and Snezana Ferjancic. "Cup-bearer of Constantius II and Early Christian inscriptions from the necropolis of St Synerotes in Sirmium." Starinar, no. 66 (2016): 129–41. http://dx.doi.org/10.2298/sta1666129p.

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During the archaeological excavations performed in 1969/70 at the northern necropolis of Sirmium, around the Basilica of St Synerotes, a few sepulchral slabs with inscriptions and symbols of Early Christian character were discovered. The inscription on one slab, which reads: [?1 ? M]arturiu/[s p]incerna /[C]onstanti/[I]nperatori/[s(!)qui] vixsit(!) an/n[is] nonag/inta una cu/m matron/a sua Man/

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16

McGoldrick, Kathryn E. "Joseph F. Artusio, Jr., MD: A Professional and Personal Perspective." Bulletin of Anesthesia History 30, no. 1 (2012): 13–14. http://dx.doi.org/10.1016/s1522-8649(12)50003-x.

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17

A., Bukejs, Alekseev V.I., and Háva J. "A new species of Xyletinus Latreille, 1809 (Coleoptera: Ptinidae: Xyletininae) from Eocene Baltic amber, with a key to known fossil species." Caucasian Entomological Bulletin 17, no. 1 (2021): 179–84. https://doi.org/10.23885/181433262021171-179184.

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<em><strong>Abstract. </strong></em>A new extinct species of the genus <em>Xyletinus </em>Latreille, 1809, namely <em>X. </em>(s.  str.) <em>lobanovi </em><strong>sp. n.</strong>, is described and illustrated from Eocene Baltic amber. This new extinct species resembles <em>X. carsteni</em> Háva et Zahradník, 2020 but differs from it in the dull, not shiny pronotum and elytra, uniformly rufous body and appendages and the lesser body size. A new species is close to <em>X. arturi </em>Háva et Zahradník, 2019, but can be distinguished in the lesser b

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18

Artusi, Ághata Comparin, Heliur Alves de Almeida Delevatti, Cristhian dos Santos Teixeira, Silvia Vendruscolo Milesi, Camila Kissmann, and Tanise Luisa Sausen. "Respostas morfológicas ao alagamento em espécies arbóreas de florestAs ribeirinhAs subtropicAis brAsileirAs." Iheringia, Série Botânica 75 (January 15, 2020): 1–7. https://doi.org/10.21826/2446-82312020v75e2020001.

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Artusi, Ághata Comparin, Delevatti, Heliur Alves de Almeida, Teixeira, Cristhian dos Santos, Milesi, Silvia Vendruscolo, Kissmann, Camila, Sausen, Tanise Luisa (2020): Respostas morfológicas ao alagamento em espécies arbóreas de florestAs ribeirinhAs subtropicAis brAsileirAs. Iheringia, Série Botânica (e2020001) 75: 1-7, DOI: 10.21826/2446-82312020v75e2020001, URL: http://dx.doi.org/10.21826/2446-82312020v75e2020001

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19

Cusick, Suzanne G. "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy." Journal of the American Musicological Society 46, no. 1 (1993): 1–25. http://dx.doi.org/10.2307/831804.

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This essay examines the presence of gender metaphors in the documents of the Monteverdi-Artusi controversy. Such metaphors include literal and figurative representations of sexuality and gender in the theoretical arguments on both sides; representations of gender, sexuality, and power in the oratione asserted to have governed the composition of the two most discussed works, the madrigals "Cruda Amarilli" and "O Mirtillo"; and representations of resistance to patriarchal authority in the armonia of both madrigals. Such examination shows (1) that the focus on these two madrigals by both parties

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Cusick, Suzanne G. "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy." Journal of the American Musicological Society 46, no. 1 (1993): 1–25. http://dx.doi.org/10.1525/jams.1993.46.1.03a00010.

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21

Bechev, Dimitar. "Ectrepesthoneura arturi sp. n. from Baltic amber (Diptera: Mycetophilidae)." Historia naturalis bulgarica 47, no. 6 (2025): 131–36. https://doi.org/10.48027/hnb.47.061.

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A new species of the fungus gnats family Mycetophilidae from middle Eocene Baltic amber is described. The new species differs from previously known species of the genus mainly in the male terminalia: presence of two groups of three very long, lanceolate at the tip “megasetae”. The species’ affiliation of Ectrepesthoneura magnifica (Meunier) and the synonymy of Willistoniella Meunier with Ectrepesthoneura are briefly discussed.

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22

Bechev, Dimitar. "Ectrepesthoneura arturi sp. n. from Baltic amber (Diptera: Mycetophilidae)." Historia naturalis bulgarica 47, no. 6 (2025): 131–36. https://doi.org/10.48027/hnb.47.061.

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A new species of the fungus gnats family Mycetophilidae from middle Eocene Baltic amber is described. The new species differs from previously known species of the genus mainly in the male terminalia: presence of two groups of three very long, lanceolate at the tip “megasetae”. The species’ affiliation of Ectrepesthoneura magnifica (Meunier) and the synonymy of Willistoniella Meunier with Ectrepesthoneura are briefly discussed.

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23

Figg, Katie, and Keith Littlewood. "Yao and Artusio??s Anesthesiology: Problem-Oriented Patient Management, 6th ed." Anesthesia & Analgesia 106, no. 5 (2008): 1594. http://dx.doi.org/10.1213/01.ane.0000317130.44826.d9.

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24

Silva, Carla Maicá. "Uma análise discursiva sobre a autoria de A Ciência na Cozinha e a Arte de Comer Bem, de Pellegrino Artusi." Revista Ingesta 1, no. 2 (2019): 177. http://dx.doi.org/10.11606/issn.2596-3147.v1i2p177.

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    A gastronomia é sem dúvidas um dos elos mais fortes de um povo. Nela, identidade e cultura são expressas através de práticas alimentares. Inscrita na Análise do Discurso francesa, compreendo tais práticas como discursos. Ao tratar a gastronomia e os discursos sobre por tal perspectiva, abordo a face política dessas práticas, as relações de forças que estão implicadas nelas, os conflitos e a constituição dos sujeitos a partir desses modos e saberes. Assim, ao tomar como objeto de pesquisa o livro de culinária considerado um dos pilares da construção

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İlhan, Mehmet Mehdi. "Some Notes on the Personal and Place Names Used in the Sancak of Amid During the First Half on the Sixteenth Century." Belleten 54, no. 209 (1990): 223–32. http://dx.doi.org/10.37879/belleten.1990.223.

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The sancak of Amid (today known as Diyarbakır) has been ruled by the Byzantines, Arabs, Selçukids, Artukids, Ayyubids, Akkoyunlus and Ottomans. Therefore the sancak has been exposed to the cultures of these states. Thus the province had undergone a great cultural impact which can clearly be traced in the personal and place names used in the sancak. The place and personal names recorded in the 1518 Ottoman cadastral survey of the sancak of Amid are the basis of some pointers made in this article.

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Carter, Tim. "Cerberus Barks in Vain: Poetic Asides in the Artusi–Monteverdi Controversy." Journal of Musicology 29, no. 4 (2012): 461–76. http://dx.doi.org/10.1525/jm.2012.29.4.461.

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The numerous documents associated with the controversy launched in 1600 by the Bolognese music theorist Giovanni Maria Artusi (1546–1613) against the madrigals of Claudio Monteverdi (1567–1643) have been well studied by scholars. But no one has yet engaged with the encomia included in the front and back matter of the printed books lying at the heart of the dispute: three sonnets (two by Vicenzo Maria Sandri and one by Mutio Manfredi) and a Latin carmen (by Erycius Puteanus) in the treatise L’Artusi, overo Delle imperfettioni della moderna musica (1600), and two madrigals by the poet and theolo

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27

Ateş, Tahir, Ahmet Gökdemir, and Ömer Kadir Ahiskali. "Structural Detection and Restoration Proposal for the Mardin Şahkulubey Cupola." Applied Sciences 14, no. 20 (2024): 9182. http://dx.doi.org/10.3390/app14209182.

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Background: Mardin is a unique city in terms of linguistic, religious, and cultural diversity, within an atmosphere of tolerance, while various historical artifacts reflect these to the present day. This ancient city hosted numerous civilizations and experienced peak economic and political stability in the 12th century during the Artukid period. Many of the works that have endured to this day reflect that period. The Şahkulubey Cupola is one of the rare works that have survived to the present day. In this study, an analysis of the existing materials is performed to shed light on the restoratio

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CARTER, TIM. "‘E in rileggendo poi le proprie note’: Monteverdi responds to Artusi?" Renaissance Studies 26, no. 1 (2012): 138–55. http://dx.doi.org/10.1111/j.1477-4658.2011.00793.x.

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29

Cicioni, Mirna. "Narratives of Murder and Knowledge: Pellegrino Artusi and Dante Alighieri as Sleuths." Quaderni d'italianistica 37, no. 1 (2017): 55–72. http://dx.doi.org/10.33137/q.i..v37i1.28278.

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Using McHale’s notions of “epistemological” and “ontological” dominants, this article analyzes three historical crime novels that have real historical characters as their protagonist: Marco Malvaldi’s Odore di chiuso (2011), featuring Pellegrino Artusi as the detective, and Giulio Leoni’s I delitti del mosaico (2004) and La crociata delle tenebre (2007), with Dante Alighieri as the sleuth. The article shows how the hybridization of crime fiction, history, and biography may be a fertile ground for the representation of the different ways of “knowing” in their respective historical periods and t

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30

Ferreira, Anabela Cristina. "Ciência na Cozinha e a Arte de Comer Bem de Pellegrino Artusi." Palavras - revista em linha, no. 1 (February 24, 2018): 46–56. http://dx.doi.org/10.61248/pel.vi1.7.

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31

Robinson, Chase F. "Ibn al-Azraq, hisTa'rīkh Mayyāfāriqīn,and early Islam." Journal of the Royal Asiatic Society 6, no. 1 (1996): 7–27. http://dx.doi.org/10.1017/s1356186300014747.

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Scholars have known of Ibn al-Azraq and hisTa'rikh Mayyāfāriqinsince at least 1882, with the publication of F. Wiistenfeld'sDie Geschichtschreiber der Araber und ihre Werke, but it seems that the history received its first thorough reading in 1902, when Amedroz published a summary of the recently acquired British Museum (now British Library) manuscript. Amedroz concentrated only on the latter folios of the MS, particularly those that cover the Marwanid dynasty, and in his interest in the second half of the work he has been followed by B. A. L. Awad, who edited the section on the Marwaīnids, C.

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La Via, Stefano. "EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE." Early Music History 21 (September 4, 2002): 75–116. http://dx.doi.org/10.1017/s0261127902002036.

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The literary origins of the Italian sixteenth-century madrigal, as well as the presumed inexpressive nature of the so-called prima pratica as compared with the seconda pratica, perhaps represent two of the most abused commonplaces of modern musical historiography. Most scholars still believe that the linguistic, rhetorical and stylistic principles codified by Petrarchist humanists such as Pietro Bembo directly stimulated the birth of the new literary-musical genre. Even more problematic is the attitude of those who extract the dichotomy prima/seconda pratica from its specific cultural context

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Artusi, C. A., M. Zibetti, A. Romagnolo, M. G. Rizzone, A. Merola, and L. Lopiano. "Subthalamic Deep Brain Stimulation." Acta Neurologica Scandinavica 137, no. 5 (2017): 481–87. https://doi.org/10.1111/ane.12889.

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This is the peer reviewed version of the following article: [Artusi, C.A., Zibetti, M., Romagnolo, A., Rizzone, M.G., Merola, A., and Lopiano, L. (2017). Subthalamic deep brain stimulation and trunk posture in Parkinson's disease. Acta Neurologica Scandinavica 137, 481–487.], which has been published in final form at https://doi.org/10.1111/ane.12889. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions: https://authorservices.wiley.com/author-resources/Journal-Authors/licensing/self-archiving.html#3. Deposited by

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34

Moon, Jun Young. "Pellgrino Artusi's cookbook and the birth of modern Italian cuisine." Korean Society for European Integration 15, no. 3 (2024): 149–78. https://doi.org/10.32625/kjei.2024.34.149.

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In 1891, retired businessman and amateur literary enthusiast Pellegrino Artusi published a book that collected and introduced various regional recipes, offering a way to harmoniously integrate Italy's diverse culinary traditions into the culture of the newly unified nation. More than just a cookbook, this work provided Italians with a shared culinary language and cultural identity as the same nation, contributing significantly to the standardization of modern Italian culinary culture and language. This paper analyzes the reasons behind the enduring success of Artusi's The Science in the Kitche

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Turbil, Cristiano. "Science in the Kitchen and beyond: Cooking with Pellegrino Artusi in Post-Unified Italy." Public Understanding of Science 29, no. 1 (2019): 112–20. http://dx.doi.org/10.1177/0963662519880682.

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36

MUONA, JYRKI. "Helorus arturi sp. nov. (Hymenoptera, Proctotrupoidea, Heloridae) from Baltic amber." Palaeoentomology 3, no. 4 (2020): 347–51. http://dx.doi.org/10.11646/palaeoentomology.3.4.4.

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Heraty et al. (2011) and Sharkey et al. (2012) defined their Proctotrupoidea s. str. as a monophyletic group, a clade, using analytical methods and including all relevant extant taxa. These analyses strongly supported the monophyly of their new concept of the superfamily Proctotrupoidea. It included seven families: Austroniidae, Heloridae, Pelecinidae, Peradeniidae, Proctotrupidae, Roproniidae and Vanhorniidae. Diapriidae and Monomachidae, formerly considered to be proctotrupoids, were placed (with other taxa) in the sister-group to Proctotrupoidea sensu stricto.

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Bukin, Danila. "The Language of Empire and Nation in John Leland’s Antiquarian (1503—1552)." ISTORIYA 16, no. 1 (147) (2025): 0. https://doi.org/10.18254/s207987840034538-0.

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This article looks at how the main categories of Late Medieval and Early Modern imperial and proto-national discourses are represented in the works of John Leland, an English antiquary of the first half of the 16th сentury. The study focuses on antiquarian texts such as The New Year’s Gift, Antiphilarchia, How England Should Have Hommage and Feaulty of Scotlande, Assertio inclytissimi Arturii Regis Britanniae (The Assertion of Famous Arthur, King of Britain), Cygnea Cantio (The Swan Song) and De viris illustribus (On Famous Men). It demonstrates that Leland’s works reflected ideas about the co

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Busby, Keith. "The Rise of Gawain, Nephew of Arthur (De ortu Walwanii nepotis Arturi). Mildred Leake Day." Speculum 61, no. 4 (1986): 913–15. http://dx.doi.org/10.2307/2853987.

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HAZAR, Mehmet. "Personal Names In Kitab-ı Dede Qorqut At The Time Of Artuq." Journal of Turkish Studies Volume 3 Issue 1, no. 3 (2008): 22–33. http://dx.doi.org/10.7827/turkishstudies.254.

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Peacock, A. C. S. "Georgia and the Anatolian Turks in the 12th and 13th centuries." Anatolian Studies 56 (December 2006): 127–46. http://dx.doi.org/10.1017/s0066154600000806.

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AbstractThis article presents a study of the political and military relations of the Kingdom of Georgia and the Muslims of Anatolia from the 12th century AD up to the Mongol conquest of the region in the mid 13th century. Georgia's expansion during the 12th century and the web of marriage alliance that the Muslim rulers of Anatolia wove to protect themselves drew her into conflict even with distant principalities with which she shared no border, such as the Artukids of Mardin. Meanwhile, Erzurum appears to have been obliged to acknowledge Georgian suzerainty for much of the 12th and early 13th

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García-Martínez de Lagrán, Iñigo, Eneko Iriarte, Jesús García-Gazólaz, et al. "8.2 ka BP paleoclimatic event and the Ebro Valley Mesolithic groups: Preliminary data from Artusia rock shelter (Unzué, Navarra, Spain)." Quaternary International 403 (June 2016): 151–73. http://dx.doi.org/10.1016/j.quaint.2015.06.050.

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Artüz, M. L., M. L. Artüz, C. Kubanç, M. L. Artüz, C. Kubanç, and S. N. Kubanç. "Stereomastis artuzi sp. nov., a new species of Polychelidae (Decapoda, Polychelida) described from the Sea of Marmara, Turkey." Crustaceana 87, no. 10 (2014): 1243–57. http://dx.doi.org/10.1163/15685403-00003353.

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Four specimens ofStereomastiswere caught by beam-trawl on 07 August 2011 at a depth of 1000 m in the western deep basin, around the submarine thermal vent site, along the North Anatolian Earthquake Fault, in the Sea of Marmara. These specimens appeared to belong to an as yet undescribed species. As a result,Stereomastis artuzisp. nov. is described in this study as a new species in the family Polychelidae (Decapoda, Polychelida; also alternatively classified under Decapoda, Palinura, Eryonoidea).

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Zerova, M. D., S. A. Simutnik, V. N. Fursov, S. I. Klymenko, and I. T. Stetsenko. "The types of Chalcid wasps (Hymenoptera, Chalcidoidea), described by scientists of Schmalhausen Institute of Zoology of National Academy of sciences of Ukraine after 2012." Ukrainian Entomological Journal 14, no. 1 (2018): 25–34. http://dx.doi.org/10.15421/281803.

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The list of type specimens of chalcid wasps of four families (Eurytomidae, Torymidae, Ormyridae, Encyrtidae) described by experts of Schmalhausen Institute of Zoology of National Academy of Sciences after 2012 is given. Data of original labels and reference to original description are given for each taxon. The catalogue includes types of 41 nominal taxa: Eurytomidae (15): Nikanoria deserta Zer., N. halimodendrae Zer., N. kazakhstanica Zer., N. leleji Zer., N. mongolica punctata Zer., N. orski Zer., N. pygmaea Zer., N. sugonjaevi Zer., Parabuchophagus rasnitsyni Zer., Eurytoma gleditsiae Zer. e

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AZEVEDO, FERNANDA, ANDRÉ PADUA, FERNANDO MORAES, ANDRÉ ROSSI, GUILHERME MURICY, and MICHELLE KLAUTAU. "Taxonomy and phylogeny of calcareous sponges (Porifera: Calcarea: Calcinea) from Brazilian mid-shelf and oceanic islands." Zootaxa 4311, no. 3 (2017): 301. http://dx.doi.org/10.11646/zootaxa.4311.3.1.

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Despite the enormous economic, scientific and strategic value of the Brazilian oceanic and mid-shelf islands (BOMIs), the biological communities of these islands are still poorly known. An example is their fauna of calcareous sponges (Porifera: Calcarea), with only six species described up to date. In the present study, we analysed the Calcinean sponges from the mid-shelf Abrolhos Archipelago and four of the five Brazilian oceanic islands (São Pedro e São Paulo Archipelago, Fernando de Noronha Archipelago, Rocas Atoll, and Trindade Island), using both morphological and molecular approaches for

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Weaire, Gavin. "Gawain, Son of Viamundus: Problems of Filial and Roman Identity in the De ortu Waluuanii nepotis Arturi." Journal of Medieval Latin 34 (January 2024): 133–52. http://dx.doi.org/10.1484/j.jml.5.136330.

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Hillenbrand, Carole. "Turkoman figural bronze coins and their iconography. Vol. I. The Artuqids. By William F. Spengler and Wayne G. Sayles. pp. xxiv, 193. front., illus., map. Lodi, Wisconsin, Clio's Cabinet, 1992." Journal of the Royal Asiatic Society 7, no. 2 (1997): 297–98. http://dx.doi.org/10.1017/s1356186300008981.

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Fawzy, Aisha Abdelnaser, Manal Farouk Mostafa, Nadia Hussien Ahmed, and Ahmed Mohamed Abbas. "Incidence of Violence and Sexual Dysfunction among Infertile Women Attending Women's Health Hospital, Assiut University." Malaysian Journal of Nursing 15, no. 04 (2024): 167–78. http://dx.doi.org/10.31674/mjn.2024.v15i04.019.

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In the present day, people view infertility as a social issue that can result in psychological instability, relationship problems, and divorce. Consequences of infertility, such as low self-esteem, anxiety, and sexual relationship disturbances associated with failure in reproduction, have a major impact on sexual satisfaction. Aim:This study aims to assess the incidence of violence and sexual dysfunction among infertile women. Methods:Apurposive sample of 60 infertile women was enrolled; a cohort design was used. The outpatient gynecological clinic and ARTunit at Women's Health Hospital, Assiu

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Coluzzi, Seth. "Licks, polemics, and the viola bastarda: unity and defiance in Monteverdi’s Fifth Book." Early Music 47, no. 3 (2019): 333–44. http://dx.doi.org/10.1093/em/caz040.

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Abstract ‘Ahi, lasso!’ cry the five voices in Monteverdi’s Cruda Amarilli (1605). The exclamation has long been a central focus of madrigal scholars’ work on Monteverdi’s Fifth Book, and of the debate with Artusi on account of the Canto’s celebrated yet improper dissonances and the controversy they provoked. Little has been said, however, of the unusual bass runs that precede and follow these dissonances, and what these runs (and their divergences from the basso continuo part) might intimate about the larger role of the bass in the madrigal book as a whole. This article peers between the crack

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Carter, Tim. "Beyond Drama: Monteverdi, Marino, and the Sixth Book of Madrigals (1614)." Journal of the American Musicological Society 69, no. 1 (2016): 1–46. http://dx.doi.org/10.1525/jams.2016.69.1.1.

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Monteverdi's Il sesto libro de madrigali a cinque voci (1614) is often viewed as an outlier in his secular output. His Fourth and Fifth Books (1603, 1605) were firmly embroiled in the controversy with Artusi over the seconda pratica, while his Seventh (1619) sees him shifting style in favor of the new trends that were starting to dominate music in early seventeenth-century Italy: the Sixth Book falls between the cracks. But it also suffers—in modern eyes, at least—for the fact that it reflects the composer's first encounters with the poetry of Giambattista Marino, marking what many see as the

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Vaccaro, Giulio. "Dialettale, regionale, nazionale: identità linguistiche nella descrizione della lingua del cibo." Studia Romanica Posnaniensia 51, no. 2 (2024): 91–104. http://dx.doi.org/10.14746/strop.2024.51.2.7.

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Food and, consequently, the language that describes it represent one of the areas of culture and language in which there has been the strongest assertion of an identity model. This is the result of the sum of different local components. Until the beginning of the 20th century (essentially until the lesson of Pellegrino Artusi), the gastronomic lexicon had moved toward Frenchizing models (i.e. Francesco Leonardi’s Apicio moderno). During the last century, it rapidly descended into an essentially national dimension but also with a kind of “globalization” of the typical product, whereby it is nat

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