Log in

Relevant bibliographies by topics / Arturo Ui

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Arturo Ui'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Arturo Ui.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Arturo Ui"

1

Krasner, David, Bertolt Brecht, and Ralph Manheim. "The Resistible Rise of Arturo Ui." Theatre Journal 43, no. 4 (1991): 530. http://dx.doi.org/10.2307/3207987.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Laubin, Antoine. "Exercices pr�paratoires�: si�Arturo�Ui..." �tudes th��trales N�50, no. 1 (2011): 95. http://dx.doi.org/10.3917/etth.050.0095.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Rhiel, Mary. "Teaching "Arturo Ui": Triumph of Whose Will?" Die Unterrichtspraxis / Teaching German 26, no. 1 (1993): 67. http://dx.doi.org/10.2307/3531792.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Horowitz, Arthur. "The Resistible Rise of Arturo Ui (review)." Theatre Journal 52, no. 1 (2000): 121–23. http://dx.doi.org/10.1353/tj.2000.0011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Van den Dries, Luk. "Brecht en Müller: 'De weerstaanbare opkomst van Arturo Ui'." Documenta 15, no. 1 (2019): 25–29. http://dx.doi.org/10.21825/doc.v15i1.11121.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

NIESCHMIDT, HANS-WERNE. "Glorifizierung oder Preisgabe des politischen Gegners? Zum Geisterauftritt in Brechts Arturo Ui." Seminar: A Journal of Germanic Studies 22, no. 3 (1986): 218–29. http://dx.doi.org/10.3138/sem.v22.3.218.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Plokharskiy, A. E. "The dispelling of Nazi myth in B. Brecht’s play The Resistible Rise of Arturo Ui." Herald of Dagestan State University 32, no. 3 (2017): 26–34. http://dx.doi.org/10.21779/2542-0313-2017-32-3-26-34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Mihyang Ginther, Amy. "What Distance Can Illuminate: Exploring Accent as Gestus in Brecht’s The Resistible Rise of Arturo Ui." Voice and Speech Review 14, no. 1 (2019): 9–27. http://dx.doi.org/10.1080/23268263.2020.1668104.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kayani, Taimur, and Arbaayah Ali Termizi. "Literary Representations of Capitalist Dictatorship in Transcultural Adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka Theatre in Pakistan." International Journal of Comparative Literature and Translation Studies 5, no. 1 (2017): 16. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.1p.16.

Full text

Abstract:

Brecht’s ‘canonical’ literary work’s indigenization in Pakistan can offer a valuable transcultural adaptation study because it was performed through a radical theatre with a distinct dramaturgy and political philosophy in two different cultural contexts and historical frame of references. As the foremost representative of Brecht’s radical dramaturgy, philosophy and literary works in Pakistan since 1983, Ajoka theatre utilized these adaptations as socio-political spaces to challenge dominant discourses on the rise of dictatorship and capitalism in Pakistan. Prior studies explored the formal elements of these adaptations of The Resistible Rise of Arturo Ui(1942) : visual and aural and the intellectual content i.e. political dimension of this ‘social action theatre’ is still unexamined. This contextual reading attempts to fulfill this ‘gap’ by conducting a seminal contextual criticism on ‘literary representations’ of Pakistani pro-capitalist dictators in selected transcultural adaptations of Brecht’s work in light of new historicism and Hutcheon’s Theory of Adaptation. The article also explores how in the second phase Brecht’s social and political philosophy is reflected in Ajoka’s signature plays, Bala King (1997) and The Third Knock (1970).

APA, Harvard, Vancouver, ISO, and other styles

10

Atkins, Robert. ""Und es ist kein Gott ausser Adolf hitler": The Biblical Motifs in Brecht's "Arturo Ui" and Related Works as Political Counter-Propaganda." Modern Language Review 85, no. 2 (1990): 373. http://dx.doi.org/10.2307/3731817.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Arturo Ui"

1

"A Lighting Design For Bertolt Brecht's The Resistible Rise Of Arturo Ui." Tulane University, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

"A VERFREMDUNGSEFFEK, The Alienation Effect: A Costume design for The Resistible Rise of Arturo Ui." Tulane University, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Doig, Thomas James. "Hitler comedy / Hitlerhoff." 2009. http://repository.unimelb.edu.au/10187/7540.

Full text

Abstract:

The critical component of this thesis, “Hitler Comedy”, is a dissertation on the intersection between comedy theory in general, and the specific practice of Hitler comedy. Focusing on Bertolt Brecht’s play The Resistible Rise of Arturo Ui (1941; directed by Heiner Müller in 1995), and Dani Levy’s film Mein Führer: the Truly Truest Truth About Adolf Hitler (2007), my argument critiques existing “instrumentalist” theories of comedy as didactic and morally reductive. Moving beyond prevailing conceptualisations of comedy as corrective and/or forgiving, my dissertation emphasises the centrality of pleasure, displeasure and disruption for audience members in the process of their experiencing Hitler comedies.<br>The creative component of this thesis is a script and a DVD recording of Hitlerhoff, a theatre and multimedia work that combines the characters of Adolf Hitler and David Hasselhoff into a single hybrid figure. Hitlerhoff is a spectacular black comedy that uses comedy to entertain and unsettle, and to disrupt audience members’ expectations. Hitlerhoff is a practical demonstration of the ability of “irresponsible” comedy to act as a potent catalyst for “responsible”, ethically engaged discussions.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Arturo Ui"

1

Brecht, Bertolt. The resistible rise of Arturo Ui. Bloomsbury, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Brecht, Bertolt. The resistible rise of Arturo Ui. Arcade Pub., 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Brecht, Bertolt. The resistible rise of Arturo Ui. Methuen, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Brecht, Bertolt. The resistible rise of Arturo Ui. Methuen Drama, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Lindner, Burkhardt. Bertolt Brecht: "Der aufhaltsame Aufstieg des Arturo Ui". UTB, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Thiele, Dieter. Bertolt Brecht, Der aufhaltsame Aufstieg des Arturo Ui. M. Diesterweg, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Brecht, Bertolt. Life of Galileo: The resistible rise of Arturo Ui ; The Caucasian chalk circle. Arcade Pub., 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Carr, Andrew J. A short introduction to Brecht and his writings in relation to "The Resistible Rise of Arturo Ui" with an account of Hitler's accession to the post of Chancellor. LCP, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Brecht, Bertolt. Resistible Rise of Arturo Ui. Bloomsbury Publishing Plc, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Brecht, Bertolt. Der Aufstieg des Arturo Ui. Suhrkamp Verlag KG, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Arturo Ui"

1

Gerz, Raimund. "Der Aufstieg des Arturo Ui." In Brecht Handbuch. J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05612-2_41.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Wirschal, Jan, and Jan Knopf. "Brecht, Bertolt: Der Aufstieg des Arturo Ui." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6056-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"The Resistible Rise of Arturo Ui." In Adaptations of Shakespeare. Routledge, 2014. http://dx.doi.org/10.4324/9780203754641-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

"Varieties of Histrionic Experience: Medea; The Resistible Rise of Arturo Ui." In Millennial Stages. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300135367-011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Linden, Ari. "Teaching to Interrupt: Satire in Brecht's Arturo Ui and Chaplin's The Great Dictator." In The Brecht Yearbook / Das Brecht-Jahrbuch 41. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787441392.006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

"Examples of British Brecht discussed here include George Devine’s production of The Good Woman of Setzuan, Sam Wanamaker’s The Threepenny Opera and William Gaskill’s The Caucasian Chalk Circle. (Throughout this book all the play titles given reproduce exactly the translations used for the particular productions discussed.) The chapter also includes a brief assessment of the relationship between the work of Brecht and that of key British playwrights: John Arden, Arnold Wesker, John Osborne, Robert Bolt and Edward Bond. Chapter 3 describes the ways in which the political upheavals of 1968 and the social and artistic developments in Britain made Brecht eminently suitable and accessible to radical theatre groups. It analyses the impact of politically committed theatre practitioners’ attempts to take on all aspects of Brecht’s dramatic theory, political philosophy and, as far as possible, theatre practice. Detailed analyses of Brecht productions by some key radical companies (e.g. Foco Novo, Belt and Braces Roadshow, Liverpool’s Everyman Theatre, Manchester’s Contact Theatre and Glasgow’s Citizens Theatre) demonstrate how their commitment to the integra-tion of political meaning and aesthetic expression contributed to the growing understanding and acceptance of Brecht’s theatre in Britain. This achievement is contrasted in Chapter 4 with the ways in which Brecht’s plays were incorporated into the classical repertoire by the national companies – the Royal Shakespeare Company and the National Theatre – in the 1970s and 1980s. Here there is an assessment of the damaging impact on these Brecht productions of the companies’ hierarchical structure and organisation, the all-too-frequently non-collaborative approaches to production, and the undue emphasis placed on performance style and set design, often in isolation from a genuine commitment to the intrinsic, socio-political meaning of the texts. The chapter centres on the productions of Brecht in the 1970s and 1980s for the Royal Shakespeare Company directed by Howard Davies, and on those at the National Theatre directed by John Dexter and Richard Eyre. Chapter 5 presents three case studies, that is, detailed accounts based on access to rehears-als and on interviews with the relevant directors and performers, of three major British productions of Brecht plays in the early 1990s. The first case study is of the award-winning production of The Good Person of Sichuan at the National Theatre in 1989/90, directed by Deborah Warner, with Fiona Shaw as Shen Te/Shui Ta. The second is of the Citizens Theatre’s 1990 production of Mother Courage, directed by Philip Prowse, with Glenda Jackson in the title role. And the third is of the National Theatre’s The Resistible Rise of Arturo Ui, directed in 1991 by Di Trevis, with Antony Sher as Ui. The main focus of this chapter and its case-studies is the relationship in practice between Brechtian theory, and the aesthetics and the politics of the texts, in both the rehearsal process and the finished performances." In Performing Brecht. Routledge, 2002. http://dx.doi.org/10.4324/9780203129838-12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Arturo Ui"

1

Souza, Angélica Siqueira de, Nathalia da Cruz Alves, Christiane Gresse von Wangenheim, and Leonardo Kreuch. "Análise Automatizada da Originalidade de Design de Interfaces de Usuário no Contexto Educacional: Um Mapeamento da Literatura." In Simpósio Brasileiro de Informática na Educação. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbie.2021.217542.

Full text

Abstract:

Com o objetivo de contribuir ao desenvolvimento de habilidades importantes no século XXI, como a criatividade pelo ensino de computação na Educação Básica, visa-se ensinar ao aluno a desenvolver apps originais com App Inventor. Porém, se questiona como avaliar a originalidade especificamente em relação ao design de interface de usuário (UI) para acompanhar o progresso da aprendizagem. Assim, este artigo apresenta um mapeamento sistemático das abordagens existentes para automaticamente avaliar a originalidade de design de UI de apps Android usando técnicas de Inteligência Artificial, que podem ser utilizadas por professores para a avaliação da criatividade.

APA, Harvard, Vancouver, ISO, and other styles

2

Da Cruz Alves, Nathalia, Igor Da Silva Solecki, Christiane Gresse Von Wangenheim, Adriano Borgatto, Jean Carlo Rossa Hauck, and Miriam Nathalie Fortuna Ferreira. "Análise do Nível de Dificuldade dos Conceitos de Design de Interface de Usuário usando a Teoria de Resposta ao Item." In Simpósio Brasileiro de Informática na Educação. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/cbie.sbie.2020.1563.

Full text

Abstract:

O ensino de computação pode ser introduzido na Educação Básica por meio do desenvolvimento de aplicativos com App Inventor, envolvendo não apenas algoritmos e programação, mas também conceitos e práticas de design visual. No entanto, o sequenciamento de unidades instrucionais eficazes precisa ser projetado com base em estimativas quantitativas de dificuldade. Assim, este artigo apresenta os resultados de uma análise em larga escala do nível de dificuldade dos conceitos de design de UI de 1870 projetos App Inventor usando Teoria da Resposta ao Item. Os resultados indicam conceitos mais fáceis (tipografia) e difíceis (imagens e cores), resultantes da falta de um suporte mais alinhado aos guias de design visual no App Inventor.

APA, Harvard, Vancouver, ISO, and other styles

3

Liu, Biyue. "A Numerical Study of Wall Shear Stress of Viscous Flows in Curved Atherosclerotic Tubes." In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-32132.

Full text

Abstract:

Atherosclerosis is a disease of large- and medium-size arteries, which involves complex interactions between the artery wall and the blood flow. Both clinical observations and experimental results showed that the fluid shear stress acting on the artery wall plays a significant role in the physical processes which lead to atherosclerosis [1,2]. Therefore, a sound understanding of the effect of the wall shear stress on atherosclerosis is of practical importance to early detection, prevention and treatment of the disease. A considerable number of studies have been performed to investigate the flow phenomena in human carotid artery bifurcations or curved tubes during the past decades [3–8]. Numerical studies have supported the experimental results on the correlation between blood flow parameters and atherosclerosis [6–8]. The objective of this work is to understand the effect of the wall shear stress on atherosclerosis. The mathematical description of pulsatile blood flows is modeled by applying the time-dependent, incompressible Navier-Stokes equations for Newtonian fluids. The equations of motion and the incompressibility condition are ρut+ρ(u·∇)u=−∇p+μΔu, inΩ, (1)∇·u=0, inΩ (2) where ρ is the density of the fluid, μ is the viscosity of the fluid, u = (u1, u2, u3) is the flow velocity, p is the internal pressure, Ω is a curved tube with wall boundary Γ (see Figure 1). At the inflow boundary, fully developed velocity profiles corresponding to the common carotid velocity pulse waveform are prescribed u2=0,u3=0,u1=U(1+Asin(2πt/tp)), (3) where A is the amplitude of oscillation, tp is the period of oscillation; U is a fully developed velocity profile at the symmetry entrance plane. At the outflow boundary, surface traction force is prescribed as Tijnjni=0, (4)uiti=0 (5) where Tij=−pδij+μ(∂ui/∂xj+∂uj/∂xi) (6) is the stress tensor, n = (n1, n2, n3) is the out normal vector of the outlet boundary. On the wall boundary Γ, we assume that no slipping takes place between the fluid and the wall, no penetration of the fluid through the artery wall occurs: u|r=nHt, (7) where n = (n1, n2, n3) is the out normal vector of the wall boundary Γ. H is the function representing the location of the wall boundary. At initial time t = 0, H is input as shown in Figure 1. During the computation, H is updated by a geometry update condition based on the localized blood flow information. The initial condition is prescribed as u|t=0=u0,p|t=0=p0, where u0, p0 can be obtained by solving a Stokes problem: −μΔu0+∇p0=0,∇·u0=0, with boundary conditions (3)–(7) but zero in the right hand side of (7).

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!