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Dissertations / Theses on the topic 'Arundhati Roy'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Schneider-Krzys, Emily. ""For practical purposes in a hopelessly practical world ..." towards a new postcolonial resistance in Arundhati Roy's The God of small things /." Diss., Connect to the thesis, 2005. http://thesis.haverford.edu/136/01/2005Schneider-KrzysE.pdf.

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2

Longworth, Sarah Young. "Trauma and the ethical dilemma in Arundhati Roy's The God of Small Things /." Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/longworths/sarahlongworth.pdf.

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Stockdale, Emily. "Language and the creation of characters in Arundhati Roy's The God of small things." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/stockdalee/emilystockdale.pdf.

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Olsson, Angelika. "Arundhati Roy : Reclaiming Voices on the Margin in The God of Small Things." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-8366.

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The aim of this essay is to critically consider Arundhati Roy’s novel The God of Small Things from a postcolonial feminist perspective, with a special focus on how she models different representations of women, taking as a background the discussions within postcolonial feminism about subalternity and the representations of women from the so-called Third World in theory and literature, as well as the concept of agency from Cultural Studies. This purpose is reached by studying and comparing three main female characters in the novel: Mammachi, Baby Kochamma and Ammu, centering on their different

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CHAN, Wing Yi Monica. "A stylistic approach to the God of Small Things written by Arundhati Roy." Digital Commons @ Lingnan University, 2007. https://commons.ln.edu.hk/eng_etd/2.

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This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy. Roy’s text drew the world’s gaze after winning the Booker Prize in 1997. Many studies have been written on diverse aspects of the book, and much has been said regarding the writer’s style. However, those studies rarely focus on the minutiae of Roy’s writing and this thesis provides a greater degree of detailed analysis. The objective is to achieve a deeper understanding of the relationship between style and literary aesthetics i

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6

Sohn, Suk Joo. "Strategic Transgressions and Agency in Postcolonial Indian Literature in English: Rohinton Mistry, Arundhati Roy, and Salman Rushdie." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/9760.

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Transgression as a mode of resistance and transformation is significant yet largely untheorized in postcolonial literature. This dissertation is concerned with theoretical and textual practices by which transgression can be studied as a locus of agency and difference toward the possibility of fostering moments and spaces of transformation. To that end, it explores various enabling counter-hegemonic modes of strategy and tactic with a focus on the body in the texts of Rohinton Mistry, Arundhati Roy, and Salman Rushdie. Transgression does not simply give rise to the capacity of resistance to t

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Moura, Taís Leite de. "Transgressões em O Deus das Pequenas Coisas, de Arundhati Roy: níveis e motivações em contraponto." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-03102018-134348/.

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No romance O Deus das Pequenas Coisas (1997) de Arundhati Roy, as transgressões são atitudes que se configuram como abundantes na narrativa, sendo realizadas em sua maioria pelos personagens marginalizados. A fim de obter uma compreensão mais profunda das razões que impulsionam tanto a narrativa quanto os personagens a cometer estas infrações, elas foram divididas em três níveis neste trabalho: pós-colonial, sociopolítico e afetivo. São aqui analisadas as transgressões dos personagens Velutha, Ammu, Estha, Rahel e Sophie. Os níveis das transgressões, suas motivações e os conceitos de trauma in

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Camargo, Luciana Moura Colucci de [UNESP]. "The god of small things: uma voz poética entre o Oriente e o Ocidente." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/102416.

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Made available in DSpace on 2014-06-11T19:32:08Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-12-14Bitstream added on 2014-06-13T19:21:21Z : No. of bitstreams: 1 camargo_lmc_dr_arafcl.pdf: 4212129 bytes, checksum: 50fa4f58f8d18fc6016ee1ed375a6bc2 (MD5)<br>Este estudo apresenta uma análise da obra The God of Small Things, da escritora indiana Arundhati Roy (1961), na qual ficção e episódios históricos, relativos às conseqüências da colonização inglesa na Índia, mesclam-se em um espaço e tempo míticos, favorecendo uma análise baseada na Teoria da Narrativa Poética, conforme a formulaç

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9

Sacksick, Elsa. "Éloge de l'excès : tissage et métissage dans l'oeuvre de Salman Rushdie, Jeanette Winterson et Arundhati Roy." Paris 3, 2004. http://www.theses.fr/2004PA030111.

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Cette thèse met en regard trois romanciers contemporains écrivant en anglais, A. Roy, J. Winterson, S. Rushdie, autour de la notion d’excès. A partir d’une analyse textuelle précise, chaque auteur est d’abord étudié séparément sous l’angle du mouvement, première réalisation de l’excès : passage (Rushdie), va-et-vient (Winterson), retour (Roy), esquissant des thèmes communs: travail sur la forme (corps et roman), la voix, l’imaginaire. En synthèse, les liens entre les trois écritures sont retissés mettant en évidence les formes de l’excès :stratégies de mélange par hybridation et tissage, effet

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10

Silveira, Alcione Cunha da. "Políticas e poéticas da transgressão: corpo e escrita em Ana Miranda, Arundhati Roy e Jeanette Winterson." Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/ECAP-8F6G35.

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In Ana Mirandas Amrik (1997), Arundhati Roys The God of Small Things (1997) and Jeanette Wintersons The Passion (1987) created around the same time by writers from Brazil, India and England politics and poetics of transgression become interconnected in many ways. From a comparative perspective, I explore this dynamic having as a basis the fact that these works reveal an equivalent concern with the transgressive intertwinement of body and writing. Considering the portrayal, also common among these three works, of protagonists represented by subversive figures, I discuss the development of dis

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11

Petersson, Pernilla. "Characters' Views and Perception : Hybridity and the Westerners in Two Indian Novels by Arundhati Roy and Salman Rushdie." Thesis, Umeå universitet, Institutionen för språkstudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-73669.

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In the two novels, The God of Small Things by Arundhati Roy and Midnight’s Children by Salman Rushdie, characters show that their preconceptions and encounter with the Westerners play a big role in how they view Westerners and/or Indians who have adapted to or grown up with the Western lifestyle. Due to Roy’s family being a group of “Anglophiles” and liking the British, they see Sophie Mol being half-Indian as positive. Padma, Saleem’s partner in Rushdie’s novel, on the other hand, is less familiar with the British and therefore has problems accepting that Saleem is half-English. This differen

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12

Hera, Culda Lucia. ""...life had been lived" : Gender performance and woman objectification in Arundhati Roy's The God of Small Things." Thesis, Linnéuniversitetet, Institutionen för didaktik och lärares praktik (DLP), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-80346.

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This essay investigates women’s situation at home and in society, in Arundhati Roy’s The God of Small Things, from a gender performance perspective. The essay also explores the pedagogical implications of using the novel in the EFL classroom. The gender performance perspective is explored through the analysis of three female characters, Ammu, Mammachi and Baby Kochamma, whose lives reflect women’s struggle to escape traditional caste values, patriarchy and colonial power. The pedagogical perspective focuses on existing trends in literature and language teaching and the possibilities that postc

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13

Medes, Marcelo Augusto Nery. "A poética da fluidez em O paciente inglês de Michael Ondaatje e O deus das pequenas coisas de Arundhati Roy." Universidade Federal de Minas Gerais, 2009. http://hdl.handle.net/1843/ECAP-7QMG95.

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Esta tese analisa os romances 'O paciente inglês', de Michael Ondaatje, e 'O deus das pequenas coisas', de Arundhati Roy, em seus questionamentos de identidade nacional, no caso do romance de Ondaatje, e de gênero, no caso do romance de Roy, e teoriza uma 'poética da fluidez' por meio de um trabalho comparado com relação à linguagem e as imagens associadas a liquídos e fluidos. Em ambas as obras, o tempo e a organização textual são cíclicos; os espaços são múltiplos e desafiam as leis físicas; o questionamento de uma verdade histórica única é relacionado ao contar estórias e às leituras que os

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14

Tizzoni, Bianca <1994&gt. "Postcolonial ecofeminism: the ecological crisis and its intersections with colonialism and women’s oppression in Vandana Shiva, Arundhati Roy and Amitav Ghosh." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13354.

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Ecofeminism emerged in the 1970s and 1980s as the result of the intersection of two critical perspectives, namely ecology and feminism. Therefore, it simultaneously serves as an environmental critique of feminism and as a feminist critique of environmentalism. The term was coined to designate a new social theory and a critical and political stance that challenges scientific views, gender relations, social institutions and the dominant economic doctrines, or, in other words, mankind’s role in the ecosphere, by asserting that all forms of oppression are connected and that structures of oppressio

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15

Hollis, Victoria Caroline Bolton Jonathan W. "Ambassadors of community the history and complicity of the family community in Midnight's Children and the God of Small Things /." Auburn, Ala, 2009. http://hdl.handle.net/10415/1668.

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16

Soobarah, Agnihotri Jeeveeta. "La construction et la revendication du sujet féminin dans "The God of small things", "Mitro Marjani" et "Pagli"." Bordeaux 3, 2008. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2008BOR30092.

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Cette étude comparatiste et interdisciplinaire se situe au point de convergence de trois aires littéraires : la littérature mauricienne francophone et les littératures indiennes d’expression anglaise et hindi. Elle examine la place du sujet littéraire féminin dans des romans d’Ananda Devi, d’Arundhati Roy et de Krishna Sobti, où le sujet est en crise dans une société phallogocentrique. L’écriture féminine met ici en relief la valeur du corps : la sexualité féminine, considérée comme l’élément précipitant la chute de la femme du modèle au contre-modèle, est redoutée. La négociation de la parado

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17

Patchay, Sheenadevi. ""The struggle of memory against forgetting" contemporary fictions and rewriting of histories." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002253.

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This thesis argues that a prominent concern among contemporary writers of fiction is the recuperation of lost or occluded histories. Increasingly, contemporary writers, especially postcolonial writers, are using the medium of fiction to explore those areas of political and cultural history that have been written over or unwritten by the dominant narrative of “official” History. The act of excavating these past histories is simultaneously both traumatic and liberating – which is not to suggest that liberation itself is without pain and trauma. The retelling of traumatic pasts can lead, as is po

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18

Chen, Po-hui, and 陳柏慧. "Love and Trauma: Arundhati Roy''s The God of Small Things." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/ew9q36.

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碩士<br>國立中山大學<br>外國語文學系研究所<br>95<br>Arundhati Roy’s debut novel The God of Small Things, set in a small village called Ayemenem in the southwestern India state of Kerala, where Roy was raised, tells a story of the Ipe family. Nestled insides the centre of the family chronicle spanning from the country’s colonial period to its independent present is a heartbreaking tragedy resulted from a profane romance involving a transgression of the Love Laws that takes the reader’s breath away. Love Laws, an oxymoronic term Roy creates for her novel, points toward the cultural basis upon which Indian soci

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19

Chen, Calvin Li-Chyang, and 陳立強. "Encounters in Cultural Production of Globalized India:Cinema, Television, and Arundhati Roy." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/38709832407528972853.

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碩士<br>國立中山大學<br>外國語文學系研究所<br>100<br>In 2001, after more than sixty years of independence, India came to be coined into the acronym, BRIC, recognizing India for her emerging economic development status. Liberalization of India’s economy since 1991 from stringent state control has resulted in the opening up its markets to world participation in the form of lowered trade barriers, and invitation of foreign direct investments. Such changes in the economy have stirred up both external and internal imaginations of a globalized India no longer focused exclusively on her films, television, and literat

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20

Dusová, Jana. "Indické manželství nazírané z ženské perspektivy v románech Chitry Banerjee Divakaruni a Arundhati Roy." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-354157.

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The aim of this diploma thesis is to analyse the conception of marriage in the works of two Indian female authors, namely Chitra Banerjee Divakaruni's novels Sister of My Heart and its sequel The Vine of Desire and Arundhati Roy's The God of Small Things. The thesis consists of two parts. The objective of the theoretical part is to portray the position of marriage within Indian society and to introduce two female authors and their novels where the theme of Indian marriage plays a significant role. The practical part of the work focuses on a thorough analysis of three chosen female characters.

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21

Martins, Margarida Pereira. "The search for identity and the construction of an idea of India in the novels The God of Small Things by Arundhati Roy and The Inheritance of Loss by Kiran Desai." Doctoral thesis, 2016. http://hdl.handle.net/10451/26045.

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The main objective of this research project is to analyse how the novels The God of Small Things (1997) by Arundhati Roy and The Inheritance of Loss (2006) by Kiran Desai can help readers and scholars construct an idea of India and of the Indian cultural identity. In order to develop this theory it is necessary to look into three aspects which are crucial to the building of knowledge on a nation, its culture and people and these are, national history, identity and cultural representation through different artistic production, including fictional narratives. Historical processes are the k

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22

Patchay, Sheenadevi. ""The struggle of memory against forgetting" : contemporary fictions and rewriting of histories /." 2007. http://eprints.ru.ac.za/1296/.

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23

Ray, Arundhati [Verfasser]. "Site-specific and developmental expression of pannexin1 and pannexin2 and their activity-dependent response in the mouse central nervous system / Arundhati Ray." 2005. http://d-nb.info/978915968/34.

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