Relevant bibliographies by topics / Ash-Wednesday (Eliot, T.S.)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ash-Wednesday (Eliot, T.S.)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Ash-Wednesday (Eliot, T.S.)"

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Pavlović, Tomislav M. "BECAUSE THERE IS (NO) HOPE FOR GUIDO CAVALCANTI AND T. S. ELIOT." Nasledje, Kragujevac XX, no. 54 (2023): 269–83. http://dx.doi.org/10.46793/naskg2354.269p.

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The aim of the research is to carry out the analysis of the echoes of one of the most famous love ballads composed by the Italian medieval poet Guido Cavalcanti in Thomas Stearns Eliot’s conversion poem Ash Wednesday. Eliot’s reception of Cavalcanti’s poetry is somewhat par- adoxical, since in one of his critical essays the Italian poet is labelled as a “pagan” and Ash Wednesday represents Eliot’s first greater work of high religiosity. Cavalcanti’s poetry was known for not playing as significant a role in the formation of Eliot’s poetic expression as Dante Alighieri’s. On the other hand, clai
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Muhammed, Ashti Anwar, and Asma Jasim Muhammad. "Mysticism and Sufism in T. S. Eliot's Four Quartets." JOURNAL OF LANGUAGE STUDIES 3, no. 4 (2023): 315–24. http://dx.doi.org/10.25130/jls.3.4.19.

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This paper attempts to trace mysticism in T.S. Eliot’s Four Quartetswith a special focus on the mystical elements in the poems with theirrelevant dimensions. It also aims at looking at different literaturesaround Eliot’s works which consider Eliot as an atheist poet whoseearlier writings contain secularist ideas but that only his Four Quartetsand ‘Ash Wednesday’ contain some differences to faith, with the aimof proving that Eliot was not an atheist writer.This paper also looks at the mystical aspects of Eliot’s FourQuartets which shift into a deeper aspect of life that is Sufism. Nostudies hav
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Bhatta, Damauru Chandra. "Echoes of the Vision of Hindu Philosophy in T. S. Eliot’s Writings." Tribhuvan University Journal 32, no. 2 (2018): 57–74. http://dx.doi.org/10.3126/tuj.v32i2.24703.

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This paper makes an attempt to explore the echoes of the vision of Hindu philosophy in the selected works of T. S. Eliot. The works of Eliot such as his primary essay “Tradition and the Individual Talent,” and his primary poems such as “The Love Song of J. Alfred Prufrock,” “Gerontion,” The Waste Land, “Ash Wednesday,” “A Song for Simeon” and Four Quartets are under scrutiny in this paper. Eliot’s primary texts echo the vision of the Upanishads, the Bhagavad-Gita and the Patanjali Yoga Sutras of the Hindu (Vedic) philosophy. The vision is that rebirth is conditioned by one’s karma (actions). N
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Joyce, Chris. "From lilac to larkspur: self-refutation in T. S. Eliot’s later poetry." Revista Leitura, no. 36 (March 16, 2019): 71–83. http://dx.doi.org/10.28998/2317-9945.200536.71-83.

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This paper argues that much of Eliot's poetry is unconsciously self-refutational and self-deceived. Our attention is distracted from this by its lyricism and intensely personal poignancy. Disgust at the contemplation of humanity, and self-disgust, underlie Eliot's parodie treatment of life: the horror of the sinfulness of the flesh, which can 'only die'. I argue that, while we cannot ask a poet to give an untruthful report of experience, something is wrong when the creative faculty is given so strongly to expressions of general disgust, over and above Eliot's anti-semitism, misogyny, sexual am
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Dickey, Frances. "May the Record Speak." Twentieth-Century Literature 66, no. 4 (2020): 431–62. http://dx.doi.org/10.1215/0041462x-8770684.

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The over one thousand letters from T. S. Eliot to Emily Hale, opened to the public on January 2, 2020, reveal the poet’s emotional and creative dependence on Hale and illuminate the meanings of “Gerontion,” The Waste Land, Ash-Wednesday, “Landscapes,” Murder in the Cathedral, Four Quartets, The Family Reunion, and other works. This article surveys the contents of the long-awaited Eliot letters archived at Princeton University, focusing on Hale’s role in the poet’s personal and imaginative life. In addition to clarifying long-standing questions about their relationship, from their first encount
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Bhatta, Damaru Chandra. "The Essence of the Upanishad in T. S. Eliot's Poems and Plays." Literary Studies 34, no. 01 (2021): 11–24. http://dx.doi.org/10.3126/litstud.v34i01.39520.

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This paper attempts to explore the essence of the principal Upanishads of the Hindu philosophy in T. S. Eliot’s selected seminal poems and plays. The principal Upanishads are the Ishavasya, Kena, Katha, Prashna, Mundaka, Mandukya, Taittiriya, Aitareya, Chhandogya, Brihadaranyaka and Shvetashvatara. The famous poems are “Ash-Wednesday” and Four Quartets, and the famous plays are Murder in the Cathedral, The Family Reunion, and The Cocktail Party under scrutiny in this paper. The essence of the principal eleven Upanishads is that Brahman is source of all creations including the human beings, who
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Bassou, Mohammed. "The Question of Religion in T. S. Eliot’s Poetry: “Ash-Wednesday” as a Case Study." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 12. http://dx.doi.org/10.24113/ijellh.v7i11.10122.

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This article puts under scrutiny the religious manifestations in Eliot’s devotional poetry and the meditative questions that he raises. To do so, it limits the scope of my analytical reading to one of his well-known meditative poems, “Ash-Wednesday.” I shall start with a theoretical analysis of his famous article, “Religion and Literature” and argue for the presence of its milestone ideas in Eliot’s poetry taking “Ash-Wednesday as a case study.” The study also discerns Eliot’s renunciation of the main tenets of Romanticism which he made use of before his conversion.
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Meyer, Kinereth. "The “Otherness” within “Ownness”: Reading T. S. Eliot's “Ash-Wednesday”." Christianity & Literature 51, no. 3 (2002): 425–53. http://dx.doi.org/10.1177/014833310205100306.

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Brown, D. "T. S. Eliot's 'Ash-Wednesday' and Four Quartets: Poetic Confession as Psychotherapy." Literature and Theology 17, no. 1 (2003): 1–16. http://dx.doi.org/10.1093/litthe/17.1.1.

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Xiao, Chutian, and Chutian Xiao. "The Stillness in Movement: A Buddhist Reading of Ash-Wednesday." Exchanges: The Interdisciplinary Research Journal 5, no. 1 (2017): 27–40. http://dx.doi.org/10.31273/eirj.v5i1.216.

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Commonly seen as a religious poem that reflects T. S. Eliot’s conversion to Catholicism, Ash-Wednesday demonstrates intensively the poet’s religious experience, especially the union of the spiritual stillness and the movements in time which verges on mysticism. However, such extraordinary experience can be comprehended from the perspective of Buddhism. It corresponds with the Buddhist concept of suchness, which is further connected to religious meditation and the attitude of non-attachment in face of worldly life. It does not violate the speaker’s pursuit for a kind of Christian salvation, for
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Dissertations / Theses on the topic "Ash-Wednesday (Eliot, T.S.)"

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Adams, Stephen D. (Stephen Duane). "T. S. Eliot's Ash Wednesday: a Philosophical Approach to Empowering the Feminine." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc501042/.

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In his 1916 dissertation, Eliot asserted that individuals were locked into finite centers and that all knowledge was epistemologically relative, but he also believed that finite centers could be transcended through language. In the essay "Lancelot Andrewes,'" Eliot identified Andrewes's "relevant intensity," a method very close to nonsensical verse. Eliot used Andrewes's Word and the impersonality of nonsense verse in Ash Wednesday. The Word, God's logos, embodied the Virgin Mary as its source, and allowed Eliot to transcend the finite center through language. Ultimately, Eliot philosophically
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Harris, Amanda Jeremin. "Luminous intensity and the other in T. S. Eliot's criticism and poetry : from 'Silence' (1910) to Ash Wednesday (1930)." Thesis, University of Warwick, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426736.

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Books on the topic "Ash-Wednesday (Eliot, T.S.)"

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Atkins, G. T. S. Eliot, Lancelot Andrewes, and the Word: Intersections of Literature and Christianity. Palgrave Macmillan Limited, 2013.

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Atkins, G. T.S. Eliot, Lancelot Andrewes, and the Word: Intersections of Literature and Christianity. Palgrave Pivot, 2013.

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Book chapters on the topic "Ash-Wednesday (Eliot, T.S.)"

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Geary, Matthew. "Ash-Wednesday." In T. S. Eliot and the Mother. Routledge, 2021. http://dx.doi.org/10.4324/9781003165255-4.

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Pinion, F. B. "Poems, including Ash-Wednesday." In A T. S. Eliot Companion. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07449-5_14.

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Wicht, Wolfgang. "Eliot, T. S.: Ash-Wednesday." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8465-1.

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Reeves, Gareth. "Virgilian Limbo: ‘The Hollow Men’, Ash-Wednesday and ‘Coriolan’." In T. S. Eliot: A Virgilian Poet. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20221-8_4.

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Sharpe, Tony. "“Having to construct”: Dissembly Lines in the “Ariel” Poems and Ash-Wednesday." In A Companion to T. S. Eliot. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444315738.ch16.

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Cuddy, Lois A. "Circles of Progress in T. S. Eliot’s Poetry: Ash-Wednesday as a Model." In T. S. Eliot: A Voice Descanting. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10104-7_4.

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"Ash Wednesday:." In T. S. Eliot. University of California Press, 2023. http://dx.doi.org/10.2307/jj.2430506.11.

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8

"Ash-Wednesday (1930)." In T. S. Eliot. Cambridge University Press, 2004. http://dx.doi.org/10.1017/cbo9780511485466.011.

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Kwan-terry, John. "Ash-Wednesday." In The Cambridge Companion to T. S. Eliot. Cambridge University Press, 1994. http://dx.doi.org/10.1017/ccol0521420806.010.

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"‘Ash-Wednesday’ and the ending of a marriage." In T. S. Eliot. Haus Publishing, 2021. https://doi.org/10.2307/jj.17072614.12.

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