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Relevant bibliographies by topics / Asia Photography Books

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Journal articles

Academic literature on the topic 'Asia Photography Books'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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Journal articles on the topic "Asia Photography Books"

1

Gough, Maria. "Portrait Under Construction: Lotte Jacobi in Soviet Russia and Central Asia." October 173 (September 2020): 65–117. http://dx.doi.org/10.1162/octo_a_00404.

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Traveling in Russia and Central Asia in 1932–33, the German-Jewish portrait photographer Lotte Jacobi produced an extraordinary archive of several thousand photographs documenting Soviet industrialization, collectivization, modernization, and, most profoundly, the revolution's human face. Yet she never assembled a photo book or other reflection about her experience. Based on a study of the archive in its entirety, this essay tells the story of Jacobi's journey through the lens of her photographs, building a portrait of the worlds in which she moved under the auspices of the Soviet photo agency

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2

Robie, David. "REVIEW: An emotional, eternal life struggle for peace, justice." Pacific Journalism Review : Te Koakoa 10, no. 1 (2004): 215–18. http://dx.doi.org/10.24135/pjr.v10i1.795.

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Few books have been published in Oceania offering the political and social resonance achieved by some photojournalists in the Asia-Pacific region and further afield internationally. Books come to mind such as Depth of Field, a powerful collection of photographs of poverty and repression in the Philippines; The Brotherhood, a revealing portrayal of a corrupt police precinct in Manila by Alex Baluyut for the Philippines Centre for Investigative Journalism.

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3

Khalidi, Omar. "Beyond the Khyber Pass." American Journal of Islam and Society 12, no. 2 (1995): 284–85. http://dx.doi.org/10.35632/ajis.v12i2.2383.

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John Waller, an American foreign service officer and retired inspectorgeneral of the CIA, is now an independent writer based in McLean,Virginia. He is also the author of Gordon of Khartoum and has travelledextensively in the Middle East and Asia. The book is beautifully illustratedwith photographs of men, women, and events of the time, whichsucceed in invoking visually the time period with which he is dealing: theFirst Afghan-British War.This thirty-chapter book is the story of the British failure inAfghanistan in the 1840s, as Britain competed with Czarist Russia forstrategic advantage in Cen

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4

LEVIN, CECELIA. "Southeast Asia. Early cultures of mainland Southeast Asia. By CHARLES HIGHAM. Bangkok: River Books, 2002. Pp. xv, 375, Maps, Photographs, Bibliography, Index." Journal of Southeast Asian Studies 35, no. 1 (2004): 168–70. http://dx.doi.org/10.1017/s0022463404260088.

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5

Yaguchi, Yujin. "Japanese Reinvention of Self through Hawai‘i’s Japanese Americans." Pacific Historical Review 83, no. 2 (2012): 333–49. http://dx.doi.org/10.1525/phr.2014.83.2.333.

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This article investigates the relationship between Asian American and modern Japanese history by analyzing the image of Japanese Americans in postwar Japan. Based on a book of photographs featuring Japanese immigrants in Hawai‘i published in 1956, it analyzes how their image was appropriated and redefined in Japan to promote as well as reinforce the nation’s political and cultural alliance with the United States. The photographs showed the successful acculturation of Japanese in Hawai‘i to the larger American society and urged the Japanese audience to see that their nation’s postwar reconstruc

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6

Macouin, Francis. "De l’Indochine a l’Afghanistan: des arts etrangers dans les bibliotheques Parisiennes." Art Libraries Journal 18, no. 2 (1993): 26–33. http://dx.doi.org/10.1017/s0307472200008312.

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French interest in India and neighbouring regions dates back to the 17th century. Oriental studies developed as a distinct discipline through the 19th century, stimulated in France by French colonial activities in Indochina, and culminating at the end of the century in the emergence of Oriental art and archaeology as a subject in its own right. The Commission Archéologique de l’Indochine was established in 1898, and became the Ecole Francaise d’Extrême-Orient (EFEO) in 1901 with responsibility for listing and protecting antiquities in the French colonies; its library in Paris constitutes a maj

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7

Stoner, Joyce Hill. "Connecting to the World's Collections: Making the Case for the Conservation and Preservation of Our Cultural Heritage." International Journal of Cultural Property 17, no. 4 (2010): 653–54. http://dx.doi.org/10.1017/s0940739110000378.

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Sixty cultural heritage leaders from 32 countries, including representatives from Africa, Asia, the Middle East, South America, Australia, Europe, and North America, gathered in October 2009 in Salzburg, Austria, to develop a series of practical recommendations to ensure optimal collections conservation worldwide. Convened at Schloss Leopoldskron, the gathering was conducted in partnership by the Salzburg Global Seminar (SGS) and the Institute for Museum and Library Services (IMLS). The participants were conservation specialists from libraries and museums, as well as leaders of major conservat

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8

Ahmed, Nazeer. "Beyond Turk and Hindu." American Journal of Islam and Society 19, no. 3 (2002): 136–39. http://dx.doi.org/10.35632/ajis.v19i3.1932.

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Beyond Turk and Hindu grew out of a collection of papers presented at a conferenceon "Islam in South Asia," held at Duke University in April 1995. Ithas 3 sections, 13 chapters, 8 photographs, 3 maps, 2 tables, a glossary, andan index. The book deals with the broad subject of civilizational interfaces inthe South Asian context. It belongs to the category of interfaith relations andis addressed to a general audience interested in the Hindu-Muslim dialectic.The authors do not accept the premise that interreligious differences inSouth Asia are set and irreconcilable. To quote the editor: "We vigo

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9

MONTESANO, MICHAEL J. "Bangkok. By WILLIAM WARREN. London: Reaktion Books, 2002. (Southeast Asian edition, Singapore: Talisman Publishing, 2002.) Pp. 160. Photographs, Bibliography." Journal of Southeast Asian Studies 34, no. 2 (2003): 382–83. http://dx.doi.org/10.1017/s0022463403330309.

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10

Dohmen, Renate. "MEMSAHIBS AND THE “SUNNY EAST”: REPRESENTATIONS OF BRITISH INDIA BY MILLICENT DOUGLAS PILKINGTON AND BERYL WHITE." Victorian Literature and Culture 40, no. 1 (2012): 153–77. http://dx.doi.org/10.1017/s1060150311000295.

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Millicent Pilkington, the daughter of a Lancashire industrialist in her early twenties, arrived in India in December 1893 and returned to England December 1894. We know about her trip, or her Year's Frivol in the Sunny East as she calls it, from the sumptuous album orné or commonplace book she compiled filling it with water colour sketches, photographs, autographs, dinner invitations, newspaper clippings, etc. The material is carefully arranged over forty-five album pages, is often framed by elaborate, hand-painted decorative borders, many of them in an Indian style. We know of the album becau

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