Academic literature on the topic 'Asian American Personal narratives'

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Journal articles on the topic "Asian American Personal narratives"

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De Lara, Marlo Jessica. "Reclaiming Filipino America through Performance and Film." JOMEC Journal, no. 11 (July 6, 2017): 41. http://dx.doi.org/10.18573/10.18573/j.2017.10142.

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Filipino Americans are the fourth largest migrant group in America and the second largest Asian population in the United States. Migration from the Philippines is constant and has increased dramatically in the last sixty years. Filipino Americans participate as the ‘Asian American’ identity/race but the specificity of Philippine-U.S. relations and migration pathways make this inclusion a misfit. As a former territory and with complex shifting migration policies, Filipinos have been considered by the U.S. government an ambiguous population, falling just out of reach of national visibility. As the population has continued to grow, Filipino Americans have shared narratives and begun conversation to address the constant cultural negotiation and struggles within the social and racial structures of America. Since the 1980s, a Filipino American cultural and artistic movement or ‘moment’, has emerged with artists, dancers, performers, and filmmakers. These artists make critical interventions that disavow the American empire. The works make comment upon the ramifications of being an unrecognized Asian colony and the systemic challenges of immigration assimilation. An example of a work from this cultural moment is Jose Antonio Vargas’ autobiographical documentary Documented (2013). The film, intended as an up close and personal account of an undocumented migrant in the United States, also serves as an example of current Filipino American cultural productivity and visibilization. By studying this artistic movement, one can approach deeper understandings of citizenship and national belonging(s) in the current transnational climate and the border crossings that circumscribe the Filipino American diaspora.
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Alber, Julia M., Chari Cohen, Amy Bleakley, Sanam F. Ghazvini, Brenda Trang Tolentino, Rebeca Almeida, and Beth L. Chance. "Comparing the Effects of Different Story Types and Speakers in Hepatitis B Storytelling Videos." Health Promotion Practice 21, no. 5 (January 19, 2020): 811–21. http://dx.doi.org/10.1177/1524839919894248.

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Chronic hepatitis B, a condition associated with severe complications, disproportionately affects Asian Americans and Pacific Islanders in the United States. Increasing testing among this population is critical for improving health outcomes. This study compares different types of video narratives that use storytelling techniques to an informational video (control), to examine whether narratives are associated with higher hepatitis B beliefs scores and video rating outcomes. A sample of Asian American and Pacific Islander adults ( N = 600) completed an online survey where they viewed one of four video conditions, three of which included storytelling techniques and one with informational content. Results indicated that parental stories received significantly higher perceived effectiveness ratings ( M = 3.88, SD = 0.61) than the older adult personal stories ( M = 3.62, SD = 0.74), F(3, 596) = 3.795, p = .010. Parental stories also had significantly higher perceived severity scores ( M = 3.83, SD = 0.69) compared to the young adult stories ( M = 3.73, SD = 0.74) and the informational videos ( M = 3.83, SD = 0.69), F(3, 596) = 7.72, p < .001. The informational videos ( M = 4.10, SD = 0.65) received significantly higher message credibility ratings than the older adult personal stories ( M = 3.84, SD = 0.70), F(3, 596) = 4.71, p = .003. Follow-up tests using Bonferroni correction revealed that parental stories ( M = 3.98, SD = 0.64) and young adult personal stories ( M = 3.934, SD = 0.76) scored significantly higher on speaker ratings than the older adult personal stories ( M = 3.698, SD = 0.77). Results suggest that storytelling has the potential for connecting with a specific audience in an emotional way that is perceived well overall. Future research should examine the long-term impact of hepatitis B personal story videos and whether the addition of facts or statistics to videos would improve outcomes.
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Mar, Gary R. "Chinese Virtues, Four Prisons, and the Way On." Journal of Chinese Philosophy 46, no. 1-2 (March 3, 2019): 97–118. http://dx.doi.org/10.1163/15406253-0460102008.

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How did Chinese virtues inspire the emergence of Asian American philosophy within the American Philosophical Association (APA)? This question might seem a non-starter given the antagonistic disciplinary histories of Asian Studies and Asian American Studies. However, like the families we grew up in, virtues can subtly shape our destinies even if, or perhaps especially if, those virtues are not didactically imposed. In this article, I give a narrative account of how Chinese virtues, exemplified in encounters with Asian American filmmakers, scholars and activists, were inspirational in the struggle to recognize Asian American philosophy within the APA. I also argue that the virtues themselves provide new intellectual perspectives for articulating philosophies of personal identity and public history, scholarship and teaching. These philosophical alternatives to mainstream philosophical views on these topics express core values of Asian American philosophy.
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Wang, Qi, Jessie Bee Kim Koh, and Qingfang Song. "Meaning making through personal storytelling: Narrative research in the Asian American context." Asian American Journal of Psychology 6, no. 1 (2015): 88–96. http://dx.doi.org/10.1037/a0037317.

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Devarajan, Arthi. "Dancing Krishna in the suburbs: Kinaesthetics in the South Asian American diaspora." Studies in South Asian Film & Media 4, no. 2 (October 1, 2012): 167–77. http://dx.doi.org/10.1386/safm.4.2.167_1.

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This article explores kinaesthesia as a central aspect of religious pedagogy in a transnational Hindu community, through ethnographic observation of American practitioners of Bharatanatyam (classical Indian dance).1 The Natyanjali School of Dance (Andover, Massachusetts, United States) is a small, multigenerational community, comprised of dance teacher Jeyanthi Ghatraju, a group of South Indian first-generation immigrant IT professionals, and their American-born children. Through Bharatanatyam, pedagogical practices of physical training, repetition and constructions of body comportment, students learn South Asian languages, culture and Hindu religious narratives. Additionally, they absorb practices of social organization and moral knowledge through interactions with their teacher, elders and peers. Although studies of kinaesthesia attend to the physical body and its faculties of movement, sense, socialization and cognitive knowledge, the processes by which kinaesthetics inform the construction of religious experience, value, belief and identity remain relatively unexplored. This article examines the construction of Hindu and Indian identity, personal religiosity and morality, through the kinaesthetic pedagogies of basic step (adavu) repetition, the embodied and discursive pedagogies of dramatic gestural narration of sacred stories (natya), and the interpretive and devotional conjuring of expression (abhinaya) inherent in Bharatanatyam.
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Stoican, Adriana Elena. "Creative Pluralism in Indian and Romanian Accounts of Transnational Migration." American, British and Canadian Studies Journal 27, no. 1 (December 1, 2016): 94–116. http://dx.doi.org/10.1515/abcsj-2016-0020.

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Abstract The paper offers a comparative perspective on transmigrant cultural identities as illustrated in the works of two contemporary South Asian American and Romanian American authors, Jhumpa Lahiri and Aura Imbăruș. The comparison involves Gogol, a South Asian American character, and Aura, the author of the memoir Out of the Transylvania Night. Although Gogol is a fictional character and Aura is an actual transmigrant, their comparative assessment relies on the assumption that both narratives are inspired by the authors’ background of relocation. Despite their different cultural origins, both authors share thematic aspects related to the dynamics of cultural identity in the context of migration. This paper aims to provide a starting point for an enlarged framework of comparative analysis, in order to foreground intersections between different experiences of cultural negotiation in the context of displacement. Born and raised in America, Gogol is challenged by his cultural multiplicity and strives to suppress elements of his Indian identity. After years of rebelling against his parents’ norms, Gogol shifts to the Bengali model, when his father dies. Once he accepts the relevance of his cultural roots, Gogol is able to plunge into a dimension situated beyond his Bengali and American selves. His transcendent strategy is illustrated by his decision to plunge into a third space of redefinition, suggested by the Russian literature which is appreciated by Gogol’s father. Aura Imbăruș offers the example of a first generation Romanian transmigrant who undergoes voluntary relocation to the United States. Fascinated by the American world, Aura is eager to take over norms of material success and consumerism, overlooking the relevance of her cultural roots. When she undergoes a personal family crisis, Aura eventually reassesses the value of her Romanian background, aiming to reconcile her source culture with her Americanised self. In a manner similar to Gogol’s, Aura manages to integrate American norms of success, while forging enduring bonds with the Romanian American community in California.
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Kim, Dong Sung. "Reading with Minor Feelings: Racialized Emotions and Children’s (Non)agency in Judges 10–12." Biblical Interpretation 28, no. 5 (November 30, 2020): 557–83. http://dx.doi.org/10.1163/15685152-2805a003.

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Abstract In this article, I read the story of Jephthah and his daughter in Judges 10–12 within the contemporary context of racism and discrimination in the U.S. Particularly focusing on the affective and emotional dimensions of the lived experiences in racially/ethnically minoritized communities, I engage the biblical story with what poet and writer Cathy Park Hong calls, “minor feelings.” Reading the biblical narrative alongside Hong’s crudely personal—and yet pervasively common—accounts of Asian American racial trauma, I critically reflect on the notion of childhood agency, and suggest that the Western conception of agency neither reflects nor promotes the lives of the children in minority groups. In turn, I ask: What if we moved away from the traditional notions of agency and voice in our critical works, and, instead, turned towards emotions, sensations, and other embodied experiences as a site of interpretation, critique, and movement for social change?
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Goldstein, Steven M. "At Cross Purposes: US–Taiwan Relations Since 1942. By Richard C. Bush. [Armonk, NY: M.E. Sharpe, 2004. xii +287 pp. $27.95. ISBN 0-7656-1372-7.] Beyond Tiananmen: The Politics of US–China Relations, 1989–2000. By Robert L. Suettinger. [Washington, DC: The Brookings Institution, 2003. xii +556 pp. £29.95, $39.95. ISBN 0-8157-8206-3.]." China Quarterly 180 (December 2004): 1089–95. http://dx.doi.org/10.1017/s0305741004210761.

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These are two very fine books written by individuals who were deeply involved in the making of American policy towards China in the 1990s. From 1997 to 2002, Richard C. Bush served as chairman and managing director of the American Institute in Taiwan (AIT), the semi-official body created in 1979 by the Taiwan Relations Act (TRA) to manage relations with the island in the wake of normalization of relations with the People's Republic of China (PRC). In 1994, Robert Suettinger, a career intelligence officer, joined the staff of the National Security Council at the White House as director of Asian Affairs; a position that he held until he moved to the National Intelligence Council in 1997 (coincidentally, as Richard Bush's replacement).Neither volume is, strictly speaking, a memoir. Bush does draw on his personal experience as a congressional aide during the 1980s and early 1990s and much less so on his years with the AIT. However, the bulk of his study constitutes superbly researched discussions of what he considers to be “relatively unstudied issues” related to the historical evolution of relations between the United States, Taiwan and the People's Republic of China. Suettinger, on the other hand, provides a memoir-like narrative of the years he was in the White House, but relies largely on research, interviews with major participants in the policy process, and his own insights for the remainder of the book. However, although neither author adopts a strictly participant-observer approach, both are clearly drawing on the knowledge acquired during extensive government service to make judgments on the complex issues they address, and it is this wisdom which makes these books essential reading.
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Harper, Karen S. "Southeast Asian Lives: Personal Narratives and Historical Experience." Oral History Review 36, no. 1 (January 1, 2009): 121–23. http://dx.doi.org/10.1093/ohr/ohp007.

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Rome, Howard P. "Personal Reflections: Asian American Psychiatrists." Psychiatric Annals 19, no. 12 (December 1, 1989): 626. http://dx.doi.org/10.3928/0048-5713-19891201-04.

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Dissertations / Theses on the topic "Asian American Personal narratives"

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Choudhury, Athia. "Story lines moving through the multiple imagined communities of an asian-/american-/feminist body." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/669.

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We all have stories to share, to build, to pass around, to inherit, and to create. This story - the one I piece together now - is about a Thai-/Bengali-/Muslim-/American-/Feminist looking for home, looking to manage the tension and conflict of wanting to belong to her family and to her feminist community. This thesis focuses on the seemingly conflicting obligations to kinship on the one hand and to feminist practice on the other, a conflict where being a good scholar or activist is directly in opposition to being a good Asian daughter. In order to understand how and why these communities appear at odds with one another, I examine how the material spaces and psychological realities inhabited by specific hyphenated, fragmented subjects are represented (and misrepresented) in both popular culture and practical politics, arguing against images of the hybrid body that bracket its lived tensions. I argue that fantasies of home as an unconditional site of belonging and comfort distract us from the multiple communities to which hyphenated subjects must move between. Hyphenated Asian-/American bodies often find ourselves torn between nativism and assimilationism - having to neutralize, forsake, or discard parts of our identities. Thus, I reduce complicated, difficult ideas of being to the size of a thimble, to a question of loyalty between my Asian-/American history and my American-/feminist future, between my familial background and the issues that have become foregrounded for me during college, between the home from which I originate and the new home to which I wish to belong. To move with fluidity, I must - in collaboration with others - invent new stories of identity and belonging.
B.A. and B.S.
Bachelors
Office of Undergraduate Studies
Interdisciplinary Studies; Philosophy
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Ferraro, Tonya. "Letters from an interdisciplinary artist: Illuminating Korean adoptee identity through mentors and metal." ScholarWorks @ UVM, 2014. http://scholarworks.uvm.edu/graddis/5.

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Interdisciplinary integration and practice through meaning making and context can contribute to the reconsideration and revolution of research by supporting narrativesand creating space for public discourse. In researching my heritage as a Korean adoptee, I found that the literature has been predominantly from adoptive parents' perspective,focusing primarily on child and adolescent development. Lacking in the literature is the adult adoptee perspective, and specifically their experiential voices. This interdisciplinary thesis has three major purposes (1) to explore how transracial transnational Korean adoption affects identity formation, (2) to illustrate how mentoring relationships can be a means to address and reframe the theme of loss as experienced by an adoptee, and (3) to use interdisciplinary inquiry as a means of expression to make meaning and illuminate adoptee identity formation. Drawing from my personal experience as an adoptee, an artist, a researcher, and as an educational mentee I integrate past research findings, Scholarly Personal Narrative (SPN: storytelling), epistolary Scholarly Personal Narrative (eSPN: epistolary storytelling), and visual artistic research through jewelry/sculpture to describe constructing my adoptee identity. Images of the jewelry/sculpture are provided, while a public art opening displayed the series of work.
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Pillainayagam, Priyanthan A. "The After Effects of Colonialism in the Postmodern Era: Competing Narratives and Celebrating the Local in Michael Ondaatje’s Anil’s Ghost." Cleveland State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=csu1337874544.

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Turbuck, Christopher James. "Personal Narratives." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/turbuck/TurbuckC0508.pdf.

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This body of work is comprised of autobiographical narratives from my everyday experiences. The conflict in the stories comes both from without and within: awkward, frustrating situations force perplexed responses from the protagonist (me) even as I struggle to maintain internal balance between combative contradictory thoughts and impulses. I adopt many conventions from comic books. They allow me to freely incorporate text and image into the same pictorial space. Additionally, the comic book form possesses associations with \"low art\" that are valuable to my work. Comics are entertaining and non-threatening - they are perceived as childish and frivolous, and are accessible to a mass audience. I use the formal devices of comic books to raise the viewer/reader\'s expectations for a lighthearted, juvenile form of entertainment. However, once the viewer/reader examines the work more closely, I give them something else: a new way of looking at regular life that reveals the profound in the ordinary; a chance to identify with my awkward, deeply personal experiences; a quiet note of encouragement that none of us is truly alone.
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Hasegawa, Linnea Marie. "Articulating identities rhetorical readings of asian american literacy narratives /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2041.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2004.
Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Arora, Kulvinder. "Assimilation and its counter-narratives twentieth-century European and South Asian immigrant narratives to the United States /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3200730.

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Thesis (Ph. D.)--University of California, San Diego, 2006.
Title from first page of PDF file (viewed March 1, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 240-248).
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Chang, Tan-Feng. ""Writing between Empires: Racialized Women's Narratives of Immigration and Transnationality, 1850-WWI"." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1389040666.

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Suto, Erengo. "Exploration of Second Generation Hungarian American Identity Development Through Art and Personal Narratives." Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/83.

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This paper was an exploration of second generation Hungarian American identity development seeking to augment the understanding we have regarding second generation immigration, and particularly that of the children of those Hungarians who left during the communist occupation or shortly after the fall of the Iron Curtain. The research methodology used was a qualitative inquiry of semi-structured narrative interviews with an art-making component, from which emergent themes were identified. The five emergent overarching themes found were: The unique experience of being Second- Generation to immigrant parents, Hungarian American Identity, Misperceptions connected to being part of a white minority group, A closed system serves as a protective factor, and Art as a facilitator for expression and meaning making. These themes are examined against existent literature pertaining to the experience of second-generation Hungarian Americans, and discussed within the context of clinical applications and possible future research.
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Talusan, Liza A. "The formation of scholars| Critical narratives of Asian American and Pacific Islander doctoral students in higher education." Thesis, University of Massachusetts Boston, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118448.

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This dissertation addresses the formation of scholar identity as informed by an identity- conscious approach to doctoral student socialization, doctoral student development, and racial identity as expressed through the critical narratives of Asian American and Pacific Islander doctoral students in the field of higher education. The study explored the intersections of race, doctoral student socialization, and doctoral student development — three areas that have been approached as separate entities in existing literature. By using life history methodology and narrative inquiry, this study contributed to a more thorough understanding of racialized experiences in doctoral studies. Critical narrative was used as a methodological approach concerned with power and language in society where individuals can concretely question their own realities and identify the socio-ideological influence of systems on their practices and beliefs (Souto-Manning, 2012). Rather than use terminology of counter-narrative, which positions a narrative as counter to an existing dominant narrative, the use of critical narrative is highlighted as a way to position the stories of Asian Americans and Pacific Islanders as their own central story. This inquiry advances our understanding of ways to create and sustain more inclusive and engaging learning environments that support racial diversity in higher education and to better understand the barriers that have socially and historically marginalized Asian Americans and Pacific Islanders both in general and in doctoral education. Recommendations for practice include developing identity-conscious approaches to scholar formation, including but not limited to inclusive pedagogy and curriculum; mentoring and advising; culturally affirming networks; program and organizational orientation; and doctoral student support. A model of identity-conscious scholar formation is presented in which socialization, development, and racial identity must be operationalized as bidirectional and interactional processes.

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Herrmann, Andrew F. "Living Stories of Working Lives: Personal Narratives in Organizations." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/796.

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Books on the topic "Asian American Personal narratives"

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Crazy Asian war. [Philadelphia, PA]: Xlibris, 2008.

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Filipino American psychology: A collection of personal narratives. Bloomington, IN: AuthorHouse, 2010.

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Voices from the Vietnam War: Stories from American, Asian, and Russian veterans. Lexington: University Press of Kentucky, 2010.

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Li, Xiaobing. Voices from the Vietnam War: Stories from American, Asian, and Russian veterans. Lexington, Ky: University Press of Kentucky, 2010.

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Jenkins, Charles Robert. The reluctant communist: My desertion, court-martial, and forty-year imprisonment in North Korea / Charles Robert Jenkins ; with Jim Frederick. Berkeley: University of California Press, 2008.

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Commemorating the tenth anniversary of Sept. 11. Washington, D.C: Asian American Literary Review, Inc., 2011.

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Smith, Robert Moody. With Chennault in China: A Flying Tiger's diary. Atglen, PA: Schiffer Pub., 1997.

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Unfastened: Globality and Asian North American narratives. Minneapolis: University of Minnesota Press, 2010.

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Hongo, Garrett. Under Western Eyes: Personal Essays from Asian America. New York, USA: Anchor, 1995.

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Jungle dragoon: The memoir of an armored cav platoon leader in Vietnam. Novato, CA: Presidio, 1999.

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Book chapters on the topic "Asian American Personal narratives"

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Lee, Jade Tsui-yu. "Japanese (Post)-Internment Narratives." In Trauma, Precarity and War Memories in Asian American Writings, 27–56. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6363-8_2.

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Jansz, Jeroen. "Self-Narratives as Personal Structures of Meaning." In The Self in European and North American Culture: Development and Processes, 65–72. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0331-2_6.

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Kissling, Elizabeth Arveda. "Introduction: Menstruation as Narrative." In The Palgrave Handbook of Critical Menstruation Studies, 865–68. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_62.

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Abstract Personal stories, urban legends, literature, media representations, and other kinds of narratives provide means of sharing information about menstruation, including what women and other menstruators should and should not do during their periods. For instance, no book has had more impact upon pubescent North American girls than Judy Blume’s 1970 Are You There God? It’s Me, Margaret. Girls growing up in the 1970s and onward, in a cultural milieu where they were encouraged to silence their questions and hush their bodies, had a protagonist with whom to identify and empathize.
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"7. 'Never Again Be the Yvonne of Yesterday': Personal and Collective Loss in Cecilia Brainard's When the Rainbow Goddess Wept." In The Politics of the Visible in Asian North American Narratives. Toronto: University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442682122-010.

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Forgash, Rebecca. "Race, Memory, and Military Men’s Sexuality." In Intimacy across the Fencelines, 50–83. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750403.003.0003.

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This chapter analyzes Okinawan discourses on race and military men's sexuality, with a focus on how Japanese and American racial discourses have shaped local understandings of difference. It discusses how the imperial rhetoric positioned Okinawans and other Asians alongside the Japanese in unified opposition to Europeans and Americans. During the postwar occupation, the U.S. military and its personnel were introduced into the Okinawa discourses on U.S. imperialism in Asia, Jim Crow segregation, and the 1960s civil rights and black power movements. The chapter also features the personal narratives of individuals who self-consciously viewed their relationships as transgressing established racial boundaries. It narrates stories that illustrate the struggle of military international couples in order to understand and rework racial ideologies and expectations in Okinawa's postwar society.
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Perry, Leah. "The Borderlines of Family Reunification." In The Cultural Politics of U.S. Immigration. NYU Press, 2016. http://dx.doi.org/10.18574/nyu/9781479828777.003.0003.

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This chapter explores the importance of family in 1980s immigration discourse. While family reunification has been the primary focus of immigration policy since 1965, in the context of the “immigration emergency,” some lawmakers viewed Asian and Latin American immigrant families as threats to American “family values” and the economy. This chapter traces backlash against multiculturalism and second-wave feminism as it arose in “family values” rhetoric. It also comparatively traces the “nation of immigrants” narrative in television shows that represented white ethnic immigrant families as industrious additions to the nation who overcame poverty with nothing but hard work. While these non-nuclear families sometimes seemed to be queer, the chapter argues that racially differentiated discourses about immigrant families reflected and created a flexible neoliberal narrative of “personal responsibility” that erased or glossed over the racial politics affecting Asian and Latin American immigrants and the global forces underscoring immigration.
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Weld, Theodore Dwight. "Personal Narratives." In American Slavery As It Is, 23–68. University of North Carolina Press, 2011. http://dx.doi.org/10.5149/9780807869581_weld.6.

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"Personal Narratives." In The Cambridge History of American Literature, 661–92. Cambridge University Press, 1995. http://dx.doi.org/10.1017/chol9780521301060.019.

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Weld, Theodore Dwight. "Personal Narratives—Part II." In American Slavery As It Is, 117–238. University of North Carolina Press, 2011. http://dx.doi.org/10.5149/9780807869581_weld.8.

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Weld, Theodore Dwight. "Personal Narratives—Part III." In American Slavery As It Is, 239–82. University of North Carolina Press, 2011. http://dx.doi.org/10.5149/9780807869581_weld.9.

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Conference papers on the topic "Asian American Personal narratives"

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Soelistyarini, Titien Diah. "The World through the Eyes of an Asian American: Exploring Verbal and Visual Expressions in a Graphic Memoir." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.6-5.

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This study aims at exploring verbal and visual expressions of Asian American immigrants depicted in Malaka Gharib’s I was Their American Dream: A Graphic Memoir (2019). Telling a story of the author’s childhood experience growing up as a bicultural child in America, the graphic memoir shows the use of code-switching from English to Tagalog and Arabic as well as the use of pejorative terms associated with typical stereotypes of the Asian American. Apart from the verbal codes, images also play a significant role in this graphic memoir by providing visual representations to support the narrative. By applying theories of code-switching, this paper examines the types of and reasons for code-switching in the graphic memoir. The linguistic analysis is further supported by non-narrative analysis of images in the memoir as a visual representation of Asian American cultural identity. This study reveals that code-switching is mainly applied to highlight the author’s mixed cultural background as well as to imply both personal and sociopolitical empowerment for minorities, particularly Asian Americans. Furthermore, through the non-narrative analysis, this paper shows that in her drawings, Gharib refuses to inscribe stereotypical racial portrayal of the diverse characters and focuses more on beliefs, values, and experiences that make her who she is, a Filipino-Egyptian American.
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Nakane, Ikuko. "Accusation, defence and morality in Japanese trials: A Hybrid Orientation to Criminal Justice." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.16-5.

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The Japanese criminal justice system has gone through transformations in its modern history, adopting the models of European Continental Law systems in the 19th century as part of Japan’s modernisation process, and then the Anglo-American Common Law orientation after WWII. More recently, citizen judges have been introduced to the criminal justice process, a further move towards an adversarial orientation with increased focus on orality and courtroom discourse strategies. Yet, the actual legal process does not necessarily represent the adversarial orientation found in Common Law jurisdictions. While previous research from cultural and socio-historical perspectives has offered valuable insights into the Japanese criminal court procedures, there is hardly any research examining how adversarial (or non-adversarial) orientation is realised through language in Japanese trials. Drawing on an ethnographic study of communication in Japanese trials, this paper discusses a ‘hybrid’ orientation to the legal process realised through courtroom discourse. Based on courtroom observation notes, interaction data, lawyer interviews and other relevant materials collected in Japan, trial participants’ discourse strategies contributing to both adversarial and inquisitorial orientations are identified. In particular, the paper highlights how accusation, defence and morality are performed and interwoven in the trial as a genre. The overall genre structure scaffolds competing narratives, with prosecution and defence counsel utilising a range of discourse strategies for highlighting culpability and mitigating factors. However, the communicative practice at the micro genre level shows an orientation to finding the ‘truth,’ rehabilitation of offenders and maintaining social order. The analysis of courtroom communication, contextualised in the socio-historical development of the Japanese justice system and in the ideologies about courtroom communicative practice, suggests a gap between the practice and official/public discourses of the justice process in Japan. At the same time, the findings raise some questions regarding the powerful role that language plays in different ways in varying approaches to delivery of justice.
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3

Quintana Guerrero, Ingrid. "Dattiers Andinos y la Búsqueda Paciente en Rue de Sèvres, 1948-1959." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.548.

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Resumen: Con la Unidad de Habitación marsellesa, el Atelier Le Corbusier transformaba su personal y métodos. Recurrentemente, se ha denominado a ésta como la fase del Grand Atelier, en cuyo ocaso surgieron nuevos desafíos y elementos para un “espacio inefable”. De límites imprecisos, esa Búsqueda Paciente implicaba un estado de ánimo transicional que confrontaba a Le Corbusier con sus propios métodos y con algunos de sus colaboradores, a los que peyorativamente atribuyó el apodo de dattiers (datileras), debido a su presunta arrogancia y baja productividad. Este trabajo reconstruye los principales aspectos del paso de algunos colaboradores suramericanos de Le Corbusier por París entre 1948 y 1959. Su participación fue larga e intensa, alcanzando en ocasiones el estatus de coordinadores y abordando obras en todas las escalas. Aún cuando, entre ellos, sólo Augusto Tobito fue directamente calificado como dattier, sus colegas colombianos compartían algo de su rebeldía, autonomía o destreza; de ahí que les hagamos extensivo ese apelativo. Así pretendemos construir un relato que contrarreste las abundantes narrativas sobre proyectos e influencia del franco-suizo en territorio andino. Abstract: With Marseille Housing Unit, the Atelier Le Corbusier began a transformation of its staff and methods. Frequently, this phase is known as Le Grand Atelier, receiving new challenges during its ending, and conceiving new elements for an “ineffable space”. With undefined boundaries, the Patient Research involved a transitional frame of mind opposing Le Corbusier to his own proceedings and to some of his collaborators. Pejoratively, the master named them as dattiers (datepalms), due to their alleged arrogance and low productivity. This work reconstructs several aspects of the internship of some South American collaborators on Le Corbusier at Paris between 1948 and 1959. Their participation was extended and intense, allowing them to reach, in some cases, the status of coordinators, and engaging works in all the scales. Even though just Augusto Tobito was directly called as dattier, his Colombian coworkers shared his rebellion, autonomy or skills. That is why we also use that adjective for them. We intend to create a complementary story for plenty of narratives about projects and influences of the French-Swiss architect in the Andes territory.Palabras clave: Le Corbusier; arquitectos modernos suramericanos; planes urbanos; proyectos de habitación. Keywords: Le Corbusier; South American Modern architects; urban plans; housing project. DOI: http://dx.doi.org/10.4995/LC2015.2015.548
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