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Dissertations / Theses on the topic 'Asian Arts'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Hsieh, I.-Yi. "Marketing Nostalgia| Beijing Folk Arts in the Age of Heritage Construction." Thesis, New York University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10139814.

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<p> This dissertation presents an analysis of the reconstruction of urban folk arts as cultural heritage in China. Focusing on material culture and folk performances revived in two Beijing folklore markets, the dissertation discusses the neoliberal marketization that coincides with urban commercial zoning in China since the 1980s. The dissertation examines the intertwined cultural and economic dimensions of collective nostalgia, urban marketization and heritage developmentalism. Based on ethnographic and archival research in Beijing from 2010 to 2015, the dissertation addresses China’s c

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2

Ng, Pei-San. "Strength From Within| the Chinese Internal Martial Arts as Discourse, Aesthetics, and Cultural Trope (1850-1940)." Thesis, University of California, Berkeley, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10251445.

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<p> My dissertation explores a cultural history of the body as reflected in meditative and therapeutic forms of the Chinese martial arts in nineteenth and early twentieth-century China. Precursors of the more familiar present-day <i> taijiquan</i> <b>[special characters omitted]</b> and <i> qigong</i> <b>[special characters omitted],</b> these forms of martial arts techniques focus on the inward cultivation of <i>qi</i> <b> [special characters omitted]</b> and other apparently ineffable energies of the body. They revolve around the harnessing of “internal strength” or <i>neigong</i

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3

Shelton, Abigail Leigh. "An analysis of the particle WA in Japanese narrative discourse." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407512818.

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4

Trent, Savannah. "MARRY A WHITE MAN." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1564146608206342.

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5

Treat, Nicholas. "Xiwu yu Wudao: Wushu yu Daojia ji Shijia SixiangThe Learning of Marital Arts and Daoist and Buddhist Thought." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555390221952377.

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6

Tham, Hong Wan. "To occupy a different space of mind investigating the connection between socio-cultural and historical contexts and the positioning of the self in the studio art practice of the Post-80s Generation student artists at the Chinese Art School in Beijing, China." Thesis, Teachers College, Columbia University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3590269.

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<p> This is a case study that focuses on the socio-cultural and historical contexts that influenced the studio art practice of three Post-80s Generation student artists attending the Chinese Art School in Beijing. This study is grounded on the idea that the creation of art is determined by an interplay between multiple factors within the milieu (of what makes it understood to be “art” by the majority) and their influence on the artistic creation, which is non-assertive and invariably established in relation to others that happen to share and coexist within this processual context o

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7

Bong, Mabelle. "Grotesque Depictions and Seduction: Exotification of Asian/American Women." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/579.

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My senior art project is an exploration of contemporary representations of women of Asian descent in the United States, specifically looking at issues of body image, sexuality, and exotification. I will examine the lack of representation of Asian women in America in media and art, specifically painting and mixed media. Ultimately, I will elucidate on why I chose this topic and used certain techniques and materials to explore the contemporary features and symbolic representations of Asian women in America.

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8

Park, Sungsil. "East Asian and Western perception of nature in 20th century painting." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/e1cdcb78-5148-4de7-9d84-4c701af7ad29.

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The introduction aims to investigate both my painting and exhibition practice, and the historical and theoretical issues raised by them. It also examines different views on nature by comparing and contrasting 20th Century Western ideas with those of traditional Asian art and philosophies. There are two sections to this thesis; Section A contains an historical overview of Eastern and Western philosophy and art, Section B presents observations on my studio and exhibition practice. Section A is divided into two chapters. Chapter 1 examines concepts of nature in the East and West before the eariy

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9

Liu, Zhan. "Communicating race and culture in media appropriating the Asian in American martial arts films /." Pullman, Wash. : Washington State University, 2008. http://www.dissertations.wsu.edu/Thesis/Fall2008/l_zhan_091108.pdf.

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Thesis (M.A. in communication)--Washington State University, December 2008.<br>Title from PDF title page (viewed on Dec. 31, 2008). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 72-85).

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10

King, Jesse Lau Kristine. "Asian American Cultural Identity Portrayal on Instagram." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8901.

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Though more recent Asian American representation in media has been lauded, the majority of portrayals have been considered to be stereotypical misrepresentations. Because negative media representations can have a detrimental impact on people's self-concepts and their views of others, it is important to understand how Asian Americans are representing their own identities online. In order to understand how Asian Americans are negotiating their own ethnic, racial, and national identities online, constant comparative analysis was employed to examine patterns and themes in the visual and textual co

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11

Xue, Grace H. "Space Between: Asian-American Women Identity, Culture and Contemporary Art." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/765.

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An exploration and analysis on the connections between identity, culture and contemporary art. A number of critical race theories are examined as possible constructions of Asian-American women identities. This paper seeks to understand how Asian-American women reconcile with these strivings and limitations and how they maintain their native racial identities despite their conflicting desire to conform to the mainstream culture. This paper also examines two contemporary women artists who promote a dialogue regarding transcultural identities.

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12

Totten, Christopher Lee. "To be FRANK : Austral-Asian Performance Ensemble /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17845.pdf.

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13

Mehta, Pangri. "Identity negotiation : the perspective of Asian Indian women." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002854.

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14

Long, Lingqian. "Han Opera as a Public Institution in Modern Wuhan." Thesis, The University of Arizona, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10283306.

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<p> Wuhan Han Opera Theater (WHOT, formerly Han Opera) is a 400-year old regional opera based in Wuhan, in Hubei Province, in China. WHOT’s recent designation as a <i>public institution</i> under China’s neoliberal creative economy initiative to enter the global market has necessitated its transformation from a <i>cultural institution</i> (<i> wenhua jigou</i>) into a <i>creative industry</i> (<i> wehua chanye</i>). As such, WHOT must now create adaptive strategies, alter traditional conventions of performance, infrastructure, education and community presence, reconstitute traditio

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15

Qin, Xiaomei. "A comparison between media representation of Asian international students and their own accounts of experience in New Zealand a thesis presented in partial fulfillment of the degree of Masters of Arts (Communication Studies) at the Auckland University of Technology (AUT), 2003 /." Full thesis. Abstract, 2003. http://puka2.aut.ac.nz/ait/theses/QinX.pdf.

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16

Tan, Jerry Lee. "An Asian Stable Man and Royal Duke Revel with the Fury of an Afro-Asian God!" VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/12.

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The purpose of this thesis is to examine the actor's process in tackling the roles of Harry Dalton in Equus by Peter Shaffer, Duke Senior in As You Like It by William Shakespeare, and Dionysus in The Bacchae by Euripedes. Each production is assigned its own chapter, respectively. The chapters explore each role vocally, psychologically, and physically, including the examination of the Alexander Technique. Reflection on the experience of portraying the character and an evaluation of the actor's growth also transpires. The fourth chapter, Finding My Light, summarizes related observations and anal

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17

McNally, Ian. "Internal Cultivation or External Strength?: Claiming Martial Arts in the Qing Period." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557155402412377.

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18

Lee, Hyung Don. "COMPARATIVE STUDY OF THE RITUAL ASPECTS OF WESTERN AND ASIAN PERFORMANCE." VCU Scholars Compass, 2009. http://hdl.handle.net/10156/2394.

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19

Shao, Li. "Arts Clusters in Beijing: Socialist Heritage and Neoliberalism." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1440187418.

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20

Wood, Nathan D. "Mystic Identifications: Reading Kenneth Burke and “Non-identification” through Asian American Rhetoric." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8482.

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Krista Ratcliffe’s term “non-identification” offers a version of identification that assumes identity is not always identifiable. As an attitude that fosters cross-cultural listening, non-identification asks us to listen to others from a place of “neutrality,” with “hesitancy,” “humility,” and “pause” in order to consider identity’s fluid nature (73). This thesis first argues that this term might also describe speaking strategies premised on non-identifiability. As I’ll show, an inventive non-identification would articulate some rhetorical strategies that neither “identification” nor “disident

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21

Ranwalage, Sandamini Yashoda. "Reperforming Sarachchandralatory:A Nationalist Discourse of Postcolonial Theatre in Sri Lanka." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami15640466703959.

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22

Chang, Chia-fen. "Grotowski in Taiwan| More than objective drama." Thesis, New York University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10191960.

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<p> In Taiwan’s experimental theatre, the “Grotowski phenomenon” is too prominent to be ignored. The “Grotowski method,” as it is called in Taiwan, has nurtured a generation of experimental theatre workers ever since the mid-1980s. In this dissertation I will investigate the entire picture of how the Grotowski-to-Taiwan transmission began. This investigation begins with the American encounter between the Polish exile and two Taiwanese overseas students in the Objective Drama Program at U.C. Irvine in 1985 – and what subsequently developed from that encounter

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23

Orr, Mailé Nguyen. "Social Justice Education Pedagogy in Asian American Theater." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524832083620108.

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24

Orozalieva, Karina. "Impact of globalization on socio-economic and political development of the Central Asian countries." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/1730.

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The main objective of this thesis is to understand the economic, social and political impacts of globalization on the Kyrgyzstan, Kazakhstan and Central Asian countries in general. The empirical studies based on panel data analyses and the case study on Kyrgyzstan demonstrate that the socio-economic effect of globalization on development of these countries is twofold. On the one hand benefits produced by globalization such as migration and remittances can be useful for economic development in the short run. They take a role of a "shock absorber" of the challenges that are associated with trans

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25

Schmidt, Lauren Noelle. "East Asian Fox Legends: Read at Your Own Risk, Possession Possible." Miami University Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1290465314.

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26

Chen, Teresa. "Between selves and others : exploring strategic approaches within visual art." Thesis, University of Plymouth, 2014. http://hdl.handle.net/10026.1/3106.

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This body of research investigates how visual artists express ideas or meanings about Otherness and issues of belonging in their art. The focus of this study is on women artists with an (East) Asian diasporic background; however, the context of the inquiry includes other American and European artists of various cultural backgrounds. A further aim is to explore the artistic strategies and the historical circumstances of the works as well as to understand the theoretical correlations. The author of this study is a visual artist who has been exploring similar issues in her own artistic practice.

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27

Liang, Haiyin. "Through My Window." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5505.

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I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments th

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28

Ray, Sumana. "The rise of the 'liminal Briton' : literary and artistic productions of black and Asian women in the Midlands." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49169/.

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Black and Asians occupy an increasingly prominent position within British society today and London is considered central to the multicultural imagination of Britain. This thesis leans away from the established Londoncentric discourses and shifts spotlight specifically to the Midlands, which occupies an equivalent, if differently significant status, in terms of its multicultural status. Hegemonic notions of the dominant status of London are thus contested through the peripheral focus. The project analyses some of the regional expressions of ‘Britishness’ by women in this region as articulated i

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29

Kanjilal, Sucheta. "Modern Mythologies: The Epic Imagination in Contemporary Indian Literature." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6875.

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This project delineates a cultural history of modern Hinduism in conversation with contemporary Indian literature. Its central focus is literary adaptations of the Sanskrit epic the Mahābhārata, in English, Hindi, and Bengali. Among Hindu religious texts, this epic has been most persistently reproduced in literary and popular discourses because its scale matches the grandeur of the Indian national imagining. Further, many epic adaptations explicitly invite devotion to the nation, often emboldening conservative Hindu nationalism. This interdisciplinary project draws its methodology from literar

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30

Nawa, Shuko. "An Analysis Of Dilemmas In English Composition Among Asian College Students." UNF Digital Commons, 1995. http://digitalcommons.unf.edu/etd/83.

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This study examined common difficulties in English composition among Asian college students, addressing causal factors from psychological, cultural, and linguistic perspectives. The following factors were investigated: affective filter, puberty period, interlanguage, language transfer, accessibility to a target language, morphological differences, syntactical differences, and cultural thought patterns. The results of analyses of errors in the students' compositions reflected two ESL instructors' observations that Asian college students, whose native languages differ from Indo-European language

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31

Helland, Madeline. "Syncretic Souvenirs: An Investigation of Two Modern Indian Manuscripts." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1185.

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The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19th or 20th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conser

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32

Chanderbhan-Forde, Susan. "Asian Indian Mothers’ Involvement in Their Children’s Schooling: An Analysis of Social and Cultural Capital." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1596.

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This qualitative study utilized concepts drawn from the theories advanced by Coleman (1988) and Pierre Bourdieu (1987) to examine the extent to which Asian Indian mothers utilize embodied cultural capital and social capital (specifically social norms and social networks) in their engagement in their children's education. Using interviews with 12 Asian Indian mothers whose children were enrolled in a large urban school district in West Central Florida, the study examined their beliefs about the value of education, the origin of those beliefs, their roles in their children's education, family an

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33

Clopton, Kay Krystal. "Now Hear This: Onomatopoeia, Emanata, Gitaigo, Giongo – Sound Effects in North American Comics and Japanese Manga and How They Impact the Reading Experience." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1525744652209227.

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34

Justo, Nelia. "An Eastern affair." Thesis, View thesis, 2001. http://handle.uws.edu.au:8081/1959.7/681.

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A continuing interest in the relationship between the 'decorative' and the 'technological' is a key area that underpins the author's artistic practice. This paper surveys the historical links between the production of applied and decorative art and the emergence of associated technologies as it relates to the author's Art practice. The focus is on Asia's influence on European applied and decorative arts as resulting from the trade relationship evolved over many centuries. Particular emphasis is placed on the period between 17th-19th centuries and with specific reference to textiles. This trade

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35

Wu, Wei. "Spreading Seeds: Ai Weiwei's Sunflower Seeds and His Performative Personality Received in the West." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1046.

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In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Q

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36

Kim, Sangah. "Western-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20672.

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From the late nineteenth century, works inspired by Western art spread to China and Korea through Japan. Thus, Western art came to be accepted in China and Korea as a reinterpretation of Japan’s development of Western art, rather than a direct transmission from Western sources. This act of reinterpretation went on to have a lasting effect on the practice of Western-style painters in East Asia with their own acceptance modes. This thesis provides a study of self-portraits and nude paintings, two categories of painting without precedent in East Asia prior to the late nineteenth century, created

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37

Justo, Nelia, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "An Eastern affair." THESIS_CAESS_CAR_Justo_N.xml, 2001. http://handle.uws.edu.au:8081/1959.7/681.

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A continuing interest in the relationship between the 'decorative' and the 'technological' is a key area that underpins the author's artistic practice. This paper surveys the historical links between the production of applied and decorative art and the emergence of associated technologies as it relates to the author's Art practice. The focus is on Asia's influence on European applied and decorative arts as resulting from the trade relationship evolved over many centuries. Particular emphasis is placed on the period between 17th-19th centuries and with specific reference to textiles. This trade

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38

Vihan, Jan. "Language, Likeness, and the Han Phenomenon of Convergence." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10642.

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Although in the classical Chinese outlook the world can only be made sense of through the means devised by the ancient sages and handed down by the tradition, the art of exegesis has long been a neglected subject. Scholars have been all too eager to dispute what their chosen text says than to pay attention to the nuanced ways in which it hones its tools. This dissertation aims to somewhat redirect the discipline's attention by focusing on Xu Shen's Shuowen Jiezi. I approach this compendium of Han philology, typically regarded as a repository of disparate linguistic data, as underlied by a tigh

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39

Occhipinti, Charles William. "KHAEN PERFORMANCE: AN AMERICAN PERSPECTIVE ON TRADITIONAL PEDAGOGICAL PRACTICES." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1605727511721386.

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40

Yoon, AhYoung. "Aging and Arts Policy: Interrogating Perceptions of Older People in South Korea." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1503016550067467.

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41

Lee, Tsung-Hsin. "Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594914032775976.

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42

Chon-Smith, Chong. "Asian American and African American masculinities race, citizenship, and culture in post-civil rights /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3215133.

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Thesis (Ph. D.)--University of California, San Diego, 2006.<br>Title from first page of PDF file (viewed July 21, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 242-256).

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43

Clarken, Rehema M. "EFL Education in Mainland China| Word Memorization and Essay Writing among High School Sophomores." Thesis, Michigan Technological University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10684273.

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<p> This dissertation explores English as a Foreign Language instruction within the context of the contemporary Chinese education system. Basic outlines chart the historical development of EFL studies in the United States and China framing the question of what each community values as important measures of success when assessing language learning. While traditional Chinese methods value strict memorization of vast word lists ([special characters omitted], BeiDanCi, BDC) the US educational community stresses essay writing—particularly on standardized tests such as the ACT, SAT, and TOEFL,

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Yee, David E. "All Dressed Up, Nowhere to Go." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492614814004489.

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Khaira, Simran Kaur. "The Decline and Revival of Chinese Picture Books." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338390852.

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46

Arjunan, Dorai Raj. "3D Animation: Creating an Experiential Environment." [Johnson City, Tenn. : East Tennessee State University], 2004. http://etd-submit.etsu.edu/etd/theses/available/etd-0719104-174201/unrestricted/Arj%20with%20animation%2017KB.pdf.

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Thesis (M.F.A.)--East Tennessee State University, 2004.<br>Title from electronic submission form. ETSU ETD database URN: etd-0719104-174201 Includes bibliographical references. Also available via Internet at the UMI web site.

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47

Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16496/1/Wei_Ling_Lim_Thesis.pdf.

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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres

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Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16496/.

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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres

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49

Kalugampitiya, Nandaka M. "Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series)." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462188638.

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50

Shortall, Amanda Young. "Hongse (the color red)." Scripps College, 2007. http://ccdl.libraries.claremont.edu/u?/stc,12.

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The video begins with a black and white wedding photograph from the mid 20th century of an Asian American wedding party with the women in cheongsams and the men in western suits. A male narrator states the importance of the bride. A stain (still in black and white) spreads from bottom of frame rising over the brides face. Color video now shows a tree with a clothesline and a woman hanging a sheet on the line. Asian instrumental music begins. The mother softly describes singing a song to her daughter that her mother sang to her, and then sings the song. A woman folds, tears, or knots a white s

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