Relevant bibliographies by topics / Assamese Folk songs

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Academic literature on the topic 'Assamese Folk songs'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Assamese Folk songs"

1

Saikia, Lotika. "Biyanaam: A unique element of Assamese Culture; Understanding, Discussion and Preservation." Psychology and Education Journal 58, no. 1 (2021): 3983–87. http://dx.doi.org/10.17762/pae.v58i1.1440.

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Folk literature has come to be identified as one of the priceless resources of an indigenous community. Folk literature is an important carrier of culture, heritage and tradition of a particular cultural or linguistic community. In this context, Assamese „Biyanaam‟ are one type of Folk literature which falls into this mentioned description. The biyanam presented during such ceremonies reflect the socio-cultural life of the Assamese community. This trend showcases the myths, outfits, jewellery, food habits, the cultural ethos etc. This folk songs are called ‘Biyanaam’ (Marriage songs) as they a
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2

Moran, Mridul. "Story-Telling Folk Songs Related to Assamese Folktales: An Introduction." International Journal of Trend in Scientific Research and Development Volume-3, Issue-4 (2019): 617–19. http://dx.doi.org/10.31142/ijtsrd23880.

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3

Bora, Krishnarjun, Manash Pratim Barman, Arnab N. Patowary, and Toralima Bora. "Classification of Assamese Folk Songs’ Melody using Supervised Learning Techniques." Indian Journal Of Science And Technology 16, no. 2 (2023): 89–96. http://dx.doi.org/10.17485/ijst/v16i2.1686.

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4

Deka, Dipanjali. "READING RESEMBLANCES AND FLUIDITY BETWEEN THE ZIKIR SONGS OF AZAN FAKIR AND OTHER SONG GENRES IN ASSAM." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 152–59. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.155.

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Zikir songs of Assam are the Assamese Islamic devotional songs composed by the Sufi figure Shah Miran, alias, Azan Peer Fakir, who came to Assam from Baghdad in 17th century. Assamese scholars categorize zikir under the folk Bhakti or Sufi genre. According to Syed Abdul Malik, a pioneer writer on the subject, the word zikir is said to have been derived from the Arabic term ziqr, which means to remember, listen to and to mention the name of Allah. Interestingly, the concept of remembrance of the Divine, like in zikir, also resonates with the Neo-Vaisnavite Bhakti philosophy of Sankardeva and Ma
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5

Boruah, Dr Jewti. "Paurāṇic Influence on the Assamese Folk Songs." Pracya 10, no. 1 (2018): 80–86. http://dx.doi.org/10.22271/pracya.2018.v10.i1.18.

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Manjit Kumar Shah. "Mukha Shilpa (Mask Making) is the Artefact form of Assam." International Journal for Multidimensional Research Perspectives 2, no. 6 (2024): 58–64. http://dx.doi.org/10.61877/ijmrp.v2i6.157.

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The north-eastern state of Assam is very rich in terms of diverse arts. Revolutionary great men in Assamese literature, culture, society and spiritual life The contribution of Shrimant Shankardev is unforgettable. His great works made this Strengthened the feeling of social and cultural unity in the area. He wrote Ramayana and translated Shrimad Bhagwat into Brajavali language.Vaishnavism in the North-East for propagation, Shankardev started Bargeet, Kirtan, Ankiya Naat (Bhaona) etc. Composed. There are two main forms of dance here – Bihu dance and Satriya dance. bihu dance The identity of Ass
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Bordoloi, Saswati D. "‘Mukha’: The Mask Tradition of Assam-with Special Reference to Samaguri Sattra." Cultural Syndrome 2, no. 1 (2020): 20–34. http://dx.doi.org/10.30998/cs.v2i1.267.

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Cultural heritage influences every aspect of life. Man has made the masks in dance rituals, dramas, folk songs, temples and different socio-cultural context. The use of masks in rituals or ceremonies is a very ancient human practice across the world. This mask or mukhas are said to be the base of the Assamese culture and tradition. They are worn mostly in bhaonas. Materials like bamboo, cane, cloth, clay etc. are used for making masks. Samaguri Sattra is a place of conservation and retention of vanishing art form of mukha. Sankardeva’s philosophies had transcended the boundaries of religion an
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8

Rabha, Bhupen. "Ritual Hymns and World View of the Totola Rabhas of Kataligaon." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 16, no. 1 (2020): 31. http://dx.doi.org/10.21013/jmss.v16.n1.p3.

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The Totola Rabhas are a community that has never lived in isolation. They are touched on all sides by other communities and ethnic groups. Therefore, cultural assimilation in the case of the Totola Rabhas is not a new phenomenon. The culture of the Totola Rabhas which is a part of Indo Mongoloid culture has contributed a lot towards the greater Assamese culture. The evolvement of a new cultural identity in the real sense of the term, the Totola Rabhas, overtime is a fact ignored by and unknown to the world. Therefore, it is of utmost necessity to study the folklore of the Totola Rabhas to unde
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9

Konch, Hemanta. "Nominal Inflection of the Tutsa Language." International Journal of Innovative Technology and Exploring Engineering 10, no. 4 (2021): 138–40. http://dx.doi.org/10.35940/ijitee.d8428.0210421.

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North-East is a hub of many ethnic languages. This region constitutes with eight major districts; like-Assam, Arunachal Pradesh, Nagaland, Manipur, Mizoram, Tripura, Meghalaya and Sikkim. Tutsa is a minor tribe of Arunachal Pradesh. The Tutsa was migrated from the place ‘RangkhanSanchik’ of the South-East Asia through ‘Hakmen-Haksan’ way to Arunachal Pradesh. The Tutsa community is mainly inhabited in Tirap district and southern part of Changlang district and a few people are co-exists in Tinsukia district of Assam. The Tutsa language belongs to the Naga group of Sino-Tibetan language family.
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10

Magar, Chandra Kala, and Bimal Kumar Kar. "Tea Plantations and Socio-Cultural Transformation: The Case of Assam (India)." Space and Culture, India 4, no. 1 (2016): 25. http://dx.doi.org/10.20896/saci.v4i1.188.

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The tea plantations of Assam, which constitute the country’s 53.97 per cent tea area, 49 per cent tea worker population, and 52.04 per cent tea production, occupy an important place in the economy, culture and polity of the state. The onset of tea plantations during British colonial rule has not only changed the landscape of the upper Brahmaputra valley through green tea bushes being nourished by tea tribes from east-central India, but also evolved a distinct tea culture. Although formation of small tea growers has added a new dimension to the growth of tea industry of Assam in recent times, t
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Books on the topic "Assamese Folk songs"

1

Barakaṭakī, Bīrena. Asamīẏā gīti sāhitya. Asamīẏā Bibhāga, Ḍibrugaṛa Biśvabidyālaẏa, 1999.

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2

Neog, Maheswar. Asamīẏā gīti-sāhitya āru anyānya prabandhāwalī. 3rd ed. Candra Prakāśa, 1987.

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3

Nīlamaṇi, Phukana, ed. Araṇyara gāna. Shṭuḍeṇṭac Shṭa'rac, 1993.

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4

Biśvāsa, Hemāṅga. Asama āru Baṅgara loka-saṅgīta samīkshā. Jārṇāla Empaʼriẏāma, 1990.

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5

1965-, Hocheina Ichamāila, ed. Bihunāmara juruli. Banalatā, 2009.

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6

1965-, Hocheina Ichamāila, ed. Bihunāmara juruli. Banalatā, 2009.

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7

Praphulladatta, Goswami. Bohag Bihu of Assam and Bihu songs. Publication Board, Assam, 1988.

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8

Dāsa, Sūrya. Bihunāmara barṇālī. Asama Buka Ṭrāshṭa, 2017.

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9

Cakra, Rābhā Adhyaẏana, ed. Praṇaẏa gandhī Rābhā gīta. Rābhā Adhyaẏana Cakra, 1992.

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10

Barā, Jagata. Ma'ha carāi thākote ai... Saṅgītā Prakāśana, 2012.

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