Academic literature on the topic 'Assamese Vaishnava poetry'

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Books on the topic "Assamese Vaishnava poetry"

1

Sankaradeva. Mahāpurusha Śaṅkaradewara bāṇī. Guwāhāṭī, Asama: Kālirāma Medhi Nyāsa hai Laẏārcha Buka Shṭala, 1997.

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Goswāmī, Keśwānanda Dewa. Baragīta: Paramparā āru pariweśana paddhati. Guwāhāṭī, Asama: Śaṅkaradewa Adhyaẏana Kshetrara hai Laẏārcha Buka Shṭala, 1997.

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Mahanta, Bāpacandra. Sāmājika paṭabhūmisahita Asamake baragīta. Jorahaṭa: Kamalakumārī Phauṇḍeśana, 1988.

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Mahanta, Bāpacandra. Sāmājika paṭabhūmisahita Asamake baragīta. Jorahaṭa: Kamalakumārī Phauṇḍeśana, 1988.

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Cakrawartī, Mañju. Caryāpada āru Baragīta. Guwahāṭī: Banalatā, 1993.

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Mahanta, Bāpacandra. Baragīta. Guwāhāṭī: Shṭuḍeṇṭac Shṭa'rac, 1992.

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Goswāmī, Keśawānanda Dewa. Bhāratīẏa paṭabhūmita Śaṅkarī sāhitya āru satrīẏā saṅgīta. Guwāhāṭī: Banalatā, 2001.

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8

Kumāra, Baruwā Prahlāda, ed. Baragīta samīkshā. Ḍibrugaṛa: Tribeṇī Sāhitya Prakāśana, 1993.

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Bhūñā, Praphulla Candra. Dewa Dāmodaradewa āru kabiratna Bhaṭṭadewa. Guwāhāṭi: Candra Prakāśa, 2009.

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Bhakti-gīta-saṅkalana: Śaṅkarottara gītāwalī. Guwāhāṭī: Asama Carakāra, Burañjī āru Purātattwa Bibhāga, 1989.

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Book chapters on the topic "Assamese Vaishnava poetry"

1

Pillai, Sohini Sarah. "Many (Krishna-Centric) Mahabharatas." In Krishna's Mahabharatas, 64–96. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197753552.003.0003.

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Abstract:
Abstract Chapter 2 surveys Mahabharatas in regional South Asian languages that were composed between 800 and 1700 CE. While this chapter discusses some Mahabharatas that are unconcerned with Vaishnava bhakti, the chapter’s overview of Assamese, Bengali, Bhasha, Gujarati, Kannada, Konkani, Malayalam, Marathi, Oriya, Tamil, and Telugu retellings shows that there was a virtually continuous centering of the Mahabharata tradition around Krishna in premodern South Asia. This chapter highlights two major themes of the book. The first is that regional Mahabharata poets transform the narrative of the epic into a Krishna-centric work of emotional bhakti in very similar ways including merging the Krishnas of the Mahabharata and Vrindavan and presenting Krishna as a loving, all-powerful god whose main concern is the Pandavas’ safety. The second is that devotional Mahabharata poets regularly utilize expressions of Vaishnava bhakti from their own local literary cultures.
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