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Relevant bibliographies by topics / Assumption of the Blessed Virgin Mary Parish

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Journal articles

Academic literature on the topic 'Assumption of the Blessed Virgin Mary Parish'

Author: Grafiati

Published: 14 December 2022

Last updated: 28 January 2023

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Journal articles on the topic "Assumption of the Blessed Virgin Mary Parish"

1

Grzanka, Bartłomiej. "Parafia pod Wezwaniem Wniebowzięcia Najświętszej Maryi Panny w Kłodawie w latach 1939-1958 w świetle źródeł proweniencji kościelnej." Polonia Maior Orientalis 2 (2015): 101–18. http://dx.doi.org/10.4467/27204006pmo.15.008.16915.

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Parafia rzymskokatolicka pw. Wniebowzięcia Najświętszej Maryi Panny w Kłodawie doznała podczas drugiej wojny światowej dużych strat duchowych (zwłaszcza tragiczne były losy proboszcza i wikariusza) oraz materialnych. W artykule przedstawione zostały dzieje parafii w latach 1945-1958, kiedy to pod przewodnictwem bardzo zaangażowanego proboszcza, ks. Lucjana Kurzawskiego, nastąpiła odbudowa duchowa, moralna i materialna lokalnego kościoła. THE PARISH DEDICATED TO THE ASSUMPTION OF THE BLESSED VIRGIN MARY IN KŁODAWA IN 1945-1958 IN THE CONTEXT OF SOURCES OF ECCLESIASTICAL PROVENANCE Roman catholi

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2

Miletić, Drago, and Marina Valjato Fabris. "Reconstruction of the Templar Phase of the Parish Church of the Assumption of the Blessed Virgin Mary in Gora." Portal 5 (2014): 49–70. http://dx.doi.org/10.17018/portal.2014.4.

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3

Škarić, Ksenija, and Vanesa Gjini. "Nove spoznaje o korskim sjedalima u crkvi Uznesenja Blažene Djevice Marije u Rabu." Ars Adriatica 9 (February 28, 2020): 45–60. http://dx.doi.org/10.15291/ars.2923.

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Research on the late Gothic choir stalls in the parish church of Rab, formerly the Cathedral of the Assumption of the Blessed Virgin Mary, conducted by the Croatian Conservation Institute in 2018, indicates a gradual construction of the benches, which took place in several stages and was completed by 1445. In addition to the stylistic and technical similarities between the choir stalls in Zadar and Rab, both of which have been attributed to the woodcarving workshop of Matteo Moronzon, significant differences in the concept of polychromy have been observed. Since their completion, the choir sta

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4

Krstulović, Nevena. "Glavni oltar Uznesenja Marijina iz župne crkve Uznesenja Blažene Djevice u Vrbniku: valorizacija primjene Poly(2-etil-2-oksazolina) kao zamjene za tutkalo." Portal 6 (December 21, 2015): 221–32. http://dx.doi.org/10.17018/portal.2015.15.

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5

Darcviev, Anzor V. "A Brief Essay on the History of the Lisri Parish of the Vladikavkaz Diocese." Vestnik of North Ossetian State University, no. 4 (December 25, 2022): 28–43. http://dx.doi.org/10.29025/1994-7720-2022-4-28-43.

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The article researches the history of the Orthodox parish of the Church of the Assumption of the Blessed Virgin Mary in the mountain village of Lisri. In late 19th/early 20th century . Russian Orthodox Church was very active in terms of missionary, cultural and educational work in the mountain parishes of Ossetia. For well-known reasons, this activity and its results had not been investigated for a while, resulting in a gap in the historiography of the region, and now it is crucial to fill it in. The novelty of the study consists in the wording of the problem: the object of the study is an Ort

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6

Dzik, Janina. "The Reception of the Engravings of Gottfried Bernhard Göz’s Marian Series in the Monumental Painting of the Lviv Circle in the 18th Century." Roczniki Humanistyczne 67, no. 4 SELECTED PAPERS IN ENGLISH (2019): 7–32. http://dx.doi.org/10.18290/rh.2019.68.4-1en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 63, issue 4 (2015). The graphic series dedicated to the Mother of God, defined as Sub tuum praesidium confugimus, by Gottfried Bernhard Göz (1708–1774) was an inspiration for the monumental painting of the Rococo period in Poland in the times of the Saxon kings. The series of engravings with a devotional character made with the stipple engraving technique presents 12 signed Marian scenes: the Immaculate Conception of the Blessed Virgin Mary, Mary’s Birth, the Presentation of Mary, Mary and Joseph’s Matrimony,

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7

Španjol-Pandelo, Barbara. "Prilog poznavanju djelovanja Mateja Andrijina Moronzona*." Ars Adriatica, no. 6 (January 1, 2016): 103. http://dx.doi.org/10.15291/ars.179.

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Matteo Moronzon, a member of the Venetian family of woodcarvers, was mentioned for the first time in 1407 according to the present known archival documents. Probably after being trained in his father's workshop in Venice, he moved to Zadar with his family – his wife Francisca and sons Pietro and Francesco. In 1418 he undertook the commission of furnishing carved choir stalls for the cathedral of St. Anastasia in Zadar. Various archival documents testify that Matteo lived and worked in Zadar for many years. Therefore it can be assumed that he probably founded his own workshop in Zadar where his

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8

Vincent, Nicholas. "King Henry III and the Blessed Virgin Mary." Studies in Church History 39 (2004): 126–46. http://dx.doi.org/10.1017/s0424208400015047.

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Much has been written of the Marian devotions of King Louis IX of France. Louis, so we are told, would mortify his flesh on the vigils of the four principal feasts of the Virgin. Regular pilgrimages were made by the King to the great Marian shrines of France, most notably those of Chartres and Rocamadour. Day by day, in his own chapel, the King listened to matins, tierce and compline sung with the appropriate offices of Our Lady, and on Tuesdays and Saturdays the Mass itself was dedicated to the Virgin. When the King took communion, which he did on six principal feast-days each year, two of th

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9

Mironowicz, Antoni. "Najstarsze dzieje parafii mielnickich." Elpis 23 (2021): 147–53. http://dx.doi.org/10.15290/elpis.2021.23.18.

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The oldest history of the Orthodox parishes in Mielnik shows that they were closely related to the history of the city. The first brick temple was built in the Ruthenian stronghold in the 13th century. The tradition of the thirteenth-century temple was related to the wooden church of the Nativity of the Blessed Virgin Mary built in 1431 at Drohicka Street, and then another one erected on the Ruthenian hill in 1614 and the present one built in the years 1821-1823. The Orthodox Church of the Resurrection of Christ situated on Brzeska Street at the beginning of the 16th century was of great impor

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10

Rymar, Dariusz A. "How German Marienkirche became Polish Cathedral of the Assumption of Blessed Virgin Mary." Przegląd Zachodniopomorski 36 (2021): 193–225. http://dx.doi.org/10.18276/pz.2021.36-07.

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