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Journal articles on the topic 'Assumption of the Blessed Virgin Mary Parish'

Author: Grafiati

Published: 14 December 2022

Last updated: 28 January 2023

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1

Grzanka, Bartłomiej. "Parafia pod Wezwaniem Wniebowzięcia Najświętszej Maryi Panny w Kłodawie w latach 1939-1958 w świetle źródeł proweniencji kościelnej." Polonia Maior Orientalis 2 (2015): 101–18. http://dx.doi.org/10.4467/27204006pmo.15.008.16915.

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Parafia rzymskokatolicka pw. Wniebowzięcia Najświętszej Maryi Panny w Kłodawie doznała podczas drugiej wojny światowej dużych strat duchowych (zwłaszcza tragiczne były losy proboszcza i wikariusza) oraz materialnych. W artykule przedstawione zostały dzieje parafii w latach 1945-1958, kiedy to pod przewodnictwem bardzo zaangażowanego proboszcza, ks. Lucjana Kurzawskiego, nastąpiła odbudowa duchowa, moralna i materialna lokalnego kościoła. THE PARISH DEDICATED TO THE ASSUMPTION OF THE BLESSED VIRGIN MARY IN KŁODAWA IN 1945-1958 IN THE CONTEXT OF SOURCES OF ECCLESIASTICAL PROVENANCE Roman catholi

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Miletić, Drago, and Marina Valjato Fabris. "Reconstruction of the Templar Phase of the Parish Church of the Assumption of the Blessed Virgin Mary in Gora." Portal 5 (2014): 49–70. http://dx.doi.org/10.17018/portal.2014.4.

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Škarić, Ksenija, and Vanesa Gjini. "Nove spoznaje o korskim sjedalima u crkvi Uznesenja Blažene Djevice Marije u Rabu." Ars Adriatica 9 (February 28, 2020): 45–60. http://dx.doi.org/10.15291/ars.2923.

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Research on the late Gothic choir stalls in the parish church of Rab, formerly the Cathedral of the Assumption of the Blessed Virgin Mary, conducted by the Croatian Conservation Institute in 2018, indicates a gradual construction of the benches, which took place in several stages and was completed by 1445. In addition to the stylistic and technical similarities between the choir stalls in Zadar and Rab, both of which have been attributed to the woodcarving workshop of Matteo Moronzon, significant differences in the concept of polychromy have been observed. Since their completion, the choir sta

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Krstulović, Nevena. "Glavni oltar Uznesenja Marijina iz župne crkve Uznesenja Blažene Djevice u Vrbniku: valorizacija primjene Poly(2-etil-2-oksazolina) kao zamjene za tutkalo." Portal 6 (December 21, 2015): 221–32. http://dx.doi.org/10.17018/portal.2015.15.

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5

Darcviev, Anzor V. "A Brief Essay on the History of the Lisri Parish of the Vladikavkaz Diocese." Vestnik of North Ossetian State University, no. 4 (December 25, 2022): 28–43. http://dx.doi.org/10.29025/1994-7720-2022-4-28-43.

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The article researches the history of the Orthodox parish of the Church of the Assumption of the Blessed Virgin Mary in the mountain village of Lisri. In late 19th/early 20th century . Russian Orthodox Church was very active in terms of missionary, cultural and educational work in the mountain parishes of Ossetia. For well-known reasons, this activity and its results had not been investigated for a while, resulting in a gap in the historiography of the region, and now it is crucial to fill it in. The novelty of the study consists in the wording of the problem: the object of the study is an Ort

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Dzik, Janina. "The Reception of the Engravings of Gottfried Bernhard Göz’s Marian Series in the Monumental Painting of the Lviv Circle in the 18th Century." Roczniki Humanistyczne 67, no. 4 SELECTED PAPERS IN ENGLISH (2019): 7–32. http://dx.doi.org/10.18290/rh.2019.68.4-1en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 63, issue 4 (2015). The graphic series dedicated to the Mother of God, defined as Sub tuum praesidium confugimus, by Gottfried Bernhard Göz (1708–1774) was an inspiration for the monumental painting of the Rococo period in Poland in the times of the Saxon kings. The series of engravings with a devotional character made with the stipple engraving technique presents 12 signed Marian scenes: the Immaculate Conception of the Blessed Virgin Mary, Mary’s Birth, the Presentation of Mary, Mary and Joseph’s Matrimony,

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Španjol-Pandelo, Barbara. "Prilog poznavanju djelovanja Mateja Andrijina Moronzona*." Ars Adriatica, no. 6 (January 1, 2016): 103. http://dx.doi.org/10.15291/ars.179.

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Matteo Moronzon, a member of the Venetian family of woodcarvers, was mentioned for the first time in 1407 according to the present known archival documents. Probably after being trained in his father's workshop in Venice, he moved to Zadar with his family – his wife Francisca and sons Pietro and Francesco. In 1418 he undertook the commission of furnishing carved choir stalls for the cathedral of St. Anastasia in Zadar. Various archival documents testify that Matteo lived and worked in Zadar for many years. Therefore it can be assumed that he probably founded his own workshop in Zadar where his

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Vincent, Nicholas. "King Henry III and the Blessed Virgin Mary." Studies in Church History 39 (2004): 126–46. http://dx.doi.org/10.1017/s0424208400015047.

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Much has been written of the Marian devotions of King Louis IX of France. Louis, so we are told, would mortify his flesh on the vigils of the four principal feasts of the Virgin. Regular pilgrimages were made by the King to the great Marian shrines of France, most notably those of Chartres and Rocamadour. Day by day, in his own chapel, the King listened to matins, tierce and compline sung with the appropriate offices of Our Lady, and on Tuesdays and Saturdays the Mass itself was dedicated to the Virgin. When the King took communion, which he did on six principal feast-days each year, two of th

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Mironowicz, Antoni. "Najstarsze dzieje parafii mielnickich." Elpis 23 (2021): 147–53. http://dx.doi.org/10.15290/elpis.2021.23.18.

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The oldest history of the Orthodox parishes in Mielnik shows that they were closely related to the history of the city. The first brick temple was built in the Ruthenian stronghold in the 13th century. The tradition of the thirteenth-century temple was related to the wooden church of the Nativity of the Blessed Virgin Mary built in 1431 at Drohicka Street, and then another one erected on the Ruthenian hill in 1614 and the present one built in the years 1821-1823. The Orthodox Church of the Resurrection of Christ situated on Brzeska Street at the beginning of the 16th century was of great impor

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Rymar, Dariusz A. "How German Marienkirche became Polish Cathedral of the Assumption of Blessed Virgin Mary." Przegląd Zachodniopomorski 36 (2021): 193–225. http://dx.doi.org/10.18276/pz.2021.36-07.

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FRYKOWSKI, Janusz A. "Dzieje parafii unickiej pw. Nawiedzenia Najświętszej Marii Panny w Maziłach w świetle osiemnastowiecznych wizytacji kościelnych." Historia i Świat 3 (September 9, 2014): 135–52. http://dx.doi.org/10.34739/his.2014.03.08.

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The work depicts the running of the Uniate Parish of the Visitation of the Blessed Virgin Mary, in Mazily since its formation until its liquidation in the 18th cen-tury. The introduction of the article specifies the geographical location of the parish, its size and the position within the hierarchical structure of the Church. Then, on the basis of an analysis of Chelm Bishops’ post-inspection protocols as well as statistical specifications, the appearance , fittings and ancillary equipment of the parish church and its affil-iated churches are described As far as possible, the author also attem

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Lichota, Piotr. "The Blessed Virgin Mary, Mother of the Church Parish in Warnice in the Years 1977–2018." Colloquia Theologica Ottoniana 1 (2019): 115–41. http://dx.doi.org/10.18276/cto.2019.1-07.

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Kireev, Felix S. "On the Issue of Organizing the Second Ossetian Orthodox Parish in Vladikavkaz." Vestnik of North Ossetian State University, no. 4 (December 25, 2022): 63–68. http://dx.doi.org/10.29025/1994-7720-2022-4-63-68.

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In the historiography of Vladikavkaz, there are many works devoted to the Ossetian settlement of the city, the Church of the Nativity of the Blessed Virgin Mary (Ossetian church) in Vladikavkaz, but almost no mention is made of the second Ossetian settlement and the construction of a church on its territory. Meanwhile, the history of the Ossetian population of the Vladimir (Novo-Ossetian) settlement is also worthy of attention. The article reveals the reasons for the creation of the second Ossetian Orthodox parish in Vladikavkaz, the issues of building a church in the name of the Holy Great Ma

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Płotkowiak, Maciej. "Concept And Its Implementation During The Reconstruction Of The Church Of Blessed Virgin Mary In Chojna." Civil And Environmental Engineering Reports 19, no. 4 (2015): 87–98. http://dx.doi.org/10.1515/ceer-2015-0055.

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Abstract St. Mary's parish church in Chojna was erected at the turn of XIV and XVc. in a shape of three aisles, hall church without transept, completed from the west with a single tower and from the east with polygonal presbytery with an ambulatory attached. The convergence of characteristic structural and decorative features with employed ones in medieval churches being attributed to Hinrich Brunsberg's fabric resulted in such a way, that also authorship of St. Mary in Chojna was assigned to this legendary architect and master builder of late Middle Ages period. The church was destroyed by fi

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Legendziewicz, Andrzej. "creation and architectural transformation of the parish church of the Sacred Heart of Jesus in Żary from the early 13th to late 17th century." Archaeologia Historica Polona 29 (June 1, 2022): 113–34. http://dx.doi.org/10.12775/ahp.2021.007.

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This article presents architectural transformations in the parish church of the Sacred Heart of Jesus (originally the Blessed Virgin Mary) in Żary. The church is one of themost interesting brick churches in the borderland between Silesia and Lusatia. Unfortunately, the church has featured very little in the literature, and only its non-extant Romanesque west arm is discussed. Based on the scant written sources, and the results of architectural researchand archaeological excavations, the author discusses the formation and transformation of the parish church from the 13th century to the end of t

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Žeňuch, Vavrinec. "Obraz Užskej stolice na základe kanonickej vizitácie z roku 1734." Studia Slavica Academiae Scientiarum Hungaricae 65, no. 2 (2022): 439–54. http://dx.doi.org/10.1556/060.2020.00034.

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Text kanonickej vizitácie sleduje farnosti Užhorod (Ужгород), Vojnatina, Onokovce (Оноківці), Senné, Pavlovce nad Uhom, Ratovce (Ратівці), Jovra (Ёр, dnes Сторожниця) a Ruská.V Užhorode bol chrám zasvätený svätému Jurajovi, ktorý sa nachádzal na soľnej ulici. Vo vnútri chrámu boli umiestnené tri väčšie a dva menšie oltáre. Väčšie oltáre boli zasvätené svätému Ladislavovi, sv. Štefanovi, sv. Jurajovi a sv. Panne Márii. Menšie oltáre boli zasvätené sv. Alžbete, sv. Kataríne a sv. Jánovi Nepomuckému so svätou Rozáliou a Kristom v uprostred.Farnosť Jovra mala farský chrám zasvätený Panne Márii Krá

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Kopiczko, Andrzej. "Catholic churches and ministry in Malbork in the years 1525–1772." Masuro-⁠Warmian Bulletin 287, no. 1 (2015): 35–59. http://dx.doi.org/10.51974/kmw-142669.

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The article presents the history of the Catholic churches, operating in Malbork in the early modern period. Most attention was paid to the parish St. John the Evangelist, which – with short breaks in the second half of the sixteenth century and during the First Swedish-Polish War – remained in the hands of Catholics. With post-visit protocols learn about repairs carried out, the order of worship and involvement of the clergy. On the basis of the preserved since 1700 year vital records we can conclude that each year about 200 children was baptized and was contained from 50 to 150 weddings. Sinc

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18

Sargent, Michael G. "Nicholas Love as an Ecclesiastical Reformer." Church History and Religious Culture 96, no. 1-2 (2016): 40–64. http://dx.doi.org/10.1163/18712428-09601003.

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Nicholas Love was the prior of the Carthusian house of the Assumption of the Blessed Virgin Mary at Mount Grace from its incorporation into the Order at the General Chapter of 1410 until shortly before his death, which occurred between 15 March and 28 July, 1423. He is most commonly known to present-day scholarship as the author of The Mirror of the Blessed Life of Jesus Christ and because of the licensing of the Mirror by Archbishop Thomas Arundel in accordance with the stipulations of the Lambeth Constitutions of 1409, as an agent in the archbishop's campaign against the followers of John Wy

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Matulić Bilač, Žana. "High Altar of Split Cathedral of the Assumption of the Blessed Virgin Mary – Technological and Chronological Analyses." Portal 7 (December 28, 2016): 49–84. http://dx.doi.org/10.17018/portal.2016.4.

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Chernov, Anatolii, Dariusz Dziubacki, Martina Cogoni, and Alexandru Bạ̌descu. "First conclusions about results of GPR investigations in the Church of the Assumption of the Blessed Virgin Mary in Kłodzko, Poland." Geoscientific Instrumentation, Methods and Data Systems 7, no. 1 (2018): 123–28. http://dx.doi.org/10.5194/gi-7-123-2018.

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Abstract. The article presents results of a ground penetrating radar (GPR) investigation carried out in the Church of the Assumption of the Blessed Virgin Mary in Kłodzko, Poland, dating from the 14th to 16th centuries. Due to the 20th century wars, the current state of knowledge about the history of the church is still poor. Under the floor of the Catholic temple, unknown structures might exist. To verify the presence of underground structures such as crypts and tombs, a GPR survey was carried out in chapels and aisles with 500 and 800 MHz GPR shielded antennas. Numerous anomalies were detect

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Motuzas, Alfonsas. "The Feast of the Assumption of the Blessed Virgin Mary in Lithuania: local peculiarities and links with Latvia." SOTER: Journal of Religious Science 59 (2016): 65–78. http://dx.doi.org/10.7220/2335-8785.59(87).5.

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22

Stefański, Krzysztof. "Prace Konstantego Wojciechowskiego przy katedrze we Włocławku a koncepcja „stylu wiślano‑bałtyckiego”." Porta Aurea, no. 19 (December 22, 2020): 294–310. http://dx.doi.org/10.26881/porta.2020.19.15.

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The Włocławek Cathedral dedicated to the Assumption of the Blessed Virgin Mary is one of the most important Gothic churches in the lowlands of northern Poland. However, overshadowed by the Cathedrals in Poznań and Gniezno, it is considered a building that is more modest in scale and less artistically valuable. An important issue related to the history of the church is its restoration that was carried out in the last two decades o the 19th century, initially according to the plans of Tadeusz Stryjeński from Cracow and then led by the Warsaw architect Konstanty Wojciechowski (1841–1910). Wojciec

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SYGULSKA, Anna, Tomasz CZERNIAK, and Adrian CZARNY-KROPIWNICKI. "EXPERIMENTAL INVESTIGATIONS AND COMPUTER SIMULATIONS TO SOLVE ACOUSTIC PROBLEMS IN THE MODERN CHURCH." Engineering Structures and Technologies 10, no. 1 (2018): 34–45. http://dx.doi.org/10.3846/2029882x.2018.1445037.

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Architectural acoustics of contemporary sacred buildings is still an under-appreciated issue. Many contemporary churches are not functional enough due to acoustic defects which occur there. The study discusses issues of the modern Catholic church, where acoustic problems surface as high reverberant noise levels. The building under investigation, i.e. the Church of the Visitation of the Blessed Virgin Mary, is the biggest contemporary church in Poznań, Poland, as its internal volume amounts to 16,800 m³. On the basis of in situ investigations, a computer model of the church was built and a seri

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Bomko, Liliia. "The image of Paradise in «The Sermon on the Annunciation to the Holy Virgin» by Ioanikii Galiatovskii." Text and Image: Essential Problems in Art History, no. 2 (2019): 44–50. http://dx.doi.org/10.17721/2519-4801.2019.2.03.

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The article attempts to analyse the image of paradise in “The Sermon on the Annunciation of the Holy Virgin" from the collection "The Key of Understanding" (1659) by Ioanikii Galiatovskii. Paradise in his sermon is depicted as a hierarchical structure of the nine Angelic Choirs: the Angels, the Archangels, the Principality, the Authority, the Mastery, the Parish, the Throne, the Cherubim, and the Seraphim. Comparing the angelic choirs of Galiatovskii and the depiction of celestial choirs in «The Mirror of Theology» (1618) by Cyryl Trankvylion Stavrovetskyi, one can see some differences, includ

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Krudysz, Leszek. "A Unique 14th Century Seal Matrix from Giebło, Zawiercie District." Archaeologia Polona 59 (December 20, 2021): 139–54. http://dx.doi.org/10.23858/apa59.2021.2755.

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A unique lead seal-matrix with majuscule legend: LUCIANI PRESBITERI belonging to a priest was found by the Romanesque castle church in Giebło. The name of its owner is mentioned in written sources from the years 1325–1327 as plebanus ecclesie de Kebel. As PRESBITER he probably didn’t enjoy all privileges that the collator usually bestows on a parish priest on his property. Possibly for that reason he had his matrix made in an easy-to-process material, infrequently used for such objects in this part of Europe. The use of this raw material suggests someone who tried avoid the high costs of makin

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Shashkova, Agneta. "PAINTING TECHNOLOGY OF ICONS “CHRIST ENTHRONED” AND “BLESSED VIRGIN MARY AND BABY JESUS” (POKROVSKY CHURCH IN PRIORKA) PAINTED BY IVAN S. YIZHAKEVYCH. PROBLEM OF AUTHOR AND NON-AUTHOR RENEWALS." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 170–79. http://dx.doi.org/10.33838/naoma.28.2019.170-179.

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This article is dedicated to features of the late period in the icon painting of Ivan S. Yizhakevych which coincides with the religion persecution in the USSR as well as features of the study of icons in functional churches.In this paper we have set out the complex analysis of nomadic icons “Blessed Virgin Mary and Baby Jesus” and “Christ Enthroned” from Pokrovsky church in Priorka in Kyiv. By means of the visual research using the concentrated visible light and macro photography technical, technological and painting features of the icon painting have been specified.Based on the study of the p

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Helytovych, Mariia. "Iconostasis of the Church of the Assumption of the Blessed Virgin Mary in Nakonechne village - the most complete iconostasis ensemble of the XVI century." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 73–88. http://dx.doi.org/10.37131/2524-0943-2019-39-05.

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The article contains an analysis of the iconostasis of the Assumption of Mary Church located in the vil. Nakonechne (Yavoriv district, Lviv region), which represents the most fully preserved iconostasis ensemble of the XVI century. For the first time, its reconstruction was completed taking into account all saved icons. The article deals with stylistic, iconographic and artistic features of this ensemble, as well as its connection with other iconostases of that time. More precisely, the dating of the monument is argued. In the article, the author suggests to consider an ensemble from Nakonechn

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Kaczmarek, Łukasz, Radosław Mieszkowski, Marcin Kołpaczyński, and Grzegorz Pacanowski. "Application of Electrical Resistivity Tomography (ERT) in the investigation of quaternary landslide zones, based on the selected regions of Płock slope." Studia Quaternaria 31, no. 2 (2014): 101–7. http://dx.doi.org/10.2478/squa-2014-0010.

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Abstract The article shows the results of geophysical surveys performed by using Electrical Resistivity Tomography (ERT) method on selected region of Płock slope of a Tumski hill near Basilica of Assumption of the Blessed Virgin Mary in Płock and in Maszewo by the Vistula River a few kilometers north of Płock. The above-mentioned sections were selected due to landslide phenomena observed there. Geophysical surveys were conducted in order to verify the state of the distribution of electrical resistivity in the sectors where mass movement was identified. The electrofusion cross-section near Cath

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Szkobodziński, Marcin, and Czesław Miedziałowski. "Vaults, roof truss and walls interaction issue in monumental masonry structures." E3S Web of Conferences 49 (2018): 00113. http://dx.doi.org/10.1051/e3sconf/20184900113.

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The paper discusses the subject of interaction between a roof truss, vaults and load-bearing walls in a masonry monumental structure. The static structural analysis of the Assumption of the Blessed Virgin Mary Basilica in Bialystok, as an example of Polish neogothic architecture from the turn of the 19th and 20th centuries has been carried out. The building consists of a three-aisled masonry walls system, which in cooperation with cross-ribbed vaults and a timber roof truss determine the spatial rigidity of the structure. Lack of concrete ring-beams and horizontal oriented ceiling slabs cause

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Dumsday, Travis. "How Modern Biological Taxonomy Sheds Light on the Incarnation." Journal of Analytic Theology 5 (April 12, 2017): 163–74. http://dx.doi.org/10.12978/jat.v5i1.157.

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One question asked repeatedly in the history of Christology is the following: given that the incarnation was God’s chosen method of redeeming us, why did God become human by the cooperation of the Blessed Virgin Mary? Why not just create a human body and soul ex nihilo and simultaneously with that creation have God the Son assume this new instance of human nature? In answer, Augustine for instance (De Trinitate, bk. 13, ch. 18) argues that the latter option would have been a legitimate means of incarnation, but that it was not as fitting as the method actually employed. Aquinas agrees (Summa T

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Burkovska, Liubov. "Ukrainian Icons Theotokos Mother of Mercy (New Iconographic Interpretation of Traditional Plot)." Folk art and ethnology, no. 3 (September 30, 2021): 50–57. http://dx.doi.org/10.15407/nte2021.03.050.

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Baroque trends, which have been extended in the Ukrainian religious art of the late 17th – early 18th centuries, contributed to the expansion of its thematic composition, stylistic changes and the emergence of new iconographic plots. The icons Theotokos Mother of Mercy, or the Cossack Intercession, as they are also called, are a clear example of the renewal of themes in Ukrainian religious art during the Baroque period. This iconographic version of the Intercession, apparently, is borrowed from Western European painting; it is correlated with the compositional type of the image of the Interces

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WOŹNICA, Kamila. "Wieś Siedlce w ziemi łukowskiej." Historia i Świat 3 (September 10, 2014): 73–97. http://dx.doi.org/10.34739/his.2014.03.05.

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Although it has been a settlement since the ninth century, the sources regarding Siedlce before it was granted the town charter are few. The town was situated at the northern edge of the Łuków district, which was a part of the Kingdom of Poland. . The first houses were (found?) on the grounds of the present day palace and the town hospital. The first mention of Siedlce in the written records comes from 1441, when Wojciech of Michów from the Rawicz family exchanged his property with that of his relative Elżbieta, wife of Jan from Oleksów. He gave her half of Siedlce as well as half of Golice, W

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Dudkiewicz, Margot. "Application of PiCUS® Sonic Tomograph 3 in studies on the cultural heritage of the Lublin region – restoration of the Eastern Orthodox church of the Dormition of the Blessed Virgin Mary in Uhrusk." Annals of Warsaw University of Life Sciences - SGGW - Horticulture and Landscape Architecture, no. 40 (January 15, 2020): 3–14. http://dx.doi.org/10.22630/ahla.2019.40.1.

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Uhrusk is a small town located in eastern Poland, in the Lublin region, along the border river, the Bug. The temple is situated on the outskirts of the village, on a low hill, where there was a castle founded by Prince Daniel Halicki in the Middle Ages. The Orthodox church existed here before 1220, and for the first decades of its functioning it had the status of a council. Today, the existing church building was erected in 1849 as a Greek Catholic temple founded by the owner of local estate, Laura Kirsztejnowa. In 1915, the church was abandoned when the Orthodox residents of Uhrusk became ref

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Zinko, Yuriy, Marta Malska, and Taras Hrynchyshyn. "Religious-pilgrim tourism in the west of Ukraine: main centres and shrines." Visnyk of the Lviv University. Series Geography 53 (December 18, 2019): 144–66. http://dx.doi.org/10.30970/vgg.2019.53.10671.

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This study analyzes the formation factors and major centres and shrines of pilgrimage and religious tourism in the Western region of Ukraine. The article presents structure of the religious space of 8 regions of Western Ukraine in the context of major Christian denominations. According to the latest statistics in the West of Ukraine, among the Christian denominations we can see dominance of believers and communities of the Ukrainian Greek-Catholic Church, the Orthodox Church of Ukraine, the Ukrainian Orthodox Church of the Moscow Patriarchate and the Roman Catholic Church. The main pilgrimage

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Witkowska, Kasandra. "From Munificentissimus Deus to the Catechism of the Catholic Church – the evolution of the dogma of the Assumption of the Blessed Virgin Mary for the 70th anniversary of its proclamation." Studia Koszalińsko-Kołobrzeskie 28 (2021): 267–83. http://dx.doi.org/10.18276/skk.2021.28-13.

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Markovic, Miodrag. "An example of the influence of the gospel lectionary on the iconography of medieval wall painting." Zbornik radova Vizantoloskog instituta, no. 44 (2007): 353–62. http://dx.doi.org/10.2298/zrvi0744353m.

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The influence of the Gospel lectionary (evangelistarion) on the iconography of medieval wall painting was rather sporadic. One of the rare testimonies that it did exist, nevertheless, is the specific iconographic formula for the scene of Christ in the house of Martha and Mary, preserved in a number of King Milutin's foundations - Gracanica (ca. 1320), Chilandar katholikon (1321) and St. Nicetas near Skopje (ca. 1324). In all three churches, the iconographic formula corresponds for the most part to the description in the Gospel (Lk 10, 38-42). A large number of figures were painted against an a

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Czyż, Anna S. "Program ikonograficzny wystroju wnętrza kościoła pw. Wniebowzięcia Najświętszej Maryi Panny i św. Augustyna w Kraśniku (wiek XVII i XVIII)." Archiwa, Biblioteki i Muzea Kościelne 108 (December 20, 2017): 63–98. http://dx.doi.org/10.31743/abmk.12169.

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Modern furnishings of the church dedicated to the Assumption of the Blessed Virgin Mary and St. Augustine in Kraśnik were created over three hundred years. However, the oldest trace of the decor from the 16th century is scant. In the first half of the 17th century they were exchanged, and it was at the time when the monastery in Kraśnik joined the Cracow Congregation. The 1630s were particularly important in the creation of the new decor of the church as the following things were founded: choir stalls, including collator ones, paintings by Dolabella as well as the high altar and brotherhood’s

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Smilgevičius, Vytautas. "Raguvos parapijos demografiniai aspektai 1700–1800 metais." XVIII amžiaus studijos T. 7: Giminė. Bendrija. Grupuotė, T. 7 (December 31, 2021): 170–98. http://dx.doi.org/10.33918/23516968-007007.

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DEMOGRAPHIC ASPECTS OF RAGUVA PARISH IN 1700–1800 This article uses a demographic method to study the parish register of births at Raguva Church of the Assumption of the Virgin Mary. Most of these parish register records are stored in the Rare Books and Manuscripts Department of the Martynas Mažvydas National Library of Lithuania. Some of them have been digitized and published on the website www.epaveldas.lt. The chronological sample of the study consists of the eighteenth century (1700–1800) parish register records data, which recorded 10,071 individuals born during the analysed period: 4,891

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Woźniak, Robert J. "Stanisław Ludwik Piech, Parafia na świętojakubowym szlaku. Dzieje parafii Najświętszej Maryi Panny Matki Kościoła i św. Jakuba Apostoła w Brzesku 1385-2010 [Parish on the St. James' Way: The History of the Parish of Blessed Virgin Mary, Mother of the Church and St. James the Apostle in Brzesko 1385-2010], Brzesko 2012." Roczniki Teologiczne 64, no. 4 English Online Version (2017): 174–75. http://dx.doi.org/10.18290/rt.2017.64.4-11en.

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Motušić, Eugen. "Porušena crkva Rođenja Blažene Djevice Marije u Silbi." Ars Adriatica, no. 4 (January 1, 2014): 347. http://dx.doi.org/10.15291/ars.508.

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It is known that the Church of the Nativity of the Blessed Virgin Mary at Silba was demolished in 1828 so as to provide the necessary building material for the completion of the new parish church which inherited the dedication from the old one. As we learn from the archival records, the demolition was authorized by the Archbishop of Zadar Josip Nowak who stipulated that the Franciscan Church of Our Lady of Carmel would function as the local parish church while the new one was being built. All that remains from the old church today is the bell tower which continued to be used by the new parish

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Borodenko, Olena. "Metric books as a source in the study of the marriage of the second half of the XVIII – the first half of the XIX century: possible research risks." Universum Historiae et Archeologiae 2, no. 2 (2020): 185. http://dx.doi.org/10.15421/26190213.

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The aim. The author studies metric books as church sources of the second half of the 18th ‒ the first half of the 19th century, which were compiled by representatives of the parish clergy and therefore some certain errors and inaccuracies are presented. Research methods. Data sources determined the range of general scientific and special-historical methods used in the research, first of all they are deconstruction, historical and comparative, critical methods, etс. Scientific novelty based on the analysis of the directive and administrative, statutory, accounting and statistical documents, and

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Karkocha, Małgorzata. "The painting Assumption of the Blessed Virgin Mary in the parish church in Rembieszyce. The history of one artefact." Przegląd Nauk Historycznych 16, no. 3 (2017). http://dx.doi.org/10.18778/1644-857x.16.03.13.

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Klietkutė, Jolanta. "About the first half of the 19th c. painter Roza Parczewska: some fragments of biography and works." Menotyra 25, no. 1 (2018). http://dx.doi.org/10.6001/menotyra.v25i1.3687.

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The article reviews the biography and works of the painter Roza Parczewska. The life of the painter presented in the publication was picked up crumb by crumb from various sources of the 21st century. However, these are only small light flashes in the surface layers of the history, which passed into silence. Her life is worth a much more detailed historical research, or maybe even a pen of the novelist. Roza Parczewska (15 September 1799 – 20 October 1852, Raudondvaris Manor of Nemenčinė) was born in the family of colonel Ignacy and Salomea Dziewońska Parczewska. The painter devoted her life to

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Bence, Gorazd. "Katarina Elizabeta baronica Raumschüssl, rojena Sauer, in njena loretska kapela pri celjskih minoritih." Studia Historica Slovenica 21 (2021), no. 3 (2021). http://dx.doi.org/10.32874/shs.2021-17.

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On 30 June 1692, the widowed Baroness Katharina Elisabeth Raumschüssl from the family of Counts Sauer of Borl established the sung Litany of the Blessed Virgin Mary in the Celje Minorite monastery. This previously overlooked deed of gift is important not only as a testimony to the Baroness's pious intentions and the connections between the Sauers and the Celje Minorites but also because of its reference to the Loreto chapel in the monastery church, whose extension and furnishing the Baroness financed as well, according to the deed. The chapel is another in a series of copies of the Holy House

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Rábik, Vladimír, and Michal Franko. "The Church and the Settlement: Church and Settlement Interaction in Medieval Pezinok." Mesto a dejiny 11, no. 1 (2022). http://dx.doi.org/10.33542/cah2022-1-05.

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The development of many settlements was not only determined by regional and economic factors, but could rely on a quite different motivation, when it was firmly tied to an important magnate family, for whom the town would become a residential and memorial environment. This was, of course, linked not only to the construction of a representative family residence, but also to the appertaining ecclesiastical centre, which usually functioned in the already existing, older local church. Therefore, in our study we will take a closer look not only at the settlement of Pezinok itself and its military g

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Mickienė, Ilona, and Jolanta Petrūnaitytė. "Male Personal Names in the 1813–1814 Church Register of Births of the Church of the Nativity of the Blessed Virgin Mary in Radviliškis." Lituanistica 65, no. 3 (2019). http://dx.doi.org/10.6001/lituanistica.v65i3.4092.

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The analysis of nineteenth-century personal names in Radviliškis parish was accomplished by selecting personal names from the church register of births of 1786–1798 and 1813–1814 periods. From the period of 1786–7188, 150 names of baptised boys, 292 names of fathers, and 302 names of godfathers, as well as 588 male surnames were selected. The period of 1813–1814 was represented by 199 names of baptised boys, 281 names of fathers, and 307 names of godfathers and by the surnames of 581 males. The analysis of the 1786–1798 period showed that adults were identified by a binomial personal name cons

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Tulić, Damir, and Mario Pintarić. "Antonio Michelazzi i Francesco Cabianca: nova djela u Italiji i Hrvatskoj." Ars Adriatica 10, no. 1 (2020). http://dx.doi.org/10.15291/ars.3196.

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New scholarly insights about the sculptor and altar builder Antonio Michelazzi (Gradisca d’Isonzo, 1707 – Rijeka, 1771) have revealed him as a far more complex creative personality than it has been known so far. In this paper, the authors have attributed to him the marble statues of St John the Baptist and St Mark on the high altar of the parish church of San Biagio in Cinto Caomaggiore. Michelazzi’s authorship of the marble altar of the Holy Cross in the parish church of the Assumption of Mary in Rijeka has also been confirmed, based on a certificate from 1740 on the receipt of 150 gold coins

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Janonienė, Rūta. "New Findings about the History of the Church of Riešė." Menotyra 1, no. 29 (2022). http://dx.doi.org/10.6001/menotyra.v1i29.4690.

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The present church of St Stanislaus the Bishop in Riešė (Pol., Rzesza) was built in the first half of the twentieth century, but its history reaches the fifteenth century. In those years, there were several wooden Catholic churches or chapels in the area of Riešė. The article describes the history of the Church of the Name of the Blessed Virgin Mary, which was built in 1790 in the territory of the manor of Didžioji Riešė. Only some details have been mentioned in scholarly literature so far. The church, which was built on private property, actually belonged to the parish of the Dominicans of Ve

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Stankevičienė, Regimanta. "The origin of the miraculous painting of Our Lady in Krekenava Church: iconographic sources and their contexts." Menotyra 25, no. 1 (2018). http://dx.doi.org/10.6001/menotyra.v25i1.3686.

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The article presents a high altar painting of “Our Lady with the Child” in the Krekenava Basilica of the Assumption of the Virgin Mary (Our Lady of Krekenava; pine, canvas, oil; size: 172 × 111 cm). Parsons of Krekenava Church were Samogitian archdeacons. The picture was donated by Nicolao Povetrius (Mikalojus Povetrijus), a parson of the church in 1622–1634. It was announced that he brought the picture from Rome. However, the fabrics and artistic features of the painting show that it was created by a Lithuanian painter instead. Iconographic analysis suggests that the painting was painted on t

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