Journal articles: 'Asyndeton'

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Walter, Anke. "Latin Literature." Greece and Rome 69, no. 2 (September 6, 2022): 310–19. http://dx.doi.org/10.1017/s0017383522000092.

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There have been very many exciting books on Latin literature in the past six months; here is at least a small selection. J. N. Adams presents an impressive volume on asyndeton in Latin literature. Based on a thorough examination of different types of asyndeta, with a special focus on asyndeta bimembria (‘asyndeta with two members’), Adams discusses ‘grammatical’ and semantic types of asyndeta, as well as their characteristic structural patterns, followed by a discussion of genres and texts, from laws and prayers over asyndeta from texts of the early Republic to the Augustan period. For historiography, Tacitus’ Histories and Annals are included as well. In the course of his discussion, Adams debunks some long-held beliefs about Latin asyndeta, which, he shows, are not predominantly a feature of sacral or legal language, as has often been claimed. He also argues that asyndeton, rather than evoking speed or rapidity, may instead invite a reading that is slow and deliberate, with meaningful pauses between the individual words (that most famous Latin asyndeton, which is printed on the dust jacket and discussed on 77–8, veni, vidi, vici [‘I came, I saw, I conquered’], works very well as an example).

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Bates, J. Barrington. "Sinful Asyndeton?" Theology Today 58, no. 3 (October 2001): 399–411. http://dx.doi.org/10.1177/004057360105800310.

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Freeman, Barbara Claire. "Asyndeton for Lincoln." Colorado Review 36, no. 1 (2009): 83. http://dx.doi.org/10.1353/col.2009.0002.

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Rossette, Fiona. "Translating asyndeton from French literary texts into English." Target. International Journal of Translation Studies 21, no. 1 (July 24, 2009): 98–134. http://dx.doi.org/10.1075/target.21.1.05ros.

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While asyndeton between finite clauses within the sentence may be considered a marginal construction, compared for example to coordination or subordination, it is more frequent in French than in English, in which it is limited with respect to genre. Particularly interesting examples, both quantitively and qualitively, can be found in French literature, notably in the fiction of Marguerite Duras, who made asyndeton her hallmark. This study documents the choices made by English translators of Duras, and of three other French writers who exploit asyndeton. Literature aside, asyndeton in French texts is not carried over into English, in what can be qualified as norm-governed translation. However, asyndeton in literary texts is carried over into English in up to fifty percent of cases, reflecting a certain compromise between norms in the source language and those in the target language. Apart from describing Duras’ specific use of asyndeton, and illustrating the difficulty of translating any element that is an essential ingredient of a writer’s style, which, by definition, represents a departure from an accepted norm, this study brings to light certain aspects governing clause combining in English. Certain linguistic parameters that favour the exploitation of asyndeton in English are systematised, specifically concision, rhythm and isotopy. Semantic, temporal and/or aspectual constraints are also highlighted.

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Teshaboev, Dilmurod Rahmadjonovich. "Polysyndetone And Asyndetone Events In Following Polypredicative Units." American Journal of Social Science and Education Innovations 03, no. 05 (May 30, 2021): 225–29. http://dx.doi.org/10.37547/tajssei/volume03issue05-42.

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In this article, the phenomena of polysyndeton and asyndeton, which serve to provide stylistic, communicative-pragmatic aspects of adverbial dual predicate and polypredicative units, the formation of these methodological tools, their special nature, asyndeton and asyndectonic phenomena used in adverbial polypredicative units, as well as their the linguistic means involved in the occurrence of asyndeton and polysindetone phenomena in follow-up polypredicative units are considered.

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Warren, Rosanna. "Unbinding Sense: The Figure of Asyndeton." Hopkins Review 9, no. 3 (2016): 308–14. http://dx.doi.org/10.1353/thr.2016.0082.

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Atabaev, Ahadjon. "THE ROLE OF ASYNDETON AND POLYSYNDETON IN ENGLISH PROSE: A SYNTACTIC ANALYSIS." American Journal Of Philological Sciences 03, no. 06 (June 1, 2023): 156–66. http://dx.doi.org/10.37547/ajps/volume03issue06-26.

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This article delves into the significance of two distinct rhetorical devices, asyndeton and polysyndeton, within the realm of English prose. As syntactic tools, both devices manipulate the structure and rhythm of sentences to achieve specific effects, enhancing the overall impact of a written piece. Asyndeton involves the deliberate omission of conjunctions, whereas polysyndeton employs the excessive use of conjunctions. By examining various examples and analyzing the underlying mechanics of these devices, this study seeks to shed light on their distinct roles in crafting compelling prose.

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Oxanich, M. P. "ASYNDETON HYPOTAXIS IN THE MIDDLE HIGH GERMAN." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 2, no. 1 (2020): 155–61. http://dx.doi.org/10.32838/2663-6069/2020.1-2/31.

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Hebron, M. "Seven Types of Asyndeton in Paradise Lost." English 52, no. 202 (March 1, 2003): 21–36. http://dx.doi.org/10.1093/english/52.202.21.

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Alyanto, Jihan Nurul Savira, and Samuel Gunawan. "The Analysis of Rhetorical Devices in Two Tesla Promotional Videos." k@ta kita 11, no. 1 (March 9, 2023): 41–49. http://dx.doi.org/10.9744/katakita.11.1.41-49.

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This study was conducted to discover the rhetorical devices Elon Musk used when delivering Tesla promotional videos, namely the Tesla Unveils Model 3 and Tesla Semi & Roadster Unveil. This study also wants to examine the messages that are underscored by the use of rhetorical devices. In this study, the writer used Harris’ (2018) theory of rhetorical devices as the leading theory. The study was done by applying qualitative content analysis (QCA). The study showed that Elon Musk utilized climax, asyndeton, polysyndeton, sentential adverb, exemplum, amplification, anaphora, and hypophora in Tesla Unveils Model 3. Rhetorical devices such as climax, asyndeton, sentential adverb, exemplum, amplification, anaphora, and hypophora are found in Tesla Semi & Roadster Unveil. However, the data regarding polysyndeton is non-existent in Tesla Semi & Roadster Unveil. Each rhetorical device employed by Elon Musk helped underscore the messages in both videos. Ultimately, rhetorical devices affect the promotional video positively as they help amplify the meaning of the speech.

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Pavliv, Olha. "LINGUOPRAGMATIC ASPECTS OF MANIPULATIVE STRATEGIES IN THE SPEECH OF THE CHARACTERS OF A. MANZONI “BETROTHED”." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 43 (2023): 65–80. http://dx.doi.org/10.17721/2663-6530.2023.43.06.

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In the modern world, manipulation is a completely universal phenomenon. It can be found in all socially significant spheres of human activity. When studying manipulative strategies, it is impossible not to pay attention to the variety of their types and the goals through which manipulators resort to these actions. A set of manipulative techniques organized in a certain way, used for the purpose of exerting hidden influence, aimed at achieving a desired effect or preventing an undesirable result, is presented on examples taken from the historical novel by A. Manzoni "The Betrothed", in particular on the examples of the characters Gertrude, Don Abbondio, Lucia and Renzo. Manipulative strategies are widely used at the level of interpersonal communication. The variety of interpersonal manipulations is analyzed. Regularities between manipulative strategy and stylistic features have been established. In particular, to express the strategy of gaslighting, which is based on contradiction, the author uses affective words, asyndeton, tactics of exaggeration, repetition, and the imperative; to express projection, which consists in transferring one's responsibility to another person – metaphorical comparisons, antitheses; for the strategy of meaningless conversations, based on monologues that lead to confusion – incomplete sentences, repetitions, asyndeton; for generalization and denigration characterized by vague and abstract statements – incomplete sentences and affective words; to express the strategy of constant disappointment, which is based on the constant disappointment of the manipulator with his victim – asyndeton, exclamations, syntactic parallelism and repetitions. The perlocutionary effect, which is similar in each strategy, was studied. With his non-verbal behavior, the victim tries to convey discomfort and fear: trembling, lowered gaze, and therefore fear to look his manipulator in the eyes, silent submission. At the verbal level, this is manifested by repetitions, incomplete sentences, exclamations, exaggerations and affective words.

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XANTHOU, MARIA G. "LUDOLPH DISSEN, AUGUST BOECKH, GOTTFRIED HERMANN AND TYCHO MOMMSEN: TRACING ASYNDETON, STEERING INFLUENCE." Bulletin of the Institute of Classical Studies 57, no. 2 (December 1, 2014): 1–21. http://dx.doi.org/10.1111/j.2041-5370.2014.00070.x.

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Abstract Ludolph Dissen's Excursus II on the use of asyndeton in poetic diction, accompanying his 1830 edition of Pindar's odes and fragments, sparked a controversy among German classical scholars, August Boeckh, Gottfried Hermann, Theodor Bergk, Friedrich Schneidewin, and Tycho Mommsen among them. Set in a diachronic framework, this article explores Dissen's observations in his Excursus II and argues that Dissen's and Mommsen's views mark the two ends of a diachronic spectrum, constructing a virtual diptych of literary and textual criticism, as both classical scholars tackled the use of asyndeton in their editions. Along this train of thought, it scrutinizes Dissen's influence on Mommsen's editio maior. It also discusses the influence exerted on their views by Boeckh's and Hermann's editorial practices. Hence, in the light of the rivalry between Boeckh and Hermann, the article explores their reaction to Dissen's observations. In conclusion, it argues that nineteenth-century German classical scholarship fertilized Pindaric literary criticism through large scale projects e.g. the edition of texts, as well as through subtle observations resulting from textual criticism and close reading.

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Pezzini, Giuseppe. "Consonance of Final -s and Asyndetic Accumulation in Latin Poetry." Mnemosyne 68, no. 6 (December 4, 2015): 987–1001. http://dx.doi.org/10.1163/1568525x-12341666.

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Taking as a starting point Housman’s note on Man. 4.780 (Cyrenes lacrimis radicis Scorpios acris), the article analyses a stylistic device of Latin poetry, namely the repetition (consonance) of final -s within the same line. The analysis is based on the collection of all the cases of lines which have words, or all words except one, ending in -s, in both early and classical Latin poetry, the stylistic and linguistic features of which are discussed. A split between early texts and classical texts is observed: in early Latin texts consonance of -s is generally concomitant with asyndetic accumulation of similar words (cf. e.g. Enn. Ann. inc. 498 S. flentes plorantes lacrumantes obtestantes), which is an interesting stylistic pattern, common in early Latin and associated with elevated style, and later probably acquiring an archaising ring. On the other hand, consonance of -s in classical Latin poetry appears as an independent sound figure, deployed by authors for poetic effect (cf. e.g. Verg. A. 12.708 ingentis genitos diuersis partibus orbis). By analysing these patterns of consonance, the article also investigates the stylistic potential of asyndeton and the phonetic status of final -s in early and classical Latin.

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Peters, Jeffrey N. "Posthumanist Asyndeton: Critique and Judgment in Early Modern Object Studies." Exemplaria 32, no. 2 (April 2, 2020): 167–75. http://dx.doi.org/10.1080/10412573.2020.1810974.

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Bates, J. Barrington. "The Sin of Asyndeton: Fatal, Flaws in Enriching our Worship." Heythrop Journal 41, no. 4 (October 2000): 413–35. http://dx.doi.org/10.1111/1468-2265.00144.

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Peters, Jeffrey N. "Posthumanist Asyndeton: Critique and Judgment in Early Modern Object Studies." Exemplaria 32, no. 2 (April 2, 2020): 167–75. http://dx.doi.org/10.1080/10412573.2020.1810974.

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I.E., Ngulube, and Kelechi E. "Language Style in Advertising: A Study of the Print Media." International Journal of Literature, Language and Linguistics 6, no. 3 (December 11, 2023): 97–128. http://dx.doi.org/10.52589/ijlll_9dx2ii7x.

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This study investigates the language style of English commercial advertisements in the print media. The study seeks to find out the kinds of language and style mostly used in English advertisement; this is because previous studies in stylistics have concentrated on the literary approach to stylistics. This study finds this technique very one-sided and subsequently proposes a dual approach to the analysis of the language style of advertisement. The research employs William Well’s stylistic theory as a theoretical construct. The analyses used the descriptive approach. The research used note taking as the instrument to elicit data. We found out that the personification style is mostly used and the occurrence in our corpus is about four times; it is followed by alliteration style which occurs in three advertisements and assonance style which occurs twice in our corpora. The next is the use of simile, anastrophe, apostrophes, asyndeton, poly-asyndeton, and chiasmus styles which appeared once in the advertisements. The advertisements also used narrative style, dramatic style, newsy style, dialogue style, and humorous style. The study concludes that in the use of personification and alliteration styles, the creators of the advertisements mostly seek to use simple and interesting style to create pleasant, mellifluous, captivating sentences, which will persuade, influence, and capture the readers’ attention to patronize their products.

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Pickstock, Catherine. "ASYNDETON: SYNTAX AND INSANITY. A STUDY OF THE REVISION OF THE NICENE CREED." Modern Theology 10, no. 4 (October 1994): 321–40. http://dx.doi.org/10.1111/j.1468-0025.1994.tb00043.x.

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Barska, Joanna. "Staccato czy asyndeton? Kilka uwag o „umuzycznionej” prozie powieściowej (na marginesie Syren Joyce’a)." Acta Universitatis Lodziensis. Folia Litteraria Polonica 16, no. 2 (June 30, 2012): 7–33. http://dx.doi.org/10.18778/1505-9057.16.01.

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Jannah, Hariratul, Sumirna Sumirna, and Nurhikmawati Nurhikmawati. "Language Styles of Advertisements In High End Magazine." Tamaddun 15, no. 2 (December 15, 2016): 65–72. http://dx.doi.org/10.33096/tamaddun.v15i2.40.

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The objectives of the research are to know how the language styles are used in advertisements High-End magazine and to know the kinds of language styles used in advertisements High-End magazine. This method of writing is descriptive by exposing aspects of language style contained in High-End magazine. In this study, the data obtained from High-End magazine, published in January 2014. The samples taken are 20 types of ads. In conclusion, there are eight kinds of language styles used by advertisers in High-End magazine. The language styles are the parable, metaphor, personification, prolepsis or anticipation, oxymoron, alliteration, asyndeton, and assonance.

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O’Donnell, Anne M. "Classical Rhetoric in Tyndale’s An Answere vnto Sir Thomas Mores Dialoge." Moreana 40 (Number 153-, no. 1-2 (March 2003): 48–68. http://dx.doi.org/10.3366/more.2003.40.1-2.6.

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Aristotle, Cicero, Quintilian, and Augustine define the means of persuasion and major styles of speaking and writing. Pseudo-Cicero’s Rhetorica ad Herennium and Quintilian’s Institutio oratoria classify numerous figures of speech. Using these categories, we analyze William Tyndale’s polemic, An Answere vnto Sir Thomas Mores Dialoge (1531). Under ethos, we trace the portrait of Tyndale. Under pathos, we examine the feelings supposedly evoked from More and from Little Flock. Under logos, we list Tyndale’s Reformation principles. Tyndale enhances the plain style with rhetorical questions, alliteration, and puns; the middle style with asyndeton; the grand style with personifications. Tyndale, the exiled biblical translator, is a voice crying in the wilderness.

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Munthe, Apryanti Madah, and Ria Lestari. "The Impression of Rhetorical Devices in Wendy�s Taglines." Journal of Language and Literature 16, no. 2 (October 1, 2016): 165–77. http://dx.doi.org/10.24071/joll.v16i2.363.

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Advertisements are able to attract and capture audiences attentions by means of words, phrases, or sentences as seen in Wendys taglines. This paper attempts ate finding out kinds of rhetorical devices used in the taglines and how the taglines impress the audiences attentions. There were 39 taglines used by Wendys since 1969. The findings show there are 19 kinds of rhetorical devices in the taglines: aphaeresis, parallelism, asyndeton, alliteration, assonance, anaphora, epanalepsis, homoioteleuton, rhyme, free verbal repetition, metaphor, hyperbole, litotes, onomatopoeia, rhetorical question, periphrasis, anthimeria, polysemy, and pun. From the audiences response, assonance is the most persuasive rhetorical device in the taglines. Keywords: taglines, rhetorical devices, Wendys taglines

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Tielieżkina, Ołesia. "Stylistyczno-składniowa struktura języka poetyckiego Iwana Nyzowego." Studia Ukrainica Posnaniensia 11, no. 1 (October 25, 2023): 87–96. http://dx.doi.org/10.14746/sup.2023.11.1.06.

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Autorka rozpatruje tkankę składniowo-stylistyczną twórczości wybitnego ukraińskiego poety Iwana Nyzowego, którego dorobek artystyczny dotychczas pozostaje poza zasięgiem zainteresowań językoznawców. Nieodłącznym składnikiem przestrzeni językowej poety są środki stylistyczne o charakterze składniowym. Badaczka analizuje funkcjonowanie w utworach poety takich środków stylistycznych, jak figury dodawania (anafora, epistrofa, homoioteleuton), figury gromadzenia (gradacja, polisyndeton, asyndeton), figury przemieszczenia (inwersja, chiazm), figury retoryczne (zwrot adresatywny, pytanie, negacja, afirmacja, okrzyk). Za pomocą wymienionych środków figuratywno-ekspresyjnych o charakterze składniowym poeta tworzy wyjątkową tonację emocjonalną tekstu poetyckiego, uwypukla swoją wypowiedź, układa swoisty rysunek rytmiczno-melodyczny i kreuje wyraziste kontury obrazu poetyckiego, a zatem jako autor osiąga najbardziej wyrazisty efekt stylistyczny w manifestacji swojego światopoglądu indywidualnego.

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孫錫信. "An example of sudden changes in Chinese grammar - the origin of asyndeton "Jiu(就)"." JOURNAL OF CHINESE STUDIES ll, no. 21 (March 2007): 19–28. http://dx.doi.org/10.26585/chlab.2007..21.002.

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Atmoko, Dwi, Fiqih Kartika Murti, and Agung Tyas Subekti. "Syntactical Error Analysis on Fieldwork Report Made by the Vocational High School Students." JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) 8, no. 1 (March 30, 2023): 32. http://dx.doi.org/10.26737/jp-bsi.v8i1.3628.

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The study aimed to describe syntactical error on fieldwork report made by the students of SMK Semesta Bumiayu. It was descriptive qualitative research. The data were fieldwork report arranged by the students of SMK Semesta Bumiayu as many as 38 documents. Those were taken by reading and note-taking techniques, validated by content validation, and analyzed by agih method. The result showed that there were 97 syntactical errors coming from the fieldwork report like (1) inappropriate preposition of 7.21%, (2) redudancy of 13.40%, (3) double plural of 15.46%, (4) superlative form of 9.30%, (5) polysyndeton of 24.74%, (6) asyndeton of 11.34%, (7) foreign terms of 18.55%.

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Telicki, Marcin. "Tuwim and 'The Chorus of Idle Footsteps'." Acta Universitatis Lodziensis. Folia Litteraria Polonica 36, no. 6 (May 30, 2017): 197–207. http://dx.doi.org/10.18778/1505-9057.36.14.

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General aim of the article is to show city in Julian Tuwim’s poetry oppositely to older perspectives. Mostly critics write about his poems that they contain images of urban life and reflections of sociocultural change. I invert this traditional order and try to prove that city is created and seen by new ways of thinking – that the city is modified (not poetics first). I use Michele Certeau’s ideas, because they are similar to Tuwim’s literary praxis. Certau writes about “walking in the city” creating by language (rhetorical devices named synecdoche and asyndeton). Moreover, Certeau describes three types of “spatial requirements”: creating own space, non-time instead of tradition and appearing of new subject (common and anonymous). Reading Tuwim with Certeau’s theses gives a new look into modern city and his literary representations.

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Kazmi, Syeda Sarah Ali, Shahida Khalique, and Syeda Afifa Hassan Kazmi. "A Lexico-Syntactic Analysis of Urdu Riddles." Global Language Review VII, no. II (June 30, 2022): 324–38. http://dx.doi.org/10.31703/glr.2022(vii-ii).27.

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This study aims to identify the Lexi-co-Syntactic patterns along with their functions in Urdu riddles in the framework of Alabi (2007) for stylistic analysis. In order to achieve this aim, a qualitative and descriptive method was adopted for the study. The data were randomly selected from the weekly magazine ‘Jagmag moti', the Urdu riddles book 'Paheliyon ki dunia' and the internet.Forty-five Urdu riddles were analyzed under stylistic levels mentioned by Alabi (2007). In lexicon-Syntactic analysis of Urdu riddles, findings showed that language in Urdu riddles is skillfully manipulated through several lexicon-syntactic devices, including anastrophe, ellipsis, asyndeton,anaphora, epizeuxis, hyperbole, personification,synecdoche, simile, metaphor and archaic. It was found that Urdu riddles use these Lexi-co-Syntactic devices in order to confuse the listeners and to create an impact on them.

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Jones, I. H. "Review: Sentence Conjunction in the Gospel of Matthew. "", eacgr, o eacgr, "" , and Asyndeton in Narrative Discourse." Journal of Theological Studies 55, no. 1 (April 1, 2004): 236–39. http://dx.doi.org/10.1093/jts/55.1.236.

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Crawford, Garry, and David Hancock. "Urban poachers: Cosplay, playful cultures and the appropriation of urban space." Journal of Fandom Studies 6, no. 3 (September 1, 2018): 301–18. http://dx.doi.org/10.1386/jfs.6.3.301_1.

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This article considers cosplayers’ use and transformation of urban space. Cosplay provides an important subcultural embodiment of contemporary popular culture, through which we can learn a great deal about contemporary forms of fandom, participatory culture and (mostly notably here) urban appropriation. This article draws on data gathered from a four-year ethnographic study, which includes the use of art as a method, but here specifically looks at a small cosplay community that regularly meets in a park in Manchester. The article argues that a useful way of understanding cosplay is to consider the relationship between play and culture. In particular, the article sets out a consideration of how cosplayers transform social spaces through the use of process of synecdoche and asyndeton, which link together and edit out parts of the built environment – or what we term ‘urban poaching’.

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Puji Astuti, Sri, Moh Muzakka, Mujid F. Amin, Dandi Hermawan, and Rizky Devy Wulandari. "Language Style in the Lyrics of the Song “ Virus Corona “, “Bencana”, and “Suratan” by Rhoma Irama." E3S Web of Conferences 317 (2021): 02024. http://dx.doi.org/10.1051/e3sconf/202131702024.

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Song lyrics can be used to communicate the author’s message to others. The songwriter can express what he feels, sees, and experiences. The song lyrics by Roma Irama are fascinating in terms of language style. Therefore, the purpose of this research is to describe the language style used in the lyrics of Rhoma Irama’s songs “Virus Corona,” “Bencana,” and “Suratan.” This study used the data in the form of song lyrics snippets from the three songs. The data was gathered through the listening method, which involved listening to the three songs displayed on YouTube. The lyrics of the songs were then recorded and analyzed using stylistic theory. According to the study’s findings, the language styles used in the lyrics of “Virus Corona,” “Bencana,” and “Suratan” are climax, parallelism, antithesis, anaphor, asyndeton, pleonasm, rhetorical questions, paraphrases, litotes, metaphors, and cynicism. As a result, Rhoma Irama employs a variety of language styles in the lyrics of his three songs.

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Junaidi, M. Mahbub. "STYLISTIC ANALYSIS OF SURAKH AL-QUBUR: A SHORT STORY BY KAHLIL GIBRAN / ANALISIS STILISTIKA CERPEN SURAKH AL-QUBUR KARYA KAHLIL GIBRAN." Lughawiyah: Journal of Arabic Education and Linguistics 3, no. 2 (December 31, 2021): 143. http://dx.doi.org/10.31958/lughawiyah.v3i2.2981.

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This study aims to reveal the stylistic used in a short story written by Kahlil Gibran entitled “Surakh al-Qubur” and also to describe the effect of it toward meaning. This is a descriptive qualitative research that used stylistic analysis to show the aesthetics side found in the short story. Based on data analysis, it was found that there are five categories of language styles in short story Surakh al-Qubur, they are: first, lexical (synonym and typical words); second, grammatical (verb and noun); third, rhetorical (alliteration, asyndeton, assonance, chiasmus, polysyndeton, and hyperbole) and figure of speech (metaphor, personification, simile, and eponym); fourth, cohesion and connectors such as al-wawu, al-fa’u, tsumma, au, and am; and fifth, character speech that can be analyzed using narration and dialogue. The influence of stylistic on meaning is that readers get the information directly or indirectly, feels sadness, gives advice, gets a picture of injustice, makes readers curious and more focused.

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Khafifah, Selvi, Arza Aibonotika, and Sri Wahyu Widiati. "Language Style in Pocky Brand Snack Product Advertisements in Japanese." JETISH: Journal of Education Technology Information Social Sciences and Health 3, no. 1 (March 1, 2024): 238–50. http://dx.doi.org/10.57235/jetish.v3i1.1434.

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Pocky is a popular snack food in Japan produced by PT Glico which has expanded to various countries. Pocky advertisements offer the advantages of their products using a unique language style. Language style is an important aspect for packaging advertising language so that advertising objectives are achieved. This research aims to describe the use of language styles in Pocky advertisements. The method used is descriptive qualitative with websites and social media as data sources. Data collection techniques in this research include reading methods and note-taking techniques. The results of this research show that 5 language styles were found in the Pocky advertisement, namely hyperbole, metaphor, simile, personification, and asyndeton. From the results obtained, it can be concluded that the characteristic that Pocky wants to display through the 2022 advertisement is Pocky as a special and exclusive snack with a tendency to use hyperbole to give an exaggerated effect and a dramatic impression of Pocky to increase consumer confidence value.

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Wulandari, Fachri Helmanto, and Rosnawati. "Stylistic in children's stories." LADU: Journal of Languages and Education 4, no. 4 (July 7, 2024): 83–92. http://dx.doi.org/10.56724/ladu.v4i4.275.

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Background: Stylistics examines the use of language that assesses aesthetics in children's stories. It requires stylistics to bind readers by presenting interesting stories and arousing curiosity. In contrast, stylistics in children's stories can be found if the stylistic devices are known. Purpose: The purpose of this study is to explore stylistics in children stories of five graders in SDN Kompa Design and methods: This type of research uses qualitative with a literature review method. The literature selection technique uses keywords story, device, and stylistics. Results: This study identifies various stylistic devices, such as Parallelism, Chiasmus, Antithesis, Climax, Asyndeton, Sentential adverb, Irony, Understatement, Litotes, Hyperbole, Metabasis, Hypophora, Distinction, Metanoia, Zeugma, Diazeugma, Mesozeugma, Hypozeugma, Syllepsis, Hyperbaton, Anastrophe, Appositive, Simile, Metaphor, Chatachresis, Metonymy, Personification, Apostrophe, Transferred epithet, Anaphora, Epistrophe, Simploce, Anadiplosis, Conduplication, Epanalepsis, Diacope, Epizeuxis, Scesis Onomaton, Alliteration, Onomatopoeia, Assonance, Rhetorical question, Apophesis, Anacoluthon, Oxymoron, and Antimetabole, used in children's short stories to enhance narrative appeal and expression.

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Intiani, Yuni, and Maimunah Maimunah. "Gaya Bahasa Dalam Cerpen Mata Yang Takkan Menangis Di Hari Kiamat Karya Ahmad Rifa’i Ri’fan." Al-I'lam: Jurnal Komunikasi dan Penyiaran Islam 6, no. 1 (September 24, 2022): 01. http://dx.doi.org/10.31764/jail.v6i1.11138.

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Abstrak:Penelitian gaya bahasa dilakukan untuk pencapaian tujuan dakwah untuk amar makruf nahi mungkar, pesan dakwah mudah dipahami, dan memperindah dalam menyampaikan pesan dakwah. Salah satu cara yang dilakukan yaitu dengan menggunakan gaya bahasa dalam tulisan cerpen. Ahmad Rifa’i Rif’an merupakan salah satu penulis yang menghasilkan karya-karya tulis bestseller seperti cerpen bernuansa Islami dengan kandungan pesan dakwah di dalamnya. Strategi dakwahnya melalui tulisan cerpen yaitu dengan menggunakan gaya bahasa. Tujuan penelitian ini adalah untuk mendeskripsikan gaya bahasa dalam cerpen Mata yang Takkan Menangis di Hari Kiamat Karya Ahmad Rifa’i Rif’an pada kumpulan cerpen di buku Ketika Tuhan Tak Lagi Dibutuhkan. Penelitian ini dilakukan dengan menggunakan metode kualitatif. Hasil dari penelitian ini bahwa Ahmad Rifa’i Rif’an dalam cerpen Mata yang Takkan Menangis di Hari Kiamat tersebut menggunakan gaya bahasa tak resmi, antiklimaks, anaphora, mesodiplosis, alusi, asindeton, asonansi, metafora, personifikasi pada awal cerita. Ketika mulai muncul konflik, ada gaya bahasa tak resmi, antithesis, alusi, erotesis. Saat konflik memuncak, digunakan gaya bahasa percakapan, anafora, mesodiplosis, tautotes, aliterasi, asyndeton, asonansi, erotesis, perifrasis, metafora. Ketika klimaks, ada gaya bahasa tak resmi, percakapan, antiklimaks, metafora. Di akhir cerita, ada gaya bahasa tak resmi, percakapan, antiklimaks, paralelisme, anaphora, mesodiplosis, asidenton, erotesis Abstract:Research on Language Style was done because that is support to achieve the goals of da’wah for amar makruf nahi mungkar, making da’wah messages understandable and beautifying the messages of preaching. One way who a person can do about it is by using figure of speech on the short story writing. Ahmad Rifa’i Rif’an is one of authors who make many bestsellers writing like as short story which is an Islamic nuance with da’wah messages on his content. His strategy through it is by using language style. The purpose of this research is describing language style in Mata yang Takkan Menangis di Hari Kiamat short stories of Ahmad Rifa’i Rif’an in the Ketika Tuhan Tak Lagi Dibutuhkan book. This research uses descriptive qualitative method. The result of this is that Ahmad Rifa’i Rif’an in this short story uses informal, anti-climactic, anaphore, mesodiplosis, allusion, asindeton, assonance, metaphor, personification at the beginning of the story. When conflicts arise, there are informal, antithesis, allusion, erotesis. When conflict escalates, there are conversational, anaphore, tautotes, mesodiplosis, alliteration, asyndeton, assonance, erotesis, perifrasis, metaphor. At the climax, there are conversations, informal, anticlimaxes, metaphors. At the end, there are informal, conversations, anti-climax, parallelism, anaphora, asidenton, erotesis, mesodiplosis.

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Purwanti, Rr, Ratu Wardarita, and Arif Ardiansyah. "Rhetorical tools in a collection of poems Masih Ingatkah Kau Jalan Pulang by sapardi djoko damono and rintik sedu." JPGI (Jurnal Penelitian Guru Indonesia) 6, no. 2 (September 5, 2021): 503. http://dx.doi.org/10.29210/021080jpgi0005.

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This study aims to analyze the form of rhetorical tools in a collection of poems Masih Ingatkah Kau Jalan Pulang by Sapardi Djoko Damono and Rintik Sedu. Data analysis was carried out in a descriptive-qualitative manner consisting of words, phrases, or sentences in poetry. The results of the research are in the form of rhetorical means, consisting of simile, metaphor, personification, and synecdoche display, repetition structure manipulation, parallelism, polysyndeton, asyndeton, hyperbole, rhetoric, and climax, as well as images of sight, hearing, smell, touch, and motion. The function of rhetoric means is to intensify, enliven, provide clarity of imaginary images, aesthetically, emphasize, rhetorically, generate more effective associations of meaning, make it concrete, and make it easier to imagine. The dominant use of rhetorical means, in structural manipulation, is parallelism and repetition, in images are images of motion, sight, and hearing, in a presentation are metaphors and personifications. The learning design in SMP must be student-centered, paying attention to individual differences and selecting the right learning model.

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Cahyono, Nur, Andayani Andayani, and Yant Mujiyanto. "ANALISIS STILISTIKA NOVEL DARI HARI KE HARI KARYA MAHBUB DJUNAIDI DAN RELEVANSINYA SEBAGAI MATERI AJAR BAHASA INDONESIA DI SEKOLAH MENENGAH ATAS." Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya 6, no. 2 (December 6, 2019): 140. http://dx.doi.org/10.20961/basastra.v6i2.37697.

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The aims of this research are to describe diction (word choise, figure of a speech, imagery of Dari Hari Ke Hari’s novel by Mahbub Djunaidi, and the relevance of the results of studies as Bahasa Indonesia teaching material for the Senior High School. This study is a qualitative descriptive with content analysis method. The result showed that. First, the use of diction (choice words) includes concrete words, connotative words, word greetings or self-names, vulgar words, words of absorption, regional vocabulary, and words with natural reality. Second, the use of language style (Figure of a speech) includes simile, metaphor, personification, depersonification, allegory, antithesis, pleonasme, periprasis, anticipation, epanortosis, satire, paradox, climax, anti-climax, allusion, atonomation, eroteris, asyndeton, polisedenton, epizeukis, anaphora, and epystrofa. Third, the use of imagery includes visual imagery, motion imagery, olfactory imagery, tactical imagery, and auditory images. Fourth, Dari Hari Ke Hari’s novel can be used as a teaching material in high school literature class XII curriculum of 2013, ie at base competence understand the structure and rules of novel text.

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Sitanggang, Dina, Tigor Sitohang, and Harlen Simanjuntak. "Analisis Strata Norma dan Stilistika Kumpulan Puisi Perahu Kertas Karya Sapardi Djoko Damono." JIIP - Jurnal Ilmiah Ilmu Pendidikan 5, no. 11 (November 1, 2022): 4751–55. http://dx.doi.org/10.54371/jiip.v5i11.1077.

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Puisi merupakan sebuah karya sastra yang mempunyai gaya bahasa menarik. Penggunaan bahasa dalam puisi sangat penting karena pemilihan gaya bahasa sangat diperhatikan oleh pembaca. Gaya bahasa yang terdapat pada kumpulan puisi Perahu Kertas sangat beraneka ragam. Penulis mengacu pada referensi buku Gorys Keraf mengenai diksi dan gaya bahasa. Penelitian ini merupakan penelitian kualitatif. Metode yang digunakan adalah deskriptif analisis yang artinya data yang dikumpulkan berupa kata-kata, gambar, dan bukan angka-angka setelah itu dilakukan analisis. Dari buku kumpulan puisi Perahu Kertas karya Sapardi Djoko Damono berhasil ditemukan gaya bahasa retoris diantaranya aliterasi ditunjukkan dengan keempat kutipan, lalu asonansi empat kutipan, anastrof dengan dua kutipan, asyndeton juga memiliki dua kutipan, polisendeton satu kutipan, ellipsis ada dua kutipan, histeron proteron satu kutipan, pleonasme satu, dan hiperbola memiliki dua kutipan. Dalam buku puisi ini juga ditemukan gaya bahasa kiasan yaitu persamaan atau simile ditunjukkan dengan sebuah kutipan, lalu metafora ada satu kutipan, dan personofikasi ditemukan tiga kutipan. Dari seluruh penemuan ini dapat disimpulkan bahwa buku puisi ini didominasi oleh gaya bahasa retoris, karena terdapat sembilan jenis, sedangkan gaya bahasa kiasan hanya ditunjukkan dalam tiga jenis.

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Dombrovskyi, Markiyan. "THE EPITAPH OF ELŻBIETA HUMNICKA AND OTHER LATIN INSCRIPTIONS OF THE CATHOLIC CHURCH IN NAVARIA." Studia Linguistica, no. 19 (2021): 75–87. http://dx.doi.org/10.17721/studling2021.19.75-87.

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The article introduces in the scholar circulation for the first time the Latin inscriptions of a baroque church of the 18th century situated in the village of Navaria near Lviv (architect: Bernard Meretin, paintings by Antonio Tavelli). In addition to the text and translation, a general overview and classification of inscriptions is given. The publication of the epitaph is provided with a detailed epigraphic and philological commentary. It is shown that the text combines elements of an individual and family epitaph, as well as a foundation inscription. The composition and style of the text are analyzed. The characteristic features of epigrammatical writing (parallel and antithetical organization, a tendency towards analyticism, economy of expression, asyndeton) are revealed and the connection between the text and the epigrammatic tradition at the level of composition and in terms of following ancient genre models is shown. The elements characteristic of the cenotaph type of epitaph and dedicatory epigram are revealed. The inscriptions of the paintings (except for the Saints’ labels) are mainly direct quotes or paraphrases of biblical texts and early Christian authors. They are published with translation and sources, but without discussion.

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Marudut Bernadtua Simanjuntak and Syafa Zhafira Putriyanda. "ANALYSIS OF LANGUAGE STYLE IN THE NOVEL “RAIN” BY TERE LIYE." JURNAL RISET RUMPUN ILMU BAHASA 1, no. 2 (October 31, 2022): 154–64. http://dx.doi.org/10.55606/jurribah.v1i2.461.

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Novels usually only contain writings and rely on the imagination of the reader to describe what happened. Writers and authors must be able to describe their imagination so that the reader can be carried away in the story. For this reason, writers and authors usually use language style to make the story more lively. Tere Liye is one of the well-known Indonesian writers who has its own characteristics in the writing style of each novel. The style of language used by each writer and author of novel will be different. In this study, it will be discussed the style of language used in the novel "Hujan" by Tere Liye. The “Hujan” novels managed to enter the ranks of the Best Seller novels when it was published. It's not only the storyline that can attract readers, but the language it uses also manages to attract people to read novels. This study uses an analytical method, namely by analyzing the contents of the novel "Hujan" by Tere Liye. This study will discuss the language styles contained in the novel “Hujan” including allegory, alusio, anticlimax, antithesis, asyndeton, hyperbole, climax, metaphor, correction, paradox, personification, pleonasm, polysyndeton, repetition, rhetoric, simile, and synecdoche.

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Saragih, Riza Irayani, Intan Maulina, and Arif Yuandana Sinaga. "Analisis Gaya Bahasa Kumpulan Puisi Perahu Kertas Karya Sapardi Djoko Damono." JBSI: Jurnal Bahasa dan Sastra Indonesia 1, no. 01 (December 2, 2021): 8–23. http://dx.doi.org/10.47709/jbsi.v1i01.1218.

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Puisi merupakan sebuah karya sastra yang mempunyai gaya bahasa menarik. Penggunaan bahasa dalam puisi sangat penting karena pemilihan gaya bahasa sangat diperhatikan oleh pembaca. Gaya bahasa yang terdapat pada kumpulan puisi Perahu Kertas sangat beraneka ragam. Penulis mengacu pada referensi buku Gorys Keraf mengenai diksi dan gaya bahasa. Penelitian ini merupakan penelitian kualitatif. Metode yang digunakan adalah deskriptif analisis yang artinya data yang dikumpulkan berupa kata-kata, gambar, dan bukan angka-angka setelah itu dilakukan analisis. Dari buku kumpulan puisi Perahu Kertas karya Sapardi Djoko Damono berhasil ditemukan gaya bahasa retoris diantaranya aliterasi ditunjukkan dengan keempat kutipan, lalu asonansi empat kutipan, anastrof dengan dua kutipan, asyndeton juga memiliki dua kutipan, polisendeton satu kutipan, ellipsis ada dua kutipan, histeron proteron satu kutipan, pleonasme satu, dan hiperbola memiliki dua kutipan. Dalam buku puisi ini juga ditemukan gaya bahasa kiasan yaitu persamaan atau simile ditunjukkan dengan sebuah kutipan, lalu metafora ada satu kutipan, dan personofikasi ditemukan tiga kutipan. Dari seluruh penemuan ini dapat disimpulkan bahwa buku puisi ini didominasi oleh gaya bahasa retoris, karena terdapat sembilan jenis, sedangkan gaya bahasa kiasan hanya ditunjukkan dalam tiga jenis. Dari sembilan jenis gaya bahasa retoris aliterasi dan asonansi adalah yang paling banyak muncul yaitu masing-masing empat kalimat

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Lubis, Donal Fernado, and Tri Arie Bowo. "IDEOLOGY IN INDONESIAN POLITICAL PARTY ANTHEMS: A STYLISTIC ANALYSIS AT THE LEXICOGRAMMATICAL LEVEL." Lire Journal (Journal of Linguistics and Literature) 7, no. 2 (October 25, 2023): 276–89. http://dx.doi.org/10.33019/lire.v7i2.211.

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Political parties are a forum for Indonesian people from various ideological backgrounds as channels for the aspirations of a pluralistic society. The party's ideology is embodied in the vision and mission that the party aspires to when domination is obtained after the General Election is held. In this research, the anthem lyrics of the top three political parties, based on the 2019 legislative elections, were taken as the data and studied through a stylistic approach at the lexicogrammatical level to figure out the ideology in the realization of the vision and mission of the political parties. The method of the analysis applied descriptive qualitative through transitivity analysis in order to reveal the lexical and grammatical construction in the lyric. The typical processes used in each anthem characterized the cognitive frame of how the political parties set their vision and orientation towards the nation goals. It was found that the use of stylistic devices came in low frequency, including epizeuxis, parallelism, imagery, metaphor, symbolism, asyndeton and anaphora. The construction of clauses in the anthem lyrics has a significant impact in expressing the goals of political parties ideologically, so that the results of this study are expected to be an alternative reference that provides a paradigm for the voting community during the election period

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Larasati, Maria Marietta Bali, Maria Floriana Serlin, and Intan Suhardin. "Diksi dan Gaya Bahasa dalam Kumpulan Lagu-Lagu Ende Lio Edisi Unggu 1 Karya Sisko Balu, dkk." Retorika: Jurnal Pembelajaran Bahasa dan Sastra Indonesia 4, no. 2 (December 27, 2023): 113–24. http://dx.doi.org/10.37478/rjpbsi.v4i2.3701.

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Pendekatan yang digunakan dalam penelitian ini adalah pendekatan kualitatif, yakni pendekatan yang menggunakan dengan kata-kata atau kalimat, tidak menggunakan angka. Metode yang digunakan dalam penelitian adalah metode kepustakaan, yakni data diperoleh dari bahan-bahan bacaan. Teknik pengumpulan data dilakukan dengan membaca secara keseluruhan isi buku kemudian mencatat hal-hal yang sesuai dengan permasalahan yang diteliti. Setelah data tersebut terkumpul, kemudian dianalisis dengan menggunakan teori stilistika. Hasil penelitian ini menunjukkan bahwa dalam Berdasarkan hasil analisis pada buku Ende Lio Sare Pawe (Kumpulan Lagu-Lagu Ende Lio Edisi Unggu 1) Karya Sisko Balu, dkk, terdapat beberapa diksi yang digunakan oleh pencipta lagu yakni: Nuwa nai, Gawi, Seru Koka, Kure, Benu wolo loa bhoa, Nusantara, Iwa Ghole ghena, Raka saga, Sai embu welu kaja paa, Dedu mbeja sa Nusantara, Jeku, Nggo, Mbuli Nggela, Sika Lela, Ie bele wea, Nonge menga baje wole, Engo reo, Uli miu molo raka, Kobe bewa, Wau mbana geju ghea sao, Uru weto, Pake pela, Ghale one ate , Ndena, Nia mina masa, Ate nggae, Rendo, Ngadho talo, Saga, Ghole ghena, dan terdapat beberapa gaya bahasa yang digunakan yaitu, (1) gaya bahasa perbandingan: simile, sinestesia, (2) gaya bahasa penegasan: pleonasme, (3) gaya bahasa pertautan: asyndeton, (4) gaya bahasa pengulangan: repetisi, (5) gaya bahasa sindiran dan (6) gaya bahasa simbolisme.

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Bentein, Klaas. "Διό, διὰ τοῦτο, ὅθεν, τοίνυν, οὖν, or rather asyndeton? Inferential expressions and their social value in Greek official petitions (I – IV AD)." Acta Classica 59, annual (2016): 23–51. http://dx.doi.org/10.15731/aclass.059.02.

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Hadipuro, Razali Ismail, and Mukti Widayati. "The Language of The Novel Rantau 1 Muara by Ahmad Fuadi Studies Stylistics and its Relevance as Teaching Material in High School." Jurnal Dimensi Pendidikan dan Pembelajaran 11, no. 1 (January 31, 2023): 67–78. http://dx.doi.org/10.24269/dpp.v11i1.6028.

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This article analyses the language style contained in Ahmad Fuadi's Novel Rantau 1 Muara and the relevance of language style to high school learning. In the novel, there are four types of language styles, namely comparative language styles consisting of metaphors, personifications, pleonasm, antitheses, and parables. . The style of the Looping language consists of assonance and metaphor. Linking language style consisting of synecdoche, illusion, euphemisms, and asyndeton. Based on the results of the study, it can be concluded that Ahmad Fuadi's novel Rantau 1 Muara uses a comparative language style, affirmation, and some benefits and lessons can be taken by readers and have language style implications in the world of education, especially as teaching material and language learning in high schools. The research method used to examine the major used in Ahmad Fuadi's novel Rantau Muara is a qualitative descriptive method. The object of this study is the constructive structure and style of language used in Ahmad Fuadi's novel Rantau Muara. This study's data collection techniques used library, listening, and note-taking techniques. The validity of the data in this study uses theoretical triangulation techniques. The data analysis technique in this study uses the semiotic model reading method. Meanwhile, the analysis of stylistic studies in this study was carried out by reading. Re-understanding the data obtained, then grouping the texts in Ahmad Fuadi's novel Rantau Muara per the aspects studied

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Al-Jarf, Reima. "Verses of Impossibility in the Holy Quran: A Grammatical and Rhetorical Analysis." International Journal of Cultural and Religious Studies 4, no. 1 (June 3, 2024): 26–44. http://dx.doi.org/10.32996/ijcrs.2024.4.1.4.

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Verses of impossibility are those that refer to events that can never or rarely happen, tasks that are difficult or impossible to perform, people or things that are of no use, things that are impossible to find or futile efforts. Impossibilities can be classified into logical, physical, causal, nomological, temporary, permanent, partial, total, objective or subjective impossibility. This study sought to analyze verses of impossibility in the Holy Quran, their grammatical structure, rhetorical features, types of questions and conditional, emphatic, and/or negative particles used. Results of the analysis showed two kinds of impossibility (i) those in which Allah challenges the disbelievers and those in which the disbelievers ask the Prophets for what they consider impossible demands. In addition, verses of impossibility in the current study use a combination of grammatical structures and rhetorical devices that mainly contain conditional sentences beginning with conditional particles أن /?an/ (if), لو ,حتى /Hatta:/ (until), لولا /laula:/ (if), negative, imperative, interrogative, and emphatic structures, few modals and rhetorical questions, some metaphors, hyperbole, antitheses and counterfactuals to describe challenges, futile efforts, stubbornness of the disbelievers and their incongruous behavior. They also focus on logical, temporary and permanent impossibilities. Other rhetorical features of the Holy Quran, such as antiphrasis, asyndeton, cadence, chiasmus, epizeuxis, equivoque, isocolon, palindrome, polyptoton, and synecdoche are still open for further investigation by future researchers.

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Muzdalifah, Muzdalifah, Irfan Efendi, and Khoirul Fajri. "ANALYSIS OF LANGUAGE STYLE IN THE NOVEL “ORANG ORANG BIASA” BY ANDREA HIRATA AS LITERATURE TEACHING MATERIAL IN SENIOR HIGH SCHOOL." ROMEO REVIEW OF MULTIDISCIPLINARY EDUCATION CULTURE AND PEDAGOGY 3, no. 1 (January 5, 2024): 74–87. http://dx.doi.org/10.55047/romeo.v3i1.940.

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This study aims to delineate the language styles present in Andrea Hirata's novel "Orang-Orang Biasa" and ascertain its applicability as teaching material for historical story texts in Indonesian language learning. Employing a descriptive qualitative method, the research analyzes the novel to discern the form and meaning of language styles within it. The data source is the novel itself, and data collection involves library research, reading techniques, and note-taking. The note technique records the analysis results of the novel. The research unfolds in three stages: planning, implementation, and data reporting. The novel exhibits various language styles, categorized as: 1) comparison styles, encompassing simile, personification, metaphor, pleonasm, periphrasis, antithesis, prolepsis; 2) opposition styles, including hyperbole, irony, litotes, oxymoron, zeugma, innuendo, satire, paradox, climax, anticlimax, hypocrisy, cynicism, and sarcasm; 3) linking styles, consisting of metonymy, synecdoche, euphemism, allusion, eponymy, epithet, antonomasia, ellipsis, asyndeton, and polysyndeton; and 4) repetition styles, such as alliteration, assonance, chiasmus, epizeuxis, anaphora, epistrophe, mesodiplosis, epanalepsis, and anadiplosis. These language styles contribute to the novel's aesthetic appeal, imparting an artistic and dramatic essence. The findings are applicable to Indonesian language learning in SMA class XII semester 2, particularly in historical story text materials covering language styles within basic competency 3.4 (analyzing the language of historical stories or novels) and basic competency 4.4 (writing personal historical stories with attention to language). The teaching materials developed for this study utilize a modular approach.

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Zviahina, Hanna, and Olena Solyanenko. "STYLISTICS OF YURIY KOSACH NOVEL «THE RULER OF PONTIDA»." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 13(81) (May 26, 2022): 162–66. http://dx.doi.org/10.25264/2519-2558-2022-13(81)-162-166.

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The article is devoted to the study of the specifics of Yuriy Kosach adventure novel «The ruler of Pontida». It identifies its idea and issues, the place of this genre in the system of genre modifications and among the historical works of the author. A specific form of the work ‒ diary affects the merging of the image of the narrator and the image of the author. The novel is written on behalf of an imaginary historical figure using the «book» language of the XVIII century, which the author preserves with minor edits. All this determines the use of specific language tools that determine the style of the work and the features of individual authorial style. We consider Latinisms, Makaronizms, Polonisms and author’s neologisms which are forming the lexica of the work. We also study phraseological units, which are classified by origin and method of use. Foreign language borrowings call particular interest. The author submits them with an explanation or translation. We investigated transformed or individually-authorial novel’s phraseology. Attention is paid to stylistic figures in the novel and the purpose of their use. In particular, such as gradation, aposiopesis, polysyndeton, asyndeton, pleonasm, tautology, repetition, paronomasia, antithesis, rhetorical question, question and answer are considered. Among the syntactic means insert words are considered and six groups are distinguished in terms of their meaning. Attention is paid to the inserted constructions, ways of their introduction, structural expression (phrases, simple and different types of complex sentences) and complications (question marks, exclamations, citations and phrases). Their combination and sentences saturation by them are noted.

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Ksenzenko, O., and O. Velikodnev. "Syntactic Means of Professional Active Effect Discourse Formation." Scientific Research and Development. Modern Communication Studies 11, no. 1 (March 15, 2022): 87–92. http://dx.doi.org/10.12737/2587-9103-2022-11-1-87-92.

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The investigation focuses on the study of linguistic methods of impact in professional discourse. The research outlines the grounds for professional discourse classification and highlights textual and communicative characteristics of professional discourse. The objective of the study is to determine the range of language means that may help to create communicative impact within the framework of professional interaction. The contribution describes one of the stages of professional discourse investigation in order to demonstrate the results of active effect discourse analysis on the syntactic level. The article highlights the features of the implementation of pragmatic strategies of defense statements. This type of legal discourse is considered in comparison with other ways of implementation of legal discourse, as well as with other types of active effect discourse. The study has demonstrated that when choosing quantitative and qualitative parameters of syntactic means used in legal texts their authors should take into account genre characteristics of these texts. Expressive syntactic means are intensively used in judicial defense statements in order to intensify the impact they produce on the audience. The research has revealed that among expressive syntactic means most frequently use in defense statements are the following: parallelism, anaphora, asyndeton, climax, and parenthetical insertions. The publication also aims to demonstrate the potential of the applied methodology in terms of further investigation of various types of professional discourse; such investigation may allow to outline the most efficient means of speech impact in professional discourse, and therefore, to increase the effectiveness of professional interaction.

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KRAVCHENKO, Nataliia, Oksana SOSHKO, and Yuliia KONONETS. "TEMPORAL STRUCTURE OF RAP NARRATIVES VS. FAIRY TALES (SYNTACTICAL AND NARRATIVE FACETS)." Ezikov Svyat (Orbis Linguarum), ezs.swu.v.21.1 (February 26, 2023): 161–73. http://dx.doi.org/10.37708/ezs.swu.v21.i1.17.

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The paper focuses on the linguistic and narrative manifestations of linear time in rap lyrics compared to fairy tales. It aims at scrutinizing narrative time by the criteria of its acceleration, retardation and generalization, based on syntactical, narrative and pragmatic devices, interpreted from the viewpoint of their iconic isomorphism to the expressed temporal relations. Linear time in fairy tales is self-sufficient, forward-oriented and isolated from external time, while rap narratives are consistent with historical time and free in its movement from the past to the present, and vice versa. Time acceleration in rap occurs in the past or dramatic present and involves syntactical devices aimed either at reducing syntactic patterns by means of detached constructions, asyndeton, nominative sentences and ellipsis, which iconically reproduce the events’ change rate, or at increasing emotional power through climax, reproducing time “condensation.” Instead, fairy tale time is accelerated by lexical-semantic means. The slowed time in rap lyrics relies either on the redundancy of the syntactical pattern, provided by anaphora, repetitions, polysyndeton and enumerations, iconically reproducing the time extension, or on meaning implicatures and their corresponding violation of pragmatic maxims, foregrounded by enjambment, catachresis, aposiopesis and parenthetical phrases, semantically incoherent with the clause they must qualify. Instead, the time extension in a tale never relies on the inference of the deliberately implicated meanings and is expressed by formula and plot elements repetitions. In contrast to subsequent and monotemporal tale narratives, rap lyrics time is often marked by the violation of the temporal sequence, indicating psychological time, inherent in poetry in general.

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Ellis, Richard. "Docticity Fecundity Interiority in Pleonastic Pacuvian Psychology." Ramus 34, no. 2 (2005): 112–26. http://dx.doi.org/10.1017/s0048671x00000977.

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In Marcus Pacuvius' play Antiopa, the title character is reunited with her twin sons Amphio and Zethus, whom she had previously abandoned on Mt Cithaeron. Such is her state of unkemptness that Zethus, it appears, did not recognise her: inluuie corporiset coma prolixa impexa conglomerata atque horrida(Pac. Antiopa 13f. W)In dirtiness of bodyAnd hair unkempt, matted, compacted and bristled.Many of Pacuvius' plays deal with mother-son recognitions, often at crux moments of incestuous marriage or unholy kin murder; here it is the physicality of dirt that perverts the perceptions of the mind. The language wallows in this filth, with asyndeton and assonance and homoeoteleuton and vowel elision that runs all the adjectives into each other, such that their pronunciation smacks of the hairball, spluttering for breath, a noisy mastication with an unpleasant grating from those last staccato syllables. The focus on the physical accumulation of detritus betrays a psychological distaste and an inability to unravel a personality and identity from behind this rotting palimpsest of decay. The language reflects this distaste, compacting thought and knowledge in a filth unspeakable. Thus we might conjecture that this is even a sublime dirt(!), in the sense that Burke implies, one that terrifies, stuns and shuts down logical capacity. The awkward convolutions of the language mimic this inability to comprehend, and actually recognise, this awesome picture of the unwashed. Pacuvius thus uses linguistic ingenuity effectively to convey psychological disturbance by foregrounding its manifestation through a distorted apprehension of a physical phenomenon, one that reveals its very distortion as the language is matted and glued back into itself, denying the sort of clarity that recognition requires.

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Journal articles on the topic 'Asyndeton'

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