Academic literature on the topic 'Ateliers nationaux (France)'
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Journal articles on the topic "Ateliers nationaux (France)"
Genet, Jean-Philippe. "La première année des ateliers ATHIS." Mélanges de l École française de Rome Moyen Âge 119, no. 1 (2007): 253–72. http://dx.doi.org/10.3406/mefr.2007.9440.
Full textBiniek, Sébastien, Guillaume Touya, Gilles Rouffineau, and Thomas Huot-Marchand. "Designing typefaces for maps. A protocol of tests." Proceedings of the ICA 1 (May 16, 2018): 1–5. http://dx.doi.org/10.5194/ica-proc-1-9-2018.
Full textSEVIN, C., N. LUPPI, PD MERIGOT, M. FLORI, and C. PIGACHE. "TUTEUR : UNE FICHE DE POSTE NATIONALE." EXERCER 35, no. 202 (April 1, 2024): 184–90. http://dx.doi.org/10.56746/exercer.2024.202.184.
Full textSchinck, Carole. "Habiller l’Opéra: costumes et ateliers de l’Opéra de Paris1, Centre national du costume de scène et de la scénographie, Moulins-sur-Allier, France, 25 May–3 November 2019." Studies in Costume & Performance 5, no. 1 (June 1, 2020): 124–30. http://dx.doi.org/10.1386/scp_00019_5.
Full textRuffini-Ronzani, Nicolas. "Cartulaire de l’abbaye de Saint-Pierremont (1095–1297). Édition d’après le manuscrit de la Bibliothèque nationale de France, nouvelles acquisitions latines, 1608 , éd. Yoric Schleef, N atacha Helas , Turnhout, Brepols, 2018 ; 1 vol., 375 p. ( Atelier de recherche sur les textes médiévaux , 25). ISBN : 978-2-503-58084-5. Prix : € 85,00." Le Moyen Age Tome CXXVII, no. 3 (April 24, 2022): XXXIX. http://dx.doi.org/10.3917/rma.273.0681zm.
Full textMORAND-FEHR, P. M., R. BAUMONT, and D. SAUVANT. "Avant-propos : Un dossier sur l’élevage caprin : pourquoi ?" INRAE Productions Animales 25, no. 3 (August 25, 2012): 227–32. http://dx.doi.org/10.20870/productions-animales.2012.25.3.3210.
Full textBENOIT, Marc, Lucille STEINMETZ, Dorian FLECHET, Laurent PIET, and Thomas POMEON. "Les productions d’élevage en AB en France : structures des fermes, répartition spatiale et évolution récente." INRAE Productions Animales, June 3, 2024, 7444. http://dx.doi.org/10.20870/productions-animales.2024.37.2.7444.
Full textICHTER, Jean, Marie-Caroline PRIMA, and Guillaume GIGOT. "Quelles menaces pèsent sur la faune et la flore de France hexagonale et de Corse ? Un éclairage à partir de la Liste rouge nationale." Naturae 2024, no. 7 (April 17, 2024). http://dx.doi.org/10.5852/naturae2024a7.
Full textPoggioli, Morgan. "Entre santé au travail et culture ouvrière : la question du vin ‘‘prolétaire’’ dans la France de l’entre-deux-guerres." Territoires du vin, no. 10 (October 16, 2019). http://dx.doi.org/10.58335/territoiresduvin.1720.
Full textDejemeppe, Muriel, and Bruno Van der Linden. "Numéro 40 - avril 2006." Regards économiques, October 12, 2018. http://dx.doi.org/10.14428/regardseco.v1i0.15873.
Full textDissertations / Theses on the topic "Ateliers nationaux (France)"
Le, Mée Isabelle-Cécile Collard Auguste Hippolyte. "Collard Auguste Hippolyte et son atelier central de photographie : [suivi d'un] Catalogue des oeuvres conservées dans les bibliothèques publiques parisiennes /." [Paris] : I. Le Mée, 1989. http://catalogue.bnf.fr/ark:/12148/cb358357993.
Full textLemny, Doïna. "Le milieu artistique et culturel de Brancusi : essai d'investigation à partir du legs au Musée national d'art moderne." Paris 1, 1997. http://www.theses.fr/1997PA010665.
Full textConstantin Brancusi's work and personality have been the object of several art historians' research. Many of them have based their analysis upon a number of documents which are kept at the documentation center of the national museum of modern art. Brancusi's bequest is often quoted. However, it has never been analysed and revealed in its entirely because of the strange ill-fortune these archives - which were found in the artist's studio - have met. Our present analysis is based upon Brancusi's bequest and includes research led in other public and private archives. Its aim is to provide an understanding of the cultural milieu and the personality of "the inventor of modern sculpture". The discovery of his library has allowed us to penetrate the artist's cultural atmosphere and his collection of records have given us an idea of his taste in music. The correspondence between Brancusi and marcel duchamp has been the starting point of more subtle research to understand the friendship between the two artists. This relationship has, so far, been reported by the specialists of Brancusi while only being evoked by those of duchamp. The files concerning the bird's trial (1926-28) contain Brancusi's correspondence with lawyers and a book of clippings put together by the artist. These count amidst the most interesting files. Overall, each file - even if it is more or less complete - unravelsseveral episodes of the sculptor's life and creation. Interviews with art historians, artists and cultural personalities who knew him, were another important documentary source in order to help restore the famous atmosphere of Brancusi's studio which the artist had organised as a museum display
Proust, Clotilde. "Les ateliers du Musée des Antiquités nationales : aux origines de la restauration en archéologie." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H015/document.
Full textThe National Museum of Antiquities (MAN) was created at the instigation of Emperor Napoleon Ill in 1862. With the proposed creation of the museum has become the need to equip the workshops of molding and restoration. Abel Maître, a sculptor by training, is the first leader of workshop in the late 19th century. Indispensable part of the MAN, Il proved to be a !rue precursor of the restoration of archaeological objects as it conceives today. His successor, Benoit-Claude Champion, leads workshops throughout the first half of the 20th century and works to professionalize the discipline, at a time when the Issue of training for restorers is central to the debate. Through concrete example of MAN workshops, this research alms to show how archeology has emerged as a specialty in the highly artistic restoration, and how the development of this discipline is closely linked to International politics Heritage Preservation, which comes into its own after World war 1
Briselance, Claude. "Les écoles d' horlogerie de Besançon : une contribution décisive au développement industriel local et régional (1793-1974)." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20078/document.
Full textThe history of the watchmaking schools in Besançon is part of the birth and continuous development of a specific industry in a very limited sector of the French territory. When studying those schools we start at the « protoindustrial » time with its roots in the revolutionary ideals of 1793 and end up with the technological upheavals of electronics and the « quartz » technology in the 1970s. Three « schools » followed one another over the long term. Each school aimed at satisfying the demands of a watchmakng industry confronted to rapidly changing technical evolutions ; so it innovated in its own way by creating an original « corpus » in the students training and most of the time upset the practices and common ideas of the time. If the first two « schools » had a limited lifespan, the last one created in 1861 by the town council itself has been supporting the industrial growth of the city and the surrounding region. Since its foundation it has stuck to the industrial reality by placing the emphasis on high standards and opening new specific branches whenever necessary, thus answering the needs of firms always looking for highly qualified staff. For a large number of French people Besançon became the « capital town of the watchmaking industry » thanks to the shops or repair workshops kept by Besançon-trained former students all over France… It served as a background to set up research and university laboratories in the city : Observatoire Chronométrique, Ecole d’Ingénieurs, Centre d’Etudes Horlogères et de Développement Industriel (Cétéhor)… It contributed to the industrial diversification of the town in fields related to watchmaking such as mechanical cutting, micromechanics, equipment and microtechniques. It was nationalized in 1891 and then belonged to the very small elite goup of the Professional National Schools that influenced the future industrial development of the country. In 1933 it moved into sparkling-new premises and was acknowledged as the flagship of technical education in France : it offered a large number of innovating courses ranging from the skilled worker to the engineer and was granted the latest equipments in every field. The path of this new school also enhanced a « humane » and « prosopographical » history ; it highlighted the part played by the numerous former students who created their own successful businesses. Being faithful to their old school they contributed to the renown and economic growth and prosperity of the city and its region… Beyond the local impact we must regard the history of the watchmaking schools as an important part of the history of Technical Education in France. To meet the needs of a soaring watchmaking industry they opened the way to the transfer of professional training from apprenticeship in workshops with its observed shortcomings to education in technical high schools. Their pedagogical innovations, the strong support of their former students created a vital school-business link that still lives on in the collective memory of the town inhabitants.In 1974 its name changed to Lycée Jules Haag thus losing any reference to watchmaking. Let us now try and understand the strong influence and success of those watchmaking schools, the active part they played in the economic industrial prosperity of a town and its surrounding region…
Books on the topic "Ateliers nationaux (France)"
Laure-C, Starcky, and Meulen, Adam Frans van der, 1632-1690., eds. Dessins de Van der Meulen et de son atelier. Paris: Ministère de la culture et de la communication, Editions de la Réunion des musées nationaux, 1988.
Find full textnational, France Mobilier. Paris, Mobilier national: Dessins de Van der Meulen et de son atelier. Paris: Ministère de la Culture et de la Communication, Editions de la Réunion des musées nationaux et du Centre national des Arts plastiques, 1988.
Find full textÉcole nationale supérieure des beaux-arts (France), ed. Expérience chilienne: Atelier Emmanuel Saulnier = Experiencia chilena. Paris: Beaux-arts de Paris, 2008.
Find full textÉcole nationale supérieure des beaux-arts (France), ed. Expérience chilienne: Atelier Emmanuel Saulnier = Experiencia chilena. Paris: Beaux-arts de Paris, 2008.
Find full textCoural, Jean. L'Atelier de recherche et de création du Mobilier national (1964-2000): Plaidoyer pour le mobilier contemporain : hommage à Jean Coural : Galerie nationale de Beauvais, Beauvais, 15 mars-15 septembre 2001. Paris: Centre national des arts plastiques, Administration générale du mobilier national, 2001.
Find full textDu "poche" aux collections de poche: Histoire et mutations d'un genre : actes des ateliers du livre, Bibliothèque nationale de France, 2002 et 2003. Liège: CEFAL, 2010.
Find full textConference papers on the topic "Ateliers nationaux (France)"
Sempere i Soler, Josep Francesc. ""Memorial National de Gurs. 1994"." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5879.
Full textFuentes, O., and G. Pincon. "PARIETAL AND MOBILE ART OF ROC-AUX-SORCIERS ROCK SHELTER (MIDDLE MAGDALENIAN, VIENNE, FRANCE)." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.15-16.
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