Academic literature on the topic 'Athéna Ilias'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Athéna Ilias.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Athéna Ilias"

1

Pillot, William. "Ilion, Athéna Ilias et les Détroits, d’ Alexandre le Grand à Antiochos III. Identité régionale d’ une communauté politique et de son sanctuaire, au carrefour d’ influences européennes et asiatiques." Dialogues d'histoire ancienne S 15, Supplement15 (2016): 133. http://dx.doi.org/10.3917/dha.hs15.0133.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hooker, J. T. "The visit of Athena to Achilles in Iliad I." Emerita 58, no. 1 (1990): 21–32. http://dx.doi.org/10.3989/emerita.1990.v58.i1.549.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Rutherford, Richard. "II - The Iliad." New Surveys in the Classics 41 (2011): 44–75. http://dx.doi.org/10.1017/s0017383512000393.

Full text
Abstract:
The Iliad is not an Achilleid, although Achilles is the most important character in the epic. One of the most striking features of the poem is the way in which it embraces the action of the whole Trojan War by retrospective and prospective references, rather than by narrating the events in full. In this, as is evident from ancient testimony, the Iliad was markedly different from the ‘cyclic’ epics (see esp. Hor. Ars P. 136–7). The human characters refer to the abduction of Helen, the initial embassy to the Trojans, the mustering at Aulis, the earlier campaigns and clashes; the prophecies and c
APA, Harvard, Vancouver, ISO, and other styles
4

Trubotchkin, Dmitry. "The Iliad in Theatre: Ancient and Modern Modes of Epic Performance." New Theatre Quarterly 30, no. 4 (2014): 379–90. http://dx.doi.org/10.1017/s0266464x14000712.

Full text
Abstract:
In this article Dmitry Trubotchkin focuses on Homer's Iliad as directed by Stathis Livathinos and premiered in Athens on 4 July 2013 as part of the Athens and Epidaurus Summer Festival – as far as is known, the first production of the complete Iliad in world theatre. It was performed by fifteen actors, each of whom played several roles and also acted the role of the ancient rhapsode, or narrator of epics. Livathinos's Iliad restored the original understanding of ‘epic theatre’, which differs from what is usually meant by this term in the light of Brechtian theory and practice with its didactic
APA, Harvard, Vancouver, ISO, and other styles
5

Werner, Christian. "A deusa compõe um “mito”: o jovem Odisseu em busca de veneno (Odisseia I, 255-68)." Nuntius Antiquus 6 (December 31, 2010): 7–27. http://dx.doi.org/10.17851/1983-3636.6..7-27.

Full text
Abstract:
This paper explores the inter- and extradiegetical functions of a story about Odysseus narrated by Athena to Telemachos in Odyssey 1, 255-68. It is argued that the representation of Odysseus in search of poison for his arrows need not to be thought first and foremost as a non-Homeric element or a morally disturbing action, for it may be analyzed by means of epic themes (specially by the mêtis-megatheme) explored not only in the Odyssey but in the Iliad as well. Besides, this story anticipates and condenses the plot of the poem.
APA, Harvard, Vancouver, ISO, and other styles
6

Mackie, C. J. "ILIAD 24 AND THE JUDGEMENT OF PARIS." Classical Quarterly 63, no. 1 (2013): 1–16. http://dx.doi.org/10.1017/s0009838812000754.

Full text
Abstract:
Despite the importance of the Judgement of Paris in the story of the Trojan War, the Iliad has only one explicit reference to it. This occurs, rather out of the blue, in the final book of the poem in a dispute among the gods about the treatment of Hector's body (24.25–30). Achilles keeps dragging the body around behind his chariot, but Apollo protects it with his golden aegis (24.18–21). Apollo then speaks among the gods and attacks the conduct of Achilles (24.33–54), claiming at the end that he offends the dumb earth (24.54). Other gods too have their concerns about what is going on, and they
APA, Harvard, Vancouver, ISO, and other styles
7

Ustinova, Yulia. "Ilias N. Arnaoutoglou, Thusias heneka kai sunousias. Private religious associations in Hellenistic Athens." Kernos, no. 18 (January 1, 2005): 542–45. http://dx.doi.org/10.4000/kernos.1722.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

van Rookhuijzen, Jan Zacharias. "How not to Appease Athena: A Reconsideration of Xerxes' Purported Visit to the Troad (Hdt. 7.42–43)." Klio 99, no. 2 (2018): 464–84. http://dx.doi.org/10.1515/klio-2017-0033.

Full text
Abstract:
Summary: This article investigates the topography in Herodotus' account of Xerxes' visit to the Troad in 480 BC, which consists of Mount Ida, the Scamander river, the temple of Athena Ilias at Troy and the tumuli in the surrounding landscape. It suggests that this episode, rather than taking us back to historical events of 480 BC, may (partly) be a product of Greek imagination in the ca. fifty years between Xerxes' invasion of Greece and the publication of the „Histories“, with the landscape of the Troad functioning as a catalyst. To this end, the article traces the Iliadic associations of the
APA, Harvard, Vancouver, ISO, and other styles
9

PERRIS, SIMON. "Stagecraft and the Stage Building in Rhesus." Greece and Rome 59, no. 2 (2012): 151–64. http://dx.doi.org/10.1017/s0017383512000046.

Full text
Abstract:
In many respects, Rhesus is an unparalleled oddity. Attributed to Euripides, it was (probably) composed in the fourth century BC by a now anonymous poet, and thus (probably) constitutes our only extant fourth-century tragedy. Unlike any other surviving tragedy, it dramatizes an episode narrated in the Iliad and is set wholly at night. It features a fourth speaking actor. Other highlights include a chase scene, Athena imitating Aphrodite's voice, and the only singing goddess (the Muse) in extant tragedy. Such is Rhesus, the strangest, most maligned, least understood of tragedies. In this articl
APA, Harvard, Vancouver, ISO, and other styles
10

Mayhew, Robert. "ARISTOTLE ON HERMES' SANDALS IN SCHOL. T ILIAD 24.340: A NEGLECTED ‘FRAGMENT’?" Classical Quarterly 66, no. 2 (2016): 777–80. http://dx.doi.org/10.1017/s0009838816000628.

Full text
Abstract:
Hermes, rising for action, is twice (Il. 24.340-1 and Od. 5.44-5) described as follows: αὐτίκ’ ἔπειθ’ ὑπὸ ποσσὶν ἐδήσατο καλὰ πέδιλα, | ἀμβρόσια χρύσεια (‘then, at once he bound beneath his feet beautiful sandals, ambrosial and golden’). In both cases, the verses that follow imply that the sandals enable Hermes to travel over land and sea, as fast as the wind. Athena is described in the same way at Od. 1.96-7: ὣς εἰποῦσ’ ὑπὸ ποσσὶν ἐδήσατο καλὰ πέδιλα, | ἀμβρόσια χρύσεια. And a line including ἐδήσατο καλὰ πέδιλα and preceded by ὑπὸ ποσσὶν or ποσσὶ … ὑπό, but without reference to any divine pow
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Athéna Ilias"

1

Pillot, William. "Ilion en Troade, de la colonisation éolienne au Haut Empire romain." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040146.

Full text
Abstract:
La petite cité grecque d’Ilion offre un exemple original d’identité civique complexe mêlant éléments grecs et « barbares » (i. e. non grecs) grâce à l’utilisation des différents mythes liés à la guerre de Troie. Cette construction identitaire mythique s’enracine dans un site particulièrement riche où les différents niveaux archéologiques se superposent et s’enchevêtrent de l’âge du Bronze à l’époque romaine (Troie I à IX). Elle est aussi nourrie de diverses influences, anatoliennes et égéennes, particulièrement sensibles dans le cas d’Ilion car cette cité, située au bord de l’Hellespont, se tr
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Athéna Ilias"

1

Gazis, George Alexander. Hades in the Iliad. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198787266.003.0002.

Full text
Abstract:
This chapter discusses the way in which Hades is presented in the Iliad. Although the Underworld remains remote and unreachable for the most part, its presence is always felt on the battlefield through the deaths of heroes. Hades also features in the poem in other ways, as, for example, in Iliad, 5 where the cap of Hades is used to provide absolute invisibility for Athena. The overall argument of the chapter is that Homer presents Hades in the Iliad as the realm of absolute invisibility which cannot be reached or transcended even by the gods. In doing so he sets a challenge for his poetic sigh
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Athéna Ilias"

1

Ellis-Evans, Aneurin. "Ilion and its Contexts." In The Kingdom of Priam. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831983.003.0002.

Full text
Abstract:
This chapter considers the human factors which promote regional integration by examining the regional identity of Hellenistic Ilion from three distinct perspectives. Firstly, I consider the narrative of the city’s history embedded in Strabo’s account of the Troad. This has been highly influential on modern scholarship, but needs to be treated with considerable scepticism given Strabo’s intellectual priorities in the Geography. Secondly, I look at the phenomenon of cities producing coinages with the posthumous types of Alexander and Lysimachos in the first half of the second century BC. This indicates that the Troad was not, as Strabo wanted to believe, a natural unity, but rather divided between a northern half orientated towards the Bosporos (to which Ilion belonged) and a southern half orientated towards the coast of western Asia Minor. Finally, I examine the koinon of Athena Ilias, a religious confederation which organized the annual Panathenaia festival for Athena Ilias at Ilion from the late fourth century BC down to the second century AD. The creation of this institution not only greatly benefited Ilion, but also served to stitch together the northern and southern halves of the Troad into a more coherent whole.
APA, Harvard, Vancouver, ISO, and other styles
2

Mayhew, Robert. "Aristotle on the Theomachy in Iliad 21." In Aristotle's Lost Homeric Problems. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834564.003.0009.

Full text
Abstract:
The focus of this chapter is the Theomachy of Iliad 21. In this connection, two relatively neglected texts are examined: One is from an Oxyrhynchus papyrus containing a commentary on Iliad 21 (the Homeric problem discussed is: Why did Poseidon and Athena encourage Achilles, but not help him, in his battle with the river Scamander?). The other is from a lengthy scholium (the Homeric problem discussed is: Why, in Iliad 5, does Zeus chastise Ares, as being always fond of war, whereas in Iliad 21, Zeus watches with pleasure as the gods take sides in the war and fight each other?). These are important fragments in their own right, but also in connection with the question of whether Aristotle ever engaged in allegorical interpretation.
APA, Harvard, Vancouver, ISO, and other styles
3

Gregory, Justina. "Odyssey." In Cheiron's Way. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190857882.003.0005.

Full text
Abstract:
In the Odyssey the educational theme (whose prominence was already recognized in antiquity) takes a distinctive turn, probably because Odysseus’ son Telemachus has grown up without a father’s guidance and advice. The chapter begins by considering the childhood and youth of Odysseus, which share elements with the normative heroic education adumbrated in the Iliad. It then turns to Telemachus who, raised by his mother, Penelope, in his father’s absence, is adept at offering xenia (guest-friendship) but otherwise uncertain of his heroic identity. Assuming the disguise of the first Mentor in Western literature, the goddess Athena undertakes to remedy Telemachus’ educational deficits by sending him on a tour of the Peloponnese. When Telemachus returns home and reunites with his father, the two must quickly forge a productive relationship and learn to function as a pair.
APA, Harvard, Vancouver, ISO, and other styles
4

Fant, Clyde E., and Mitchell G. Reddish. "Cos." In A Guide to Biblical Sites in Greece and Turkey. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195139174.003.0014.

Full text
Abstract:
Cos, home of Hippocrates, the father of modern medicine, is the third largest island of the Dodecanese (Twelve Islands). In antiquity its population was 120,000, eight times that of today. Its fame derived from the renowned Asclepeion of Cos, a healing center and religious shrine devoted to Asclepius, the god of healing. Tourists still come to marvel at this spectacular architectural structure, and international medical conferences are conducted on the island in memory of Hippocrates. Cos (also spelled Kos) lies only 3 miles off the coast of Turkey, near the Bodrum peninsula. Connections are available to the Turkish mainland by ferry, and a fascinating circuit of biblical sites can be made from Athens through the Greek islands to Cos and then up the western coast of Turkey for a departure from Istanbul. Access to Cos by air is available from Athens (three flights daily), or by ferry from Piraeus, Rhodes, or Thessaloniki through Samos. Hydrofoils are available from Rhodes and Samos for faster trips. (Always check ferry and hydrofoil schedules closely; frequent and erratic changes occur, particularly with hydrofoils in the event of high winds.) Cos was settled by the Mycenaeans in 1425 B.C.E., and Homer described it as heavily populated (Iliad 14:225). Pliny referred to it as a major shipping port (Natural History 15:18). Among its exports were wine, purple dye, and elegant, diaphanous fabrics of silk (raw silk; pure silk from the Orient did not reach the west until the 3rd century C.E.). Aristotle wrote that silk fabric was invented on the island of Cos: “A class of women unwind and reel off the cocoons of these creatures [caterpillars] and afterward weave a fabric with the thread thus unwound; a Koan woman by the name of Pamphila, daughter of Plateus, being credited with the first invention of the fabric” (The History of Animals 5.19). Cos reached the pinnacle of its prosperity and power in the 7th and 6th centuries B.C.E., but by the end of the 6th century B.C.E. it had come under the control of Persia.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!