Relevant bibliographies by topics / Athens (Greece). Odeion of Herodes Atticus

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Athens (Greece). Odeion of Herodes Atticus'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Athens (Greece). Odeion of Herodes Atticus"

1

Rife, Joseph L. "The burial of Herodes Atticus: élite identity, urban society, and public memory in Roman Greece." Journal of Hellenic Studies 128 (November 2008): 92–127. http://dx.doi.org/10.1017/s0075426900000070.

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AbstractThis paper discusses the burial of Herodes Atticus as a well-attested case of élite identification through mortuary practices. It gives a close reading of Philostratus' account of Herodes' end inc. 179 (VS2.1.15) alongside the evidence of architecture, inscriptions, sculpture, and topography at Marathon, Cephisia and Athens. The intended burial of Herodes and the actual burials of his family on the Attic estates expressed wealth and territorial control, while his preference for Marathon fused personal history with civic history. The Athenian intervention in Herodes' private funeral, wh
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Dissertations / Theses on the topic "Athens (Greece). Odeion of Herodes Atticus"

1

McHugh, Sarah. "Renewing Athens : the ideology of the past in Roman Greece." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:edb6cac4-ff85-4635-9e66-f92524b7226c.

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In this thesis we explore the period of renewal that Athens experienced during the second century AD. This century saw Athens at the peak of her cultural prominence in the Roman Empire: the city was the centre of the League of the Panhellenion and hosted a vibrant sophistic scene that attracted orators from across the Greek world, developments which were ideologically fuelled by contemporary conceptions of Classical Athens. While this Athenian 'golden age' is a standard feature of scholarship on Greek culture under Rome, my thesis delves further to explore the renewal of the urban and rural la
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Books on the topic "Athens (Greece). Odeion of Herodes Atticus"

1

Gogos, Savas. Ta archaia Ōdeia tēs Athēnas. Ekdoseis Papazēsē, 2008.

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Gogos, Savas. Ta archaia Ōdeia tēs Athēnas. Ekdoseis Papazēsē, 2008.

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Gogos, Savas. Ta archaia Ōdeia tēs Athēnas. Ekdoseis Papazēsē, 2008.

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Gogos, Savas. Ta archaia Ōdeia tēs Athēnas. Ekdoseis Papazēsē, 2008.

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Ta archaia Ōdeia tēs Athēnas. Ekdoseis Papazēsē, 2008.

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The Odeion Roof of Herodes Atticus and other Giant Spans. Melissa Publishing House, 2015.

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Hē stegē tou Hērodeiou kai alles giganties gephyrōseis. Ekdotikos Oikos Melissa, 2014.

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Book chapters on the topic "Athens (Greece). Odeion of Herodes Atticus"

1

Worthington, Ian. "Hadrian’s Arch." In Athens After Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190633981.003.0016.

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The final chapter completes the narrative with an examination of Hadrian’s dealings with Athens, thanks to whom the city was again made prominent in the Greek world. After discussing Hadrian’s economic and constitutional arrangements for Athens, the chapter turns to the religious and intellectual life in the city and how these appealed to a polymath like Hadrian. Most importantly there is a focus on Hadrian’s Panhellenion, a league of cities of the East created by the emperor that made Athens its center. As a result, Athens’ reputation and prestige skyrocketed once again, and it became in effe
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"Competition in Theater and Circus." In Curse Tablets and Binding Spells from the Ancient World, edited by John G. Gager. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195062267.003.0002.

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Abstract In the major cities of the ancient Mediterranean world, much of life unfolded in public settings-theaters, amphitheaters, hippodromes, odeums, stadiums, and circuses. Whereas large installations like stadi ums and circuses tended to be limited to cult centers (Greece) and large cities (Rome), theaters and odeums (small covered lecture halls) were much more common.Depending on the size of the building, crowds could vary considerably: several hundred in small theaters; several thou sand in larger theaters, such as the one at Pompeii; perhaps 50,000 in the Roman Colosseum and the stadium
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