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Journal articles on the topic 'Atlantis (mythologie)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Papamarinopoulos, S. P. "ATLANTIS IN SPAIN VI." Bulletin of the Geological Society of Greece 43, no. 1 (2017): 147. http://dx.doi.org/10.12681/bgsg.11169.

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Plato described the end of Atlantis very vividly in a single day and night due to earthquakes and floods and nobody believed him because all experts imagined the impossibility of the giant island’s continental size in the middle of the Atlantic Ocean to vanish in 24 hours. They did not care to understand that Plato meant three different geographic and geological entities all called by him Atlantis which were the giant island, the horseshow basin and the concentric rater. Following Plato’s text that giant island was identified as the peninsula of Portugal-Spain and its northern extend. They did

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Kolisnychenko, Anna V., and Svitlana V. Kharytska. "INDIAN MYTHS AS THE BASIS OF HART CRANE’S MYTHMAKING." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 89–104. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-7.

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The article focuses on the specific significance of the myths of the indigenous peoples of North and South America for the formation of a special artistic creation of Crane’s “myth to God” (the definition of the poet). The purpose of the research is to identify and analyze the ancient mythologies used by Hart Crane to construct the future of America, which will be inspired by the new myth. This new myth, according to Crane, will emerge from the synthesis of all mythologies existing on the American continent, the achievements of all cultures whose peoples participated in the discovery and devel

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Kulpa, Karolina Anna, Agnieszka Monika Maciejewska, Katarzyna Marciniak, Anna Mik, Elżbieta Olechowska, and Dorota Rejter. "Metamorphoses of Medusa: The Reception of the Gorgon in 21st-century Culture for Children and Young Adults [Medusa-Metamorphosen: Die Rezeption der Gorgo Medusa in der Kinder- und Jugendkultur des 21. Jh. in ausgewählten Beispielen]." libri liberorum. Fachzeitschrift für Kinder- und Jugendliteraturforschung 21, no. 54-55 (2020) (2020): 47–82. https://doi.org/10.5281/zenodo.4630376.

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Medusa is one of the best known mythical creatures, a monster par excellence. Ancient literature transmits two versions of her story – a primordial being from pre-Olympian times (Hesiod, Theogony 270-285) and a young woman who was raped by Poseidon in Athena’s temple and punished by being transformed into a hideous beast for what the goddess presumed was a dreadful sacrilege (Ovid, Metamorphoses 4,753-803). Down through the millennia of classical reception, Medusa appeared mainly as a killing monster to be defeated by the hero on his “Campbellian” journey to glory (Camp

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Boren, H. "Review. Dangerous pilgrimages: trans-Atlantic mythologies and the novel. Malcolm Bradbury." Essays in Criticism 46, no. 4 (1996): 366–72. http://dx.doi.org/10.1093/eic/46.4.366.

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Heimlich, Geoffroy, Jean-Loïc Le Quellec, and Clément Mambu Nsangathi. "Lovo, rock images, and mythology in the Land of the Kongo." Journal of Social Archaeology 18, no. 1 (2018): 30–49. http://dx.doi.org/10.1177/1469605317751171.

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In Kongo Central, rock art sites stretch from Kinshasa to the Atlantic coast and from northern Angola to southern Congo-Brazzaville. Preliminary research revealed one coherent entity situated north of the Kongo kingdom: the Lovo Massif, presently inhabited by the Ndibu, one of the Kongo subgroups. Comparison of the ethnological, historical, archaeological, and mythological points of view confirms that certain Kongo ritual and symbolic aspects are pre-Christian and refer to cosmogony, anthropogony, or narratives associated with the mythical origin of death. Investigating rock images allows us t

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Papamarinopoulos, S. P. "ATLANTIS IN SPAIN IV." Bulletin of the Geological Society of Greece 43, no. 1 (2017): 126. http://dx.doi.org/10.12681/bgsg.11167.

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Many analysts in the past faced Atlantis’ main city with the same way they faced his idealised concentric cities which he described in his dialogues. However, Atlantis’ concentric city has a marked difference which is recognisable if the analyst has geological knowledge. For instance the concentric scheme, the geothermal springs and the black, white and red rocks correspond in volcanogenic, impactogenic and diapeirogenic craters. It is known that building material from rocks existing in the vicinity of the two first, from the three, types of craters have been used in the past. It is also known

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Stroganov, Mikhail V. "The “Kitezhs” and “Atlantises” of the Tver Region: A Modern Version of the Archaic Myth." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 67 (2023): 95–111. http://dx.doi.org/10.37816/2073-9567-2023-67-95-111.

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The city is a natural expression of human civilization, and it is the only place where the formation of man could have begun. The temple was the city`s heart, it was there that the deified fire and, consequently, life itself was kept alive. There are two versions of the temple-city: the immaculate virgin-city (Jerusalem) and the sinful harlot-city (Babylon), and respectively two versions of their destiny: Kitezh or Atlantis. The space of the Tver region, including the cities whose destiny is connected with water, is constantly being mythologized. In legends like that of the invisible city of K

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HARVEY, DAVID ALLEN. "THE LOST CAUCASIAN CIVILIZATION: JEAN-SYLVAIN BAILLY AND THE ROOTS OF THE ARYAN MYTH." Modern Intellectual History 11, no. 2 (2014): 279–306. http://dx.doi.org/10.1017/s147924431400002x.

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Jean-Sylvain Bailly, an eighteenth-century French astronomer and polymath, elaborated an original interpretation of the prehistoric origins of civilization which anticipated many of the details of the “Aryan myth.” Bailly argued that Atlantis was the root civilization of mankind, which had invented the arts and sciences and civilized the Chinese, Indians, and Egyptians. He situated this primordial people in the far north of Eurasia, and argued that as the cooling of the Earth buried their ancestral home beneath sheets of ice, the Atlanteans were lost to history. Bailly drew eclectically upon s

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Eperjesi, John R. "Imagined Oceans." Journal of Popular Music Studies 34, no. 1 (2022): 118–40. http://dx.doi.org/10.1525/jpms.2022.34.1.118.

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Over the past twenty years, Black Atlantic Afrofuturism has been the dominant theoretical frame for thinking about the significance of Drexciya’s aquatically themed techno music and mythology. Yet there have been few analyses of Drexciya from the perspective of ecology, of the ocean as a marine environment. Through a semiotic analysis of Drexciya’s 1993 EP Bubble Metropolis, this paper moves the discussion of Drexciya in the direction of ecocriticism and blue cultural studies, or more broadly, the blue humanities, in order to interpret the stories it tells about an imagined ocean. What do thes

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Salata, Kris. "In Service of the Living Word: Some Thoughts on «Reducie na stulecie: studia i rozpoznania»." Pamiętnik Teatralny 69, no. 2 (2020): 259–66. http://dx.doi.org/10.36744/pt.440.

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Conceived as a symbolic gift to honor Teatr Reduta on the 100th anniversary of its inception and dedicated to the memory of recently passed theatre historian, Zbigniew Osinski, this extensive volume does more than commemorate and celebrate. It advances the studies of one of the most original and deeply influential undertakings in Polish theatre, which, despite securing its emblematic place in histry, deserves a closer analysis from the contemporary perspective, and further dissemination among scholars and practitioners. Reading the book from across the Atlantic Ocean, I will add, that this nee

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Polley, Jason S. "Oh Canadiana? Atlantic Canada, Joel Thomas Hynes, and Heroin Realism." Studia Anglica Posnaniensia 55, s2 (2020): 403–26. http://dx.doi.org/10.2478/stap-2020-0020.

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Abstract The essay locates Joel Thomas Hynes’s We’ll All Be Burnt in Our Beds Some Night (2017), narrated by the social outcaste Johnny, in an international “heroin realism” tradition. Hynes, styled as Canada’s “bad boy” author, thus evoking his emotional ties to his protagonist, situates Johnny on the margins of Canada: in Newfoundland, which has been systemically disenfranchised from Canada’s centre beside the rest of Atlantic Canada for over a century, as novels by Michael Crummey, Lisa Moore, David Adams Richards, Alistair MacLeod, and Hugh MacLennan show. The regionally representative Joh

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Adeniyi, Emmanuel. "Dispersion of the Yorùbá to the Americas: A Fatalist Hermeneutics of Orí in the Yorùbá Cosmos – Reading from Tutuoba: Salem’s Black Shango Slave Queen." Yoruba Studies Review 5, no. 1.2 (2021): 1–19. http://dx.doi.org/10.32473/ysr.v5i1.2.130081.

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Studies in African Diaspora ofen privilege the transatlantic slavery, Columbus’ discovery of the New World, and African cultural codes in the Americas. To expand the scope of the studies, this article examines the metaphysical and ontological questions on the enslavement of the Yorùbá – an African ethno-nation whose members were condemned to slavery and servitude in the Americas during the inglorious transatlantic slave trade. I used metaphysical fatalism as a theoretical model to interrogate prognostications about dispersion of the Yorùbá from their matrix as expressed in their mythology. Bei

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Laryea Adjetey, Wendell Nii. "In Search of Ethiopia: Messianic Pan-Africanism and the Problem of the Promised Land, 1919–1931." Canadian Historical Review 102, no. 1 (2021): 53–78. http://dx.doi.org/10.3138/chr-2019-0048.

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Whether native-born or immigrants from the United States, Caribbean Basin, or Africa, Black people have made Canada an integral – although still largely overlooked – site in the Black Atlantic and African Diaspora. This article examines interwar Pan-Africanism, a movement that enjoyed a popular following in Canada. Pan-Africanists considered knowledge of history and love of self as foundational to resisting anti-blackness and inspiring Black liberation. In North America, they fortified themselves with the memory of their ancestors and awareness of an ancient African past as requisites for raci

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Xausa, Chiara. "From the Abyss of the Middle Passage to the Currents of Hydrofeminism “Getting Wet” with the Ocean in Rivers Solomon’s The Deep." Humanities 14, no. 4 (2025): 93. https://doi.org/10.3390/h14040093.

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This article proposes a close reading of Rivers Solomon’s 2019 novella The Deep, a recent eco-story about water, memory, and survival. Solomon’s work is inspired by a song called “The Deep” from experimental hip-hop group clipping, a dark science fiction tale about the underwater-dwelling descendants of African women thrown off slave ships during the Middle Passage. This imaginative alternate history, or counter-mythology, was invented by the Detroit techno band Drexciya, which, in a series of releases between 1992 and 2002, tells us the story of an underwater realm in the mid-Atlantic, where

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Danilova, E. A., and S. G. Sulyak. "A Holiday With Tears Upon Our Eyes: On the Attitude Towards Victory Day in Ukraine." Rusin, no. 65 (2021): 296–315. http://dx.doi.org/10.17223/18572685/65/16.

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Traditionally, Victory Day is celebrated by the post-Soviet population as one of the main holidays. Until now, many perceive it in the Soviet interpretation as Victory Day of the Soviet people in the Great Patriotic War. It is not only the memory of the sacrifice and suffering that the country endured, but also the involvement in the heritage of the victorious generation. Unfortunately, the campaign to “correct” the historical memory, initiated by the West and being carried out in a number of countries of the former USSR, touched upon this holiday as well. Today, in some CIS countries, includi

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Danilova, E. A., and S. G. Sulyak. "A Holiday With Tears Upon Our Eyes: On the Attitude Towards Victory Day in Russia." Rusin, no. 66 (2021): 248–82. http://dx.doi.org/10.17223/18572685/66/14.

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Traditionally, Victory Day is celebrated by the post-Soviet population as one of the main holidays. Until now, many perceive it in the Soviet interpretation as Victory Day of the Soviet people in the Great Patriotic War. It is not only the memory of the sacrifice and suffering that the country endured, but also the involvement in the heritage of the victorious generation. Unfortunately, the campaign to “correct” the historical memory, initiated by the West and being carried out in a number of countries of the former USSR, touched upon this holiday as well. Today, in some CIS countries, includi

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Mariolakos, I. D. "THE FORGOTTEN GEOGRAPHIC AND PHYSICAL – OCEANOGRAPHIC KNOWLEDGE OF THE PREHISTORIC GREEKS." Bulletin of the Geological Society of Greece 43, no. 1 (2017): 92. http://dx.doi.org/10.12681/bgsg.11163.

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Many believe that the Greek Mythology is a figment of the vivid imagination of the ancient Greeks. Consequently, the Greek Myths are all fantastic stories. In my opinion, this view is erroneous, at least on the subject concerning the geographic and physical-oceanographic characteristics of the Atlantic Ocean, as these were described mainly by Homer, Hesiod, the Orphics and Plutarch. In the present paper (i) some of the references made by the above mentioned authors are selectively reported, and (ii) the physical and geological validation is given, based on the present-day scientific views and

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Vieira, Nina, and Cristina Brito. "Brazilian manatees (re)discovered: Early modern accounts reflecting the overexploitation of aquatic resources and the emergence of conservation concerns." International Journal of Maritime History 29, no. 3 (2017): 513–28. http://dx.doi.org/10.1177/0843871417713683.

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The relationship between indigenous people and manatees in Brazil dates back to prehistoric times. It has been the subject of interdisciplinary research by specialists in marine environmental history, ethnozoology and anthropology. Manatee species, Thrichechus inunguis and Thrichechus manatus, form part of the local culture and traditions of their distribution regions: subtropical and tropical regions, as well as the entire Amazon basin and its Atlantic range. The estimated number of manatees in Brazil when the Europeans first arrived was in the tens of thousands. But the several uses of this

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Касьянова, Анна Андреевна. "РЕЛИГИОЗНЫЕ МОТИВЫ В ОПИСАНИИ «СВОЕГО» И «ЧУЖОГО» МИРОВ В РОМАНЕ И. А. ГОНЧАРОВА «ФРЕГАТ "ПАЛЛАДА"»: ПОД ЮЖНЫМ КРЕСТОМ". Bulletin of Udmurt University. Series History and Philology 34, № 6 (2024): 1431–37. https://doi.org/10.35634/2412-9534-2024-34-6-1431-1437.

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В статье рассматриваются религиозные мотивы как основополагающая черта русской литературы и паломническая традиция, в соответствии с которой создано произведение. В третьей главе романа И. А. Гончарова «Фрегат “Паллада”» анализируется описание путешественником «своего», родного мира (Россия) и «чужого» мира, обозначенного пространством Атлантических тропиков. Разграничение «своего» и «чужого» миров основывается на религиозных мотивах (в «своем» обнаруживается духовная сторона действительности, «чужое» видится только в предметно-материальном проявлении) Образы (созвездие Южный Крест), ставшие б

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Shirokov, Vladimir N., and Natalia A. Shirokova. "CAVE — SANCTUARY — MYTH: INTERPRETATION CRITERIA FOR THE UPPER PALEOLITHIC DECORATED CAVES IN THE URALS." Ural Historical Journal 75, no. 2 (2022): 128–38. http://dx.doi.org/10.30759/1728-9718-2022-2(75)-128-138.

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Caves with the Upper Paleolithic wall paintings are known in the Southern Urals — Kapova (Shulgan-Tash) and Ignatievskaya (Yamazy-Tash). They represent the largest karst cavities in their areas with lots of figurative and non-figurative motifs. In many respects, the Urals’ decorated caves are similar to those in Western Europe: in terms of the structural organization of space, pictorial assemblages and their context. The Western European caves are often referred to as “deep sanctuaries”. Within the framework of this article, the authors address to the works of foreign experts, who have been de

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Jahan, Nusrat. "#BlackLivesMatter:." Crossings: A Journal of English Studies 15, no. 1 (2024): 116–27. https://doi.org/10.59817/cjes.v15i1.556.

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Through a variety of narrative discourses and forms, Afrofuturism has frequently dissected concrete and figurative traverses that intersect and engage in interaction with one another across the Black Atlantic and beyond. It has redefined, extended, and dislocated white supremacist narratives about time, culture, history, violence, and racism, taking an interesting stance on the social media hashtag #BlackLivesMatter, after the movement Black Lives Matter was born following George Zimmerman's acquittal in Trayvon Martin's shooting murder in 2012. On the same note, Afropessimism is an outlook th

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Mowry, Lucetta. "Mythologies and Philosophies of Salvation in the Theistic Traditions of India. By Klaus K. Klostermaier. Waterloo, Ontario: Wilfrid Laurier University Press, 1984. xvi, 552 pp. Key to Abbreviations Used in Notes, Notes, Bibliography, Index, Plates. $22.95. (Distributed in U.S. by Humanities Press, Atlantic Highlands, N.J.)." Journal of Asian Studies 45, no. 3 (1986): 630–31. http://dx.doi.org/10.2307/2056570.

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Kuzenkov, P. V. "Рождениехристианскоговостокакактрансформацияэллинистическойкультуры". Istoricheskii vestnik, № 20(2017) part: 20 (30 серпня 2019): 14–31. http://dx.doi.org/10.35549/hr.2019.2017.35076.

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The article offers a new evaluation of the wellknown phenomenon of cultural renaissance of the peoples of the Middle East and Egypt of the Syrians, the Copts, the Armenians, the Georgians, etc., in the first centuries AD. This period is commonly associated with the spreading of Christianity around the territory of the Roman Empire and the Parthian, later on Sassanid Iran. According to the author there are reasons to regard the genesis of the Christianity in the Middle East as a single yet multifaceted process of transformation of the Late Antiquity culture in its totality of the Eucumene, from

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Dawson, Helen, and Philip Hayward. "Introduction - Submergence: A special issue on Atlantis and related mythologies." Shima: The International Journal of Research into Island Cultures 10, no. 2 (2016). http://dx.doi.org/10.21463/shima.10.2.03.

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Gashi, Bejtush. "The Influence of The Vidovdan Myth on Serbia’s Security Strategy and Foreign Policy Towards Kosovo." Octopus Journal: Hybrid Warfare & Strategic Conflicts 4 (July 7, 2025). https://doi.org/10.69921/xwhdww76.

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The Vidovdan myth holds a central place in Serbian political mythology and has evolved into a strategic instrument in shaping Serbia’s foreign and security policy, particularly in relation to Kosovo. This study examines how the myth is employed to legitimize Serbia’s revisionist discourse, justify interference in Kosovo’s internal affairs, and construct a permanent threat doctrine. Relying on the constructivist approach in international relations and political discourse analysis, the article argues that Vidovdan functions as an ideological mechanism with significant impact on regional security

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Cooper, Luke. "Imagined communities: from subjecthood to nationality in the British Atlantic." International Relations, June 3, 2022, 004711782210989. http://dx.doi.org/10.1177/00471178221098913.

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Drawing on the concept of uneven and combined development this article critically interrogates Benedict Anderson’s theory of the ‘imagined community’ through an historical investigation into the English-realm-cum-British-empire. Placing its rise in the context of the conflicts of Post-Reformation Europe, it identifies vectors of combined development (money, goods, ideas, people) which shaped the formation of new imagined communities. These post-Reformation struggles were not defined by nationality but subjecthood, which saw ‘the realm’ displace the monarch as an object of rights and duties. Th

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Hamdoune, Lahoussine. "THE BLACK ATLANTIC TRADITION AND THE AFRICAN-AMERICAN NOVEL: SIGNIFYIN(G) AND THE FIGURE OF ESU ELEGBARA IN RALPH W. ELLISON’S INVISIBLE MAN." European Journal of Literary Studies 2, no. 2 (2020). http://dx.doi.org/10.46827/ejls.v2i2.204.

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By exploring the black Atlantic tradition, the present article aims to demonstrate that the narrator’s grandfather in Ralph Ellison’s novel Invisible Man is not only an emblem of the black vernacular, but a correlative of the West African god and trickster Esu Elegbara. Likewise, the black characters, Tarp, Clifton, and Rinehart, function as interpreters of the grandfather’s ‘double-voiced’ text viewed as metaphoric of the black vernacular and evocative of Ifa, the ‘ambiguous’ West African religious texts. The first part of this article presents the main tenets of the black Atlantic tradition

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Bonaduce, John. "Plato: The Philosopher as Prenate." International Journal of Prenatal & Life Sciences, May 12, 2023, 1–7. http://dx.doi.org/10.24946/ijpls/20231205.

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Two formerly unrelated academic fields, prenatal science and mythological studies, are quietly merging under the heading of a new theory: mythobiogenesis. One need not be a philologist to tease out the meaning of the word: Myth has a biological genesis. According to this conceptual model, much of what we call mythology, fairy tales, and sacred scripture derives from a fundamental impulse to retell in culturally specific ways the universal intrauterine experience of life before birth. Plato himself has provided an example of such a narrative. His written record of his intrauterine experience is

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Guimont, Edward. "Megalodon." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2793.

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In 1999, the TV movie Shark Attack depicted an attack by mutant great white sharks on the population of Cape Town. By the time the third entry in the series, Shark Attack 3, aired in 2002, mutant great whites had lost their lustre and were replaced as antagonists with the megalodon: a giant shark originating not in any laboratory, but history, having lived from approximately 23 to 3.6 million years ago. The megalodon was resurrected again in May 2021 through a trifecta of events. A video of a basking shark encounter in the Atlantic went viral on the social media platform TikTok, due to users m

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Dauber, Christine. "An Interview With Jon Cattapan." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1960.

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In The City Submerged the striking narratives of Cattapan's earlier Melbourne paintings are fragmented and set adrift, becoming tiny shards of archaeological evidence with no clear solution, no beginning, middle or end. Luminous blue green surfaces dissolve into pools of submarine light in these paintings; here there is no grounding in shadows, or alley-ways, only the flickering distortions of looking into water, whose depth is unknowable. The movement in the painting is continuous as a work in a state of flux, and within and across its shiny surfaces. Deborah Clarke "The Lost World a Tale of

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Hoad, Catherine, and Samuel Whiting. "True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1319.

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IntroductionThe “North” is given explicitly “Nordic” value in extreme metal, as a vehicle for narratives of identity, nationalism and ideology. However, we also contend that “Nordicness” is articulated in diverse and contradictory ways in extreme metal contexts. We examine Nordicness in three key iterations: firstly, Nordicness as a brand tied to extremity and “authenticity”; secondly, Nordicness as an expression of exclusory ethnic belonging and ancestry; and thirdly, Nordicness as an imagined community of liberal democracy.In situating Nordicness across these iterations, we call into focus h

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Viljoen, Martina. "Mzansi Magic." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2989.

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Introduction Jerusalema, a song from Mzansi — an informal isiZulu name for South Africa — became a global hit during the Covid-19 pandemic. Set to a repetitive, slow four-to-a-bar beat characteristic of South African house music, the gospel-influenced song was released through Open Mic Productions in 2019 by the DJ and record producer Kgaogelo Moagi, popularly known as ‘Master KG’. The production resulted from a collaboration between Master KG, the music producer Charmza The DJ, who composed the music, and the vocalist Nomcebo Zikode, who wrote the lyrics and performed the song for the master

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West, Patrick Leslie. "Towards a Politics and Art of the Land: Gothic Cinema of the Australian New Wave and Its Reception by American Film Critics." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.847.

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Many films of the Australian New Wave (or Australian film renaissance) of the 1970s and 1980s can be defined as gothic, especially following Jonathan Rayner’s suggestion that “Instead of a genre, Australian Gothic represents a mode, a stance and an atmosphere, after the fashion of American Film Noir, with the appellation suggesting the inclusion of horrific and fantastic materials comparable to those of Gothic literature” (25). The American comparison is revealing. The 400 or so film productions of the Australian New Wave emerged, not in a vacuum, but in an increasingly connected and inter-mix

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Nichols, L. Dugan. "Generational Detectives." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3136.

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Introduction This article examines American Conspiracy: The Octopus Murders (2024), a four-part documentary released on Netflix. Directed by Zachary Treitz, the documentary follows young photojournalist Christian Hansen as he tries to solve the mysterious death of Danny Casolaro. In 1991, Casolaro was found deceased in a hotel room while tracking officials in the CIA and former Reagan White House. He had planned to write an explosive book about what he termed “The Octopus”, an octuplet of overlapping conspiracies that transpired in the 1980s. At the time, local officials ruled Casolaro’s death

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