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Books on the topic 'Atmospheric aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Griffero, Tonino, and Marco Tedeschini, eds. Atmosphere and Aesthetics. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24942-7.

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2

Botschen, Gunther. The semiology of aesthetic atmospherics to study environmental design effects in retail outlets. University of North London, Business School, 2001.

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3

B, Fraser Alistair, ed. The rainbow bridge: Rainbows in art, myth, and science. Pennsylvania State University Press, 2001.

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4

United States. National Transportation Safety Board. Aircraft accident report: Midair collision of Wings West Airlines Beech C-99 (N6399U) and Aesthetec, Inc., Rockwell Commander 112TC N112SM near San Luis Obispo, California, August 24, 1985 [i.e., 1984]. The Board, 1985.

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5

Atmospheric Architectures: The Aesthetics of Felt Spaces. Bloomsbury Academic, 2017.

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6

Aesthetics of Atmospheres. Taylor & Francis Group, 2016.

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7

Atmospheres: Aesthetics of Emotional Spaces. Taylor & Francis Group, 2014.

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8

Griffero, Tonino. Atmospheres: Aesthetics of Emotional Spaces. Taylor & Francis Group, 2016.

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9

Griffero, Tonino. Atmospheres: Aesthetics of Emotional Spaces. Routledge, 2016. http://dx.doi.org/10.4324/9781315568287.

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10

Griffero, Tonino. Places, Affordances, Atmospheres: A Pathic Aesthetics. Taylor & Francis Group, 2019.

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11

Griffero, Tonino. Places, Affordances, Atmospheres: A Pathic Aesthetics. Taylor & Francis Group, 2019.

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12

Places, Affordances, Atmospheres: A Pathic Aesthetics. Taylor & Francis Group, 2019.

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13

Griffero, Tonino. Places, Affordances, Atmospheres: A Pathic Aesthetics. Taylor & Francis Group, 2019.

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14

Griffero, Tonino, and Marco Tedeschini. Atmosphere and Aesthetics: A Plural Perspective. Palgrave Macmillan, 2019.

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15

Peponi, Anastasia-Erasmia. Lyric Atmospheres. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0008.

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Lyric genres have often been associated with a particular type of aesthetic experience in which semantic concreteness may give way to more diffused modes of perception and feeling, creating vague yet all-pervasive moods or atmospheres. This phenomenon has been largely attributed to lyric poetry’s heightened musicality, which in antiquity was further enhanced by actual singing and instrumental accompaniment. This chapter contends that in some of Plato’s dialogues interesting versions of this broader issue are either openly addressed or treated as an implicit struggle that results sometimes in n

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16

Stanghellini, Giovanni. Intimacy. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198792062.003.0042.

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This chapter argues that where narrativity ends, intimacy may begin. The clinical encounter is an aesthetic experience. One must dodge the scientific rationalism in order to preserve the phenomenological understanding and achieve an understanding of the meaning of a clinical situation as felt, rather than simply assessing objective signs and symptoms. The acceptance of atmospheres as clinically relevant phenomena is ultimately related to the acknowledgement of the ambiguous nature of the clinical encounter. The clinical encounter is an event suspended between the pathic and the linguistic doma

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17

Rodosthenous, George. Mamma Mia! and the Aesthetics of the Twenty-First-Century Jukebox Musical. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.25.

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This chapter explores the aesthetics of the jukebox musical subgenre and, by taking Mamma Mia! as a key example, analyses the dramaturgy of the piece to show how its narrative and musical structure reflects the interlocking themes of the break-up of the nuclear family, mother–daughter relationships, and the problems of single mothers. By examining how Mamma Mia! evokes on stage the sunny atmosphere of a beach holiday on a Greek island, the article demonstrates the way in which the show exploits the jukebox format to express the utopianism of musical comedy through the pleasure derived from its

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18

Maxwell, Catherine. Top Notes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198701750.003.0002.

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After a brief discussion of Eugene Rimmel and Septimus Piesse, two major manufacturers and promoters of Victorian perfume, this chapter provides an overview of fragrance use for the Victorians, and explores attitudes towards perfume in early and mid-Victorian fiction with special reference to the figure of the scented dandy. The second part of this chapter shows how Victorian poetry reflects the influential perfumed legacy of Romanticism and, in particular, Shelley, a key precursor for many aesthetic and decadent writers, with an illustrative reading of Edmund Gosse’s ‘Perfume’, a sonnet satur

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19

Maxwell, Catherine. Les Fleurs du Mâle. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198701750.003.0004.

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Focusing on the founding figures of British aestheticism, Algernon Charles Swinburne and Walter Pater, this chapter discusses how they embraced the identity of the aesthetic olfactif, the cultivation of scent sensitivity, and the notion of the perfumed atmosphere produced by individual writers and literary or cultural schools, with this reflected in their influential critical prose. While Swinburne’s notorious Poems and Ballads (1866) apparently revels in heady perfumes, his own taste for light airy florals and dislike of musk clearly emerges in his subsequent poetry and prose, although his as

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20

Jr, Raymond L. Lee, and Alistair B. Fraser. The Rainbow Bridge: Rainbows in Art, Myth, and Science. Pennsylvania State University Press, 2001.

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21

Lippmann, Morton, and Richard B. Schlesinger. Effects of Contaminants on Environmental Quality. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190688622.003.0007.

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This chapter reviews the potential for adverse environmental effects which may occur due to chemical pollutants. These include biological effects in domestic animals and livestock, ornamental plants, and crops and forests, and disruptions of terrestrial and aquatic ecosystems. They also include safety issues, such as atmospheric visual range reductions due to light-scattering particles, health issues such as stratospheric ozone reduction caused by fluorocarbons, aesthetic nuisances, and economic issues related to chemical odorants and foliar damage of commercial vegetation. The role of air pol

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22

Fay, Jennifer. Nuclear Conditioning. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696771.003.0003.

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Nevada’s Atomic Testing Site hosted nuclear atmospheric tests from the late 1940s to the early 1960s and doubled as both an outdoor laboratory and a film studio. Here, worlds meant to resemble small American towns in every detail were built and obliterated by nuclear explosions, giving rise to thousands of nuclear test films. Cinema transforms explosions into aesthetic experiences, turns the chaos of fallout into comprehensible narratives, and trains viewers to survive or endure the culture of nuclearism. Cinema naturalizes this regime that leaves a stratigraphic signature in the planet’s geol

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23

Maxwell, Catherine. Scents and Sensibility. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198701750.001.0001.

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A major reconceptualization of the imagination that reinstates its hidden links with the historically neglected sense of smell, this book is the first to examine the role played by scent and perfume in Victorian literary culture. Perfume-associated notions of imaginative influence and identity are central to this study, which explores the unfamiliar scented world of Victorian literature, concentrating on texts associated with aestheticism and decadence, but also noting important anticipations in Romantic poetry and prose, and earlier Victorian poetry and fiction. Throughout, literary analysis

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24

Bredekamp, Horst. Walter Benjamin’s Esteem for Carl Schmitt. Edited by Jens Meierhenrich and Oliver Simons. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199916931.013.38.

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This chapter shows why Carl Schmitt’s philosophical theories retained their fascination and conceptual force for young intellectuals in postwar Germany. Publication of a letter Walter Benjamin had written to Schmitt in 1930, which revealed his esteem for Schmitt, was a catalyst for philosophers such as Jacob Taubes, who had distanced himself from Schmitt. Taubes’s research into the two men’s relationship helped to overcome the postwar construction of a clear-cut distinction between good and bad, shedding new light on the work of both philosophers and the intellectual atmosphere of the Weimar p

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25

van Leeuwen, Evert. House of Usher. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325604.001.0001.

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Despite being the product of Roger Corman's AIP exploitation studio, House of Usher enjoys a high standing. But while the impact and cult status of Corman's Edgar Allan Poe cycle is often discussed in histories of gothic, horror, and exploitation cinema, no extended analysis and critical discussion has been published to date that explores specifically the aesthetic appeal of House of Usher. This book provides a complete study of the aesthetic appeal of Corman's influential first Poe picture. The book explores the underlying narrative structure borrowed from Poe's original story and shows how c

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26

Foltz, Jonathan. The Novel after Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676490.001.0001.

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The Novel After Film examines how literary fiction has been redefined in response to the emergence of narrative film. It charts the institutional, stylistic, and conceptual relays that linked literary and cinematic cultures, and that fundamentally changed the nature and status of storytelling in the early twentieth century. In the cinema, a generation of modernist writers found a medium whose bad form was also laced with the glamour of the popular, and whose unfamiliar visual language seemed to harbor a future for innovative writing after modernism. As The Novel After Film demonstrates, this f

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27

Milner, Andrew, and J. R. Burgmann. Science Fiction and Climate Change. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621723.001.0001.

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Despite the occasional upsurge of climate change scepticism among Anglophone conservative politicians and journalists, there is still a near consensus among climate scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to disastrous effect. The resultant climate crisis is simultaneously both a natural and a socio-cultural phenomenon and in this book Milner and Burgmann argue that science fiction occupies a critical location within this nature/culture nexus. Science Fiction and Climate Change takes as its subject matter what Daniel Bloom fa

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