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Journal articles on the topic 'Atmospheric aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Tang, Yan. "Atmospheric Violence: Samuel Beckett’s Aesthetics of Respiration." Lit: Literature Interpretation Theory 30, no. 2 (2019): 103–19. http://dx.doi.org/10.1080/10436928.2019.1598225.

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Griffero, Tonino. "Pathicity: Experiencing the World in an Atmospheric Way." Open Philosophy 2, no. 1 (2019): 414–27. http://dx.doi.org/10.1515/opphil-2019-0031.

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AbstractIs there really an atmospheric turn? The concept of “atmosphere” as a qualitative-emotional prius of sensory experience seems today to have encouraged the convergence of many interdisciplinary studies focused on the qualitative aspects of our “surroundings”. Based on the neo-phenomenological theory of atmospheric perception as a first pathivc impression and a felt-bodily communication, this paper explores and synthesises the relationship between atmospheres and expressive qualities. It thus clarifies the key features of a general “pathic” aesthetics. It considers perceivers as beings w

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Corbo, Stefano. "Air design, meteorological architecture, and atmospheric preservation: towards a theory of feeling." Architectural Research Quarterly 22, no. 3 (2018): 188–93. http://dx.doi.org/10.1017/s1359135518000490.

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In 1960, Belgian artist Rene Magritte painted La Corde Sensible. In the background is a natural landscape, characterised by mountains and by a river. At the front is a champagne glass topped by a cloud. It prompts questions: does the cloud have its own weight? Is the glass mediating between the liquid state of the river and the gaseous state of the cloud? A few years later in 1972, the Viennese group Haus-Rucker-Co depicted a similar provocative scenario in ‘Big Piano’. In place of a champagne glass, a ladder with many steps – each with a different sound – reaches towards a cloud, which is a s

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김정섭. "A Study on Aesthetics of Atmosphere in Theatre - Focusing on Performativity of Performance and Atmospheric Perception." Journal of Drama ll, no. 52 (2017): 61–94. http://dx.doi.org/10.15716/dr.2017..52.61.

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5

Hyun, Hyowon, Jungkun Park, Tianbao Ren, and Hyunjin Kim. "The role of ambiances and aesthetics on millennials’ museum visiting behavior." Arts and the Market 8, no. 2 (2018): 152–67. http://dx.doi.org/10.1108/aam-04-2017-0006.

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Purpose The purpose of this paper is to establish a framework for millennials’ museum visiting behaviour and to explore the moderating effects of aesthetics and ambience for visiting art museums. This study uses the Stimulus–Organism–Response (S–O–R) model (Mehrabian and Russell, 1974) in order to confirm the relationship among variables. Design/methodology/approach The data were collected using online surveys from millennial art museum visitors who had visited a museum within three months. In all, 287 responses were collected. Structural equation modelling was used to analyse the model. Findi

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Biehl-Missal, Brigitte, and Michael Saren. "Atmospheres of Seduction." Journal of Macromarketing 32, no. 2 (2012): 168–80. http://dx.doi.org/10.1177/0276146711433650.

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This article introduces the concept of the “atmosphere” from aesthetic theory to contribute to critical research on the aesthetic, embodied experience in retailing, and consumption spaces, which has received little attention in the marketing literature. The article draws on the “new aesthetics” of Gernot Böhme which is not a theory of art or the works of art but considers the full range of “aesthetic work” including marketing practices. Contributing to the art-versus-commerce debate, this framework suggests differentiating between atmospheres in the arts and in marketing, and it suggests the c

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Becsi, Benedikt, Daniela Hohenwallner-Ries, Torsten Grothmann, Andrea Prutsch, Tobias Huber, and Herbert Formayer. "Towards better informed adaptation strategies: co-designing climate change impact maps for Austrian regions." Climatic Change 158, no. 3-4 (2019): 393–411. http://dx.doi.org/10.1007/s10584-019-02602-7.

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AbstractTo design effective adaptation measures to a heating climate, decision-makers need a state-of-the-art, regional and sector-specific knowledge about future climate impacts. Tailoring this information to the needs of policymakers requires collaboration between scientists and stakeholders. A lot of literature on design principles and comprehension of scientific visualisations exists. However, the links between objective comprehension, perceived usefulness for communication and aesthetics of climate change impact maps have rarely been analysed in empirical studies. In a co-design effort to

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Novakovic, Marko. "Renewal of aisthesis in contemporary aesthetics." Theoria, Beograd 62, no. 2 (2019): 17–34. http://dx.doi.org/10.2298/theo1902017n.

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The main subject of this work is the new aesthetics of atmospheres promoted in the last decades of 20th century by Gernot B?hme. Aesthetics of the atmospheres is a consequence of revival of aesthesis in contemporary aesthetics. The concept of atmospheres changes the model of perception from mechanical-cognitivistic to pathic and existential: perception is not grasping the sensitive qualities of things, but bodily sensing ourselves in the presence of atmospheres filling space or environment. Traditional concept of aisthesis and aesthetics as a science of sensitive knowledge provides a model for

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Apaolaza, Vanessa, Patrick Hartmann, Cristobal Fernández-Robin, and Diego Yáñez. "Natural plants in hospitality servicescapes: the role of perceived aesthetic value." International Journal of Contemporary Hospitality Management 32, no. 2 (2020): 665–82. http://dx.doi.org/10.1108/ijchm-03-2019-0240.

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Purpose This paper aims to examine the effects of natural plants on satisfaction and loyalty in the hospitality servicescape and provides a theoretical framework explaining the underlying processes. Design/methodology/approach An experimental study (plants vs no-plants) was conducted in a restaurant with a sample of 119 individuals. Data were analyzed using ANOVA and bootstrapping moderated mediation analysis (Hayes, 2013). Findings The results of the study confirmed significant effects of indoor natural plants on consumers’ satisfaction and loyalty, mediated by the experiential value componen

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10

Griffero, Tonino. "There Are More Things in (Life) World…" Yearbook for Eastern and Western Philosophy 2018, no. 3 (2019): 135–51. http://dx.doi.org/10.1515/yewph-2018-0010.

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Abstract Through an approach primarily inspired by the Aisthetik (Gernot Böhme) and the Neue Phänomenologie (Hermann Schmitz) I define the atmospheric perception as the first pathic impression and investigate the relationship between this kind of perception (possibly initially immersive, then reflective) and the expressive qualities of our lifeworld. Pathic aesthetics therefore ceases to be just a theory of works of art. It considers the perceiver as a being first of all emotionally and felt-bodily touched by atmospheric feelings widespread in her (lived) space but these atmospheric feelings a

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Göbel, Hanna Katharina. "Making Cultural Values out of Urban Ruins: Re-enactments of Atmospheres." Space and Culture 24, no. 3 (2021): 408–20. http://dx.doi.org/10.1177/1206331221997696.

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This article calls for a consideration of the reuse aesthetics of urban ruins in terms of cultural valuations related to the political status of social practices. In the context of debates on ruins in the field of memory studies and along the division between politics and the political, I argue for the recognition of affective atmospheric practices based upon performative knowledge-making and reenactments of atmospheres from the past. As demonstrated by an example of reuse in Berlin in the 2000s, these practices recall rituals and routines from the pasts of ruins by performatively exploring th

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Frølund, Sune. "Gernot Böhme’s Sketch for a Weather Phenomenology." Danish Yearbook of Philosophy 51, no. 1 (2018): 142–61. http://dx.doi.org/10.1163/24689300-05101007.

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The paper explores Gernot Böhme’s attempt to transform the concept of atmosphere into an aesthetical concept of the natural environment and follows his effort to outline a phenomenology of the weather based on this aesthetics. Böhme’s original project, prompted by a growing environmental concern, was to develop new forms of knowledge of nature to counter what he considered detrimental consequences of a one-sided rationalistic-scientific view of nature. Inspired by Hermann Schmitz’s phenomenology of the body and emotional atmospheres, Böhme developed his aesthetics to be a general theory of sen

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Bradić, Stevan. "Atmospheres and Aesthetic Labour: The “New Aesthetics” of Gernot Böhme." Filozofska istraživanja 37, no. 3 (2017): 513–28. http://dx.doi.org/10.21464/fi37307.

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14

Abdul Jalil, Nur Aina, Amily Fikry, and Anizah Zainuddin. "Impact of Dining Café Atmospherics on Youth Behavioural Intention." Asian Journal of Behavioural Studies 3, no. 13 (2018): 78. http://dx.doi.org/10.21834/ajbes.v3i13.145.

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This study aims to investigate the impact of café atmospherics on Malaysian youth behavioural intention. The findings from the study indicate: (1) The youth preferences of store atmosphere in cafes include five factors, specifically, lighting, facility aesthetic, employee factor, ambient intelligent and music; (2) Cafe atmospheric (lighting, facility aesthetic, employee factor, ambient intelligent and music) factors have significant positive correlation with youth approach behaviours. As a conclusion, this study is important to the foodservice operators to understand the youth intention to rev

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Nur, Abdul Jalil Aina. "Impact of Dining Café Atmospherics on Youth Behavioural Intention." Environment-Behaviour Proceedings Journal 1, no. 4 (2016): 13. http://dx.doi.org/10.21834/e-bpj.v1i4.172.

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This study aims to investigate the impact of café atmospherics on Malaysian youth behavioural intention. The findings from the study indicate: (1) The youth preferences of store atmosphere in cafes include five factors, specifically, lighting, facility aesthetic, employee factor, ambient intelligent and music; (2) Cafe atmospheric (lighting, facility aesthetic, employee factor, ambient intelligent and music) factors have significant positive correlation with youth approach behaviours. As a conclusion, this study is important to the foodservice operators to understand the youth intention to rev

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16

Poškaitė, Loreta. "Everyday Aesthetics in the Dialogue of Chinese and Western Aesthetic Sensibilities." Dialogue and Universalism 30, no. 3 (2020): 225–44. http://dx.doi.org/10.5840/du202030344.

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The paper examines the intercultural dimension of everyday aesthetics which was promoted by one of its most important Chinese proponents Liu Yuedi as a search for dialogue between various aesthetic traditions, in particular, those from the East and West. The aim of the paper is to explore some parallels between the traditional Chinese and contemporary Western aesthetic sensibilities, by looking for their common values and concepts which are gaining prominence in the discourse of everyday aesthetics. It begins with a survey of the contributions of Chinese and Western scholars; the survey concer

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Rabiner, Emily. "Dannunzian aesthetics and the necrophilic imagination in Le vergini delle rocce." Forum Italicum: A Journal of Italian Studies 51, no. 2 (2017): 488–504. http://dx.doi.org/10.1177/0014585817698409.

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Le vergini delle rocce (1895) represents the culmination of Gabriele D’Annunzio’s Aestheticist Roman phase, uniting thematics, narrative, and poetry in the textual fabric of his ‘poema in prosa’. Privileging atmosphere over plot, the novel luxuriates in the beautiful language, landscape, and characters that surround the protagonist, Claudio Cantelmo. This article argues that the production of this beauty depends on D’Annunzio’s adoption and elaboration of a necrophilic aesthetic, one that is linked to Claudio’s assertion of his poetic fantasy and its reliance on the eponymous virgins—Massimill

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Rauh, Andreas. "The Atmospheric Whereby: Reflections on Subject and Object." Open Philosophy 2, no. 1 (2019): 147–59. http://dx.doi.org/10.1515/opphil-2019-0017.

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AbstractAtmospheres constitute an ordinary perceptual phenomenon that can become a new experience, as the former are more than the sum of single-sensory perceptual factors. Drawing on the terminological pair ‘subject’ and ‘object’ and its interdependencies, the atmospheric phenomenon can be approached in an essayistic fashion (and by means of applying an aesthetic focus in the broadest sense). In so doing, it becomes clear that the atmosphere serves as a condition for the emergence as well as actualization of special perception. Based on Gernot Böhme’s research and further studies, specific (o

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Davies, James Q. "Elijah's Nature." 19th-Century Music 45, no. 1 (2021): 49–64. http://dx.doi.org/10.1525/ncm.2021.45.1.49.

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Existing scholarship struggles to theorize the relation between aesthetics, especially the aesthetics of catastrophe, and concerns with ecology and the environment. Mendelssohn's sacred oratorio Elijah premiered in 1846 at the birthplace of the steam engine in Birmingham, England. Commissioned by municipal reformers, Elijah constitutes a case study in disaster art. It was conceived as a vehicle for atmospheric repair, clean breathing, and moral healing for Black Country working populations. Its contexts include the development of biomedicine, public health discourse, and the history of air-pur

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20

Salwa, Mateusz. "The Everyday Aesthetics of Public Space." Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, no. 33 (June 30, 2019): 75–89. http://dx.doi.org/10.18778/0208-6107.33.06.

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The main claim of the article is that everyday aesthetics conceived as a philosophical analysis of everyday objects and situations offers a theoretical perspective that may be applied to the aesthetics of public space. Analysed in aesthetic terms, the public space may be thought to be a space that offers an aesthetic experience to the widest possible public. I contend that the aesthetic quality of public space should be a quality that favours positive experiences of the everyday, banal practices taking place in it. Accordingly, designing public space should consist in making it “everyday exper

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21

Vitry, Chloé, Daniel Sage, and Andrew Dainty. "Affective atmospheres of sensemaking and learning: Workplace meetings as aesthetic and anaesthetic." Management Learning 51, no. 3 (2020): 274–92. http://dx.doi.org/10.1177/1350507619893930.

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The aim of this article is to explore sensemaking and learning processes with and through affective atmospheres. We engage with recent research within the ‘affective turn’ across the social sciences and humanities to conceptualize the significance of quasi-autonomous affective atmospheres that emanate from, and also condition, collectives of humans and non-humans. Drawing on this atmospheric scholarship, we propose and elaborate an atmospheric analysis of sensemaking and learning processes to examine how such atmospheres aesthetically transform, and anaesthetically constrain, the potential of

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22

SZABO, VICTOR. "Unsettling Brian Eno'sMusic for Airports." Twentieth-Century Music 14, no. 2 (2017): 305–33. http://dx.doi.org/10.1017/s147857221700024x.

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AbstractIn the liner notes to his albumAmbient 1: Music for Airports(1978), Brian Eno (1948–) defined Ambient music in contradistinction to Muzak's ‘derivative’ instrumental pop arrangements. Ambient music's historians and critics have often followed Eno by describing Ambient music as an alternative to conventional ‘background’ or ‘programmed’ music for commercial spaces. Such descriptions can be misleading, however, given that Ambient music's dominant mode of reception is selective personal consumption, not public administration. This article investigates the aesthetics of Eno'sAirports, and

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23

Zagidullina, Marina V. "CREATING AN ATMOSPHERE: MEDIA AESTHETIC ANALYSIS OF JOURNALISTIC PROSPECTS." Creativity Studies 13, no. 1 (2020): 152–63. http://dx.doi.org/10.3846/cs.2020.11557.

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In this article, journalistic practices are examined under the perspectives of 1) the theory of atmosphere in communication, 2) the creativity in journalism through the media aesthetic approach. This article contributes to both the theory of creativity in media industries, and the theory of aesthetic shift in current communication (with respect to the generation of atmospheric design in media). The empirical material used in this article was extracted from the Russian journalist Web portal Takie dela (English: So It Goes). The concept of “atmospheric creativity” in the current journalistic pra

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Adey, Peter. "Air/Atmospheres of the Megacity." Theory, Culture & Society 30, no. 7-8 (2013): 291–308. http://dx.doi.org/10.1177/0263276413501541.

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In this paper I seek to initiate a research agenda on mega-urban airs that comprehends their atmospheres as simultaneously meteorological and affective ( McCormack, 2008 ), an agenda which seeks to apprehend megacity air/atmospheres in their vitality, corporeality and expressiveness. This paper attunes to the close and expressive substances that make up immersion in a material-affective ecology of a place, the qualities of the city that seep and imbue its material and biological fabric with affect. There is a growing body of work and literature to aid us from traditions in continental aestheti

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Goodwin, Peter, and Thomas B. Hardy. "Integrated simulation of physical, chemical and ecological processes for river management." Journal of Hydroinformatics 1, no. 1 (1999): 33–58. http://dx.doi.org/10.2166/hydro.1999.0004.

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River management is a rapidly evolving science and recent major floods have prompted a re-examination of traditional approaches such as channelization, levees, flood walls and dams. These flood control measures are capital intensive, require significant maintenance costs, only protect local regions, and often require a tradeoff with ecological resources. Further, recent analyses have shown that the intended benefits and hydraulic performances are not achieved. A new paradigm in river management is evolving, which requires a broad range of design objectives to be met that include reduction in f

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Musalek, M. "Atmosphere and Social Aesthetics." European Psychiatry 30 (March 2015): 7. http://dx.doi.org/10.1016/s0924-9338(15)30005-5.

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Di Mascio, Danilo, and Yvette Putra. "Traditional and Digital Representations of Atmosphere in Architecture. A first systematisation." SHS Web of Conferences 64 (2019): 01004. http://dx.doi.org/10.1051/shsconf/20196401004.

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In architecture, atmosphere and its many implications have, in recent years, received increased attention. This paper considers atmosphere in architectural representation, and begins with an exploration of different definitions of these atmospheric representations. This paper then identifies and summarises representations of atmosphere in architecture and their key aspects, and proposes, in the form of a timeline, a preliminary systematisation of these aspects. This paper considers both traditional and digital representations of atmosphere in architecture, and focuses on aesthetic and emotiona

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De Molli, Federica, Jeanne Mengis, and Alfons van Marrewijk. "The Aestheticization of Hybrid Space: The Atmosphere of the Locarno Film Festival." Organization Studies 41, no. 11 (2019): 1491–512. http://dx.doi.org/10.1177/0170840619867348.

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The aestheticization of organizational space is a growing phenomenon with organizations carefully designing the aesthetic engagement in space to invoke specific values and behavior. Simultaneously, however, the traditional workspace is disappearing as work is performed increasingly in multiply-located, hybrid spaces combining corporate, domestic and public spaces. This paper seeks to understand the aestheticization of hybrid spaces by theoretically drawing on the notion of atmosphere as proposed by the philosopher Gernot Boehme. By ethnographically exploring how an urban film festival creates

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Osadebe, Biose, Imhontu U. Maureen, Akenzua Oghosa, et al. "Waste-Energy: Feasibility Study of Watermelon (Endocarp) Waste as Raw-Material for Bio-Fuel Prodution." Energy and Earth Science 3, no. 2 (2020): p11. http://dx.doi.org/10.22158/ees.v3n2p11.

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Waste to energy plays an important role in fulfilling the world’s future demands. The continuous climatic change which is primarily caused by the atmospheric concentration of greenhouse gases from the continuous use of fossil fuel due to high demand of energy in our society has affected the human race negatively over the years. Similarly, the improper disposal of agricultural waste (watermelon waste) in markets and environs creates pungent smell overtime and attracts harmful organisms in our environment, destroying the aesthetics of the market, therefore, making it environmentally unsafe for m

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Mitchell, Peta. "Atmospheres: Aesthetics of emotional spaces." Social & Cultural Geography 17, no. 1 (2015): 141–43. http://dx.doi.org/10.1080/14649365.2015.1072918.

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Wilkinson, Samantha. "Atmospheres: Aesthetics of Emotional Spaces." Emotion, Space and Society 20 (August 2016): 25–26. http://dx.doi.org/10.1016/j.emospa.2016.06.008.

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Aprilia, Cut, and Ade Irma Suryani. "Coffee shop atmospheric effect on customer satisfaction and behavioural intention." BISMA (Bisnis dan Manajemen) 13, no. 1 (2020): 1. http://dx.doi.org/10.26740/bisma.v13n1.p1-13.

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Despite the growing number of atmospheric studies in the various service settings such as restaurants and hotels, the application of atmospheric studies in the coffee shop has not gained much attention from scholars. The purpose of this study is to determine the coffee shop atmospheric dimension and the influence on customer satisfaction and behaviour intention of the coffee shop customers. The result of reviewing a large number of service environment literature has identified four dimensions of coffee shop atmospherics: facility aesthetic, ambience condition, spatial layout, and social. Subse

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Gang, Liang, and Gao Weishang. "The Effectiveness of Pictorial Aesthetics Based on Multiview Parallel Neural Networks in Art-Oriented Teaching." Computational Intelligence and Neuroscience 2021 (August 23, 2021): 1–14. http://dx.doi.org/10.1155/2021/3735104.

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How to effectively improve the effectiveness of art teaching has always been one of the hot topics concerned by all sectors of society. Especially, in art teaching, situational interaction helps improve the atmosphere of art class. However, there are few attempts to quantitatively evaluate the aesthetics of ink painting. Ink painting expresses images through ink tone and stroke changes, which is significantly different from photos and paintings in visual characteristics, semantic characteristics, and aesthetic standards. For this reason, this study proposes an adaptive computational aesthetic

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Frølund, Sune. "Gernot Böhmes atmosfæreæstetik og vejrfænomenologi." Studier i Pædagogisk Filosofi 5, no. 2 (2017): 19. http://dx.doi.org/10.7146/spf.v5i2.24625.

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The paper explores Gernot Böhme’s interpretation of the concept of atmosphere as an aesthetical concept of the natural environment, especially of the weather. Böhme takes over the concept of atmosphere from Hermann Schmitz’ body phenomenology in which human feelings are considered to be spatial atmospheres. Böhme integrates atmospheres into his phenomenology of nature by showing that they are bodily sensations of human’s mode of being in their environment. Based on this framework he sketches out a phenomenology of the weather, i.e. a theory of the connection of climate and our mode of being. T

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Chen, Xiao Jie. "Sports Architecture Structure Stress Characteristics Analysis." Advanced Materials Research 919-921 (April 2014): 1553–56. http://dx.doi.org/10.4028/www.scientific.net/amr.919-921.1553.

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In the sports architectural form creation, structure technology plays an important role, it is the ideal form of guarantee, elements and form, structure and technology as a method of design, is the factor most architects consider first in sports in architectural creation. Technology of building structure technology as the field of material production, the aesthetic features of its shape becomes the main expression of sports architecture aesthetics, aesthetic psychological effects caused by the people. Especially in large span structure system because of its giant scale and exaggerated shapes,

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Chen, Yen-Cheng, Pei-ling Tsui, Ching-Sung Lee, and Guan-lin Chen. "Can plate colour promote appetite and joy while dining? An investigative study in Chinese fine dining restaurants." Asia Pacific Journal of Marketing and Logistics 32, no. 1 (2019): 105–16. http://dx.doi.org/10.1108/apjml-07-2018-0247.

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Purpose This study used the colours of plates as atmospheric stimulus factors in the Mehrabian–Russell model of environmental influence, which served as the study’s basic background theory, to explore how plate colour affects consumer appetite preference and dining emotions in Chinese fine dining restaurants. The paper aims to discuss this issue. Design/methodology/approach The study used quantitative surveys and employed purposeful sampling and rolling snowball surveys of consumers in Chinese fine dining restaurants in Taipei; 581 effective surveys were collected from the test subjects. The r

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Jørgensen, Lydia, and Robin Holt. "Organization, atmosphere, and digital technologies: Designing sensory order." Organization 26, no. 5 (2019): 673–95. http://dx.doi.org/10.1177/1350508419855698.

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We argue technology and organization are inherently spatial phenomenon. We conceptualize this conjunction as atmosphere: a gathering of mood, human practice, material and environmental conditions, and values that has sufficient coherence and distinction to constitute a distinct interior. Atmospheres, however, are not entirely stable and present: the interior is porous to outside influence, and the interior is never wholly ordered. We show this through the study of digitally mediated architectural design practice. We find the technological mediation of atmospheres is constituted in sensory and

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Morselli, Elisa. "The affective notes of represented space as motors of emotional and sensorial response." SHS Web of Conferences 64 (2019): 01013. http://dx.doi.org/10.1051/shsconf/20196401013.

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The following essay proposes to investigate the perceptual and emotional aspects related to the visualization of architectural images. The field of research is limited to a well-defined category: figurative representations as the photographic and digital images of contemporary architecture. In particular, two types will be analysed: the un-built architecture produced by Studio MIR and Bloomimages compared with the photographed built architecture. Using figurative images as a tool of reading, the aim of this work is to identify and classify three types of affective spaces capable of generating

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Shyldkrot, Yaron. "The Aesthetics of Atmospheres by Gernot Böhme." Contemporary Theatre Review 28, no. 1 (2018): 135–37. http://dx.doi.org/10.1080/10486801.2017.1379699.

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Können, Gunther P. "Rainbows, Halos, Coronas and Glories: Beautiful Sources of Information." Bulletin of the American Meteorological Society 98, no. 3 (2017): 485–94. http://dx.doi.org/10.1175/bams-d-16-0014.1.

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Abstract Rainbows, halos, coronas, and glories are aesthetic features admired over millennia by man. They are also carriers of useful information about the physical properties of drops and solid particles floating in the atmospheres of Earth and other planets. Although atmospheric optics is a centuries-old discipline, significant progress in the understanding of these phenomena has been achieved during the past 40 years, as well as of their relation to the physical properties of the individual scatterers. At the same time, with the development of planetary exploration, the number of observatio

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Foerster, Desiree. "Awareness for Atmospheres." Excursions Journal 11, no. 1 (2021): 127–46. http://dx.doi.org/10.20919/exs.11.2021.271.

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In this essay I reflect on the meaning of atmospheres while the human world has been overwhelmed by a respiratory disease. In an auto-ethnographic gesture I reflect different ways of sensing and becoming sensitive to the atmospheric changes in my home during self-isolation. This self-questioning is directly related to the conceptualisation of air in view of its potential risk of carrying infectious virus particles. The air we breathe is currently stylised as a cloud on the micro level of aerosols, which gives reason to think anew about the status of the atmospheric with regard to our being in

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Vignjević, Ana. "Dialectic Atmosphere of Architecture: on Aesthetic Experience and Meteorology." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 41. http://dx.doi.org/10.25038/am.v0i12.166.

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This paper seeks to trace the genealogy between two different terms of ‘atmosphere’. On the one hand, the term is primarily understood as a meteorological phenomenon. On the other hand, the word ‘atmosphere’ has found its way into the field of aesthetics, as the spatial diffusion of a certain mood. But, as Tim Ignold remarks, current aesthetic approach to atmosphere is mostly all about sensory experience, with no mention of meteorology at all. Similar to this exclusion, current attitudes to climate change often reduce nature-culture relations to a merely technical concern. The purpose of this

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Søilen, Karen Louise Grova. "Safe is a Wonderful Feeling: Atmospheres of Surveillance and Contemporary Art." Surveillance & Society 18, no. 2 (2020): 170–84. http://dx.doi.org/10.24908/ss.v18i2.12756.

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This paper examines how the combined prism of contemporary art and the notion of atmosphere may offer alternative perspectives on our encounters with places and practices of surveillance. Specifically, this article investigates the atmospheres of surveillance surfacing in the video installation Safe Conduct (2016a) by British contemporary artist Ed Atkins. The artwork recreates the well-known situation of going through an airport security check. Through a combination of visual narrative and a soundscape blending the sounds of the conveyor belt and X-ray machines with heavy breathing and Ravel’

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Markov, Alexander. "Gustav Klimt and Egon Schiele in contemporary Russian Poetry." Philology & Human, no. 2 (July 21, 2021): 153–63. http://dx.doi.org/10.14258/filichel(2021)2-14.

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Leading Austrian artists of the first quarter of the 20th century, Gustav Klimt and Egon Schiele, did not attract the Russian writers attention until the 1990s, when the development of Russian postmodern literature was conductive to the attention to their experiments, polystylistics, cultural symbolism and aestheticism. It is stressed that although the heritage of these artists was adapted to the aesthetic project of Russian postmodernism, poetic statements about them revealed aspects of art that are not obvious to the common viewer. First of all, in the Russian poetry of the 1990s and the ear

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Sioui, Gregory Brais. "AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances." SHS Web of Conferences 64 (2019): 03003. http://dx.doi.org/10.1051/shsconf/20196403003.

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As part of an aesthetic approach, this design-driven research crosses two methodologies to determine what is common in the perception of atmospheres. First, a case study of the Vals’ thermal baths led to the selection of five different atmospheres, which were then analyzed through Gaston Bachelard’s lens, using his book L’Eau et les rêves. Bachelard’s literary symbols echo in the water contained in the massive stone walls of Vals to identify common generators of sensitive atmospheres. Secondly, the construction of this dialogue between Bachelard and Zumthor leads to the elaboration of a concep

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Panagopoulos, Thomas, Stilianos Tampakis, Paraskevi Karanikola, Aikaterini Karipidou-Kanari, and Apostolos Kantartzis. "The Usage and Perception of Pedestrian and Cycling Streets on Residents’ Well-being in Kalamaria, Greece." Land 7, no. 3 (2018): 100. http://dx.doi.org/10.3390/land7030100.

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Pedestrian zones are public spaces intended for the continued and safe mobility of pedestrians and people with disabilities, and they provide multiple benefits to urban areas. They counterbalance the densely built-up areas, decrease atmospheric pollution, increase available green or social space, increase walking and cycling rates, and facilitate active play for children. Done properly, pedestrianization may also increase local business sales. Greece boasts open public spaces and the pedestrianization of common roads. The economic crisis that Greece has been experiencing since 2008 has led peo

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Böhme, Gernot. "Atmosphere as the Fundamental Concept of a New Aesthetics." Thesis Eleven 36, no. 1 (1993): 113–26. http://dx.doi.org/10.1177/072551369303600107.

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Lei, Pan, and Emily B. Tan. "Reflection on the Influence of the Artistic Atmosphere on the University Organization Development." International Journal for Innovation Education and Research 9, no. 5 (2021): 342–45. http://dx.doi.org/10.31686/ijier.vol9.iss5.3099.

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This article reflects on the influence of the artistic atmosphere on the university organization development, emphasizing that the artistic atmosphere should be regarded as the strategic objective. Universities must use technology and aesthetics to build an artistic campus environment, influence the values of its organization members through an artistic atmosphere, and then integrate the humanistic factors of artistic aesthetics and creative awareness in the university culture, awaken more humanized communication and interaction, and shape the behavior of organization members, ultimately make

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Ianchenko, Aleksandra. "A Tram Ride You Would Talk About." Journal of Public Space, Vol. 5 n. 4 (December 1, 2020): 273–82. http://dx.doi.org/10.32891/jps.v5i4.1403.

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As an artist and junior researcher for the project “Public Transport as Public Space,” my aim is to understand atmospheres on urban public transport and the ways in which they can be changed through performative public art practice. Indefinite yet powerful, atmospheres, which emerge in the relation between a perceived environment and perceiving bodies (Böhme 2017), can be created deliberately through aesthetic work and used as a tool for shaping certain experiences and behaviors in public space (Allen 2006). For instance, visually attractive public artworks permanently integrated into the publ

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Spencer, Diana. "II Landscape and Aesthetics." New Surveys in the Classics 39 (2009): 16–30. http://dx.doi.org/10.1017/s0017383510000392.

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Defining a space as landscape suggests that it is visually distinctive and interesting, that it attracts the eye, and engages the senses and faculties. Agriculture (or productivity) can be one important feature of what makes space into land and divides it up into -scapes and territories, but it is not always the main issue. Typically, classical texts featuring something akin to our ‘landscape’ showcase the natural environment supporting, threatening, or ornamenting human existence. So at the beginning of the Graeco–Roman tradition we see that the landscapes of Homeric epic, or pastoral verse (

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