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Books on the topic 'Attribut visuel'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Feris, Rogerio Schmidt, Christoph Lampert, and Devi Parikh, eds. Visual Attributes. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50077-5.

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2

Jörgensen, Corinne. Image attributes: An investigation. UMI, 2000.

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3

Price, Andrew John. A STUDY TO DETERMINE THE EFFECT OF CERTAIN VISUAL ATTRIBUTES ON BASKETBALL SHOOTING ACCURACY. S.G.I.H.E., 1986.

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4

Ham, Tao Yao. A cross-cultural comparison of preference for visual attributes in interior environments: America and China. UMI, 1998.

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5

Parikh, Devi, Christoph Lampert, and Rogerio Schmidt Feris. Visual Attributes. Springer, 2018.

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6

Agrawal, Anurag. The expressive power and declarative attributes of exception handling in Forms/3. 1997.

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7

Traul, David E. Postoperative Visual Loss in Spine Surgery. Edited by David E. Traul and Irene P. Osborn. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190850036.003.0026.

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Postoperative visual loss (POVL) is a rare but devastating condition associated with many types of nonocular surgery. In spine surgery, the most common causes of POVL are ischemic optic neuropathy (ION), central retinal artery occlusion (CRAO), and cortical blindness. Although the association of POVL with spine surgery has long been recognized, the low incidence of this complication hinders the identification of patient and perioperative risk factors and limits our understanding of the causes of POVL. In adult spine surgery, POVL is most frequently attributed to ION whereas CRAO is more common

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8

Hurlbert, Anya. The Chromatic Mach Card. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0049.

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The object colors that we see are constructed by the visual brain and may therefore be significantly influenced by other visual attributes we perceive the object to possess. This chapter describes an illusion that illustrates one such interdependence between perceived object shape and color. The Chromatic Mach Card is a folded concave card, one side painted white and the other magenta. When the card is perceived in inverted depth, or convex, the pinkish reflections cast by the magenta side onto the white side appear deeper in saturation and painted thereon. Like the nineteenth-century Mach Car

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9

Sperling, George, Son-Hee Lyu, Chia-Huei Tseng, and Zhong-Lin Lu. The Motion Standstill Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0078.

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In the motion standstill illusion, a pattern that is moving quite rapidly is perceived as being absolutely motionless, and yet its details are not blurred but clearly visible. The illusion can be observed in a wide variety of special moving stimuli that either disadvantage or fatigue the motion systems to the point where no motion is perceived but where the shape, texture, color, and depth systems are still able to function sufficiently to extract a stable image from the moving display. It demonstrates that visual processing systems for attributes such as shape, texture, color, and depth extra

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10

Stevenson, Alice. Predynastic Egyptian Figurines. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.004.

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Anthropomorphic figurines attributed to fourth millennium bc predynastic Egypt are exceptionally rare. This chapter focuses its attention on the even smaller subset of those representations that can be contextualized archaeologically. This more selective treatment is intended to shift the core of the discussion of these artefacts from the usual focus upon visual representation towards consideration of embodiment and the spaces in which these things were made, encountered, and experienced. In particular, it is argued that figurines were affective devices that elicited emotional attention within

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11

Garipzanov, Ildar. Secular Monograms, Social Status, and Authority in the Late Roman World and Early Byzantium. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815013.003.0006.

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This chapter examines the use of monograms as graphic signs of imperial authority in the late Roman and early Byzantine empire, from its appropriation on imperial coinage in the mid-fifth century to its employment in other material media in the following centuries. It also overviews the use of monograms by imperial officials and aristocrats as visible signs of social power and noble identity on mass-produced objects, dress accessories, and luxury items. The concluding section discusses a new social function for late antique monograms as visible tokens of a new Christian paideia and of elevated

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12

Oklopcic, Zoran. Many, Other, Place, Frame. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198799092.003.0003.

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Focusing on the scenic dimension of the visual register of constituent imagination, Chapter 3 focuses on how select early modern, modern, and contemporary theorists stage the scenes in which a sovereign (people) appears either as the author or as the outcome of the act of constitution. Building on Kenneth Burke’s theory of dramatism, the chapter shows how choreographed interplay among four abstract stage ‘props’ allows constitutional thinkers to stage one of the most important attributes of sovereignty—its capacity for creatio ex nihilo. Through a series of engagements with Hobbes, Rousseau, S

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13

Gilad-Gutnick, Sharon, and Pawan Sinha. The Presidential Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0090.

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The effectiveness of the presidential illusion underscores the important point that by excluding external facial features, such as the head and hair shape, we lose critical information about the way faces are represented in real life. This chapter considers the question of whether whole-head processing is a general principle that can be extended to all face processes or if it specifically reflects the nature of facial encoding used by the visual system for the identification of individuals. For example, would supplementing the internal features of one face with those of another affect the perc

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14

Oklopcic, Zoran. Nephos, Scopos, Algorithm. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198799092.003.0005.

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Chapter 5 moves beyond the two most politically consequential understandings of the right to self-determination: attributed to Demos and Ethnos respectively. While normative theorists are not sure how to evoke these figures, this chapter treats them as ensembles that are extracted from Nephos; an even fuzzier and more granular political ‘aerosol’. Against it as a backdrop, the discrete locations of territorial rights will also appear more fuzzified—not as identifiable locations, but rather as Scopos; visual effects of concealed, but nevertheless contestable scopic regimes. Once its holders and

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15

Walden, Joshua S. Musical Portraits. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653507.001.0001.

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This book explores the wide-ranging but underexamined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot be depicted in sound, composers have experimented with methods of constructing other attributes of ident

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16

Gannon, Anna. The Iconography of Early Anglo-Saxon Coinage. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780199254651.001.0001.

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This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience. Anna Gannon divides the designs of the coins int

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17

Simmons, Caleb. Devotional Sovereignty. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190088897.001.0001.

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This book investigates the shifting articulations of kingship in a wide variety of literary (Sanskrit and Kannada), visual, and material courtly productions in the South Indian kingdom of Mysore during the reigns of Tipu Sultan (r. 1782–1799) and Krishnaraja Wodeyar III (r. 1799–1868). Tipu Sultan was a Muslim king famous for resisting British dominance until his death, and Krishnaraja III was a Hindu king who succumbed to British political and administrative control. Both of their courts dealt with the changing political landscape of the period by turning to the religious and mythical past to

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