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1

Bertoncini-Zubkova, Elena. "Image de la femme dans la litterature Swahili." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-94889.

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In the traditional Swahili literature description has a secondary role. Characters` portrayals are limited to a few stereotyped attributes, because they represent types, not individualized characters The model of women`s beauty is taken from Arabic literature: round face, black, flowing hair, big eyes, teeth like pealls with beautiful gaps in between, slender neck... This model is valid to a large extent also in modern novels.. Thus, the complexion of an ideal woman is as clear as possible; even up-rountry heroines are often light-roloured `as a half-cast` or at least bronzed. They are prefer
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2

Blommaert, Jan. "A Shaba Swahili life story." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95469.

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This paper presents an edited version of a hand written text in Shaba Swahili and French, accompanied by an English translation. The original text was written in ballpoint by a Shaba Zairean ex-houseboy, and sent to his former employer in Belgium It provides an account of his life, with special focus on the period after his Belgian employers left Zaire in 1973. It documents the conditions of hardship in the life of a semi-educated Zairean and provides a detailed account of the migrations he has to undertake in order to find means to support himself and his family. The author Wiote the `recit`
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3

Mbonde, John P. "Chachage Seithy L. Chachage: Makuadi wa soko huria (2002). Uchambuzi na uhakiki." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98242.

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Chachage Seithy L. Chachage amepata kuandika riwaya nyingine tatu: Sudi ya Yohana (1980), Kivuli (1984) na Almasi za Bandia (1990). Riwaya yake ya nne Makuadi wa Soko Huria (2002) ni ya kihistoria na yenye upekee wa maudhui, muundo na mtindo. Vipengele hivi vinadhihirisha ukomavu na upeo wa juu wa mwandishi ilimradi kwenda sambamba na changamoto ya utandawazi ya karne ya ishirini na moja ya milenia ya tatu. Mwandishi amekitabaruku kitabu hiki kwa kumbukumbu ya Mwalimu Julius Kambarage Nyerere (1922-1999).
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4

Mrikaria, Steven Elisamia. "Kejeli na fasihi ya Kiswahili - Tanzania." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-90897.

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Irony is a widely used device which plays a large role not only in conversation, but also has impacts on our daily thoughts. In literature, the device of irony has been used in the past and it is still being used by writers today so that readers can think deeply on the presented topic and understand the message and the intended concept. Wamitila (2008: 409) finds that irony is among the many devices which facilitate our conversations, mostly with its capability of indirectly revealing our hidden feelings, views and perspectives. According to Mbatiah (2001: 27) irony is a concept used in speech
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5

Gromov, Mikhail. "Tanzanian prose in the early 90s." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95571.

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Taking a closer look at Tanzanian prose in the early 90s, it can be said that it has preserved the main structural features which had taken shape within the previous two decades of its development. One of these features is a more or less rich system of genres (short story, novelette, novel). Another is a traditional division into `popular` and `elite` literature. This division had already been noted by many researchers in the 70s and the 80s, although they used different terms for it; e.g , popular and serious literature (Bertoncini 1989), popular and standard literature (Ohly 1990), riwaya-pe
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6

Diegner, Lutz. "Review: Kyallo Wadi Wamitila. 2003. kamusi ya fasihi. istilahi na nadharia." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91333.

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The 6th National Book Fair in Nairobi, Kenya, in September 2003 saw a new publication in the field of Swahili literary studies that should draw the attention of Swahili scholars in and outside of East Africa: the first comprehensive literary dictionary in Swahili language. Kyallo Wadi Wamitila, who is currently Senior Lecturer for Swahili Literature and Literary Theory at the University of Nairobi, has committed more than a decade of meticulous research to compile this major work. It comprises roughly 1.300 entries, arranged alphabetically, ranging from adhidadi (antonym) to muhakati (mimesis)
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7

Tramutoli, Rosanna. "`Love`encoding in Swahili: a semantic description through a corpus-based analysis." Universitätsbibliothek Leipzig, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-199690.

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Several studies have described emotional expressions used by speakers from different linguistic and cultural areas all around the world. It has been demonstrated that there are universal cognitive bases for the metaphorical expressions that speakers use to describe their emotional status. There are indeed significant differences concerning the use of emotional expressions, not only across languages but also language-internally. Quite a number of studies focus on the language of emotions in several European languages and languages of West Africa, whereas not enough research has been done on thi
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8

Bertoncini-Zubkova, Elena. "Slang in literature?" Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95309.

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We shall investigate the use of Swahili slang in Freddy Macha`s tiny collection of short stories Twen `zetu Ulaya (DSM 1984), and especially in his short story Check-bob This is arguably the only epistolary short story in modern Swahili literature; in fact, epistolary novels are uncommon in anglophone Afiica as a whole. In this narrative two former lovers show abuses on each other and their four letters - two by each character - unfold the story of a selfish young woman who shamelessly exploited her boyfiiend and the manner in which he paid her back with her own coin. It is interesting to note
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9

Bulcaen, Chris. "The dialogue of an author:." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-96426.

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In Swahili Forum III Elena Bertoncini-Zubkova (1996) discussed some of the political criticisms, expressed in the form of literary motifs and imagery, that emerged in the works of the Tanzanian Swahili writer Euphrase Kezilahabi since 1978 onwards. She situates this emergent critique in the new political discoursive context where critical reviews of the Ujamaa policy could now be publicly voiced since President Nyerere himself admitted the failure of Ujamaa in his delivery Azimio la Arusha baada ya Miaka Kumi (The Arusha Declaration Ten Years Later, 1977). According to Bertoncini this admissio
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10

Frankl, P. J. L. "Issa Nasser Issa AI-Ismaily. 1999. Zanzibar: Kinyang`anyiro na utumwa [Slavery and the Scramble for Zanzibar]. Ruwi (Oman). xlii + kurasa 285." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97732.

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11

Gromova, Nelli V. "Tafsiri mpya za fasihi ya Kirusi katika Kiswahili." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98239.

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Sehemu muhimu ya fasihi andishi ya Kiswahili yachukuliwa na fasihi iliyotafsiriwa kutoka lugha za kigeni. Ingawa vitabu vingi vilikuwa vimetafsiriwa na wageni, Waswahili walio maarufu walishugulika vile vile na kazi hiyo ya kufasiri kama wale Shaaban Robert anayehesabika kuwa mwanzilishi wa fasihi ya kisasa ya Kiswahili pamoja na rais wa kwanza wa Tanzania, baba wa taifa Mwalimu Julius Nyerere. Aidha, vitabu vya fasihi ya Kirusi zilianza kutafsiriwa kuanzia miaka ya sabini karne iliyopita. Nia yangu ilikuwa ni kuvuta uangalifu wa watafsiri Waswahili, kuwasaidia waelewe zaidi matini ya Kirusi n
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12

Blommaert, Jan. "A Shaba Swahili life story.: Text and translation." Swahili Forum; 3 (1996), S. 31-62, 1996. https://ul.qucosa.de/id/qucosa%3A10585.

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This paper presents an edited version of a hand written text in Shaba Swahili and French, accompanied by an English translation. The original text was written in ballpoint by a Shaba Zairean ex-houseboy, and sent to his former employer in Belgium It provides an account of his life, with special focus on the period after his Belgian employers left Zaire in 1973. It documents the conditions of hardship in the life of a semi-educated Zairean and provides a detailed account of the migrations he has to undertake in order to find means to support himself and his family. The author Wiote the `recit`
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13

Bertoncini-Zubkova, Elena. "Image de la femme dans la litterature Swahili." Swahili Forum 1 (1994) S. 13-27, 1994. https://ul.qucosa.de/id/qucosa%3A11605.

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In the traditional Swahili literature description has a secondary role. Characters` portrayals are limited to a few stereotyped attributes, because they represent types, not individualized characters The model of women`s beauty is taken from Arabic literature: round face, black, flowing hair, big eyes, teeth like pealls with beautiful gaps in between, slender neck... This model is valid to a large extent also in modern novels.. Thus, the complexion of an ideal woman is as clear as possible; even up-rountry heroines are often light-roloured `as a half-cast` or at least bronzed. They are prefer
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14

Blommaert, Jan. "A shaba Swahili life story:: Text and translation." Swahili Forum; 2 (1995), S. 73-103, 1995. https://ul.qucosa.de/id/qucosa%3A11620.

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This paper presents an edited version of a handwritten text in Shaba Swahili and French, accompanied by an English translation. The original text was written in ballpoint by a Shaba Zairean ex-houseboy, and sent to his former employer in Belgium. It provides an account of his life, with special focus on the period after his Belgian employers left Zaire in 1973. It documents the conditions of hardship in the life of a semi-educated Zairean and provides a detailed account of the migrations he has to undertake in order to find means to support himself and his family. The author wrote the `recit`
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15

Bertoncini-Zúbovká, Elena. "Kenyan literary Kiswahili." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-92213.

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Until the Eighties the regional character of Kenyan prose writing was far less marked than that of Zanzibari novels. Different was the situation in poetry; in fact, Kimvita and Kiamu have been used even in modern times (see, e.g., Ahmad Nassir Juma Bhalo, Abdilatif Abdalla and Ahmed Sheikh Nabhany; the last one is well-known for his endeavour in enriching and modernizing Swahili terminology, and a few of his proposed terms, e. g. runinga for `television`, have been accepted). Kenyan prose fiction, on the other hand, used to be much alike to the up-country Tanzanian literary production, written
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16

Bertoncini-Zúbková, Elena. "Mayai-waziri wa maradhi: magic realism in Euphrase Kezilahabi\'s long time unpublished short story." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-90925.

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This article will present a short story which appeared in the newspaper Mzalendo on the 15th January 1978, but it took twenty-six years before it was published in a book. Presumably it was written in the same period as both the play Kaputula la Marx and probably also as some of Kezilahabi’s poems from the second collection Karibu ndani (1988). It is a period of his most critical works. In Mayai – Waziri wa Maradhi the author blames, in a highly symbolic manner, the leading classes of his country who became rich at the expense of common citizens during ten years of Independence, symbolized by t
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17

Mrikaria, Steven Elisamia. "Kejeli na fasihi ya Kiswahili - Tanzania." Swahili Forum 17 (2010), S. 104-125, 2010. https://ul.qucosa.de/id/qucosa%3A11481.

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Irony is a widely used device which plays a large role not only in conversation, but also has impacts on our daily thoughts. In literature, the device of irony has been used in the past and it is still being used by writers today so that readers can think deeply on the presented topic and understand the message and the intended concept. Wamitila (2008: 409) finds that irony is among the many devices which facilitate our conversations, mostly with its capability of indirectly revealing our hidden feelings, views and perspectives. According to Mbatiah (2001: 27) irony is a concept used in speech
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18

Geider, Thomas. "A bibliography of Swahili literature, culture and history." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91490.

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The present alphabetical Bibliography ranging from `Abdalla` to `Zhukov` includes old and new titles on Swahili Literature, Linguistics, Culture and History. Swahili Studies or \'Swahilistics\' have grown strong since the mid-1980s when scholars started to increasingly engage in international networking, first by communicating through the newsletter Swahili Language and Society: Notes and News from Vienna (Nos. 1.1984-9.1992) and Antwerp (No. 10.1993) and then through the journal Swahili Forum published at the University of Cologne (Nos. I. 1994 - IX. 2002), not to mention the numerous confere
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19

Aiello, Traoré Flavia. "Memory in translation: Mau Mau Detainee and its Swahili Translation." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-162770.

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Enzi baada ya uhuru baadhi ya tafsiri mpya kwa Kiswahili zilianza kutokea nchini Kenya, zikiwemo tafsiri za riwaya na tawasifu za waandishi Wakenya. Makala haya yanazingatia tawasifu ya Josiah Mwangi Kariuki iitwayo Mau Mau Detainee (1963) inayosimulia kumbukumbu za mateso aliyoya-pata mwandishi mwenyewe wakati wa miaka ya hali ya hatari, na tafsiri yake kwa Kiswahili yaani Mau Mau Kizuizini (1965) iliyofasiriwa na Joel Maina. Kwanza, tawasifu ya Mau Mau Detainee itachambuliwa kwa kujikita hasa katika jinsi mwandishi mwenyewe alivyobuni lugha changamano takitumia Kiingereza kinachochanganywa n
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20

Wamitila, Kyallo Wadi. "What`s in a name: towards literary onomastics in Kiswahili literature." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91911.

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A mention of name in literature is almost always likely to recall the question Juliet posed to Romeo about his family name Montague in William Shakespeare´s Romeo and Juliet. In reading creative works we tend to identify characters basically by the names given to them. It is on this basic premise that some character analysis methods tend to define characters by taking recourse to their names and sometimes identifying them in metaphorical terms or as speaking names. Names play a very central and important role in any reading exercise and so would certainly the names given to characters be of i
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21

Wamitila, Kyallo Wadi. "A philosophical labyrinth: tracing two critical motifs in Kezilahabi´s prose works." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-93522.

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This study aims at studying one of the most important contemporary Kiswahili writers: Euphrase Kezilahabi. In a way this paper can be seen as a continuation of my earlier articles on the same writer. It is definitely different from the other ones though a certain thread links them: the interest in Kezilahabi`s philosophy. In this paper my interest is with two main motifs namely contemptus mundi and carpe diem. Contemptus mundi is a Latin expression for contemptible world, world as a bad place and one that is perceived contemptuously. I intend to explore the said motifs in Kezilahabi\'s prose w
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22

Gromov, Mikhail. "Tanzanian prose in the early 90s." Swahili Forum; 3 (1996), S. 149-153, 1996. https://ul.qucosa.de/id/qucosa%3A11638.

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Taking a closer look at Tanzanian prose in the early 90s, it can be said that it has preserved the main structural features which had taken shape within the previous two decades of its development. One of these features is a more or less rich system of genres (short story, novelette, novel). Another is a traditional division into `popular` and `elite` literature. This division had already been noted by many researchers in the 70s and the 80s, although they used different terms for it; e.g , popular and serious literature (Bertoncini 1989), popular and standard literature (Ohly 1990), riwaya-pe
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23

Wilkening, Friederike. "Who is J.W.T. Allen?" Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91820.

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At a first glance it may seem strange that a man who probably was the European scholar of Swahili with the longest association with the Swahili Coast should have had so little impact on the field of Swahili studies, at least regarding his reception in the literature of the discipline. Obviously there must be something marginal to his position in the academic world of both his and our days, which appears to draw mainly from two factors. On the one hand, John Allen spent most of his professional life `on location`in the Swahili sphere and some other parts of the Muslim world, but hardly ever was
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24

Ngugi, Pamela M. Y. "Nafasi ya muziki uliopendwa katika fasihi ya kiswahili." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98110.

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Nyimbo, kama tanzu ya fasihi yeyote ile zina majukumu mbalimbali ambayo hutekeleza katika jamii. Lengo kuu la fasihi ni lile la kuielimisha na hata kuiburudisha jamii. Ndivyo ilivyo katika nyimbo kwa sababu kupitia kwazo wanajamii huburudika na kuelimishwa. Ni kwa sababu hiyo ndipo makala hii inalenga kuangalia nafasi ya nyimbo zinazopendwa katika fasihi ya Kiswahili. Huu ni utanzu ambao huwafikia watu wengi katika jamii. Kutokana na kutumia lugha ya Kiswahili, utanzu huu unaweza kueleweka na Wakenya wengi. Nchini Kenya, vyombo vya habari vimeipa fasihi hii nafasi kubwa sana na hivyo basi kuip
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25

Wamitila, Kyallo Wadi. "Mahojano mafupi na Lutz Diegner juu ya riwaya ya Bina-Adamu!" Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98287.

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Kyallo Wadi Wamitila aliyezaliwa mwaka 1966 mjini Machakos nchini Kenya ni mwandishi anayeandika katika tanzu za ushairi, tamthilia, hadithi fupi na riwaya. Aidha, ameandika vitabu kadhaa vya watoto. Katika mahojano haya mafupi yaliyofanyika tarehe 03.11.2004 kwa njia za baruapepe tulizungumzia riwaya yake ya pili Bina-Adamu! (2002). Riwaya hii ni juzuu ya kwanza ya trilojia ambayo imeendelezwa na Musaleo! Juzuu ya tatu itaitwa Pumzi za Kovu.
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26

Khamis, Said A. M. "Implication as a literary technique in Mohamed S. Mohamed`s novels: Kiu and Nyota ya Rehema." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-93535.

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Reading Mohamed´s novels Kiu (`Thirst´; 1972) and Nyota ya Rehema (`The Star ofRehema´or `The Destiny of Rehema´; 1976), one is struck by abundant use of `implication´ technique. Implication is regarded as a feature that is statistically more frequent in poetry than in prose, hence the presence of this technique in abundance in Mohamed´s idiom, renders it a quality of poetic prose. The purpose of this paper is therefore to show how various linguistic features are used as vehicle for the realisation of the implication technique used to create exponents for the semantic structure in his novels.
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27

Bertoncini-Zubkova, Elena. "Marx`s shorts and ancestors` caves:." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95567.

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The only play by Kezilahabi, Marx`s shorts, is a political satire, so pungent that it has not yet been published, although its photocopied manuscript has been in circulation for almost twenty years (it is dated 1978). Probably it was written soon after Julius Nyerere`s pamphlet Azzmio la Arusha baada ya Miaka Kumi (1977), where he overtly admitted for the first time the failure of his policy, clearing the way for critical literary works.
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28

Tramutoli, Rosanna. "`Love`encoding in Swahili: a semantic description through a corpus-based analysis." Swahili Forum 22 (2015), S. 72-103, 2015. https://ul.qucosa.de/id/qucosa%3A14607.

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Several studies have described emotional expressions used by speakers from different linguistic and cultural areas all around the world. It has been demonstrated that there are universal cognitive bases for the metaphorical expressions that speakers use to describe their emotional status. There are indeed significant differences concerning the use of emotional expressions, not only across languages but also language-internally. Quite a number of studies focus on the language of emotions in several European languages and languages of West Africa, whereas not enough research has been done on thi
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29

Diegner, Lutz. "Review: Kyallo Wadi Wamitila. 2003. kamusi ya fasihi. istilahi na nadharia." Swahili Forum 11 (2004) S. 235-237, 2004. https://ul.qucosa.de/id/qucosa%3A11522.

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The 6th National Book Fair in Nairobi, Kenya, in September 2003 saw a new publication in the field of Swahili literary studies that should draw the attention of Swahili scholars in and outside of East Africa: the first comprehensive literary dictionary in Swahili language. Kyallo Wadi Wamitila, who is currently Senior Lecturer for Swahili Literature and Literary Theory at the University of Nairobi, has committed more than a decade of meticulous research to compile this major work. It comprises roughly 1.300 entries, arranged alphabetically, ranging from adhidadi (antonym) to muhakati (mimesis)
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30

Mbonde, John P. "Gabriel Ruhumbika: Janga sugu la wazawa (2002). Uchambuzi na Uhakiki." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98271.

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Gabriel Ruhumbika aliyezaliwa mwaka 1938 kisiwani Ukerewe ni miongoni mwa wanafasihi waliokubuhu katika fani ya riwaya za Kiswahili. Sasa ametuletea riwaya hii ya aina yake Janga sugu la wazawa (2002). Kwa jumla, riwaya hii linaakisi hali halisi ya mfumo wa maisha ya Wakerewe kwa kuwalinganisha na jamii inayokizunguka kisiwa cha Ukerewe, mintarafu imani za jadi na jinsi Ukristo ulivyoathiri misingi hiyo. Hali kadhalika, riwaya hii linasisitiza umuhimu wa kuzingatia kuthamini tamaduni, mila na desturi na maadili mema katika jamii.
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31

Ogechi, Nathan Oyori. "Publishing in Kiswahili and indigenous languages for enhanced adult literacy in Kenya." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91659.

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This paper argues a case for the preparation of reading materials in Kiswahili and other African languages in order to enhance adult education in Kenya. Adult education clientele are defined as those aged over 15 who (a) were either never enrolled in primary schools or dropped out before completing and (b) `graduated` and currently participate in community extension services. Cognisance of mothertongues as the best languages to begin basic literacy is taken. However, since the literacy so acquired should be useful to the individual at both local and national levels, one needs Kiswahili for wid
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32

Rettová, Alena. "Lidství utu? Ubinadamu baina ya tamaduni." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97671.

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Taking its depature point in a translation of a play by a Czech playwright and philosopher, Václav Havel, into Swahili, the article strives at a cross-cultural comparison of a pivotal concept of Havel`s thought, lidství (`humanity´), and an equally central concept of Swahili moral and philosophical thought, utu. The basis of this copmparison is, on the Czech side, an explanation of Havel`s concept and its grounding in existentialist philosophy. The Swahili side is presented in a two-step procedure. First, the semantic field of `humanity´in the Swahili language, comprising utu and several conce
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33

Elisamia, Mrikaria Steven. "Fasihi Simulizi na teknolojia mpya." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-100843.

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Over 50 years ago, Marshall McLuhan (2003), a specialist in communication issues, said that the world is becoming smaller and smaller every starting day, a result of the emergence of modern communication around the world. This situation has given birth to the conept `new technology´. This article will break down this new concept by looking at it through the lens of oral literature, which is used in Swahili communities. However, oral Swahili literature uses Kiswahili language, which is the languagge of communication at different levels throughout East and central Africa. The article will examin
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34

Rettová, Alena. "`The best of all possible worlds´?" Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97690.

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The German philosopher and mathematican Gottfried Wilhelm Leibnitz, maintained that this world god created was the best of all possible worlds. God could not have created a world that would contain a contradiction. In Descartes`opossed view, it was possible for God to create a world containing contradictions. The two philosophers`s dispute concerned the issue of what is it that is necessary, as opossed to that which is arbitrary, in a created world. Against this background, I would like to discuss William E. Mkufya`s novel, Ziraili na Zirani.
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35

Bertoncini-Zúbková, Elena. "`Nyoko-Nyoko`: an unpublished short story by Saad Yahyai." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91601.

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Saad Yahya, born in Zanzibar in 1939, studied architecture and town planning in Great Britain and in Canada; since 1968 he has lectured at the University of Nairobi. He portrays everyday life of typical inhabitants of Zanzibar and Nairobi, displaying a penetrating understanding of their problems and of their state of mind, linked with a remarkable stylistic ability. He is an acute observer who presents his characters with humour and irony, but also with a profound insight. Furthermore, in his stories, under the surface of everyday activities there is always some hidden antagonism or passion, n
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36

Bertoncini-Zúbková, Elena. "Mayai-waziri wa maradhi: magic realism in Euphrase Kezilahabi\'s long time unpublished short story." Swahili Forum 11 (2004) S. 39-44, 2004. https://ul.qucosa.de/id/qucosa%3A11484.

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This article will present a short story which appeared in the newspaper Mzalendo on the 15th January 1978, but it took twenty-six years before it was published in a book. Presumably it was written in the same period as both the play Kaputula la Marx and probably also as some of Kezilahabi’s poems from the second collection Karibu ndani (1988). It is a period of his most critical works. In Mayai – Waziri wa Maradhi the author blames, in a highly symbolic manner, the leading classes of his country who became rich at the expense of common citizens during ten years of Independence, symbolized by t
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37

Topan, Farouk. "Nyaigotti-Chacha, Chacha." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95141.

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It is heartening to note that the number of contemporary Swahili scholars whose work is receiving attention in books and university theses is steadily on the increase. This volume adds Abdilatif Abdalla to the list containing, so far as I know, the names of Muhammed Said Abdulla, Ebrahim Hussein and Euphrase Kezilahabi It is a volume on the poetry of Abdalla which Nyaigotti-Chacha writes with wrumth, understanding and a desire to place in perspective the poet`s works, in particular, Utenzi wa maisha ya Adamu na Hawaa (1971) and Sauti ya dhiki (1973) For this reason, perhaps, it tends to be les
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38

Diegner, Lutz. "Allegories in Euphrase Kezilahabi`s early novels." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91373.

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The aim of this article is to analyse allegories in the first four novels of the Swahili-writing author Euphrase Kezilahabi who is one of the most renowned authors in contemporary Tanzania. This analysis will be based on allegory as it is defined in literary studies. What is aimed at with this study is a hermeneutical interpretative approach to the allegories found in Kezilahabi`s early novels which shall be based on as much contexts as available: text-context, intertextual context, cultural context, historical context, only to mention the most important (cf. Mohlig 1994: 257). The text-contex
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39

Bertoncini-Zubkova, Elena. "Slang in literature?: Freddy Macha`s short story `Check Bob`." Swahili Forum; 2 (1995), S. 180-186, 1995. https://ul.qucosa.de/id/qucosa%3A11625.

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We shall investigate the use of Swahili slang in Freddy Macha`s tiny collection of short stories Twen `zetu Ulaya (DSM 1984), and especially in his short story Check-bob This is arguably the only epistolary short story in modern Swahili literature; in fact, epistolary novels are uncommon in anglophone Afiica as a whole. In this narrative two former lovers show abuses on each other and their four letters - two by each character - unfold the story of a selfish young woman who shamelessly exploited her boyfiiend and the manner in which he paid her back with her own coin. It is interesting to note
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40

Bertoncini-Zubkova, Elena. "Maria Valtorta: Injili kama nilvyofunuliwa." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95707.

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An important editorial achievement has been the recent translation into Swahili of the first volume of the monumental work on the life of Jesus Christ in ten volumes, L`Evangelo come mi Stato rivelato (the title of the English version is The Poem of the Man-God) by the Italian mystic Maria Valtorta (1897-1961).
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41

Mkufya, William E. "Mazungumzo na Lutz Diegner juu ya riwaya ya Ziraili na Zirani." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98266.

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William E. Mkufya aliyezaliwa mwaka 1953 wilayani Lushoto, Tanga, nchini Tanzania ni mmojawapo wa waandishi wakongwa wa riwaya ya Kiswahili. Hadi hii leo amechapisha riwaya nne. Aidha, ameandika vitabu kumi na viwili vya watoto na kutafsiri baadhi ya vitabu, kama vile riwaya ya Kiu ya Mohamd Suleiman Mohamed. Riwaya za Ziraili na Zirani na Ua la Faraja zimeshinda Tuzo la Fasihi ya Kitaifa Tanzania katika kiwango cha Muswada Bora wa Riwaya mnamo 1999 na 2001. Katika mazungumzo haya yaliyofanyika tarehe 29 Januari, mwaka 2004, huko TYCS, Upanga, Dar es Salaam tulitia mkazo zaidi kwenye riwaya ya
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42

Zhukov, Andrei. "Shaaban Robert in the Russian language." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97835.

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Marehemu Shaaban Robert is well-known in Russia not only among specialists, but also in the circles of the reading public at large. It was in Russian (the only European language) in which Shaaban Robert´s prose writings were translated for the first time for the general reader. The creative work of Shaaban Robert occupies a special place in the scientific research of Russian scholars. They regard him as a philosopher, a distinguished public figure, a founder of modern literature in Kiswahili who connects centuries-old traditions of Swahili oral and written literature with the demands of modern
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43

Diegner, Lutz, and Adam Shafi. "Mazungumzo na Adam Shafi juu ya uandishi wake wa riwaya." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98377.

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Adam Shafi aliyezaliwa mwaka 1940 kisiwani Unguja ni mmojawapo wa waandishi mashuhuri wa riwaya ya Kiswahili. Hivi sasa mwandishi yumo mbioni kukamilisha muswada wa riwaya yake ya sita iitwayo Mtoto wa Mama. Mbali na uandishi, Adam Shafi aliwahi kufanya kazi mbalimbali za uandishi wa habari na kazi za ushirika wa kimataifa. Ni furaha yetu kubwa kuwa hatimaye tunaweza kutoa mazungumzo hayo baada ya kuyapitia na kuyahariri kidogo tu, kwa vile tunaamini utamu wa lugha inavyozungumzwa katika hali halisi ya maisha una nguvu ya kiujumi inayoweza kumvutia msomaji zaidi.
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44

De, Giuli Lou Akusua. "Ziraili na Zirani, a philosophical analysis." Universitätsbibliothek Leipzig, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-107443.

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The novel Ziraili na Zirani, by W. Mkufya, is characterised by the constant recurrence of themes featuring in theodicy, the philosophical ‘vindication of divine goodness and providence in view of the existence of evil’ (Oxford dictionaries online). The themes which emerge from the characters’ conversations throughout the novel provide a constant confrontation of arguments to support or refute the existence of God. This paper aims to analyse the novel from a philosophical perspective, in order to clarify and emphasise the connection between the ideas and words employed by the characters, and th
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45

Gromov, Mikhail D. "In memoriam." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-90974.

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46

Beck, Rose Marie. "Drei Swahili Frauen:." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-95175.

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Book Review: Mirza, Sarah & Margaret Strobel (ed.) 1989. Three Swahili Women. Life Histories from Mombasa. Bloomington & Indianapolis: Indiana University Press. and Mirza, Sarah & Margaret Strobel (ed.) 1989. Wanawake watatu wa Kiswahili hadithi za maisha kutoka Mombasa, Kenya. Bloomington & Indianapolis: Indiana University Press.
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47

Shatry, Alwi M. "Tamaduni na fasihi za kienyeji kwa lugha za kigeni." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98624.

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Uhusiano baina ya lugha na utamaduni, mila na mirathi ya jamii kwa jumla huenda ukafahamika angalau kwa wepesi, iwapo tutazingatia mambo mawili: kwanza, lugha na matumizi yake ni chombo cha kujieleleza thamani tafauti zilizofungamana na maumbile ya kimila, fikira, maarifa, imani, adabu na utamaduni wa jamii yenyewe kwa jumla. Pili, matumizi ya lugha aghlabu husadifu kuwa ndio msingi wa kuendeleza na kukuza, na hata pia kubuni, uzushi mpya katika mirathi ya utamaduni, mila na khulka za kijamii. Kwa hivyo si rahisi kwa lugha kutengamana na taswira za jamii: utu, utamaduni, mila, mitindo na mengi
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48

Gromov, Mikhail D. "Mahojano na Ben R. Mtobwa." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98342.

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Mahojiano haya yamefanyika tarehe 11 Januari 2008, mjini Mainz, Ujerumani, wakati wa Kongamano la Tisa la Janheinz Jahn “Beyond ‘murder by magic’: investigating African crime fiction” lililofanyika Chuo Kikuu cha Mainz.
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49

Rosenberg, Aaron Louis. "Tegeni masikio: composing East African realities through young eyes." Universitätsbibliothek Leipzig, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-107414.

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At times creative writing has been employed by Tanzanians in order to demonstrate the progress of African peoples and to reflect the changes, or lack of them, in this society. Popular songs are another continually vibrant medium of intellectual exchange which appeals to various sectors of the Tanzanian populace. Such oral and written works, directed as they are to local and intra-national audiences, are most often created in the Swahili language. The relatively young age of Tanzania’s population, with nearly 65 percent of the population under 25 years of age has brought about a situation in wh
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50

Gromov, Mikhail D. "Nagona and Mzingile - novel, tale or parable?" Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-93517.

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Since the very moment of their appearance two recent works of Euphrase Kezilahabi- Nagana (1990) and Mzingile (1991)- hold a very special place in the whole development ofKiswahili literature, giving a lot of puzzles for the reader and a lot of material for the scholars of literature. I\' m going to dwell upon only one aspect of the book - its generic origin; for I think that this question will sooner or later arise. To this effect, I would dare first narrate - very briefly - the contents of the book I would refer to it as `the book´, although it actually consists of two parts - but these part
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