Relevant bibliographies by topics / Au Hasard Balthazar

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Academic literature on the topic 'Au Hasard Balthazar'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Au Hasard Balthazar"

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Cameron, Sharon. "Animal Sentience: Robert Bresson's Au hasard Balthazar." Representations 114, no. 1 (2011): 1–35. http://dx.doi.org/10.1525/rep.2011.114.1.1.

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In Robert Bresson's Au hasard Balthazar, through the filmic congruence of animal and human bodies that are brought into relation rhythmically rather than narratively, we are made to rethink the meaningfulness of distinctions that separate animal and human forms of embodiment—specifically, we are asked to rethink the roles of reason and will in making us who we are.
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2

McDonald, M. "Death and the Donkey: Schubert at Random in Au Hasard, Balthazar." Musical Quarterly 90, no. 3-4 (2008): 446–68. http://dx.doi.org/10.1093/musqtl/gdn018.

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Watkins, Raymond. "Robert Bresson's Modernist Canvas: The Gesture toward Painting in Au hasard Balthazar." Cinema Journal 51, no. 2 (2012): 1–25. http://dx.doi.org/10.1353/cj.2012.0002.

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Balsom, Erika. "“One Single Mystery of Persons and Objects”: The Erotics of Fragmentation in au Hasard Balthazar." Canadian Journal of Film Studies 19, no. 1 (2010): 20–40. http://dx.doi.org/10.3138/cjfs.19.1.20.

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d’Autreppe, Emmanuel. "Clotilde Simond, Esthétique et schizophrénie. À partir de Zabriskie Point de M. Antonioni, Au hasard Balthazar de R. Bresson et Family Viewing d’A. Egoyan." Questions de communication, no. 6 (December 1, 2004): 410–12. http://dx.doi.org/10.4000/questionsdecommunication.6310.

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Books on the topic "Au Hasard Balthazar"

1

Robert, Bresson, ed. Au hasard Balthazar. Nouveaux Pictures, 2004.

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Bresson, Robert. Au hasard Balthazar. 2018.

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3

Robert, Bresson, ed. Au hasard Balthasar. Nouveaux Pictures, 2004.

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4

Rothermel, Dennis. Becoming-Animal Cinema Narrative. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0014.

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This chapter connects distinctive animal territories to specific uses of film language through a series of case studies, most notably Robert Bresson’s Au hasard Balthazar (1966), Michelangelo Frammartino’s Le Quattro Volte (2011), Bela Tarr’s The Turin Horse (2011), and Ang Lee’s Life of Pi (2012). Significantly, becoming-animal cannot be represented by conventional point-of-view and shot-reverse-shot editing (the structural mainstay of filmic suture), because it ties the animal to the conventional (and thus delimiting) human vectorial space of Deleuze’s action-image. Instead, inspired by Pier
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Book chapters on the topic "Au Hasard Balthazar"

1

"AU HASARD BALTHAZAR (ZUM BEISPIEL BALTHASAR, Robert Bresson, FR/SE 1966)." In Leid-Bilder, edited by Natalie Fritz, Marie-Therese Mäder, Daria Pezzoli-Olgiati, and Baldassare Scolari. Schüren Verlag, 2018. http://dx.doi.org/10.5771/9783741001192-119.

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Tello, Carlos. "Le regard de l’animal : Au hasard Balthazar de Robert Bresson et Le Cheval de Turin de Béla Tarr." In L’animal : une source d’inspiration dans les arts. Éditions du Comité des travaux historiques et scientifiques, 2018. http://dx.doi.org/10.4000/books.cths.4221.

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