Relevant bibliographies by topics / Auckland Art Gallery / Journal articles
To see the other types of publications on this topic, follow the link: Auckland Art Gallery.

Journal articles on the topic 'Auckland Art Gallery'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 16 journal articles for your research on the topic 'Auckland Art Gallery.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Hillary, Sarah. "PART II : AUCKLAND CITY ART GALLERY CONTEMPORARY ART FILE." AICCM Bulletin 11, no. 4 (1985): 52–62. http://dx.doi.org/10.1179/bac.1985.11.4.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Samarasinghe, Anya. "Stories of Victorian Paintings at Auckland Art Gallery Toi o Tāmaki – Navigating Intersections between Past and Present." Back Story Journal of New Zealand Art, Media & Design History, no. 9 (July 1, 2021): 95–111. http://dx.doi.org/10.24135/backstory.vi9.66.

Full text
Abstract:
Victorian painting featured strongly in Auckland Art Gallery Toi o Tāmaki’s early collection and continued to be acquired well into the twentieth century. These artworks have tendedto be displayed through the lenses of theme and narrative. However, the need to invigorate this format is gaining momentum as curators are exploring ways to navigate intersections between past and present. Te Haerenga/The Passage, currently on display at Auckland Art Gallery Toi o Tāmaki, is in keeping with the drive towards enabling historical, international artworks, such as Victorian painting, to be displayed in
APA, Harvard, Vancouver, ISO, and other styles
3

Hammond, Catherine. "Escaping the digital black hole: e-ephemera at two Auckland art libraries." Art Libraries Journal 41, no. 2 (2016): 107–14. http://dx.doi.org/10.1017/alj.2016.10.

Full text
Abstract:
The collections of e-ephemera of two Auckland art libraries are discussed here: the E H McCormick Research Library at Auckland Art Gallery Toi o Tāmaki, a specialist art library within one of New Zealand's major public art galleries, and the Fine Arts Library Te Herenga Toi at the University of Auckland which supports the research and teaching needs of the Elam School of Fine Arts and the Department of Art History. While there are differences in approach both institutions see the value in preserving print and e-ephemera and are looking to make this material more accessible to users, despite nu
APA, Harvard, Vancouver, ISO, and other styles
4

McKay, Andrew. "Preserving a legacy: an analysis of the role and function of the Mackelvie Trust Board, 1885−2010." Records of the Auckland Museum 53 (December 20, 2018): 17–25. http://dx.doi.org/10.32912/ram.2018.53.2.

Full text
Abstract:
"Established to manage the art collections of one of Auckland city’s former businessmen, the Mackelvie Trust Board has operated for over 125 years. The Trust was set up to administer James Tannock Mackelvie’s(1824−85) collection of European paintings, books, decorative arts and objets de vertu including bronzes, clocks, coins and natural treasures now held at the Auckland Art Gallery, the Auckland War Memorial Museum and the Auckland Public Library. This article will explain how part of the collection came to be at the Auckland War Memorial Museum, how the Trustees administered the will, and h
APA, Harvard, Vancouver, ISO, and other styles
5

Jasiński, Artur, and Anna Jasińska. "THREE MUSEUMS OF THE ART OF THE PACIFIC AND THE FAR EAST – POSTCOLONIAL, MULTICULTURAL AND PROSOCIAL." Muzealnictwo 60 (March 4, 2019): 16–32. http://dx.doi.org/10.5604/01.3001.0013.0764.

Full text
Abstract:
Three museums of the art of the Pacific and the Far East are described in the paper: Singapore National Gallery, Australian Art Gallery of South Wales in Sydney, and New Zealand’s Auckland Art Gallery Toi o Tāmaki. The institutions have a lot in common: they are all housed in Neo-Classical buildings, raised in the colonial times, and have recently been extended, modernized, as well as adjusted to fulfill new tasks. Apart from displaying Western art, each of them focuses on promoting the art of the native peoples: the Malay, Aborigines, and the Maori. Having been created already in the colonial
APA, Harvard, Vancouver, ISO, and other styles
6

McBride, Caroline. "Engaging Archives: Activating our collections for new audiences." Art Libraries Journal 44, no. 3 (2019): 132–38. http://dx.doi.org/10.1017/alj.2019.18.

Full text
Abstract:
In recent years we have noticed a substantial increase in interest in our archive collections at the E H McCormick Research Library at Auckland Art Gallery Toi o Tāmaki. With circulation figures for print publications generally reported to be on a downward trend for libraries, unique material is being eagerly sought out.Who are our new audiences and how do they engage with archives in varying ways? What specific approaches have contributed to achieving this positive shift? Including observations from other research librarians and archivists, this article provides a view of art archive use and
APA, Harvard, Vancouver, ISO, and other styles
7

Reeves, David. "One big picture – 12,000 little pictures: the Auckland Art Gallery collection management and access programme." Electronic Library 21, no. 3 (2003): 208–13. http://dx.doi.org/10.1108/02640470310480443.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sigley, Agnes. "Diving into the Human Psyche." Ata: Journal of Psychotherapy Aotearoa New Zealand 17, no. 1 (2013): 109–13. http://dx.doi.org/10.9791/ajpanz.2013.09.

Full text
Abstract:
As I regularly invite my clients to inhale and exhale and connect with their breath, their bodies’ sensations, their hearts, and deeper parts of themselves through the expressive arts, I find inspiration and resonance in Vincent Ward’s art works. Vincent Ward (b.1956) is one of the most original and acclaimed New Zealand artists, and some have called him a visionary. His latest exhibitions, Inhale/Exhale were held simultaneously at the Gus Fisher Gallery, in the University of Auckland and the Wallace Arts Centre at the Pah Homestead in July 2012. Inhale was a cinematic installation while Exhal
APA, Harvard, Vancouver, ISO, and other styles
9

McBride, Caroline. "Curators and their use of digital images." Art Libraries Journal 31, no. 3 (2006): 25–31. http://dx.doi.org/10.1017/s0307472200014577.

Full text
Abstract:
New Zealanders like to think of themselves as high users of the latest technology. Does this extend to digital imagery in the workplace? Curators at the Auckland Art Gallery Toi o Tāmaki were surveyed regarding digital image sources, their use and the problems and opportunities they presented. They were found to be keen, adept users, satisfied with their technical and retrieval capabilities, and aware of issues relating to copyright and image storage. Happy with thumbnails in many instances, they employed the skills of the Gallery’s professional photographers when higher quality images were re
APA, Harvard, Vancouver, ISO, and other styles
10

Schmidt, Tyson, Te Aitanga-a-Hauiti, and Te Whānau a Ruataupare ki Tokomaru. ""The mural's value far outstripped the building's worth": art, architecture and protest at Aniwaniwa." Architectural History Aotearoa 17 (November 2, 2020): 78–94. http://dx.doi.org/10.26686/aha.v17.9575.

Full text
Abstract:
John Scott's Āniwaniwa Visitor Centre is lucky to get a mention in many of the reports and rememberings of the removal of Colin McCahon's Urewera Mural by Tūhoe activist Te Kaha in 1997. The focus at the time, and even in subsequent retellings, was on the artwork and the personalities involved (including McCahon himself despite dying ten years before the removal). Even when discussed in the context of the performance of protest (or cultural activism as some would have it), the contribution of architecture to this episode is either ignored or downplayed (or not understood). This paper explores
APA, Harvard, Vancouver, ISO, and other styles
11

Sinfield, David. "Memento mori: a consideration of colloquial gods: Review of the exhibition Who Shot Rock & Roll? Auckland Art Gallery Toi O Tāmaki." Visual Communication 13, no. 2 (2014): 257–62. http://dx.doi.org/10.1177/1470357213518287.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Rose, Hanahiva. "Toi Tū Toi Ora: Contemporary Māori Art." Journal of New Zealand Studies, NS35 (February 15, 2023). http://dx.doi.org/10.26686/jnzs.ins35.8123.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Parlane, Anna. "After McCahon at Auckland City Art Gallery: Canonisation and the Market in the 1980s." Journal of New Zealand Studies, NS31 (December 14, 2020). http://dx.doi.org/10.26686/jnzs.v0ins31.6679.

Full text
Abstract:
Can New Zealand postmodernism be described as a post-McCahon condition? Curator Christina Barton’s exhibition after McCahon: some recent configurations in art (1989), at Auckland City Art Gallery, was a critical response to McCahon’s canonisation, registering internal diversity within an institution deeply invested in this status. Strategically invoking McCahon’s name enabled Barton to smuggle a group of younger artists into ACAG’s exhibition programme. The artists in After McCahon explored poststructuralist theory, an expansion of institutional critique, post-punk practices and decolonial pol
APA, Harvard, Vancouver, ISO, and other styles
14

McCarthy, Christine. ""... ponderously pedantic pediments prevail ... good, clean fun in a bad, dirty world": New Zealand Architecture in the 1980s." Architectural History Aotearoa 6 (October 30, 2009). http://dx.doi.org/10.26686/aha.v6i.6750.

Full text
Abstract:
The 1980s in New Zealand started with Robert Muldoon as Prime Minister: "Think Big," the Springbok Tour, the price freeze, and the establishment of Kōhanga Reo. These conflicting messages of expansion, contraction, and of race and politics were contextualised by high inflation (15.7% in 1981, 17.6% in 1982) and increasing unemployment (over 70,000 in 1981; c130,000 in 1983). In 1983 the CER (Closer Economic Relations) agreement with Australia was signed. In 1986 a GST (Goods and Services Tax) was first introduced. In October 1987, the sharemarket crash devastated many and reduced the number of
APA, Harvard, Vancouver, ISO, and other styles
15

Barrett, Tia. "He Pounamu Ko Āu: Celebrating a mana wahine Māori narrative." Rangahau Aranga: AUT Graduate Review 1, no. 3 (2022). http://dx.doi.org/10.24135/rangahau-aranga.v1i3.107.

Full text
Abstract:
“He wāhine, he whenua, e ngaro ai te tangata.” 
 
 "By women and land, men are lost ‐ also refers to the essential nourishing roles that women and land fulfil, without which humanity would be lost." (Mikaere, 1994) 
 
 My master's is a kaupapa Māori creative, practice-led study that explores my wahine Māori identity. I expound on my journey through moving image, mōteatea (traditional Māori chant, sung poetry), ambient sound, and installation, sharing my healing process of overcoming the adversity of colonisation and the impacts it has had on me as a wāhine Māori. On an arti
APA, Harvard, Vancouver, ISO, and other styles
16

Page, John. "Counterculture, Property, Place, and Time: Nimbin, 1973." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.900.

Full text
Abstract:
Property as both an idea and a practice has been interpreted through the prism of a liberal, law and economics paradigm since at least the 18th century. This dominant (and domineering) perspective stresses the primacy of individualism, the power of exclusion, and the values of private commodity. By contrast, concepts of property that evolved out of the counterculture of the 1960s and early 1970s challenged this hegemony. Countercultural, or Aquarian, ideas of property stressed pre-liberal, long forgotten property norms such as sociability, community, inclusion and personhood, and contested a p
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography