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Books on the topic 'Audience behavior'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Cokley, John. Shopping news: Agenda finding, what the audience does before the news. Australian Scholarly, 2015.

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2

Kalmykov, Sergey, and Nikolay Pashin. Social advertising: designing effective interaction with the target audience. INFRA-M Academic Publishing LLC., 2017. http://dx.doi.org/10.12737/23289.

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The monograph analyzes the possibility of managing the process of socio-advertising influence on socio-demographic groups. The developed methodological bases with the use of the multivariate paradigmatic status of sociological knowledge allowed us to form: principles of designing social advertising interaction, factors of efficiency (quality) of social advertising, a system of sociological quality assurance of social advertising. Insufficiently studied problems of efficiency and quality of social advertising are investigated. The coefficients of the importance of its efficiency factors (

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3

Feltwell, John. Butterflies and Moths. Edited by Jodi Block and Susan McKeever. Dorling Kindersley Publishers Ltd, 1993.

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4

Umemoto, Nicole. Like a moth chasing the fire: An HIV/AIDS audience analysis of urban men in Myanmar with recommendations for strengthening HIV/AIDS prevention activities. CARE Myanmar, 1998.

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5

Reddy, K. Sudhakar. Advertising management: Media management and audience behaviour. Ashish Pub. House, 1990.

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6

Fremont, Eleanor. Pooh, just be nice-- and not too rough! Western Pub. Co., 1996.

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7

ill, Baker Darrell, ed. Just Be Nice...and not too rough! Golden, 1997.

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8

ill, Baker Darrell, ed. Just be nice-- and not too rough! Golden Book Pub. Co., 1998.

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9

Kantanen, Teuvo. Possibilities to approach theatre behaviour from the viewpoint of consumer behaviour. University of Vaasa, 1990.

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10

Judges and their audiences: A perspective on judicial behavior. Princeton University Press, 2006.

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11

Logics of organization theory: Audiences, codes, and ecologies. Princeton University Press, 2008.

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12

Scherer, Helmut. Medienrealität und Rezipientenhandeln: Zur Entstehung handlungsleitender Vorstellungen. Deutscher Universitäts Verlag, 1997.

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13

Wang luo shou zhong xin li xing wei yan jiu: Yi zhong xin xi cha xun de yan jiu fan shi. Xin hua chu ban she, 2002.

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14

Plasseraud, Emmanuel. L'art des foules: Théories de la réception filmique comme phénomène collectif en France. Presses universitaires du Septentrion, 2011.

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15

L'art des foules: Théories de la réception filmique comme phénomène collectif en France. Presses universitaires du Septentrion, 2011.

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16

Alle radici del consumo: Tra bisogni identitari e voglia di condivisione. Editoriale scientifica, 2007.

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17

Sala, Nicola La. Alle radici del consumo: Tra bisogni identitari e voglia di condivisione. Editoriale scientifica, 2007.

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18

Holmes, Teresa. Age and the representation of romantic/sexual behaviours in British prime-time soap operas: a study of production, manifest content and audience responses. University of Salford, 1991.

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19

Sarkar, Simon. An exploratory study of information sources and risk reduction in motion picture product selection: Art-house and mainstream cinema audiences. UMIST, 1998.

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20

Power, Christopher. The Mobile Movie Database: An experiment in location context accuracy. Dept. of Computer Science, University of Western Ontario, 2004.

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21

Power, Christopher. The mobile movie database: An experiment in location context accuracy. Dept. of Computer Science, University of Western Ontario, 2003.

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22

Baker, H. Kent, Greg Filbeck, and Victor Ricciardi. Financial Behavior. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190269999.003.0001.

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Financial behavior is a complex subject because how people should behave according to traditional finance often differs from how they actually behave. Although traditional and behavioral finance play important roles in understanding investor and market behavior, this book focuses on behavioral finance. Behavioral finance uses insights largely from finance, psychology, and other disciplines to explain how people act and how their behavior affects markets and other financial applications. This chapter provides an overview of behavioral finance, followed by a brief explanation of the book’s purpo

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23

Butterflies and Moths (Eyewitness Explorers). Dorling Kindersley Publishers Ltd, 1996.

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24

Kusume, Yasushi. Brand romance: Using the power of high design to build a lifelong relationship with your audience. 2013.

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25

Nelson, Jacob L. Imagined Audiences. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197542590.001.0001.

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The news industry faces profound financial instability and public distrust. Many believe the solution to these ongoing crises is for journalists to improve their relationship with their audiences. This raises important questions: How do journalists conceptualize their audiences in the first place? What is the connection between what journalists think about their audiences and what they do to reach them? Perhaps most important, how aligned are these “imagined” audiences with the real ones? Imagined Audiences draws on ethnographic case studies of three news organizations to show how journalists’

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26

Ellis, Katharine. Researching Audience Behaviors in Nineteenth-Century Paris. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.2.

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This chapter starts by revisiting a now-familiar text: James H. Johnson’s book Listening in Paris (1995). On the basis of concert and opera reviews, images, and the paratexts of concert programs, Ellis reframes Johnson’s question “When did audiences fall silent?” as “Where and why did audiences fail to fall silent?” Multilayered answers show how (1) many of the noisier phenomena of the eighteenth century resurfaced in new guises from the 1850s onward; (2) the democratization of art music took place in contexts that could not always impose “religious” listening; and (3) there was a resurgent de

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27

Just Be Nice...and not too rough! Golden, 1997.

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28

Just Be Nice...and not too rough! Golden, 1998.

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29

Pooh: Just Be Nice (....AND NOT TOO ROUGH, SPECIAL EDITION). GOLDEN BOOKS PUBLISHING CO., 2002.

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30

Baum, Lawrence. Judges and Their Audiences: A Perspective on Judicial Behavior. Princeton University Press, 2008.

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31

Judges and Their Audiences: A Perspective on Judicial Behavior. Princeton University Press, 2009.

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32

Baum, Lawrence. Judges and Their Audiences: A Perspective on Judicial Behavior. Princeton University Press, 2009.

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33

Meyer, Michel. The role of pathos: from argumentative responses to feeling and emotions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199691821.003.0010.

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Chapter 10 is devoted to the role of emotions or pathos. Pathos was the term ordinarily used to denote the notion of audience. For the first time since Aristotle, emotions receive a full role in a treatise on rhetoric. The responses of the audience are modulated by its emotions. What is their nature and how precisely do they operate? The areas of political and legal rhetoric are examined here in the light of an original view of the theory of distance: values at greater distance become passions at short distance, and this is one of the features which demarcates politics from law. Law and politi

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34

Baum, Lawrence. Judges and their Audiences. Edited by Lee Epstein and Stefanie A. Lindquist. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199579891.013.20.

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In the most widely accepted conception of judges’ relationships with their environments in the United States, influence on judges from the world outside their courts is a result of their strategic efforts to shape the content of legal policy. This chapter presents an alternative conception, one in which judges are influenced by the outside world largely because they care about what other people think of them. This alternative conception of judicial audiences helps to explain why judges sometimes take the general public and the other branches of government into account when they make decisions.

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35

Duffy, Brooke Erin. Rethinking Readership. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0005.

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This chapter examines how the transformations associated with digitization are reshaping the ways in which publishers of women's magazines think about readership by focusing on their constructions of audiences. Editors and publishers of women's magazines have long targeted narrowly defined segments of the female populace based upon demographic factors (age, household income, marital status, educational level, and sometimes even race) as well as lifestyle traits and behaviors. They draw upon surveys and other measurement techniques to understand these segments and craft detailed profiles of the

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36

Deaville, James. The Well-Mannered Auditor. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.12.

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The chapter explores the way English-language etiquette books from the nineteenth century prescribe accepted behavior for upwardly mobile members of the bourgeoisie. This advice extended to social events known today as “salons” that were conducted in the domestic drawing room or parlor, where guests would perform musical selections for the enjoyment of other guests. The audience for such informal music making was expected to listen attentively, in keeping with the (self-) disciplining of the bourgeois body that such regulations represented in the nineteenth century. Yet even as the modern worl

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37

Macleod, Beth Abelson. On Tour before Domestic Audiences. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039348.003.0006.

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This chapter focuses on Fannie Bloomfield-Zeisler's piano recitals in the United States. It begins with a discussion of the development of an almost sacred canon of composers and the elevation of classical music to a virtual religious status as articulated by critic and transcendentalist John Sullivan Dwight and others. It then considers the bifurcation of various U.S. cultural activities into separate spheres—popular and elite—as described by historian Lawrence Levine, and how recent scholars have modified Levine's position with regard to the evolution of music in nineteenth-century America.

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38

Carroll, Glenn R., Laszlo Polos, and Michael T. Hannan. Logics of Organization Theory: Audiences, Codes, and Ecologies. Princeton University Press, 2007.

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39

Carroll, Glenn R., Laszlo Polos, and Michael T. Hannan. Logics of Organization Theory: Audiences, Codes, and Ecologies. Princeton University Press, 2012.

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40

The Reasonable Audience: Theatre Etiquette, Behaviour Policing, and the Live Performance Experience. Palgrave Pivot, 2018.

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41

Güttel, Wolfgang H., ed. Austrian Management Review. Rainer Hampp Verlag, 2021. http://dx.doi.org/10.5771/9783957104014.

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The Austrian Management Review is a transfer book series edited by the Institute of Human Resource & Change Management at Johannes Kepler Universität, Linz, Austria. The main objective of this yearbook is a scientific discussion of topics with practical relevance. Complemental to the Austrian Management Forum the Austrian Management Review aims to serve as a platform to enable dialogue and discourse of management relevant issues. Target audience: - Managers at all levels - Entrepreneurs - Consultants - Coaches and trainers - Scientists in the research fields of management, leadership and o

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42

Paula, Clancy, ed. The public and the arts: A survey of behaviour and attitudes in Ireland. Arts Council in association with the Business Research Programme, Graduate School of Business, University College, Dublin, 1994.

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43

Churchland, Patricia S., and Terrence J. Sejnowski. The Computational Brain. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262533393.001.0001.

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Before this book was published in 1992, conceptual frameworks for brain function were based on the behavior of single neurons, applied globally. This book developed a different conceptual framework, based on large populations of neurons. This was done by showing that patterns of activities among the units in trained artificial neural network models had properties that resembled those recorded from populations of neurons recorded one at a time. It is one of the first books to bring together computational concepts and behavioral data within a neurobiological framework. Aimed at a broad audience

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44

Huffaker, Ray, Marco Bittelli, and Rodolfo Rosa. Nonlinear Time Series Analysis with R. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198782933.001.0001.

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In the process of data analysis, the investigator is often facing highly-volatile and random-appearing observed data. A vast body of literature shows that the assumption of underlying stochastic processes was not necessarily representing the nature of the processes under investigation and, when other tools were used, deterministic features emerged. Non Linear Time Series Analysis (NLTS) allows researchers to test whether observed volatility conceals systematic non linear behavior, and to rigorously characterize governing dynamics. Behavioral patterns detected by non linear time series analysis

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45

Lin, Jaime. Talentos e Aptidões: Um olhar sobre o Autismo. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-554-5.

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Autism is a medical term that encompasses a broad spectrum of neurodevelopmental disorders characterized by impaired reciprocal socialization and communication, often accompanied by restricted or repetitive patterns of behavior and interests. Due to the enlargement in the clinical diagnostic boundaries and the increased awareness of autism spectrum disorder (ASD), the world has seen a dramatic increase in its prevalence during the last two decades. ASD is currently considered one of the most common neurodevelopmental disorders worldwide. Frequently reported in terms of comorbidities, disabilit

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46

Holzer, Jacob, Robert Kohn, James Ellison, and Patricia Recupero, eds. Geriatric Forensic Psychiatry. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780199374656.001.0001.

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Geriatric Forensic Psychiatry: Principles and Practice is one of the first texts to provide a comprehensive review of important topics in the intersection of geriatric psychiatry, medicine, clinical neuroscience, forensic psychiatry, and law. It will speak to a broad audience among varied fields, including clinical and forensic psychiatry and mental health professionals, geriatricians and internists, attorneys and courts, regulators, and other professionals working with the older population. Topics addressed in this text, applied to the geriatric population, include clinical forensic evaluatio

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47

Doyle, Julie, Nathan Farrell, and Michael K. Goodman. Celebrities and Climate Change. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190228620.013.596.

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Since the mid-2000s, entertainment celebrities have played increasingly prominent roles in the cultural politics of climate change, ranging from high-profile speeches at UN climate conferences, and social media interactions with their fans, to producing and appearing in documentaries about climate change that help give meaning to and communicate this issue to a wider audience. The role afforded to celebrities as climate change communicators is an outcome of a political environment increasingly influenced by public relations and attuned toward the media’s representation of political ideas, poli

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48

Jacquet, Jennifer. Guilt and Shame in U.S. Climate Change Communication. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190228620.013.575.

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Some of the major misconceptions in the United States about climate change—such as the focus on scientific uncertainty, the “debate” over whether climate change is caused by humans, and pushback about how severe the consequences might be—can be seen as communications battles. An interesting area within communications is the contrasting use of guilt and shame for climate-related issues. Guilt and shame are social emotions (along with embarrassment, pride, and others), but guilt and shame are also distinct tools. On the one hand, guilt regulates personal behavior, and because it requires a consc

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49

Haroutounian, Joanne. Kindling the Spark. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195129489.001.0001.

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Gathering perspectives of musical talent from the psychological, musical, and educational fields, Kindling the Spark is the only single sourcebook that defines musical talent and provides practical strategies for identifying and nurturing it. Joanne Haroutounian uses her experience as teacher, researcher, and parent to clarify central issues concerning talent recognition and development in a way that will easily appeal to a wide audience. The book describes the different stages of development in musical training, including guidelines for finding a suitable teacher at different levels, social a

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50

O’Neill, Sinéad, and John Sloboda. Responding to performers. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199346677.003.0023.

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Musical performance is an irreducibly social phenomenon, manifested through the multiple relationships between performers and audience. In live contexts, the nature and meaning of performance encompass the two-way interplay between performers and audience. This chapter surveys a range of research, from the philosophical to the empirical, into the parameters of this interplay, both during and after performances, focusing most specifically on those aspects that have implications for the creative practice of the musician. These aspects go beyond sound parameters to features of the performance oft

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