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Journal articles on the topic 'Audience reaction'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Dahlén, Micael, Henrik Sjödin, Helge Thorbjørnsen, Håvard Hansen, Johanna Linander, and Camilla Thunell. "“What will ‘they’ think?”." European Journal of Marketing 47, no. 11/12 (2013): 1825–40. http://dx.doi.org/10.1108/ejm-10-2011-0597.

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Purpose – This paper aims to investigate how marketing leakage to undesired audiences, a common phenomenon in today's globally connected world of consumers, impacts on the target audience, and how marketers can mitigate the negative effects of leaked marketing. Design/methodology/approach – The authors conduct three studies in line with research on the third-person effect (TPE). The studies feature experimental designs with participants from neighbouring countries. Findings – The first study finds that people in the intended target audience expect and overestimate a (negative) reaction in the

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Cacciatore, Michael A., Amy B. Becker, Ashley A. Anderson, and Sara K. Yeo. "Laughing With Science: The Influence of Audience Approval on Engagement." Science Communication 42, no. 2 (2020): 195–217. http://dx.doi.org/10.1177/1075547020910749.

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While there is mounting evidence that humor can be an effective means of engaging publics, much remains to be learned about the contextual factors that shape how audiences receive and process humorous scientific content. Analyzing data from a controlled experiment ( N = 217), this study explores the differential impact of exposure to stand-up comedy featuring a scientist that generates considerable laughter from the audience versus stand-up comedy lacking audience reaction. Among the key findings, audience laughter served to heighten the affective response of viewers, and affective response wa

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3

Dhami, Mandeep K. "White-collar Prisoners' Perceptions of Audience Reaction." Deviant Behavior 28, no. 1 (2007): 57–77. http://dx.doi.org/10.1080/01639620600987475.

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Bruna Seu, Irene. "‘Doing denial’: audience reaction to human rights appeals." Discourse & Society 21, no. 4 (2010): 438–57. http://dx.doi.org/10.1177/0957926510366199.

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5

Mercier, Hugo, and Brent Strickland. "Evaluating arguments from the reaction of the audience." Thinking & Reasoning 18, no. 3 (2012): 365–78. http://dx.doi.org/10.1080/13546783.2012.682352.

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6

MIYAMOTO, MASAKAZU. "AUDIENCE EFFECTS IN A DELAYED CHOICE REACTION SETTING." JAPANESE JOURNAL OF EXPERIMENTAL SOCIAL PSYCHOLOGY 27, no. 1 (1987): 69–77. http://dx.doi.org/10.2130/jjesp.27.69.

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7

Le Grignou, Brigitte, and Erik Neveu. "Transmitting Reception. How political television programmes anticipate audience reaction." Réseaux. The French journal of communication 4, no. 1 (1996): 157–88. http://dx.doi.org/10.3406/reso.1996.3309.

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8

Lipnowski, Elliot, and Laurent Mathevet. "Disclosure to a Psychological Audience." American Economic Journal: Microeconomics 10, no. 4 (2018): 67–93. http://dx.doi.org/10.1257/mic.20160247.

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We study how a benevolent expert should disclose information to an agent with psychological concerns. We first provide a method to compute an optimal information policy for many psychological traits. The method suggests, for instance, that an agent suffering from temptation à la Gul and Pesendorfer (2001) should not know what he is missing, thereby explaining observed biases as an optimal reaction to costly self-control. We also show that simply recommending actions is optimal when the agent is intrinsically averse to information but has instrumental uses for it. This result, which circumvents

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9

Iyorza, Stanislaus, and Patience Abu. "NIGERIAN TELEVISION DRAMA SERIES AND AUDIENCE REACTIONS: A SEISMOLOGY EVALUATION." Jurnal Sosialisasi: Jurnal Hasil Pemikiran, Penelitian dan Pengembangan Keilmuan Sosiologi Pendidikan, no. 1 (July 30, 2020): 47. http://dx.doi.org/10.26858/sosialisasi.v0i1.14491.

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The objective of this study is to find answers to evaluate reactions of the audience to the Nigerian television drama series in Nigeria, giving attention to how the programmes are making waves and the extent to which the audience has invested their knowledge, time and interest in them. Seismology is the study of effects or waves created by a dramatic piece, the entire theatrical event or radio or television programme. This discourse assumes that the Nigerian television drama series may not be evoking the desired reactions from their audience. The problem of this study is the uncertainty surrou

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10

WRIGHT, PAUL JOHN. "Predicting Reaction to a Message of Ministry: An Audience Analysis." Journal for the Scientific Study of Religion 47, no. 1 (2008): 63–81. http://dx.doi.org/10.1111/j.1468-5906.2008.00392.x.

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11

Baranowski, Andreas M., Rebecca Teichmann, and Heiko Hecht. "Canned Emotions. Effects of Genre and Audience Reaction on Emotions." Art and Perception 5, no. 3 (2017): 312–36. http://dx.doi.org/10.1163/22134913-00002068.

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Laughter is said to be contagious. Maybe this is why TV stations often choose to add so-called canned laughter to their shows. Questionable as this practice may be, observers seem to like it. If such a simple manipulation, assumingly by inducing positive emotion, can change our attitudes toward the film, does the opposite manipulation work as well? Does a negative sound-track, such as screaming voices, have comparable effects in the opposite direction? We designed three experiments with a total of 110 participants to test whether scream-tracks have comparable effects on the evaluation of film

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12

Krueger, Elizabeth, and James D. Fox. "The Effects of Editorials on Audience Reaction to Television Newscasters." Journalism Quarterly 68, no. 3 (1991): 402–11. http://dx.doi.org/10.1177/107769909106800311.

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13

Zhao, Xinshu, and Fuyuan Shen. "Audience Reaction to Commercial Advertising in China in the 1980s." International Journal of Advertising 14, no. 4 (1995): 374–90. http://dx.doi.org/10.1080/02650487.1995.11104626.

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14

Malacarne, Timothy. "Connected Audiences in Social Performance." Sociological Theory 39, no. 1 (2021): 19–37. http://dx.doi.org/10.1177/0735275120984824.

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Previous accounts of social performance have examined the difficulties associated with multiple audiences, but few describe situations in which a performer’s audiences are not only multiple but are also connected in ways that mean the reaction of one audience will influence that of the other. I lay out the necessary conditions for audiences to be considered connected, the potential configurations of connected audiences, and the challenges for performative success that come with such configurations. I argue that some performance structures are increasingly central to civil engagement as groups

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Park, Ju-Yeon, and Hyung-Deok Shin. "Untitled Effect: Effect of Type of Artwork Title on Audience Reaction." Journal of the Korea Contents Association 16, no. 9 (2016): 600–611. http://dx.doi.org/10.5392/jkca.2016.16.09.600.

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16

변정민. "A study on the verbal·nonverbal expression according to the audience reaction." KOREAN EDUCATION ll, no. 81 (2009): 133–58. http://dx.doi.org/10.15734/koed..81.200904.133.

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Iivari, Pekka. "Drama in the Snowfield: Audience Reaction to a Fatal Tourist Incident." Tourism Culture & Communication 14, no. 3 (2014): 199–213. http://dx.doi.org/10.3727/109830415x14213698267433.

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Gulas, Charles S., Kunal Swani, and Marc G. Weinberger. "Audience Reaction to Comedic Advertising Violence After Exposure to Violent Media." Journal of Current Issues & Research in Advertising 40, no. 1 (2018): 3–19. http://dx.doi.org/10.1080/10641734.2018.1500324.

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19

Davis, Stacy. "The effects of audience reaction shots on attitudes towards controversial issues." Journal of Broadcasting & Electronic Media 43, no. 4 (1999): 476–91. http://dx.doi.org/10.1080/08838159909364505.

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20

Baek, Yeong-Tae, Eun-Soon You, and Seung-Bo Park. "A System for Extraction of Audience Reaction Based on Neural Network." Journal of the Korea Society of Computer and Information 20, no. 2 (2015): 47–54. http://dx.doi.org/10.9708/jksci.2015.20.2.047.

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ANISIMOV, A., M. BEVZA, and B. BOBYL. "Prediction of Audience Reaction on Text-Visual Content Using Neural Networks." Kibernetika i vyčislitelʹnaâ tehnika 2021, no. 1(203) (2021): 26–38. http://dx.doi.org/10.15407/kvt203.01.026.

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22

Goldingay, Sarah. "Watching the dead speak: the role of the audience, imagination, and belief in late modern spiritualism." Scripta Instituti Donneriani Aboensis 21 (January 1, 2009): 25–43. http://dx.doi.org/10.30674/scripta.67342.

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The performances of everyday experience take place in a variety of other locations, domestic and corporate, urban and rural. Moreover, the role of the audience, and the individuals within it, is not constant across all performances, nor is it fixed within discrete performances: it has an inherent potential for fluidity. This article considers the author's experience of this fluidity as a member of a late-modern audience during two performances of psychic mediumship. It describes them, drawing on narration provided by the author's field notes, and analyses them through theoretical discourses, p

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23

Sekyi-Baidoo, Yaw. "Post-climax analysis in ‘toli’ – the Ghanaian humorous tale." European Journal of Humour Research 8, no. 2 (2020): 68. http://dx.doi.org/10.7592/ejhr2020.8.2.sekyi-baidoo.

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Aspects of contextual jokes include the relationship with the goal of the interaction, and the involvement of the audience in the overall manifestation of the joke and its response. Sacks' identification of the ‘response’ or the ‘reaction’ – the final of the three-phased organisation of joke narratives (Sacks, 1974: 337; Attardo, 1994: 307-311) points to an aspect of the manifestation of contextual jokes beyond the fabula or the narration of the tale ‘proper’ to include a part relating to the reaction of the audience. Such reactions may be the joke itself or to its telling. A study of the perf

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24

Rožukalne, Anda. "Internet news about Ukraine and the “audience agenda”: topics, sources and the audience aggressiveness." Žurnalistikos Tyrimai 8 (December 7, 2015): 17–37. http://dx.doi.org/10.15388/zt/jr.2015.8.8841.

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Euromaidan in Kiev, the annexation of Crimea and the war in Eastern Ukraine had become the most important international events that impacted media content in 2013 and 2014. This paper provides research that intends to analyse the interrelation between news content of the three largest news sites in Latvia (Delfi.lv, Apollo.lv, Tvnet.lv) and the Latvian and Russian-speaking audience reaction to the news about the events in Ukraine in 2014. By using a unique tool for audience behaviour analysis “The Index of Internet Aggressiveness” in this research, the level of audience aggressiveness that ap

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Kononenko, Natalie, and Svitlana Kukharenko. "Borat the Trickster: Folklore and the Media, Folklore in the Media." Slavic Review 67, no. 1 (2008): 8–18. http://dx.doi.org/10.2307/27652763.

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Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006) elicits extreme and contradictory audience responses. Some filmgoers find it amusing and clever, while others consider it repulsive, even obscene. Analyzing the film's hero as a traditional and archetypical trickster figure, a master of contradictions, a violator of boundaries, can help explain audience reaction. But while traditional folklore tricksters act in a fantasy world, Sacha Baron Cohen entered the lives of real people in trickster (dis) guise. For theater audiences removed from the interactions

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Nwakpu, Ekwutosi Sanita, Jude Nwakpoke Ogbodo, Iruka Wilfred Nwakpu, and Adeola Sidikat Oyeleke. "Spectators of Suffering: Witnessing Victims of Jungle Justices on Social Media." Mediterranean Journal of Social Sciences 11, no. 1 (2020): 1. http://dx.doi.org/10.36941/mjss-2020-0001.

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With the availability of the media, no one will deny both proximal and distance happenings across the globe especially when it is about suffering of others. The visibilities of these sufferings of others are much triggered with the emergence of new media. People of different socio-cultural and demographic background have adopted social media as means of letting the world know the happenings around them. In Nigeria through the medium, people have become witnesses to the suffering of victims of jungle justice as their images are constantly displayed on daily basis. Existing studies on audience r

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27

Matthews, Arthur H. "The audience reaction to Mother Teresa's prayer breakfast talk in Washington, D.C." Chesterton Review 20, no. 2 (1994): 391–92. http://dx.doi.org/10.5840/chesterton1994202/3118.

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28

Dowden, Ken. "Heliodoros: serious intentions." Classical Quarterly 46, no. 1 (1996): 267–85. http://dx.doi.org/10.1093/cq/46.1.267.

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What merit should we find in Heliodoros' novel? Towards its end Hydaspes, agonizing over whether to save Charikleia from human sacrifice, sees before him an internal audience stirred by π⋯θη (emotions, feelings) equal to his and ‘weeping through pleasure and pity at Fortune's stage-management’ (10.16.3). This is a popular audience, a demos, evincing a popular reaction, but one which Heliodoros anticipated and doubtless welcomed. Their reaction is characterized by simple, direct emotions and some limited awareness of the larger processes that have been going on in this novel. For them this is a

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29

Stahel, Lea, and Constantin Schoen. "Female journalists under attack? Explaining gender differences in reactions to audiences’ attacks." New Media & Society 22, no. 10 (2019): 1849–67. http://dx.doi.org/10.1177/1461444819885333.

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The literature on public figures attacked by their audiences is unclear why female and male figures react differently to attacks. This study examines why female journalists are more likely than male journalists to use avoidance strategies as a reaction to online attacks. Avoidance includes limiting audience engagement, adapting reporting behavior, and thinking about quitting journalism. Drawing on social role theory and gender stereotypes, this study contrasts two explanatory hypotheses. The results, based on mediation analyses of online survey data of 637 journalists representative of Switzer

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30

Shchepilova, Galina, and Liudmila Kruglova. "Video Content on the Internet: Features of Audience Consumption." Theoretical and Practical Issues of Journalism 8, no. 2 (2019): 342–54. http://dx.doi.org/10.17150/2308-6203.2019.8(2).342-354.

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The article presents the results of a study of the modern consumption of video content in the digital media environment by the Russian audience. The study was conducted in May-September 2018 and set itself the task of identifying the main preferences of the audience to the subject of video content, duration of viewing, attitudes to advertising, opportunities and willingness to pay for the watched video. The three-stage level of research using various methods made it possible to analyze the psychological and motivational features of video consumption by different age groups living in different

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31

Rozukalne, Anda, Vineta Kleinberga, and Normunds Grūzītis. "COVID-19 NEWS AND AUDIENCE AGGRESSIVENESS: ANALYSIS OF NEWS CONTENT AND AUDIENCE REACTION DURING THE STATE OF EMERGENCY IN LATVIA (2020–2021)." ENVIRONMENT. TECHNOLOGIES. RESOURCES. Proceedings of the International Scientific and Practical Conference 2 (June 17, 2021): 141–47. http://dx.doi.org/10.17770/etr2021vol2.6564.

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This research focuses on the interrelation between news content on COVID-19 of three largest online news sites in Latvia (delfi.lv, apollo.lv, tvnet.lv) and the audience reaction to the news in the Latvian and Russian channels during the state of emergency. By using a tool for audience behaviour analysis, the Index of the Internet Aggressiveness (IIA), for analysis of audience comments, the study aims to uncover how and whether news about COVID-19 affect the level of audience aggressiveness. The study employs two data collection methods: news content analysis and IIA data analysis, in which te

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32

Domingo, Irene. "Remembering Paco Ibáñez at the Olympia: A political communitas in exile." Journal of European Studies 47, no. 3 (2017): 259–74. http://dx.doi.org/10.1177/0047244117713161.

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In December 1969 the Spanish singer-songwriter Paco Ibáñez gave a concert at the Olympia in Paris to an audience composed of Spanish exiles and French students. Ibáñez’s selection, interpretation, musicalization and performance of a wide range of mainly Spanish poems for the occasion created a text that denounced the policies of Franco and, at the same time, allowed the French part of the audience to express their solidarity in a political cry for freedom. This article begins by situating Ibáñez in exile in France where, avoiding Francoist censorship, he thrived as an anti-Francoist musician.

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NAKAGAWA, Hideo, and Nobuya AOKI. "Development of Presentation Robot able to Change the Story depending on Audience Reaction." Proceedings of Mechanical Engineering Congress, Japan 2017 (2017): G1500101. http://dx.doi.org/10.1299/jsmemecj.2017.g1500101.

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34

Nabi, Robin L., and Alexandra Hendriks. "The Persuasive Effect of Host and Audience Reaction Shots in Television Talk Shows." Journal of Communication 53, no. 3 (2003): 527–43. http://dx.doi.org/10.1111/j.1460-2466.2003.tb02606.x.

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35

Osiebe, Garhe. "Electoral Music Reception." Matatu 49, no. 2 (2017): 439–66. http://dx.doi.org/10.1163/18757421-04902011.

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Abstract Audiences in Africa are a grossly under-researched demographic. This paper centres on the comparative analysis of two electoral audience-based surveys conducted between April and September 2012 in the Nigerian states of Bayelsa and Lagos; following the April 2011 presidential election in Nigeria that ushered the erstwhile President Goodluck Jonathan into power. The surveys sought to know the electorates’ reaction to the electoral campaign songs that endorsed Jonathan and how these songs informed their choice of candidate. The paper’s analysis combines an appreciation of the surveys’ r

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Takano, Masanori, Fumiaki Taka, Soichiro Morishita, Tomosato Nishi, and Yuki Ogawa. "Three clusters of content-audience associations in expression of racial prejudice while consuming online television news." PLOS ONE 16, no. 7 (2021): e0255101. http://dx.doi.org/10.1371/journal.pone.0255101.

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It is well investigated that the expression of racial prejudice is often induced by news coverage on the internet, and the exposure to media contributes to the cultivation of long-term prejudice. However, there is a lack of information regarding the immediate effects of news delivered through television or television-like media on the expression of racial prejudice. This study provides a framework for understanding such effects by focusing on content-audience associations using the logs of an “online television” service, which provides television-like content and user experiences. With these l

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37

McCarthy, Terence. "Rehabilitating Martius: Audience Response to the Hero of “Coriolanus”." Armenian Folia Anglistika 5, no. 1-2 (6) (2009): 233–42. http://dx.doi.org/10.46991/afa/2009.5.1-2.233.

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The commonly held opinion that Coriolanus is the most rejected among the tragic heroes of Shakespeare stems from the political situation and the conflicting approaches towards the key issues of the class conflict. The negative reaction of the Protagonists also adversely affected the popularity of the work both at the theatre and among the audience. As Rossiter mentions, the reader fails to find a single reason to like Coriolanus throughout the tragedy.The article questions Rossiter’s approach arguing that it is due to the striking expression of emotionality at the end of the work that gives ri

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38

Vikulova, Larissa, Evgeniia Serebrennikova, Olga Vostrikova, and Liudmila Borbotko. "Communication Code as Pillar of Successful Communication in Social Cultural Institution (by Example of Theatrical Discourse)." SHS Web of Conferences 50 (2018): 01036. http://dx.doi.org/10.1051/shsconf/20185001036.

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The paper attempts to define constituting features of theatrical discourse which determine functioning of the latter in theatre communicative space. Communication code moderates the addresser-addressee interrelations thus playing a key role in the realization of theatrical discourse as a ritualized, institutional and conventional semiotic unit. The study also aims at introducing a typology of theatrical discourse participants and at defining the addressing vector direction. Communication code is estimated as a moderator of theatrical communication processes and an indicator of communication su

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39

Tal-Or, Nurit, and Yariv Tsfati. "Does the Co-Viewing of Sexual Material Affect Rape Myth Acceptance? The Role of the Co-Viewer’s Reactions and Gender." Communication Research 45, no. 4 (2015): 577–602. http://dx.doi.org/10.1177/0093650215595073.

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While media research has long ago acknowledged that watching TV is a social activity, only a few studies have examined the effects of co-viewing on adult reactions to a televised text. In the current investigation, we used social-cognitive theory combined with previous research on the intra-audience effect, audience identification, transportation, and attitude change to develop hypotheses connecting co-viewers’ reactions, co-viewers’ gender, and viewer’s post-exposure attitudes. Participants watched a movie segment that ended in a rape scene. We manipulated their confederate co-viewers’ displa

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40

İnal, Melisa. "A Study on Brecht’s The Good Woman of Setzuan." English Literature and Language Review, no. 54 (April 18, 2019): 38–41. http://dx.doi.org/10.32861/ellr.54.38.41.

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Each play is produced with the use of a different method, and one of the methods which has a significant influence on drama is constructed by Bertolt Brecht. According to him, the best way to show his reaction against the system and stimulate the audience to take action against such system is epic theatre. His aim is to create a conscious society. For this aim, he uses epic theatre to create a distance between the play and the audience so that the audience can gain a critical insight. The reason is that such distance makes the audience use their reasons not feelings, which creates the feeling

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Tarasova, Alexandra. "NATIONAL HISTORY OR ENTERTAINMENT: THE FATE OF ONE SOUTH KOREAN TV SERIES IN THE DISCUSSIONS OF ENGLISH-SPEAKING VIEWERS." Herald of Culturology, no. 3 (2021): 174–93. http://dx.doi.org/10.31249/hoc/2021.03.11.

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The article explores the reaction of English-speaking fans of South Korean TV series to the cancellation of the historical fantasy «The Joseon Exorcist» in March 2021. The reason was the interpretation of one of the periods of Korean history in the 15 th century. The article analyzes the differences in the models of perception of the past among foreign viewers, and also clarifies the limits of the impact of the global audience on the cultural product created for the internal audience.

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42

Fodor, Eugene M., and David P. Wick. "Need for power and affective response to negative audience reaction to an extemporaneous speech." Journal of Research in Personality 43, no. 5 (2009): 721–26. http://dx.doi.org/10.1016/j.jrp.2009.06.007.

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Rozukalne, Anda. "MAX share this! Vote for us! Analysis of pre-election Facebook communication and audience reactions of Latvia’s populist party KPV LV leader Aldis Gobzems." Informacijos mokslai 87 (April 23, 2020): 52–71. http://dx.doi.org/10.15388/im.2020.87.26.

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This article analyses the communication content by the Latvian populistic party KPV LV (LETA; Re: Baltica) and the audience’s reaction, with a focus on the daily updates and live videos that were posted on Facebook (FB) prior to the 13th elections of the Saeima (Parliament of Latvia). The aim of the research is to determine the type of populism that KPV LV employed (de Wreese, 2018). The research data was collected during the pre-election period in August – September 2018, when the popularity and social media activity of the party increased. The methods employed were qualitative and quan

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Prisanto, Guntur Freddy. "Pemberitaan Berlebihan Tindakan Asusila, Moral Panic dan Copycat Crime: Kasus Prostitusi Online Artis." Inter Komunika : Jurnal Komunikasi 3, no. 2 (2018): 207. http://dx.doi.org/10.33376/ik.v3i2.235.

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Abstract. Mass media coverage of the case of artists involved in online prostitution can be categorized to be excessive, both in terms of quantity and scope of talks. The audience was brought in to understand the character of the case so deeply through narrative reporting. This can have an impact on the emergence of moral panic, the reaction of the community that is disproportionate to the actions of people or groups, which are considered to deviate from the prevailing social and cultural values and norms. In addition, the exposure in such detailed news can encourage the act of copycat crime,

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45

Hirsch, Galia. "Whose side are we on?" Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 25, no. 2 (2015): 149–78. http://dx.doi.org/10.1075/prag.25.2.02hir.

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This research seeks to identify and analyze the reaction to irony in Israeli political news interviews, in view of the specific nature of this genre, which has been known to allow a certain level of adversarialness (Liebes et al. 2008; Blum-Kulka 1983; Weizman 2008; Clayman &Heritage 2002a and 2002b). Our intention was to examine whether the audience regards the use of irony as over-aggressive, and whether they believe interviewees regard it as such, in order to shed light on the potential consequences the use of indirect discourse patterns has for the interviewer. Based on Goffman’s (1981

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46

Lee, Bong-yo. "A study on the Visual Perceptive of the Stage Desing Directing - Focused on audience reaction -." KOREA SCIENCE & ART FORUM 3 (December 31, 2007): 35. http://dx.doi.org/10.17548/ksaf.2007.12.3.35.

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47

Park, Ji-Yon. "A Study on the Visual Perceptive of the Stage Design Directing - Focused on audience reaction." KOREA SCIENCE & ART FORUM 3 (December 31, 2007): 47. http://dx.doi.org/10.17548/ksaf.2007.12.3.47.

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48

Dunnum, Eric. "Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor." Comparative Drama 46, no. 4 (2012): 517–43. http://dx.doi.org/10.1353/cdr.2012.0046.

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49

Schoenbachler, Denise D., Douglas J. Ayers, and Geoffrey L. Gordon. "Adolescent Response To Anti-Drug P:ublic Service Announcements: A Segmentation Approach." Journal of Applied Business Research (JABR) 12, no. 2 (2011): 9. http://dx.doi.org/10.19030/jabr.v12i2.5822.

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The research reported in this article focuses on segmenting the adolescent audience for anti-drug PSAs according to propensity for drug use and reaction to anti-drug PSAs. Four dimensions of the personality trait sensation seeking are utilized to differentiate adolescents with regard to actual use and intentions to use drugs as well as reactions to anti-drug PSAs. The results of the research indicate that one dimension in particular, disinhibitionism, is positively linked to both use and intention to use drugs. Additionally, adolescents with higher levers of disinhibitionism tend to react more

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Демецька, Владислава. "Adaptive Model in Translation: Psycholinguistic Dimension." PSYCHOLINGUISTICS 26, no. 2 (2019): 70–90. http://dx.doi.org/10.31470/2309-1797-2019-26-2-70-90.

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Abstract:

The aim of the article is to offer a theoretical overview of the relevance of the adaptive model in translation from psycholinguistic perspective. Based on psycholinguistic approach to defining the notions of adequacy/equivalency in translation the research suggests theoretically and methodologically justified reasons for applying the translational adaptation to culture-bound texts. The comprehensive analysis of the “adaptation” as a notion presupposes the implementation of the hierarchy of the scientific methods of analysis among which the most relevant are: general scientific methods o

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