Relevant bibliographies by topics / Audience survey

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Audience survey'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "Audience survey"

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Olsen, Christopher. "Theatre Audience Surveys: towards a Semiotic Approach." New Theatre Quarterly 18, no. 3 (August 2002): 261–75. http://dx.doi.org/10.1017/s0266464x02000349.

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Surveys are used to define an audience in a quantifiable way. Awareness of the typical gender, age, and income of their patrons, along with their rating of a theatre's facilities, help theatre producers to address an audience's needs. However, producers seldom explore the audience response to a specific performance – something that is difficult to quantify. Thus, the audience's interaction with the performance – whether with particular actors, the space configuration, or with fellow spectators – is neglected in favour of such demographics as age, income, and occupation. Christopher Olsen suggests that surveys handed out to audience members might benefit from a more qualitative approach based on semiotic analysis. He asked sixty professional theatres in the USA – ranging from major repertory institutions to small theatres targeting specific audiences – to send examples of recent audience surveys they have conducted. Using the surveys (of which the most extensive is reproduced in full), as a guide, he tabulates the most common questions asked, and offers examples of further survey questions guided by semiotic principles. Chris Olsen is currently an adjunct professor at Montgomery College and Shenandoah University in the Washington, DC, area. Having written his dissertation on the Arts Lab phenomenon in Britain during the late 1960s and early 1970s, he is now working on a book about the second wave of the Off-Off-Broadway movement in New York.
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Israel, Glenn D., and Jessica L. Gouldthorpe. "Savvy Survey #18: Group-Administered Surveys." EDIS 2016, no. 1 (February 16, 2016): 4. http://dx.doi.org/10.32473/edis-pd082-2015.

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This publication provides an overview of group-administered surveys as part of the Savvy Survey Series. Group-administered surveys are a great way to collect information from participants about the outcomes of an event or program. These kinds of surveys are best used for documenting short-term outcomes and can make use of an audience response system. This 4-page fact sheet details how to develop a group-administered questionnaire, how to use an audience response system, and how to prepare and implement the survey. Written by Glenn D. Israel and Jessica L. Gouldthorpe, and published by the Agricultural Education and Communication Department, December 2015. AEC412/PD082: The Savvy Survey #18: Group-Administered Surveys (ufl.edu)
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SEDGMAN, KIRSTY. "Audience Experience in an Anti-expert Age: A Survey of Theatre Audience Research." Theatre Research International 42, no. 3 (October 2017): 307–22. http://dx.doi.org/10.1017/s0307883317000608.

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Researchers who seek to capture and analyse audiences’ responses are facing a dilemma. In a political climate beleaguered by efforts to delegitimize expertise, what are the implications for a research tradition that seeks to understand cultural value from a range of diverse perspectives? In light of visibility generated by the 2009 publication of Helen Freshwater's Theatre & Audience and the subsequent launch in January 2017 of the international Network for Audience Research in the Performing Arts (iNARPA), the time seems ripe for a detailed critical overview of the audience studies discipline as it has been applied to theatre. In providing that survey, this article contends that the early decades of the new millennium have seen research into arts participation becoming trapped between two colliding agendas. Whereas on the one hand there is a growing pressure to celebrate cultural engagement in all its contradictory forms, there has on the other hand been a simultaneous imperative within the arts to push back against the encroaching de-hierarchization of cultural value beyond critical and scholarly perspectives. By revealing the potentials for and limitations of the field, this article queries how future audience research projects might productively investigate audience experience without diminishing the legitimacy of expert knowledge.
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Perry, Peter. "Biblical Performance Criticism: Survey and Prospects." Religions 10, no. 2 (February 18, 2019): 117. http://dx.doi.org/10.3390/rel10020117.

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Biblical Performance Criticism (BPC) analyzes communication events of biblical traditions for audiences. Every communication event of a tradition has four aspects: a communicator, traditions re-expressed, an audience, and a social situation. This essay surveys the history of BPC and its current prospects and points to the future work of developing a fine-grained theoretical foundation for its work. In the analytical mode, a scholar gathers and examines data from a past performance event to describe it, and its effects, in detail. In the heuristic mode, a performer presents a tradition to an audience in order to better understand its dynamics. In the practical mode, a person reflects on the performance of biblical traditions in daily life. In these ways, BPC reunites biblical scholarship fragmented by critical reduction, and bridges the academic and popular use of biblical traditions.
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Karlsen, Faltin, Vilde Schanke Sundet, Trine Syvertsen, and Espen Ytreberg. "Non-professional Activity on Television in a Time of Digitalisation." Nordicom Review 30, no. 1 (June 1, 2009): 19–36. http://dx.doi.org/10.1515/nor-2017-0136.

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Abstract This article presents an empirically based examination of how the Norwegian television industry incorporates audience activity and audience-generated material, and of how audiences respond to the opportunities presented. It explores three main research questions: First, how extensive is audience activity on television? Second, to what degree do different television activities correspond to familiar patterns of social stratification? And third, is there any evidence for the view that digital feedback channels, such as SMS and the Web, provide access to television for new groups of people? To investigate these questions, a case study of the Norwegian media market has been carried out, based on two data sets. The extent of audience activity is examined through a representative audience survey conducted during a period of two weeks in 2004. The second data set is a one-week survey of Norwegian television output on the six Norwegian-language channels in 2005.
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Wayker, Shritika. "Estimating Audience Engagement for Prediction: A Survey." International Journal for Research in Applied Science and Engineering Technology 7, no. 5 (May 31, 2019): 2446–49. http://dx.doi.org/10.22214/ijraset.2019.5405.

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Adelakun, Lateef Adekunle. "Local Media Going Global: Assessing Online Media Efficiency By Nigerian Audience Abroad." Jurnal Pengajian Media Malaysia 20, no. 1 (June 1, 2018): 15–26. http://dx.doi.org/10.22452/jpmm.vol20no1.2.

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The internet connectivity is projecting the opportunities upon which local mainstream news media (newspaper, radio and television) are reached globally. Even outside the comfort zones of the newspaper circulation as well as radio and Television spectrums, the internet makes a point of contact between the media and the audiences across borders. Assessing the purpose for media going global, which transcends reaching the audience outside the border-bound but accommodates the effort to meet up with the information needs of the international audience, constitutes the major objective of this study. A survey of the diaspora audience of Nigerian online media in Malaysia, UK, South Africa, and the US was conducted through online questionnaire. Sampling the opinions of the media audiences across frontier on whether the media globalisation enhances the quality and structure of media output, this study found out that despite the fact that the general audience assessment of the media was lamentable, the audience appraised newspapers for moving closer to the global prospect ahead TV and Radio. The audience rating of the online media efficiency was discussed on the tenet of media usage based on the information needs that compel gratification. The online access to mainstream media according to the audience remains a laudable innovation that upturns the media questionable outputs and narrows the wide gaps between the media and the audience as well as among the audiences.
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Nomikos, William G., and Nicholas Sambanis. "What is the mechanism underlying audience costs? Incompetence, belligerence, and inconsistency." Journal of Peace Research 56, no. 4 (June 11, 2019): 575–88. http://dx.doi.org/10.1177/0022343319839456.

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Audience cost theory posits that concern over the nation’s reputation pushes voters to sanction leaders who make empty threats because they tarnish the nation’s honor. We question the empirical support for that theory. We show that survey vignettes in the previous experimental literature conflate audience costs generated by inconsistency and belligerence with approval losses arising from the perception that the leader is incompetent. These ‘incompetence costs’ are due to leaders not achieving audiences’ preferred outcomes. Our article contributes to the literature on audience costs by disentangling inconsistency and belligerence costs from incompetence costs, which we find are the larger component of audience costs. We also make a methodological contribution: we show that experimental designs in previous studies cannot test the different mechanisms; that previous estimates of audience costs are biased because treatments affect respondents’ beliefs about the likely outcome of policy actions; and we suggest a new experimental framework to estimate audience costs. Our results are consistent with arguments that audiences care more about policy outcomes than about leaders’ inconsistency or belligerence during a crisis.
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Quyen, Nguyen Thi Anh. "impact of marketing on activities of Vietnam arts and cultural organizations." Linguistics and Culture Review 6, no. 1 (December 24, 2021): 99–109. http://dx.doi.org/10.21744/lingcure.v6n1.2038.

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With the trend of budget reduction and autonomous operation of arts and cultural organizations, competition in this field to attract audiences is an inevitable trend. This sets out the requirements of marketing activities to bring arts to the audiences and bring the audience to arts, which is, to link arts with the audience; not only achieved the goal of establishing and meeting the audience needs, but also fulfilled the arts and cultural organizations’ task of creating arts. There have been many research perspectives on culture and arts marketing in the context of cultural integration and economic development associated with the characteristics of each country and region. In this study, the author approaches, inherits, and develops Rentschler's culture and arts marketing model to build a scale and conduct practical research in Hanoi, Vietnam. The survey subjects were identified as art practitioners (artists) with more than 3 years of working experience in 7 theaters in Hanoi. The research was carried out by qualitative method through secondary data collection, combined with the quantitative method through a survey of opinions of 200 artists.
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Ayu Wulandari, Krisna. "EFEKTIVITAS PRODUCT PLACEMENT HYUNDAI PADA DRAMA KOREA DESCENDANTS OF THE SUN TERHADAP BRAND AWARENESS SURVEY PADA PENONTON DRAMA KOREA DOTS DI TANGERANG." Jurnal Visi Komunikasi 18, no. 2 (October 8, 2020): 127. http://dx.doi.org/10.22441/visikom.v18i2.9834.

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The company started to use an advertising technique that was deemed sufficient, namely by using product placement or brand placement. This study was to determine the effectiveness of product placement on the brand awareness survey of the Korean Drama Descendant of The Sun audience in Tangerang. The paradigm used in this research is positivistic, with a quantitative approach to survey methods for Korean drama audiences Descendant of the Sun with non-probability sampling using accidental sampling. The results showed that the product placement made by Hyundai in the Korean drama Descendant of the Sun contributed 44.7% to the brand awareness of the Korean drama Descendant of the sun audience
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Dissertations / Theses on the topic "Audience survey"

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Rudolph, Kendra. "Television newsmagazines and the audience: a textual analysis and audience survey." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/RudolphK2004.pdf.

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Karenzi, Fabrice. "Football and a New National Identity : An Audience Survey of Rwandan Professionals." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-58769.

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Literature connects sports with creating a feeling of unity and nation building amongst people. In a country such as Rwanda, a nation that is rebuilding itself after ethnic tensions that resulted into genocide against one of the ethnic groups, the Tutsi, it is important to understand the role of the new national identity in the process of rebuilding the country. Subsequently, this study aimed at investigating the link between national identity and sport specifically how professionals in Rwanda, as football fans, perceive their national identity. To this end, the study used survey questionnaire to investigate perceptions of new national identity. The findings relate football to the new national identity based on unity and professionals identify themselves with that new national identity. These findings suggest that football plays an important role in building the national identity for a country. This study presents original findings about new Rwandan national identity and its representation and, thus, fills a gap in existing literature. It also serves as a basis to study further the Rwandan national identity.
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Lee, Rawon. "Audience Overlap in the Arts in the United States between 1982 and 2008: A Study of the Survey of Public Participation in the Arts Data." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1300986130.

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Yang, Guang. "Atypical cultivation analysis on perceived city image : the case of Zhuhai audience survey." Thesis, University of Macau, 2003. http://umaclib3.umac.mo/record=b1636346.

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Emanski, Julianna. "Early Music Audiences: A Survey and Analysis of Early Music Consumers in Texas." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707272/.

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Texas has a rich tradition of Early Music ensembles that dates back to 1969. However, there is little reliable information based on statistical data collection and analysis concerning Texas Early Music consumers. Little is known about why they attend Early Music performances or other important factors that affect the Early Music industry. Through the use of an extensive survey and accompanying statistical analysis, this study answers many questions regarding Early Music consumers in the State of Texas. This study collected demographic and psychographic data in January 2020 about the Early Music concert-going public in three major Texas cities - Dallas, Austin, and Houston. Other factors were identified in two primary areas: audience characteristics and ticket pricing practices.
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Scott, Edward. "DIGITAL RESEARCH CYCLES: HOW ATTITUDES TOWARD CONTENT, CULTURE AND TECHNOLOGY AFFECT WEB DEVELOPMENT." Doctoral diss., University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2894.

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It has been estimated that one third of the world's population does not have access to "adequate" health care. Some 1.6 billion people live in countries experiencing "concentrated" acquired immune deficiency syndrome (AIDS) epidemics. Many countries in Africa--and other low-income countries--are in dire need of help providing adequate health care services to their citizens. They require more hands-on care from Western health workers--and training so more African health workers can eventually care for their own citizens. But these countries also need assistance acquiring and implementing both texts--the body of medical information potentially available to them--and technology--the means by which that information can be conveyed. This dissertation looks at these issues and others from a multi-faceted approach. It combines a survey of the developers of Web sites designed for use by health workers in low-income countries and a proposal for a novel approach to communication theory, which could help improve health communication and other social marketing practices. It also includes an extensive review of literature regarding a number of topics related to these issues. To improve healthcare services in low-income countries, several things should occur. First, more health workers--and others--could visit African countries and other places to provide free, hands-on medical care, as this researcher's group did in Uganda. Such trips are ideal occasions for studying the cultural differences between "mzungu" (white man) and the Ugandan people. A number of useful medical texts have been written for health workers in low-income countries. Others will be published as new health information becomes available. But on what medium will they be published? Computers? Personal digital assistants? During the past 10 years the Internet became an ideal venue for conveying information. Unfortunately, people in target countries such as Uganda encounter cultural differences when such new technologies are diffused. This dissertation looks at cultural and technological difficulties encountered by people in low-income countries who attempt to diffuse information and communication technologies (ICT). Once a technology has been successfully adopted, someone will look for ways to use it to help others. There are hundreds of sites on the Internet--built by Web developers in Western countries--that are designed for use by health workers in low-income countries. However, these Web developers also experience cultural and technological differences, based on their knowledge of and attitudes toward best practices in their field. This research includes a survey of Web developers which determined their attitudes toward best practices in their field and tested this researcher's hypothesis that there is no significant difference among the developers' attitudes toward the content on their sites, their audience's cultural needs and the various technological needs their audience has. It was found that the Web developers agree with 17 of 18 perceived best practices and that there is a significant difference between Web developers' attitudes toward their audience's technological needs and their attitudes toward quality content and the audience's cultural needs. Creation of the survey herein resulted in this researcher generating a new way of thinking about communication theory--called digital research cycles. The survey was based on a review of literature and is rooted in the belief that any successful communication of a computer-mediated message in the information age is a behavior which is influenced by the senders' and receivers' attitudes and knowledge about textual style, the audience, technology and the subject matter to which the message pertains.
Ph.D.
Department of English
Arts and Humanities
Texts and Technology PhD
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Scollen, Rebecca. "Building new theatre audiences: Post performance audience reception in action." Thesis, Queensland University of Technology, 2002. https://eprints.qut.edu.au/36428/1/36428_Digitised%20Thesis.pdf.

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The aim of this research is to arrive at an effective method for gathering and analysing nontheatregoers' reception of theatrical performance. It is anticipated that this method will provide insight into non-theatregoers' reasons for non-attendance, their reactions to theatre productions, and the likelihood that they might change their attitudes towards theatregoing and become theatre attenders in the future. A combined methodical approach to audience reception is created by adapting and combining the methods of Sauter (1986), Lidstone (1996), Knodel (1993) and Krueger (1994), and the model of Miles and Huberman (1984). This approach consists of a collection of questionnaires, a series of post performance group discussions, and analytical methods designed for examining qualitative data. This approach is tested and refined across three studies: a 1997 Pilot Study, a 1998 La Boite Theatre Study, and a 2000 Queensland Theatre Company Study. The primary result of this research is the emergence of the Scollen Post Performance Audience Reception (SPP AR) method for audience development. This method is the refined final version of the rigorously tested combined approach. Other results include the formation of a non-theatregoer profile; an understanding of how non-theatregoers perceive performances; the discovery that gender, age, and income have no direct impact on theatre attendance or reception of theatrical performance; confirmation that exposure to performance and an arts education increases interest and confidence in theatregoing; and that self and peer education is an effective way for non-theatregoers to learn about theatre.
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Novotná, Lucie. "Národní muzeum, jeho marketing a projekt pro zatraktivnění stálé expozice." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-9134.

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The thesis cocnsists of three parts. First, concern on musuems and marketing generally, point out the importance of the audience survey. Second part is a essence of this thesis. Gives information about National museum and its marketing. Part is the survey of National museum audience. The last part brings a suggestion of project based on results of surveys. This project is meant to make the exhobition of National museum more attractive for visitors.
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Doury, Laurence. "L'interprétation des séries télévisées policières américaines diffusées sur les six grandes chaines nationales françaises. Enquête auprès de collégiens, d'étudiants et d'actifs." Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30026.

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Les séries télévisées policières américaines ont envahi les grilles de programmation des chaînes françaises et leur assurent les meilleures audiences. Les Experts, Les Experts : Miami, Les Experts : Manhattan, NCIS, NCIS : Los Angeles, Cold Case, Mentalist, FBI Portés Disparus, Bones, Dexter, Esprits Criminels, The Closer, la liste des séries policières américaines diffusées en prime time sur les six grandes chaînes nationales françaises est longue. Ce travail de thèse avait pour objectif de mieux comprendre la manière dont les téléspectateurs donnent sens à ces séries policières et les intègrent dans leur vie quotidienne en utilisant la notion d’interprétation comme fil conducteur du raisonnement. L’enquête repose sur trente-cinq entretiens individuels, sept entretiens de groupe et la distribution de deux questionnaires auprès d’une centaine de téléspectateurs qui affirmaient apprécier ou non les séries policières américaines. Ont ainsi été mis en lumière les éléments constitutifs des univers fictionnels de ces séries policières américaines qui permettent de créer une complicité durable avec les téléspectateurs interrogés
French TV channels place a lot American cop shows on their schedule especially on prime time because these shows always bring them the best audience ratings. CSI, CSI : Miami, CSI : NY, NCIS, NCIS : Los Angeles, Cold Case, The Mentalist, Without a trace, Bones, Dexter, Criminal Minds, The Closer, the list of shows on the air is long. We would like to understand how viewers interpret all these TV shows and how they use them in their daily life. The notion of interpretation was the central point of our survey based on thirty five interviews, seven focus groups and two questionnaires delivered to hundreds of viewers who sometimes didn’t like watching American cop shows. We have discovered which elements of these shows are able to create a strong complicity with viewers
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Toman, Pavel. "Marketingový výzkum zavedení e-learningu – Hettich k.s." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2009. http://www.nusl.cz/ntk/nusl-222183.

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This diploma thesis deals with implementation of e-learning at Hettich ČR k.s. company in relation to their customers - joiner workshops and furniture manufacturers. In order to decide whether to implement e-learning in the company, various factors had to be taken into consideration. Firstly, current status of customer training was thoroughly analyzed. Not only basic information about e-learning were studied, but also efficiency criteria of utilization e-learning within the company as well as the outcome of e-learning programs in other firms were researched. Furthermore, comprehensive analysis of internet audience rate among company’s employees was done and questionnaire field survey among customers was carried out.
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Books on the topic "Audience survey"

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Verwey, Peter. Sample audience survey questions. [London]: Arts Council of England, 1993.

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Verwey, Peter. Sample audience survey questions. London: Arts Council of Great Britain, 1993.

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Schmidtz, Sharon. Distinguished lecture series: Fee or free? : an audience survey. [Bellingham, Wash.]: Office of Institutional Research and Resource Planning, 2000.

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Pickford, Martin James. What's in a kiss: An audience survey in gay "readings". [Derby: University of Derby], 1993.

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Keate, Jenny. Know your audience: A survey of performing arts audiences, gallery visitors and readers = Me mōhio ki tō whakaminenga : he rangahautanga mō ngā whakaminenga mō ngā mahi toi, ngā manuhiri e haere mai ana ki te ahurewa mātaki me ngā kaipānui pukapuka. Wellington [N.Z.]: Creative New Zealand, 2000.

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Selwood, Sara. Investigating audiences: Audience surveys in the visual arts : a resource pack for art administrators. (London): London Arts Board, 1992.

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Walshe, Peter. Guidance notes on carrying out audience/visitor surveys. [S.l.]: The Arts Council; Marketing and market research unit, 1988.

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Syfret, Toby. UK trends in multichannel audiences and advertising revenue. London: FT Media & Telecoms, 1997.

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Stevens, Louise K. Learning to build audience participation: The Montana story. Bozeman, MT: ArtsMarket, 2004.

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Biedinger, Caroline. La fréquentation des lieux culturels. Saint-Denis: Observatoire du développement de la Réunion, 2003.

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Book chapters on the topic "Audience survey"

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Ruel, Erin. "Who Is My Audience, and Why Does It Matter?" In 100 Questions (and Answers) About Survey Research, 137. 2455 Teller Road, Thousand Oaks California 91320: SAGE Publications, Inc., 2019. http://dx.doi.org/10.4135/9781506348803.n107.

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Mieriņa, Inta. "An Integrated Approach to Surveying Emigrants Worldwide." In IMISCOE Research Series, 13–33. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12092-4_2.

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Abstract This chapter describes the research design applied in the research project The Emigrant Communities of Latvia: National Identity, Transnational Relations and Diaspora Politics, which forms the empirical core of this volume. It discusses this methodology in the context of other migration studies and major surveys on migration. Compared to previous studies The Emigrant Communities of Latvia is the most inclusive in terms of the target audience. All Latvians and Latvian nationals abroad were invited to participate in the survey, applying a broad and open definition of ‘Latvian diaspora’ based on personal identification with the Latvian nation and/or citizenship. Being Web-based, the survey did not impose any limitations as to geographic location, aiming at all countries in the world. Combining a wide range of respondent recruitment channels and techniques and supported by a media campaign, the survey reached 14,068 respondents in 118 countries. Innovative solutions were used to increase response rates and to decrease attrition. Several research topics in this study required separate qualitative research approaches. Thus, 159 partly-structured in-depth interviews were also conducted in countries where the Latvian diaspora is largest, as well as in-depth interviews with return migrants and diaspora policy experts. The new methodology has far-reaching potential to be applied to the study of other migrant groups in Europe and beyond. Importantly, The Emigrant Communities of Latvia project has tested and empirically proven the potential of Web surveys in collecting the opinions of large populations of migrants in many countries.
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Hansen, Anders, and David Machin. "Measuring audiences: survey research." In Media and Communication Research Methods, 204–26. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-27225-6_9.

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Hansen, Anders, Simon Cottle, Ralph Negrine, and Chris Newbold. "Media Audiences: Survey Research." In Mass Communication Research Methods, 225–56. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26485-8_9.

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Ulla Lorenzo, Alejandra. "The Iberian and New World Circulation of Sacrobosco’s Sphaera in the Early Modern Period." In Publishing Sacrobosco’s De sphaera in Early Modern Europe, 225–54. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-86600-6_7.

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AbstractThe aim of this paper is to reconstruct the circulation of Sacrobosco’s Tractatus de sphaera in early modern Iberian Peninsula and New World printing. We will present a survey on the locally active printers and publishers who contributed to the circulation of the Sphaera thanks to the information now offered by the Iberian Books database. This will be followed by a general discussion about the professional profile held by the printers and publishers who took part in the publication and circulation of the text in the Iberian Peninsula and America. Both markets were probably related through Seville. With this group of printers and publishers in mind, we will analyze what can be inferred from their production in terms of their approach to publishing, what audience were they generally targeting, their commercial scope, and how the Sphaera fit into their general production and commercial plan.
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Boyd, Candice P. "Staging and Evaluating the ‘Finding Home’ Exhibition." In Exhibiting Creative Geographies, 65–96. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6752-8_4.

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AbstractIn this chapter, Boyd describes the staging and evaluation of the ‘Finding Home’ exhibition within the context of university ‘impact agendas’. The notion of societal impact is critiqued before the tasks involved in staging the ‘Finding Home’ exhibition are detailed. The findings from the exhibition’s evaluation, which included 100 visitor surveys and 31 phone interviews with exhibition audiences, are also presented in this chapter. The chapter concludes with reflections on the labour involved in bringing a research exhibition to multiple publics.
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"Audience survey." In A Zambian Journalist: In Pursuit of Three Freedoms, 171–74. Gadsden Publishers, 2019. http://dx.doi.org/10.2307/j.ctv2tr4wgq.56.

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"The Panel and the Survey." In Rating the Audience. Bloomsbury Academic, 2011. http://dx.doi.org/10.5040/9781849664622.ch-003.

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"2 The Heritage Audience Survey: Methodology and Issues." In Heritage Film Audiences, 29–46. Edinburgh University Press, 2011. http://dx.doi.org/10.1515/9780748647040-005.

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Monk, Claire. "The Heritage Audience Survey: Methodology and Issues." In Heritage Film AudiencesPeriod Films and Contemporary Audiences in the UK, 29–44. Edinburgh University Press, 2011. http://dx.doi.org/10.3366/edinburgh/9780748638246.003.0002.

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Conference papers on the topic "Audience survey"

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Takatama, Mirai, and Wonseok Yang. "Remote Cheering System with Voice in Live Streaming." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001753.

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In recent years, live streaming has become the mainstream. Because the music live has been canceled or postponed by the influence of the new coronavirus infection. Even now that the number of infected people is decreasing, hybrid live performances with both concert and live streaming are being held. Live streaming can reduce travel costs and time, so it has the merit of being able to watch it easily. However, it is difficult to feel a sense of unity and presence, and it does not create more excitement than concert. It has become a problem in the music industry. In order to solve this problem, we think it is necessary to pay attention to the presence or absence of audience sharing the same place and voice, which is a big difference between concert and live streaming. This study examines how to make it satisfactory live where we can feel a sense of unity and presence even if we are alone at home in a live streaming. To this end, we clarified the behavior of the audience watching concert and analyzed how to cheer.Therefore, we conducted a survey of the excitement of it based on the pyramid of Freytag.We investigated the behavior of the audience from concert videos of idols, singers and rock bands. As a result, audience’s cheering method has three types of cheering: those using voice, those using hands and those using entire body. Cheering using voice plays an important role in deciding the excitement.Live streaming has comments, social tipping, and posting on SNS as a service. However, none of them share the voice of the audience. This analysis clarified the reason why live streaming is not more exciting than concert. Thereby we considered that sharing emotions aloud between the audience create a sense of unity in live streaming. From the above, we produce a live streaming cheering system using voice. This system uses the call program to communicate with other audiences, visualize the voice of the audience and project it on the screen. It’s mechanism that increases the number of effects that express excitement as the audience’s voice gets louder. We produce it to use TouchDesigner. Moreover, subjects watched the concert video with this system. we experimented with whether the subject felt a sense of unity and presence compared to conventional live streaming. Subjects were able to shout even more by sharing voices with other audiences and visualizing their voices. In addition, conventional live streaming shared emotions by discussing their impressions with other audiences using SNS. By contrast, this system can share emotions directly through the call program, which makes it more exciting. On the other hand, subjects have an opinion that it would be better to project effects tailored to the concept of songs and concerts on the screen so that the audience would not get bored. Therefore, this system is room for the development. From this experiment, the remote cheering system using voice improve the concert experience at home.
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Cieliebak, Mark, Amani Magid, and Beatrice Pradarelli. "How to throw chocolate at students: A survey of extrinsic means for increased audience attention." In 2017 IEEE Global Engineering Education Conference (EDUCON). IEEE, 2017. http://dx.doi.org/10.1109/educon.2017.7942847.

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Kasperovich-Rynkevich, Olga Nikolaevna. "Media economically oriented tecnologies in mass media activity." In Internationa Extra-murral Online Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-112426.

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This article explores cost-effective mass media technologies. The experience of the use of paid access to the media content of Belarus was studied, the author also made the forecast on its future functioning. The paper provides global media industry trends and focuses on the use of messagers to promote content and increase the target audience of mass media. The research used the methods of content analysis and a written survey. During the study the author revealed that the media economically oriented technologies help to make a profit through distribution of content and formation of a loyal mass media audience.
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Surynek, Pavel. "Problem Compilation for Multi-Agent Path Finding: a Survey." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/783.

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Multi-agent path finding (MAPF) attracts considerable attention in artificial intelligence community. The task in the standard MAPF is to find discrete paths through which agents can navigate from their starting positions to individual goal positions. The combination of two additional requirements makes the problem computationally challenging: agents must not collide with each other and the paths must be optimal with respect to some objective. Two major approaches to optimal MAPF solving include dedicated search-based methods, and compilation-based methods that reduce a MAPF instance to an instance in a different formalism, for which an efficient solver exists. In this survey, we summarize major compilation-based solvers for MAPF using CSP, SAT, and MILP formalisms. We explain the core ideas of the solvers in a simplified and unified way while preserving the merit making them more accessible for a wider audience.
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Hua, Junyi. "Analysis of Recognition of the Chinese animation derivatives-- Based on a survey of the audience of different ages." In International Academic Workshop on Social Science (IAW-SC-13). Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/iaw-sc.2013.250.

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Ashby, Kira, Sea Rotmann, Jennifer Smith, Luis Mundaca, Aimee Ambrose, Sherri Borelli, and Manswi Talwar. "Who are Hard-to-Reach energy users? Segments, barriers and approaches to engage them." In ACEEE Summer Study for Energy Efficiency in Buildings. ACEEE, 2020. http://dx.doi.org/10.47568/3cp103.

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Energy efficiency (EE) program administrators and policy makers have long encouraged the adoption of efficient technologies and conservation practices across all energy users and sectors. Energy users who haven’t yet participated in efficiency and conservation programs despite ongoing outreach are often referred to as “Hard-to-Reach” (HTR). These individuals or organizations can include, for instance, low income or rural audiences on the residential side and small businesses or building operators on the commercial side. More effectively engaging underserved and HTR audiences is key to ensuring everyone benefits equitably from efficiency and conservation interventions. In June 2019, energy efficiency, behavior change and HTR researchers, practitioners, and policy makers from five countries embarked on a 3-year project in partnership with the UserCentred Energy Systems Technology Collaboration Programme (Users TCP) by the International Energy Agency (IEA). The purpose of this effort is to characterize the diverse audience segments commonly referred to as HTR and to uncover the barriers and behavioral opportunities to more effectively engage them. This paper describes the first of these efforts. We have synthesized data from a global survey (N=110) and stakeholder interviews with 40+ energy efficiency experts striving to better understand and engage HTR in their respective countries. This paper provides initial insights from this data into how HTR energy users are defined across the world and which segments have been prioritized globally for focused outreach. The overarching goal is to use a standardized research process to inform and improve how energy efficiency, behavior change, and demand response programs targeting specific HTR audiences are designed, implemented and evaluated.
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Ashby, Kira, Sea Rotmann, Jennifer Smith, Luis Mundaca, Aimee Ambrose, Sherri Borelli, and Manswi Talwar. "Who are Hard-to-Reach energy users? Segments, barriers and approaches to engage them." In ACEEE Summer Study for Energy Efficiency in Buildings. ACEEE, 2020. http://dx.doi.org/10.47568/3false103.

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Energy efficiency (EE) program administrators and policy makers have long encouraged the adoption of efficient technologies and conservation practices across all energy users and sectors. Energy users who haven’t yet participated in efficiency and conservation programs despite ongoing outreach are often referred to as “Hard-to-Reach” (HTR). These individuals or organizations can include, for instance, low income or rural audiences on the residential side and small businesses or building operators on the commercial side. More effectively engaging underserved and HTR audiences is key to ensuring everyone benefits equitably from efficiency and conservation interventions. In June 2019, energy efficiency, behavior change and HTR researchers, practitioners, and policy makers from five countries embarked on a 3-year project in partnership with the UserCentred Energy Systems Technology Collaboration Programme (Users TCP) by the International Energy Agency (IEA). The purpose of this effort is to characterize the diverse audience segments commonly referred to as HTR and to uncover the barriers and behavioral opportunities to more effectively engage them. This paper describes the first of these efforts. We have synthesized data from a global survey (N=110) and stakeholder interviews with 40+ energy efficiency experts striving to better understand and engage HTR in their respective countries. This paper provides initial insights from this data into how HTR energy users are defined across the world and which segments have been prioritized globally for focused outreach. The overarching goal is to use a standardized research process to inform and improve how energy efficiency, behavior change, and demand response programs targeting specific HTR audiences are designed, implemented and evaluated.
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Ojebuyi, B. R., M. I. Lasisi, and U. O. Ajetunmobi. "Between Coronavirus and COVID-19: Influence of Nigerian Newspapers’ Headline Construction on Audience Information-Seeking Behaviour." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.002.

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Since the onset of the new coronavirus, the mass media, across the globe, have continued to draw special attention to the disease by adopting different pragmatic and rhetoric strategies. In Nigeria for instance, the news media have continued to draw people’s attention to the virus by using COVID-19 and coronavirus as synonymous lexical entities in the headlines of their news stories. These lexical choices are believed to have some influence on how the audience understand and seek information about the virus. However, existing studies in media and health communication have not copiously explored the relationship between the lexical choices by media to report the COVID-19 pandemic and people’s information-seeking behaviour about the virus. This study was, therefore, designed to investigate how Nigerian journalists used coronavirus and COVID-19 as the key terms to report the virus and how the pragma-semantic implicatures of the lexical choices influenced audience information-seeking behaviours. Pragmatic Acts and Information-Seeking theories were employed as the theoretical framework while online survey and content analysis were adopted as methods. Findings show that although Nigerian journalists used coronavirus (SD=2.090) more often than COVID-19 (SD=1.924) in the headlines, the audience employed COVID-19 (M=2.23, SD=.810) more than coronavirus (M=1.88, SD=.783) while searching information about the virus. Besides, journalists’ use of COVID-19 in the headlines to educate (Chi-square =37.615, df=11, P<.000), warn (Chi-square =26.153, df=11, P<.006), assess (Chi-square= 24.350, df=11, P<.011) and sensitise (Chi-square =24.262, df=11, P<.012) facilitated audience interest in seeking information about the virus than when coronavirus is used as a keyword in the headlines. The lexical choices made by journalists to report a health crisis such as the COVID-19 pandemic have implications for citizens’ knowledge about the crisis.
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Francis, Krista, Michele Jacobsen, and Sharon Friesen. "The Use of Graphics to Communicate Findings of Longitudinal Data in Design-Based Research." In InSITE 2015: Informing Science + IT Education Conferences: USA. Informing Science Institute, 2015. http://dx.doi.org/10.28945/2240.

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Visuals and graphics have been used for communicating complex ideas since 1786 when William Playfair first invented the line graph and bar chart. Graphs and charts are useful for interpretation and making sense of data. For instance, John Snow’s scatter plot helped pinpoint the source of a cholera outbreak in London in 1854 and also changed understandings of how germs were spread. While popular in the field of information graphics, rarely are graphs beyond the bar chart found in educational research articles. When present, the graphs do not necessarily enhance the findings of the data. Nor do educational research methods textbooks promote or instruct how to create visual representations to aid with interpretation and communication of findings. This paper attempts to address this void by sharing our processes for creating meaningful visual graphs for communicating multi-dimensional statistical findings more effectively. A working hypothesis was that carefully crafted visual graphics would convey our longitudinal research findings more effectively to broader audiences than existing forms. Three visuals were constructed from survey data three-year longitudinal design based research study of teacher and student learning in a one-to-one laptop school. The study focused on learning designs that changed and improved student learning experiences and outcomes by adopting inquiry approaches to teaching that incorporate meaningful uses of technology. In field tests, our audiences found the visuals were useful for interpreting the findings. More and more frequently, academics are required to communicate their findings to broader audiences. A well-designed and well-constructed graph(ic) can provide a means for effective communication of complex, multi-dimensional statistical data. Such effective communication is beneficial for both an academic audience as well as for broader audiences. The authors presented this paper that was previously published in JITE: Research
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Young, John, Myrtle Dawes, Andrew Smith, Keiren Lake, and Keith Lawton. "Financing Net Zero: Addressing Technology Risk for Financial Investments in the Energy Transition." In SPE Offshore Europe Conference & Exhibition. SPE, 2021. http://dx.doi.org/10.2118/205463-ms.

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Abstract This paper discusses the challenges that must be addressed to support the financing of novel technologies needed to achieve the United Kingdom's stated goal of achieving net zero emissions by 2050. It identifies practical steps that stakeholders providing investment funding, as well as technology developers can take to drive net zero outcomes. The paper represents the first time such a diverse group of independent industry professionals have come together to explore financing challenges associated with the Energy Transition. Apart from the diversity of the authors backgrounds and expertise, a survey was conducted of 121 respondents from across the energy landscape while preparing this paper. The survey was launched to an international audience, however, respondents were largely from the oil and gas and renewable industries from both the UK and Europe. The paper seeks to align investors in technological developments and will enable them to more accurately value the risks of novel technology deployment. This requires developers to present their solutions in a manner that investors can understand, and which enables financial risk to be more accurately aligned with the Technology Readiness Level (TRL) approach. Another critical element is making sure the rush to develop newer technologies to achieve Net Zero takes into account the right Environmental, Social, and Governance (ESG) considerations. The ultimate goal of the paper is to begin a dialogue that will eventually lead to a shift in the way that private and public institutions think about financing nascent technologies.
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Reports on the topic "Audience survey"

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Krylova-Grek, Yulia, and Mariya Shyshkina. Blended Learning Method for Improving Students' Media Literacy Level. [б. в.], November 2020. http://dx.doi.org/10.31812/123456789/4467.

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The paper discusses the issues of improving students' media literacy skills to help them to navigate through an increasingly complex information so- ciety. It reports on a project aimed at applying the blended learning model to boost high school students' media literacy levels. The given model is recognized to have a number of advantages for both teachers (tutors) and learners (students). It is generally accepted that the blended learning method provides students with profound theoretical knowledge and retains the emphasis on practice. Besides, online classes offer a great opportunity to reach a wider audience. The purpose of the paper is to describe the authors' experience in introducing a new method for improving the learners' media literacy skills based on the blended learning model. The survey responses demonstrated that the accessibility, ease-of-use, and duration of the classes were deemed effective in terms of students' engagement and increases in their media literacy level. The course helped learners to develop their critical thinking and other media-related skills, to identify propaganda, ma- nipulation, and fake messages found in media streams.
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Langham, C. W., A. M. Botman, and T. Alföldi. From Surfer to Scientist: Designing a Canadian Remote Sensing Service for the Internet Audience. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/218540.

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