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Journal articles on the topic 'Audio Equalizer'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Jang, Seong‐Cheol. "Digital audio equalizer." Journal of the Acoustical Society of America 96, no. 1 (1994): 616. http://dx.doi.org/10.1121/1.410399.

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2

Yonovitz, David. "Evolving the audio equalizer." Journal of the Acoustical Society of America 141, no. 5 (2017): 4044. http://dx.doi.org/10.1121/1.4989348.

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3

Bohn, Dennis A. "Reciprocal, subtractive, audio spectrum equalizer." Journal of the Acoustical Society of America 90, no. 2 (1991): 1217. http://dx.doi.org/10.1121/1.401985.

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4

Ozawa, Hiroshi, Shiro Horii, and Ichiro Hondo. "Audio apparatus having electronic graphic equalizer." Journal of the Acoustical Society of America 93, no. 2 (1993): 1222. http://dx.doi.org/10.1121/1.405465.

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5

Guo, Hong, Dan Dan Han, and Hong Guo Zhang. "Design and Implementation of High-Precision Digital Audio Equalizer Based on FPGA." Applied Mechanics and Materials 427-429 (September 2013): 1187–90. http://dx.doi.org/10.4028/www.scientific.net/amm.427-429.1187.

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By adjusting a variety of different frequency signals, equalizer compensates or optimizes system deficiencies, equalizer is used in voice, communication systems, mechanical vibration, fault diagnosis and many other fields. Traditional analog equalizer has low precision, phase nonlinearity and more distortion characteristics. On the basis of this, a new digital equalization algorithm that abandon the traditional single FIR filter implementation method is proposed, frequency division effect is achieved by multiple phase sub-band filter row and multi-channel digital potentiometer, so the cost of

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6

Shokri, Shervin, Mahamod Ismail, Nasharuddin Zainal, and Majid Moghaddasi. "Audio-Speech Watermarking Using a Channel Equalizer." Wireless Personal Communications 95, no. 4 (2017): 4457–76. http://dx.doi.org/10.1007/s11277-017-4095-5.

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7

Saitoh, Hiroyuki. "Equalizer and audio device using the same." Journal of the Acoustical Society of America 101, no. 5 (1997): 2422. http://dx.doi.org/10.1121/1.418453.

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8

Chen, Zhe. "Optimal Design of Digital Audio Parametric Equalizer." Journal of Information and Computational Science 11, no. 1 (2014): 57–66. http://dx.doi.org/10.12733/jics20102563.

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9

Lydon, Donald S., and Charles S. Meyer. "Cable equalizer for aes digital audio data." Journal of the Acoustical Society of America 112, no. 5 (2002): 1739. http://dx.doi.org/10.1121/1.1526563.

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10

Sauvagerd, U. "A ten-channel equalizer for digital audio-applications." IEEE Transactions on Circuits and Systems 36, no. 2 (1989): 276–80. http://dx.doi.org/10.1109/31.20205.

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11

Wang, Peng, Zheng Yang Wu, and Feng Qian. "Optimum Equalizer Design for Desktop Loudspeakers." Applied Mechanics and Materials 687-691 (November 2014): 3923–26. http://dx.doi.org/10.4028/www.scientific.net/amm.687-691.3923.

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Loudspeaker equalization aims at mitigating the distortions introduced in the process of audio reproduction. Conventional equalization schemes focus mainly on the axial room impulse response, and thus cannot fulfill the requirements of near-filed applications such as desktop loudspeakers. This paper describes a novel equalization scheme, in which the problem is partially solved by taking the binaural perception difference into consideration.

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12

Kim, Ki-Jun, and Hochong Park. "Fast Graphic Visualization of Frequency Response for Audio Equalizer." Journal of Broadcast Engineering 20, no. 4 (2015): 632–40. http://dx.doi.org/10.5909/jbe.2015.20.4.632.

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13

Ramo, Jussi, and Vesa Valimaki. "Optimizing a High-Order Graphic Equalizer for Audio Processing." IEEE Signal Processing Letters 21, no. 3 (2014): 301–5. http://dx.doi.org/10.1109/lsp.2014.2301557.

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14

Manhas, Pratima, and M. K. Soni. "Optimized OFDM Model Using CMA Channel Equalization for BER Evaluation." Bulletin of Electrical Engineering and Informatics 6, no. 2 (2017): 133–39. http://dx.doi.org/10.11591/eei.v6i2.614.

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Orthogonal Frequency Division Multiplexing (OFDM) is a type of Multicarrier Modulation (MCM) technique in which entire bandwidth is divided into large number of small sub-carriers and each subcarrier is transmitted parallel to achieve higher data rates. It has various applications like Digital Audio Broadcasting (DAB), Digital Video Broadcasting (DVB) and wireless LAN.OFDM technique is widely used in wireless communication system because of its very high data rate. The performance of FFT based OFDM system using Linear and cyclic channel coding and Constant Modulus Algorithm (CMA) equalizer is

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15

MISHIMA, Yuki, and Yoshinobu KAJIKAWA. "Automatic Parameter Adjustment Method for Audio Equalizer Employing Interactive Genetic Algorithm." IEICE Transactions on Fundamentals of Electronics, Communications and Computer Sciences E95.A, no. 11 (2012): 2036–40. http://dx.doi.org/10.1587/transfun.e95.a.2036.

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16

Reiss, Joshua D. "Design of Audio Parametric Equalizer Filters Directly in the Digital Domain." IEEE Transactions on Audio, Speech, and Language Processing 19, no. 6 (2011): 1843–48. http://dx.doi.org/10.1109/tasl.2010.2091634.

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17

Chen, Z., G. S. Geng, F. L. Yin, and J. Hao. "A pre-distortion based design method for digital audio graphic equalizer." Digital Signal Processing 25 (February 2014): 296–302. http://dx.doi.org/10.1016/j.dsp.2013.11.007.

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18

Sarkka, Simo, and Antti Huovilainen. "Accurate Discretization of Analog Audio Filters With Application to Parametric Equalizer Design." IEEE Transactions on Audio, Speech, and Language Processing 19, no. 8 (2011): 2486–93. http://dx.doi.org/10.1109/tasl.2011.2144970.

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19

Bruschi, Valeria, Stefano Nobili, Alessandro Terenzi, and Stefania Cecchi. "A Low-Complexity Linear-Phase Graphic Audio Equalizer Based on IFIR Filters." IEEE Signal Processing Letters 28 (2021): 429–33. http://dx.doi.org/10.1109/lsp.2021.3057228.

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20

Wang, Liang, Woon Seng Gan, and Sen M. Kuo. "Integration of Bass Enhancement and Active Noise Control System in Automobile Cabin." Advances in Acoustics and Vibration 2008 (May 6, 2008): 1–9. http://dx.doi.org/10.1155/2008/869130.

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With the advancement of digital signal processing technologies, consumers are more concerned with the quality of multimedia entertainment in automobiles. In order to meet this demand, an audio enhancement system is needed to improve bass reproduction and cancel engine noise in the cabins. This paper presents an integrated active noise control system that is based on frequency-sampling filters to track and extract the bass information from the audio signal, and a multifrequency active noise equalizer to tune the low-frequency engine harmonics to enhance the bass reproduction. In the noise cance

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21

Wulandari, Bekti, Suparman Suparman, Djoko Santoso, and Muslikhin Muslikhin. "Pengembangan Trainer Equalizer Grafis dan Parametris sebagai Media Pembelajaran Mata Kuliah Praktik Sistem Audio." Jurnal Pendidikan Teknologi dan Kejuruan 22, no. 4 (2016): 373. http://dx.doi.org/10.21831/jptk.v22i4.7835.

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The objectives of this study were to determine the development process of graphic and parametric equalizer trainer media in the course of Audio System and to examine the quality of the media. The development process of the media referred to the model offered by Lee and Owens. The research procedures consisted of assessment/analysis, designing, implementation and evaluation. The results of the study showed that the percentages for the quality aspect of the media and the companion module were 4.31 and 4.42 respectively. Based on these two aspects, it was obtained the overall percentage that was

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22

Supriyanto, Eko, and Aestatica Ratri. "Rancang Bangun 7-Band Graphic Equalizer Sebagai Penunjang Praktikum Dasar Sistem Komunikasi." Indonesian Journal of Laboratory 1, no. 2 (2019): 10. http://dx.doi.org/10.22146/ijl.v1i2.44746.

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Rangkaian Filter merupakan salah satu rangkaian yang sangat penting baik dibidang audio maupun telekomunikasi. Oleh karena itu pengetahuan tentang rangkian filter ini perlu diajarkan kepada mahasiswa pada saat praktikum. Baik itu dari jenis filter, cara merancang hingga bagaimana cara mengukur dan menggambarkan karakteristik dari filter itu sendiri. Pada penelitian ini, dikenalkan tentang rangkaian ekualiser. Yang merupakan pengembangan dari rangkaian filter dasar yang telah dikenalkan sebelumnya kepada mahasiswa. Metode yang digunakan dalam penelitian ini adalah mengamati output dari rangkaia

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23

Seonggeon, Bae, Kim Jaepyung, and Rhee Esther. "A study on analysis of room equalizer using smart modules for analog high-quality audio." Journal of the Acoustical Society of America 137, no. 4 (2015): 2258. http://dx.doi.org/10.1121/1.4920238.

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24

Murthy, C. Srinivasa, and K. Sridevi. "Optimized DA-reconfigurable FIR filters for software defined radio channelizer applications." Circuit World 47, no. 3 (2021): 252–61. http://dx.doi.org/10.1108/cw-11-2020-0332.

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Purpose In this paper, the authors present different methods for reconfigurable finite impulse response (RFIR) filter design. Distributed arithmetic (DA)-based reconfigurable FIR filter design is suitable for software-defined radio (SDR) applications. The main contribution of reconfiguration is reuse of registers, multipliers, adders and to optimize various parameters such as area, power dissipation, speed, throughput, latency and hardware utilizations of flip-flops and slices. Therefore, effective design of building blocks will be optimized for RFIR filter with all the above parameters. Desig

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25

Karamchandani, Sunil H., Krutarth J. Gandhi, Siddharth R. Gosalia, Vinod K. Madan, Shabbir N. Merchant, and Uday B. Desai. "PCA Encrypted Short Acoustic Data Inculcated in Digital Color Images." International Journal of Computers Communications & Control 10, no. 5 (2015): 678. http://dx.doi.org/10.15837/ijccc.2015.5.2029.

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We propose develop a generalized algorithm for hiding audio signal using image steganography. The authors suggest transmitting short audio messages camouflaged in digital images using Principal Component Analysis (PCA) as an encryption technique. The quantum of principal components required to represent the audio signal by removing the redundancies is a measure of the magnitude of the Eigen values. The aforementioned technique follows a dual task of encryption and in turn also compresses the audio data, sufficient enough to be buried in the image. A 57Kb audio signal is decipher from the Stego

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26

Pardo, Bryan, Mark Cartwright, Prem Seetharaman, and Bongjun Kim. "Learning to Build Natural Audio Production Interfaces." Arts 8, no. 3 (2019): 110. http://dx.doi.org/10.3390/arts8030110.

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Improving audio production tools provides a great opportunity for meaningful enhancement of creative activities due to the disconnect between existing tools and the conceptual frameworks within which many people work. In our work, we focus on bridging the gap between the intentions of both amateur and professional musicians and the audio manipulation tools available through software. Rather than force nonintuitive interactions, or remove control altogether, we reframe the controls to work within the interaction paradigms identified by research done on how audio engineers and musicians communic

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27

Pausch, Florian, Gottfried Behler, and Janina Fels. "SCaLAr – A surrounding spherical cap loudspeaker array for flexible generation and evaluation of virtual acoustic environments." Acta Acustica 4, no. 5 (2020): 19. http://dx.doi.org/10.1051/aacus/2020014.

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Introduction: Surrounding spherical loudspeaker arrays facilitate the application of various spatial audio reproduction methods and can be used for a broad range of acoustic measurements and perceptual evaluations. Methods: Installed in an anechoic chamber, the design and implementation of such an array of 68 coaxial loudspeakers, sampling a spherical cap with a radius of 1.35 m on an equal-area grid, is presented. A network-based audio backbone enables low-latency signal transmission with low-noise amplifiers providing a high signal-to-noise ratio. To address batch-to-batch variations, the lo

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28

Zhang, Chi, Jing Ren, and Chuang Shi. "Sub-array equalization technique for the parametric array loudspeaker to reduce nonlinear distortion." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 263, no. 5 (2021): 1497–504. http://dx.doi.org/10.3397/in-2021-1856.

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The parametric array loudspeaker (PAL) is a directional loudspeaker which uses the nonlinear acoustic effect, namely the parametric array, to produce an audio beam from narrow ultrasonic beams. The PAL can efficiently deliver audible information, without generating noise to the surroundings. One significant drawback of the PAL is the nonlinear distortion. Therefore, many sophisticated methods have been proposed to preprocess the input signal of the PAL. However, those methods usually request a flat frequency response of the ultrasonic transducer array (UTA). In the past, equalization has been

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29

"Study the BER Performance Comparison of MIMO Systems Using BPSK Modulation with ZF and MMSE Equalization." Australian Journal of Engineering and Innovative Technology, August 29, 2020, 77–84. http://dx.doi.org/10.34104/ajeit.020.06677084.

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In the modern age, wireless communication is very helpful in various mobile antenna communication systems. In mobile communication systems, the transmission of data transfer rates is very high and it plays an important role in several services like video, top-quality audio, and mobile integrated service digital network. During the transmission of data at higher data transmission rates through the mobile radio channels, the channel impulse response can spread over many symbol periods as well as cause inter-symbol interference (ISI). Wireless transmission is suffering from fading and interferenc

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30

Ludovico, Luca A., Giorgio Presti, and Alessandro Rizzi. "Audio dynamics automatic equalization inspired by visual perception." Multimedia Tools and Applications, January 7, 2021. http://dx.doi.org/10.1007/s11042-020-10197-w.

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AbstractThis paper explores the behavior of an algorithm called Audio Dynamics Automatic Equalization (ADAE). This algorithm has been inspired by research carried out in the context of image restoration: it is the adaptation of a contrast and color unsupervised equalizer for images, called Automatic Color Equalization (ACE), into the audio domain. Beside testing if the domain shift from image to audio processing can bring some interesting result, this work also investigates if ADAE behaves like already-known technologies for audio manipulation and restoration. To this end, after a description

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31

Chapman, Owen. "The Affect of Selection in Digital Sound Art." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2357.

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   A variety of digital technologies exist that can transform sound waves into binary code. Any sound can be ‘sampled’ in this way: drum beats, field recordings, even full-length instrumental or vocal tracks. Copies are then ready to be duplicated, cut, spliced, pitch-shifted, equalised, turned backwards, and/or passed through a myriad of different effects processors before being sequenced and layered into a final stereo mix.   Once obtained, this mix is itself eminently copy-able without loss in audio quality. Moreover, affordable digital reproduction media aboun

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32

Leurs, Koen, and Sandra Ponzanesi. "Mediated Crossroads: Youthful Digital Diasporas." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.324.

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What strikes me about the habits of the people who spend so much time on the Net—well, it’s so new that we don't know what will come next—is in fact precisely how niche in character it is. You ask people what nets they are on, and they’re all so specialised! The Argentines on the Argentine Net and so forth. And it’s particularly the Argentines who are not in Argentina. (Anderson, in Gower, par. 5) The preceding quotation, taken from his 1996 interview with Eric Gower, sees Benedict Anderson reflecting on the formation of imagined, transnational communities on the Internet. Anderson is, of cour

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33

Matthews, Nicole, Sherman Young, David Parker, and Jemina Napier. "Looking across the Hearing Line?: Exploring Young Deaf People’s Use of Web 2.0." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.266.

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IntroductionNew digital technologies hold promise for equalising access to information and communication for the Deaf community. SMS technology, for example, has helped to equalise deaf peoples’ access to information and made it easier to communicate with both deaf and hearing people (Tane Akamatsu et al.; Power and Power; Power, Power, and Horstmanshof; Valentine and Skelton, "Changing", "Umbilical"; Harper). A wealth of anecdotal evidence and some recent academic work suggests that new media technology is also reshaping deaf peoples’ sense of local and global community (Breivik "Deaf"; Breiv

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