Relevant bibliographies by topics / Audiovisual

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Academic literature on the topic 'Audiovisual'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Audiovisual"

Pasti, André. "Programa Polos Audiovisuales Tecnológicos, participación popular y regionalización de la comunicación en Argentina: el caso de Misiones." Polisemia 17, no. 31 (2022): 33–56. http://dx.doi.org/10.26620/uniminuto.polisemia.17.31.2021.33-56.

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El Programa Polos Audiovisuales Tecnológicos fue una política de regionalización para la comunicación en territorio argentino, con el fin de promover acciones para la democratización de los medios de comunicación. El programa permitió implementar principios de la Ley 26.522 de Servicios de Comunicación Audiovisual (LSCA) de 2009, popularmente conocida como “Ley de Medios”. El programa desarrolló la regionalización del territorio argentino en nueve polos y la organización de una red federal con 42 nodos audiovisuales, con procesos participativos de la familia O Programa Polos Audiovisuais Tecno

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Massarolo, João, and Dario Mesquita. "CENTROS TRANSMÍDIA E STARTUP AUDIOVISUAL." Revista Observatório 3, no. 3 (2017): 181. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n3p181.

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Neste trabalho sobre os centros transmídia e startup audiovisual, pretende-se problematizar e atualizar a noção de APL (Arranjo produtivo local) no contexto do mercado audiovisual brasileiro, com o objetivo de compreender a implementação de polos audiovisuais como uma estratégia de desenvolvimento de centros transmídia capacitados para a inovação audiovisual. PALAVRAS-CHAVE: Audiovisual; Centro Transmídia; Startup. ABSTRACT In this work about transmedia centers and audiovisual startup, we intend to problematize and update the notion of APL (Local Productive Arrangement) in the context of the B

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P. Maia Alves, Elder. "A EXPANSÃO DO MERCADO DE CONTEÚDOS AUDIOVISUAIS BRASILEIROS: a centralidade dos agentes estatais de mercado – o FSA, a ANCINE e o BNDES." Caderno CRH 29, no. 78 (2017): 477–94. http://dx.doi.org/10.9771/ccrh.v29i78.19999.

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O mercado de conteúdos audiovisuais brasileiros vive uma expansão regular. Com a efetiva implementação da Lei nº 12.485/2011 (nova lei da TV por assinatura), o crescimento dos recursos financeiros direcionados para o Fundo Setorial do Audiovisual (FSA), o fortalecimento político-jurídico da Agência Nacional de Cinema (ANCINE) e a atuação do Banco Nacional de Desenvolvimento Econômico e Social (BNDES) junto ao FSA, plasmou-se um arranjo jurídico-tributário que tem permitido aos agentes empresariais e criativos desse mercado a adoção da lógica de cassino. Essa lógica potencializa a luta transnac

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Tohres, Steven Stanley, Heriyanti Heriyanti, and Kartina Pakpahan. "ImplementationOf Dispute Resolutionin the Field Copyright Upon Signing of the Beijing Treaty." International Journal of Business, Law, and Education 5, no. 2 (2024): 1910–22. http://dx.doi.org/10.56442/ijble.v5i2.768.

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Indonesia became a WIPO member country on December 18 2012 co-signed the Beijing Treaty at the World Intellectual General Assembly forum Property Organization in Geneva Switzerland. Implementation of the Beijing Treaty in Indonesia itself is quite interesting to study because the creative industry is in the form of performances Audiovisual in Indonesia itself is a profession so it is needed protection of copyright in the form of moral and economic rights to works audiovisuals, especially those broadcast or shown through media facilities technology. The legal research method used in this resear

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Porta-Navarro, Amparo, and Lucía Herrera. "Music and its significance in children favourite audiovisuals." Comunicar 25, no. 52 (2017): 83–92. http://dx.doi.org/10.3916/c52-2017-08.

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Audiovisual media are part of children´s daily life. They build and/or replace a part of the reality that is sometimes preceded. This paper is interested in one of the elements of the audiovisual binomial, the soundtrack, in order to analyse its meaning and sense from the children’s point of view. The objectives are: to determine if the audiovisual media clips to which children are exposed (sound, image and all) are perceived differently; to establish the possible differences in the assessment they make when comparing the sound and image presentation modalities. Fourteen audiovisual media (mov

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Hernández Alfonso, Eduardo Alejandro, Luis Ernesto Paz Enrique, and Rachel Milagros Pérez Cabrera. "El rol del audiovisual production researcher en el tratamiento de la documentación audiovisual." Vivat Academia, no. 153 (December 3, 2020): 55–71. http://dx.doi.org/10.15178/va.2020.153.55-71.

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Los roles en el tratamiento de la documentación audiovisual tienen una gran variedad de denominaciones. Entre las más comunes se encuentran Production Researcher, TV Researcher, Film Researcher, Programme Researcher y Video Librarian. Aunque las denominaciones varían, las funciones se limitan al procesamiento, almacenamiento, custodia y difusión de las colecciones audiovisuales. La definición de un nuevo rol que además de realizar las actividades de los anteriores, participe en el proceso de producción audiovisual, permitirá superar las limitaciones que presenta el documentalista audiovisual.

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Staroselsky, Tatiana. "giro audiovisual?" Valenciana, no. 34 (July 1, 2024): 201–26. http://dx.doi.org/10.15174/rv.v17i34.765.

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Este trabajo se propone analizar el fenómeno del videoensayismo filosófico y pensarlo como un giro audiovisual que tiene la potencialidad de motorizar una transformación del campo. Para hacerlo, ofrece un mapa de producciones audiovisuales que pueden inscribirse en el campo de la filosofía, agrupándolas según tres regiones de origen, a saber, las instituciones académicas, que comienzan a permitir la experimentación con el soporte audiovisual, el circuito artístico, que aloja formas de reflexión híbridas, y el ensayismo audiovisual de circulación masiva en YouTube, que desafía la cerrazón de la

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Maia, Elder, Gisele Jordão, and Débora Nunes de Sousa Lima. "expansão do consumo audiovisual online." Políticas Culturais em Revista 18, no. 1 (2025): 164–95. https://doi.org/10.9771/pcr.v18i1.64438.

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Este trabalho tem como objeto a tríade de relações econômicas, financeiras e políticas entre: 1) a expansão do consumo audiovisual online no Brasil nos últimos dez anos; 2) a consolidação da arquitetura financeira do Fundo Setorial do Audiovisual (FSA), que somente se tornou possível após o advento da Condecine-Teles, contribuição que passou a vigorar em 2012 (Lei 12.485/2011) e incide sobre as empresas que distribuem conteúdos audiovisuais; 3) as dificuldades de inserção dos conteúdos audiovisuais brasileiros (séries, filmes, documentários, animações, etc.) junto ao mercado audiovisual online

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Delgado Martínez, David. "Análisis de la producción audiovisual y panorama musical en Extremadura a través de los canales de YouTube." Cuadernos de Documentación Multimedia 27, no. 1 (2016): 32–52. http://dx.doi.org/10.5209/rev_cdmu.2016.v27.n1.51866.

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Se lleva a cabo un estudio sobre el panorama musical extremeño y su producción audiovisual a través de la difusión por medio de la plataforma audiovisual YouTube. La finalidad de este estudio es tener un análisis de todos los productos audiovisuales, analizando cuáles son los procesos de difusión que los creativos llevan a cabo para dar a conocer sus obras tanto musicales como audiovisuales. Realizaremos un estudio cuantitativo del material audiovisual de las bandas extremeñas y además un estudio cualitativo sobre cuales son los procesos más idóneos para que los vídeos lleguen al mayor número

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Yepes, Alfonso López. "Audiovisual en línea en la universidad española: bibliotecas y servicios especializados (una panorámica)." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 12, no. 2 (2014): 338–61. http://dx.doi.org/10.7195/ri14.v12i2.689.

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Situación que presenta la información audiovisual en línea en el ámbito de las bibliotecas y servicios audiovisuales universitarios españoles, con ejemplos de aplicaciones y desarrollos concretos. Se destaca la presencia del audiovisual fundamentalmente en blogs, canales IPTV, portales bibliotecarios propios y en actuaciones concretas como “La Universidad Responde”, a cargo de los servicios audiovisuales de las universidades españolas, que supone sin duda un marco de referencia y de difusión informativa muy destacado también para el ámbito bibliotecario; así como en redes sociales, mencionándo

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Dissertations / Theses on the topic "Audiovisual"

González, Fuente Santiago. "Audiovisual prosody and verbal irony." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/670309.

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This dissertation takes an integrated approach to the study of audiovisual cues to verbal irony. While pragmatic studies have mainly focused on the role of the discourse context in irony detection, little is known about the role of prosodic and gestural cues in this process. The thesis includes four experimental studies—each one described in a separate chapter—addressing a set of questions using a variety of experimental designs. The first one is a case study of a professional comedian and reveals (a) that ironic utterances display a higher density of prosodic and gestural markers than non

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Grierson, Michael Stuart. "Audiovisual composition." Thesis, University of Kent, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432901.

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Hattler, Max. "Audiovisual abstractions." Thesis, University of East London, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650257.

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The doctoral programme has supported my transformation from a sometimes experimental, sometimes commercial animation director to an artist working with animation. That is to say, it has helped me question the origins of my hitherto largely intuitive approach by framing it within a wider artistic-theoretical context. This has enabled me to reposition and revaluate my moving image practice, and brought me to a point where I have focus in terms of concept, technique, methodology and professional practice. This report is divided into sections. ‘Autobiographical Context’ outlines relevant personal

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Díaz-Cintas, Jorge. "La traducción audiovisual y el perfil del traductor audiovisual." Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/623499.

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Evento organizado en la Semana de la Traducción Audiovisual y de la Investigación, realizado del 23 al 25 de abril de 2018, campus Monterrico. Lima, Perú.<br>Conferencia que aborda los nuevos aspectos del perfil del traductor audiovisual.

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Callear, Stephen. "Audiovisual particles : parameter mapping as a framework for audiovisual composition." Thesis, Bath Spa University, 2012. http://researchspace.bathspa.ac.uk/1878/.

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This thesis investigates the role of cross-modal correspondence within audiovisual composition, presenting both a conceptual model and a methodological framework for the creation of abstract audiovisual art. While this research is specifically aimed at the field of abstract digital animation it is also intended to act as a platform for the future development of concurrent audiovisual synthesis techniques within the general field of audiovisual art. Referencing literature regarding the psychophysiological bases for audiovisual integration, it is argued that temporal congruence offers a mechanis

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Sundøy, Kristoffer Johan. "Audiovisual Contents Segmentation." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for elektronikk og telekommunikasjon, 2010. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-11264.

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The objective of this thesis is to detect high level semantic ideas to help to impose a structure on television talk shows. Indexing TV-shows is a subject that, to our knowledge, is rarely talked about in the scientific community.There is no common understanding of what this imposed structure should look like. We can say that the purpose is to organise the audiovisual content into sections that convey a specific information. It thus encompasses issues as diverse as scene segmentation, speech noise detection, speaker identification, etc. The basic problem of structuring is the gap between the

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Moraes, Cybeli Almeida. "A pausa audiovisual." Universidade do Vale do Rio dos Sinos, 2012. http://www.repositorio.jesuita.org.br/handle/UNISINOS/3416.

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Submitted by Silvana Teresinha Dornelles Studzinski (sstudzinski) on 2015-05-04T19:06:44Z No. of bitstreams: 1 Cybeli Moraes.pdf: 2408428 bytes, checksum: 989a2e7d9b1bbaebaaba9e7868eb4332 (MD5)<br>Made available in DSpace on 2015-05-04T19:06:44Z (GMT). No. of bitstreams: 1 Cybeli Moraes.pdf: 2408428 bytes, checksum: 989a2e7d9b1bbaebaaba9e7868eb4332 (MD5) Previous issue date: 2012-04-04<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A presente tese aborda a invenção do conceito de pausa audiovisual – pausa AV –, partindo das percepções e dos afetos sobre um corp

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Evangelista, Zárate Enrique Emmanuel. "Sinestesia artificial (audiovisual)." Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2015. http://hdl.handle.net/20.500.11799/58479.

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Este trabajo servirá como piedra angular para encaminar el diseño gráfico en el área de la investigación e integrarlo con otras disciplinas, al utilizarlo como medio de entretenimiento y educación y algo mucho más importante, puede ayudarnos a incluir a nuestro modo de vida a las personas con debilidad visual y auditiva, y ayudarnos a notros a entender mejor la relación entre color y sonido, entendiendo mejor el proceso perceptual a través de la esta SINESTESIA ARTIFICIAL. Ahora que se tiene esta referencia, no quiere decir que sea el único camino para asociar color y sonido, puede que en un f

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Connor, Andrew John Caldwell. "The audiovisual object." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/26047.

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The ʻaudiovisual objectʼ is a fusion of sound object and visual object to create an identifiable perceptual phenomenon, which can be treated as a ʻbuilding blockʼ in the creation of audiovisual work based primarily on electroacoustic composition practice and techniques. This thesis explores how the audiovisual object can be defined and identified in existing works, and offers an examination of how it can be used as a compositional tool. The historical development of the form and the effect of the performance venue on audience immersion is also explored. The audiovisual object concept builds up

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Mital, Parag Kumar. "Audiovisual scene synthesis." Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/10662/.

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This thesis attempts to open a dialogue around fundamental questions of perception such as: how do we represent our ongoing auditory or visual perception of the world using our brain; what could these representations explain and not explain; and how can these representations eventually be modeled by computers? Rather than answer these questions scientifically, we will attempt to develop a computational arts practice presenting these questions to participants. The approach this thesis takes is computational scene synthesis: a computationally generative collage process where the units of the col

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Books on the topic "Audiovisual"

Farjat, Jorge Luis. Teoría audiovisual: El audiovisual como arte. Arte y Memoria Audiovisual, 2004.

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United States. Dept. of the Army. National Training Center, ed. Audiovisual catalog: Photo devices, graphics, audiovisual. 5th ed. National Training Center, 1986.

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Cintas, Jorge Díaz, and Gunilla Anderman, eds. Audiovisual Translation. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234581.

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Gambier, Yves, and Sara Ramos Pinto, eds. Audiovisual Translation. John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/bct.95.

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Ayala, Danny. Audiovisual hardware. Convention Press, 1994.

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Stockinger, Peter. Audiovisual Archives. John Wiley & Sons, Inc., 2013. http://dx.doi.org/10.1002/9781118561980.

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Madrid, Spain) International Forum on Audiovisual (1999. Audiovisual performances. Reus, 2000.

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Jiménez, Jesús García. Narrativa audiovisual. Catedra, 1993.

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Laberinto, Colección, ed. Narrativa Audiovisual. Ediciones del Laberinto S.L., 2006.

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B, Hugo Miller. Periodismo audiovisual. Pontificia Universidad Católica de Chile, Escuela de Pariodismo, 1989.

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Book chapters on the topic "Audiovisual"

Weik, Martin H. "audiovisual." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_1025.

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Vaalgamaa, Markus, and Benjamin Belmudez. "Audiovisual Communication." In Quality of Experience. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-02681-7_14.

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Podolskiy, Oleg. "Audiovisual Learning." In Encyclopedia of the Sciences of Learning. Springer US, 2012. http://dx.doi.org/10.1007/978-1-4419-1428-6_317.

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Ciesla, Robert. "Audiovisual Assets." In Mostly Codeless Game Development. Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2970-5_6.

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Guerra, Luis, and Giovanna Mapelli. "Literacidad audiovisual." In The Routledge Handbook of Multiliteracies for Spanish Language Teaching. Routledge, 2024. http://dx.doi.org/10.4324/9781003190615-25.

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Pięta, Hanna, Rita Bueno Maia, and Ester Torres-Simón. "Audiovisual translation." In Indirect Translation Explained. Routledge, 2022. http://dx.doi.org/10.4324/9781003035220-6.

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Rachabattuni, Priyanka, and J. Prabhakar Rao. "Audiovisual Translation." In Audiovisual Translation in India. Routledge India, 2024. http://dx.doi.org/10.4324/9781003515838-1.

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Bowker, Lynne. "Audiovisual translation." In De-mystifying Translation. Routledge, 2023. http://dx.doi.org/10.4324/9781003217718-11.

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Möttönen, Riikka, and Mikko Sams. "Audiovisual Interaction." In Handbook of Signal Processing in Acoustics. Springer New York, 2008. http://dx.doi.org/10.1007/978-0-387-30441-0_37.

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Remael, Aline. "Audiovisual translation." In Handbook of Translation Studies. John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/hts.1.aud1.

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Conference papers on the topic "Audiovisual"

Toscano, Rafael M., Valdecir Becker, Helder Bruno A. M. de Souza, and Marianna C. Teixeira. "Design audiovisual para sistemas generativos: um experimento de construção audiovisual personalizada." In II Workshop de Informação, Dados e Tecnologia - WIDAT. Faculdade de Ciências e Engenharia (UNESP), 2018. http://dx.doi.org/10.22477/ii.widat.121.

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A produção de conteúdos audiovisuais tem se tornado uma atividade cada vez mais complexa a medida que novos recursos de interação, compartilhamento, diferentes telas e formas de visualização vem se popularizando. Diante deste cenário, surge a Arquitetura do Design Audiovisual (DA) como um instrumento teórico-metodológico de análise e criação de sistemas audiovisuais. O propósito deste artigo é descrever o processo de construção de um sistema audiovisual baseado em dados dos indivíduos para estabelecer uma fruição de conteúdo personalizada. A construção do sistema revelou que os elementos dispo

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Costa, Marcio Tadeu da. "Análise Audiovisual dos 3E’s – um Modelo Estruturalista Fundamentado na Análise da Ética, Estética e Estrutura do Produto Audiovisual." In Seminário de Educação a Distância da Região Centro-Oeste. Sociedade Brasileira de Computação, 2024. http://dx.doi.org/10.5753/seadco.2024.30904.

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A utilização de produtos audiovisuais como instrumentos da aprendizagem na educação à distância, impõe a necessidade de uma compreensão analítica, para os indivíduos emissores da mensagem audiovisual, apresentando como problematização, se uma análise estruturalista, baseada em um modelo e suas variantes, possibilita uma compreensão acurada do produto audiovisual. Este artigo objetiva modelar a análise do discurso cinematográfico por meio da identificação das variantes de três subgrupos; Ética, Estética e Estrutura, possibilitando uma compreensão precisa do produto audiovisual. O estudo de obje

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Massarolo, João. "Grupo de Estudio sobre Medios Interactivos en Imagen y Sonido (GEMInIS)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.89.g111.

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El Grupo de Estudio sobre Medios Interactivos en Imagen y Sonido (GEMInIS) está vinculado al Programa de Posgrado en Imagen y Sonido de la Universidad Federal de São Carlos (UFSCar). Las líneas de investigación del grupo se articulan en la perspectiva teórica y práctica de la lógica transmedia, priorizando los estudios sobre comunicación audiovisual multiplataforma (cine, TV, videojuegos, VOD, social media y dispositivos móviles, entre otros) como eje temático. Los investigadores se dedican a la producción de contenidos audiovisuales multiplataforma, teniendo en cuenta la dinámica de los medio

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Tao, Fei, and Carlos Busso. "Aligning Audiovisual Features for Audiovisual Speech Recognition." In 2018 IEEE International Conference on Multimedia and Expo (ICME). IEEE, 2018. http://dx.doi.org/10.1109/icme.2018.8486455.

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Massarolo, João. "Grupo de Estudo em Mídia Interativa em Imagem e Som (GEMInIS)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.89.g112.

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O Grupo de Estudos em Mídias Interativas em Imagem e Som (GEMInIS) está vinculado ao Programa de Pós-Graduação em Imagem e Som da Universidade Federal de São Carlos (UFSCar). As linhas de pesquisa do grupo se articulam na perspectiva teórica e prática da lógica transmídia, priorizando estudos sobre a comunicação audiovisual multiplataforma (cinema, TV, videogames, VOD, mídias sociais, dispositivos móveis, entre outros) como eixo temático. As pesquisas desenvolvidas são aplicadas na produção de conteúdos audiovisuais multiplataforma, a dinâmica da mídia, do mercado e dos ecossistemas tecnológic

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Kelly, Annie, and Kristofer Klipfel. "Audiovisual Playground." In CHI '17: CHI Conference on Human Factors in Computing Systems. ACM, 2017. http://dx.doi.org/10.1145/3027063.3050428.

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Chen, Jun-Cheng, Wei-Ta Chu, Jin-Hau Kuo, Chung-Yi Weng, and Ja-Ling Wu. "Audiovisual slideshow." In the 14th annual ACM international conference. ACM Press, 2006. http://dx.doi.org/10.1145/1180639.1180848.

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Nair, Arun Asokan, Austin Reiter, Changxi Zheng, and Shree Nayar. "Audiovisual Zooming." In MM '19: The 27th ACM International Conference on Multimedia. ACM, 2019. http://dx.doi.org/10.1145/3343031.3351010.

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Batty, Joshua, Kipps Horn, and Stefan Greuter. "Audiovisual granular synthesis." In The 9th Australasian Conference. ACM Press, 2013. http://dx.doi.org/10.1145/2513002.2513568.

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Liew, Chern Li. "Digital Audiovisual Heritage." In C&T 2019: The 9th International Conference on Communities & Technologies - Transforming Communities. ACM, 2019. http://dx.doi.org/10.1145/3328320.3328367.

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Reports on the topic "Audiovisual"

Brewer, Ashley. Pragmatic Audiovisual Preservation. Digital Preservation Coalition, 2020. http://dx.doi.org/10.7207/twr20-10.

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Pinson, Margaret, William Ingram, and Arthur Webster. Preliminary Investigation into the Impact of Audiovisual Synchronization of Impaired Audiovisual Sequences. Institute for Telecommunication Sciences, 2011. https://doi.org/10.70220/1jjpdgnb.

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Kaufman, Peter. Towards a New Audiovisual Think Tank for Audiovisual Archivists and Cultural Heritage Professionals. Netherlands Institute for Sound and Vision, 2018. http://dx.doi.org/10.18146/2018thinktank01.

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Bastos, Camila. Cadernos do Cade- Mercado de TV aberta e paga - 2020. Edited by Guilherme Resende. Departamento de Estudos Econômicos - Cade, 2020. http://dx.doi.org/10.52896/dee.cc2.020.

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O décimo primeiro número da série “Cadernos do Cade” foca no segmento que está presente no cotidiano da maioria dos brasileiros: a televisão. O estudo busca consolidar a jurisprudência do Cade nesse mercado nos últimos vinte e cinco anos. Mesmo com a crescente onda de utilização de outras modalidades de consumo de audiovisual, a televisão (seja ela a aberta ou a paga) continua tendo o papel de principal de alternativas a esta forma de se assistir a conteúdos audiovisuais.

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Dolan, M. International Standard Audiovisual Number (ISAN) URN Definition. RFC Editor, 2006. http://dx.doi.org/10.17487/rfc4246.

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Villegas-Navas, Victoria. How food references are portrayed in audiovisual entertainment media? A systematic review of content analyses. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.6.0119.

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Review question / Objective: To conduct a systematic review of content analyses that investigate how food references are portrayed in audiovisual entertainment media. Frequency in which food references appear, proportion of low, middle and highly recommended consumption food references, contexts (positive, negative or neutral) in which the different type of food references appear - will be some of the aspects to explore. Condition being studied: In this systematic review, the main domain being studied is the unit of analysis called “food references”. Food references could be defined as any vis

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Vesga Pérez, O. Media literacy, through audiovisual production: three Colombian experiences. Revista Latina de Comunicación Social, 2019. http://dx.doi.org/10.4185/rlcs-2019-1393en.

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Puentes Rivera, Ivan. Reseña del libro: Comunicación Corporativa Audiovisual y Online. Innovación y tendencias / Book review: Audiovisual and Online Corporate Communication. Innovation and trends. Revista Internacional de Relaciones Publicas, 2019. http://dx.doi.org/10.5783/rirp-18-2019-13-239-242.

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Idoyaga, Petxo, Amaia Andrieu, and Estefanía Jiménez. Audiovisual interpretative skills: between textual culture and formalized literacy. Revista Latina de Comunicación Social, 2010. http://dx.doi.org/10.4185/rlcs-65-2010-899-266-277-en.

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Cooper, Danielle, and Katherine Klosek. Copyright and Streaming Audiovisual Content in the US Context. Ithaka S+R, 2023. http://dx.doi.org/10.18665/sr.318118.

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Copyright law includes special rights for research and teaching, including the fair use right, which can help address gaps between the educational activities that technology facilitates and the exclusive rights copyright grants to authors. In this brief, we review how US copyright law currently applies to streaming content for educational and research purposes and explore the opportunities for academic libraries.

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