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Books on the topic 'Audiovisual experience'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Florin, Bo, Patrick Vonderau, and Yvonne Zimmermann. Advertising and the Transformation of Screen Cultures. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989153.

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Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period

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2

Fairfax, Daniel. The Red Years of Cahiers du cinéma (1968-1973). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048543908.

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The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the cont

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3

The Archive Effect: Found Footage and the Audiovisual Experience of History. Routledge, 2014.

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4

Baron, Jaimie. The Archive Effect: Found Footage and the Audiovisual Experience of History. Routledge, 2014.

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5

Abreu, Andrea Vicente Toledo. Cinema e Memória em Cataguases: de Humberto Mauro ao Polo Audiovisual. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-307-7.

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This work articulates empirical and theoretical elements in the understanding of relational and intergenerational experiences of knowledge construction having as reference the tradition of studies that analyze the links between cinema and education. It was important to understand how a historical tradition of learning by and for cinema was configured in Cataguases / MG. The Cinema Cycle in Cataguases (1920s) had a significant impact on the constitution of the original bases of Brazilian cinema not only because it instituted a certain way of making cinema, but also because it created ways to br

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6

Kronengold, Charles. Audiovisual Objects, Multisensory People, and the Intensified Ordinary in Hong Kong Action Films. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0003.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores audiovisual intensification in post-1997 Hong Kong action films, focusing on the performance of everyday activities in Johnnie To’s 2004Breaking News (Dai si gin, 2004) This film’s heightened depictions of materiality, temporality, and the ordinary provide a means to register multisensory experience in a changing urban society. Sound and music work alongside the narrative and the mise-en-scène, creating a contrapuntal weave of lines thro

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Chion, Michel. Sensory Aspects of Contemporary Cinema. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.024.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. Film in the digital era is increasingly developing as a sensory experience. Sounds and images together yield sensations that can approximate senses other than sight and hearing. Cinema can thusrender(as distinct fromreproduce) the coolness of the wet spray experienced by a fountain, for example, or speed, force, materiality, hollowness, heaviness, and so forth. At the same time, the nature of recording and filming takes sounds and images out of their real mul

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Hawkins, Stan. Aesthetics and Hyperembodiment in Pop Videos. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.002.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter uses textual analysis of the music video “Umbrella,” featuring Rihanna, to demonstrate the intricacies of sound and image synchronization. It argues that music highlights subject positions according to the viewer’s expectations, assessment, and understanding of the displayed subject. Rihanna’s erotic imagery forms a critical point for contemplating the pop artist’s physical responses to music. One central ingredient of most video performances is

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9

Bull, Michael. Remaking the Urban. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0023.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores the creation of an urban sonic aesthetic through a critical analysis of Apple iPod use. Based on original ethnographic material, it chapter explores the differing audiovisual ways in which urban space is mediated through communication technologies like the Apple iPod. It divides the experience of urban space into Fordist aesthetics and hyper-post-Fordist aesthetics and strategies and situates these aesthetic “moments” within a critical a

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10

Brown, Richard H. Through The Looking Glass. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190628079.001.0001.

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Through the Looking Glass examines John Cage’s interactions and collaborations with avant-garde and experimental filmmakers, and in turn seeks out the implications of the audiovisual experience for the overall aesthetic surrounding Cage’s career. As the commercially dominant media form in the 20th century, cinema transformed the way listeners were introduced to and consumed music. Cage’s quest to redefine music, intentionality, and expression reflects the similar transformation of music within the larger audiovisual experience of sound film. This study covers a wide variety of topics, ranging

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11

Chanan, Michael. Video Speech in Latin America. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.037.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. In rehearsing the history of video in Latin America, this chapter focuses on the social rather than the individual, on video as a collective medium where audio and visual are placed in a new relationship of equal simultaneity, and thus where video functions more as a form of collective speech than individual expression. In the Latin American experience, which built on the radical film movement of the preceding decades, community activists became aficionados o

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12

Ingalls, Monique M. Worship on Screen. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190499631.003.0006.

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Chapter 5 examines digital audiovisual worship media as nodes that serve both as extensions of congregations into the virtual realm and as sites for the creation of new networked congregations. Drawing from ethnographic field research both on and offline, this chapter argues that new digital audiovisual technologies and the avenues of online communication along which they travel not only give evangelical worshipers new ways to transmit, share, and discover worship songs; rather, they also strongly condition the practices evangelicals consider to be necessary parts of worship. Through audiovisu

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13

Kytö, Meri. Soundscapes of Istanbul in Turkish Film Soundtracks. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0028.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter examines the changing relationships of sounds, places, and their cultural meanings in Turkish films located in Istanbul. Starting with a brief review of the historical context of Turkish film sound and sonic representations of Istanbul, the chapter then analyzes two recent films set in middle-class apartment homes,11’e 10 kalaandUzak, which represent the auteur vein of new Turkish cinema. Both feature subtle and delicate sound design and evidence

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14

Smigel, Eric. Sights and Sounds of the Moving Mind. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0006.

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American experimental filmmaker Stan Brakhage revolutionised independent cinema by cultivating a new poetic idiom designed to document the subjective vision of the eye behind the camera. Committed to an inclusive account of the lived visual experience, he augmented the cinematic vocabulary by including components such as hallucination, dreams, closed-eye images and optical feedback, capturing these ephemeral elements using a wide variety of ‘home-made’ modifications to the filming process, including erratic hand-held camera movement, distortion of focus and changing camera speeds. Although mos

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15

Collins, Karen. Implications of Interactivity. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0011.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores concepts of interactivity as they relate to sound production in video games. A guiding assumption of the chapter is that interactivity is a definitive paper of new digital aesthetics in general and gaming in particular. And yet, the question of interactivity has not been addressed with sufficient stringency in scholarly research. At the heart of the chapter are these questions: What makes interactive sound different from noninteractive s

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Xiao, Ying. Chinese Rock ‘n’ Roll Film and Cui Jian on Screen. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0006.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. During the 1980s and 1990s, China experienced an explosion of films for youth, imbued with the aesthetic and ethic of rock ‘n’ roll. This chapter examines a variety of films, from the countercultural to the more mainstream, focusing on the voice, image, persona, and iconography of Cui Jian, and offering an audiovisual perspective on urban youth cinema and Chinese rock. The emergence and development of Chinese rock ‘n’ roll film from the late 1980s to the twen

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17

Abdelsattar, Jad M., Moustafa M. El Khatib, T. K. Pandian, Samuel J. Allen, and David R. Farley. Mayo Clinic General Surgery. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780190650506.001.0001.

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This book presents the core concepts of general surgery instruction at Mayo Clinic. It was created to provide succinct and accurate information in a written, imaging, and audiovisual format that allows efficient access to surgical learners—especially those with just a few minutes to spare. Its purpose is to better prepare students, residents, and fellows for their surgical experiences , leading to better understanding with long-term retention. Contents include surgery by organ system and a chapter devoted to trauma cases. Each chapter contains information on the organ system (including embryol

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18

Vernallis, Carol. Music Video’s Second Aesthetic? Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0016.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. MTV’s launch happened thirty years ago. Since then music video has undergone shifts in technologies and platforms, financial booms and busts, and changing levels of audience engagement. While music videos hit a low point at the start of the millennium, they have reemerged as a key driver of popular culture. This resurgence resembles MTV’s first moment: it’s again worth asking what music video can do and where it fits. A variety of styles, genres, and tropes m

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19

Richardson, John. The Neosurrealist Musical and Tsai Ming-Liang’s the Wayward Cloud. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0034.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter theorizes an important new development in auteur cinema, the neosurrealist metamusical, through Jan Assman’s idea of “figures of memory,” which are aspects of cultural memory that are differentiated from everyday experiences by their ritualized and temporally displaced nature. Musical numbers in this view become figures of memory that highlight reflectivity. Tsai Ming-Liang’sThe Wayward Cloud (Tian bian yi duo yun, 2005) is a classic example of a

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20

Messineo, Martín. Poliguitarritmia. Books2bits, 2021. http://dx.doi.org/10.51438/b2bmessineo2021.

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Poliguitarritmia es una obra integrada por un libro y una serie de soportes audiovisuales que pueden encontrarse en el canal de Youtube del autor. Martín Messineo despliega todo su talento interpretativo y experiencia docente en un trabajo notable por la claridad de los conceptos, su didáctica expresión en el pentagrama y en la ejecución. Martín Messineo desarrolla su propia mirada sobre la polirritmia aplicándola a la guitarra, enmarcado en una exquisita combinación de la tradición de la música afro, el jazz, la música popular rioplatense y brasileña; al tiempo que dialoga con los trabajos de

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21

Salas Aular, Franklin, ed. MEMORIA CONGRESO INTERNACIONAL MULTIDISCIPLINARIO HUMANIDAD 2021 Compilación Resúmenes. REDGIA-ECUADOR, 2021. http://dx.doi.org/10.47606/lib002.

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El propósito fundamental del Congreso Internacional Multidisciplinario HUMANIDAD 2021, fue el de ofrecer un momento académico para el intercambio de experiencias y de sensibilización, en torno a tópicos de interés y tratamiento científico, desarrollado en el marco temático de los Grupos de Investigación Asociados de la RedGIA Internacional de ACVENISPROH, Capítulo Ecuador; para así, promoverla discusión y el debate, desde la rigurosidad científica entre docentes, estudiantes, profesionales, innovadores e investigadores a nivel internacional.Este objetivo se cumplió. En este sentido, cabe desta

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