Academic literature on the topic 'Audiovisual media services'
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Journal articles on the topic "Audiovisual media services"
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Lindstädt-Dreusicke, Nadine, and Oliver Budzinski. "The Video-on-Demand Market in Germany." Journal of Media Management and Entrepreneurship 2, no. 1 (2020): 108–23. http://dx.doi.org/10.4018/jmme.2020010107.
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The markets for audiovisual content are subject to dynamic change. Where once “traditional” television was dominating, i.e. linear audiovisual media services, markets display nowadays the strong growth of different types of video-on-demand (VoD), i.e. nonlinear audiovisual media services including paid-for VoD such as Netflix and advertised-financed VoD like YouTube. This article aims at providing insights into the VoD market in general and the competitive environment in particular. For doing so, the authors first present recent developments in the German VoD market. In the second part of this article, the authors focus on the (perhaps special) role of YouTube in the market for audiovisual (online) services. Thereby arguments for and against YouTube exerting competitive pressure on i) other non-linear audiovisual media services (e.g. Netflix) as well as ii) on other linear audiovisual media service providers (TV stations) are discussed. The article concludes that there are numerous pros and cons speaking for a relevant role of YouTube for both markets.
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Novitasari, Eka. "Layanan Informasi dengan Media Audiovisual untuk Meningkatkan Pemahaman tentang Motif Menikah dikalangan Siswa." Indonesian Journal of Guidance and Counseling: Theory and Application 8, no. 2 (2019): 108–13. http://dx.doi.org/10.15294/ijgc.v8i2.22387.
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Media audiovisual dapat digunakan sebagai media layanan informasi yang dapat dimanfaatkan oleh konselor dan siswa untuk membantu siswa dalam memahami materi layanan. Tujuan penelitian adalah untuk membuktikan apakah layanan informasi dengan media audiovisual efektif untuk meningkatkan pemahaman tentang motif menikah dikalangan siswa kelas XII SMK Muhammadyah Sayung Demak. Rancangan penelitian ini adalah termasuk dalam jenis eksperimental design, dengan metode the one group pre test – post test design. Subyek dalam penelitian ini adalah siswa kelas XII SMK Muhammadyah Sayung Demak tahun ajaran 2017/2018 sebanyak 18 siswa. Instrument yang digunakan dalam pengumpulan data adalah instrument tes pemahaman. Hasil penelitian menunjukkan bahwa terdapat peningkatan pemahaman tentang motif menikah dikalangan siswa sebelum dan sesudah diberikan layanan informasi dengan media audiovisual (z= 3.732, P<0.05). Jadi layanan informasi dengan media audiovisual efektif untuk meningkatkan pemahaman tentang motif menikah dikalangan siswa. Penelitian ini mempunyai implikasi bahwa guru bimbingan konseling disekolah perlu memberikan layanan informasi dengan media audiovisual untuk meningkatkan pemahaman tentang motif menikah dikalangan siswa.
 
 Audiovisual media can be used as an information service medium that can be used by counselors and students to help students understand the service materials. The aim of the research is to prove whether information service with audiovisual media is effective to improve understanding about married motives among class XII students of SMK Muhammadyah Sayung Demak. The design of this study is included in the type of experimental design, with the method of the one group pre test - post test design. Subjects in this study were students of class XII SMK Muhammadyah Sayung Demak academic year 2017/2018 as many as 18 students. The instrument used in data collection is the comprehension test instrument. The results showed that there was an increased understanding of the motives of marriage among students before and after being given information services with audiovisual media (z = 3.732, P <0.05). this study has implications that information services with audiovisual media are effective to improve understanding of the motives of marriage among students.
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Vlassis, Antonios. "The review of the Audiovisual Media Services Directive." Politique européenne 56, no. 2 (2017): 102. http://dx.doi.org/10.3917/poeu.056.0102.
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Badźmirowska-Masłowska, Katarzyna. "Zmiany dyrektywy o audiowizualnych usługach medialnych w świetle polityki Unii Europejskiej." Zarządzanie Mediami 8, no. 4 (2020): 435–52. http://dx.doi.org/10.4467/23540214zm.20.044.12648.
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Revision of the Audiovisual Media Services Directive in the light of European media policy The Audiovisual Media Services Directive, 2010/13/UE, due to development of convergence and digitalization phenomena, has responded to the technological paradigm shift, thereby continuing the late 1980s standard of transfrontier television. The dramatic shift of all aspects of audiovisual sector which has occurred for the last decade, triggered the adoption of its revision on the 14th of November, 2018 which creates a media framework for the 21st century. The aim of the article is to point out – within the frame of historical aspects of European media policy, including a digital single market impact – the wide spectrum of its implications, taking into consideration the dual – cultural and economic – status of audiovisual media services. Hence, the analysis of certain regulatory changes, concerning the following issues, ought to be mentioned: 1) the scope of the audiovisual media notion; 2) principles of jurisdiction; 3) independence of national media regulators; 4) promotion of European works; 5) requirements for audiovisual commercial communications; 6) consumer protection. The presentation of the subject in the light of the regulation historical aspects allows to come to the certain conclusions regarding the political, economic, social and cultural feasible results of the mentioned changes and their impact on media organisation and management in the new audiovisual environment. Therefore, the legal approach is justified; the interpretation of the law with the subsidiary role of methodological trend of legal hermeneutics are applied.
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Badźmirowska-Masłowska, Katarzyna. "Zmiany dyrektywy o audiowizualnych usługach medialnych w świetle polityki Unii Europejskiej." Zarządzanie Mediami 8, no. 4 (2020): 435–52. http://dx.doi.org/10.4467/23540214zm.20.044.12648.
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Revision of the Audiovisual Media Services Directive in the light of European media policy The Audiovisual Media Services Directive, 2010/13/UE, due to development of convergence and digitalization phenomena, has responded to the technological paradigm shift, thereby continuing the late 1980s standard of transfrontier television. The dramatic shift of all aspects of audiovisual sector which has occurred for the last decade, triggered the adoption of its revision on the 14th of November, 2018 which creates a media framework for the 21st century. The aim of the article is to point out – within the frame of historical aspects of European media policy, including a digital single market impact – the wide spectrum of its implications, taking into consideration the dual – cultural and economic – status of audiovisual media services. Hence, the analysis of certain regulatory changes, concerning the following issues, ought to be mentioned: 1) the scope of the audiovisual media notion; 2) principles of jurisdiction; 3) independence of national media regulators; 4) promotion of European works; 5) requirements for audiovisual commercial communications; 6) consumer protection. The presentation of the subject in the light of the regulation historical aspects allows to come to the certain conclusions regarding the political, economic, social and cultural feasible results of the mentioned changes and their impact on media organisation and management in the new audiovisual environment. Therefore, the legal approach is justified; the interpretation of the law with the subsidiary role of methodological trend of legal hermeneutics are applied.
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Zvozdetska, Oksana. "Controling and governance of audiovisual media services in Poland." Історико-політичні проблеми сучасного світу, no. 33-34 (August 25, 2017): 213–21. http://dx.doi.org/10.31861/mhpi2016.33-34.213-221.
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The paper attempts to outline the Polish National Broadcasting Council’s establishing and evaluating its activities. The author observes that after 1989, one of the most essential achievements of the Polish media market was the creation of the National Broadcasting Council (Krajowa Rada Radiofonii i Telewizji KRRiT), that laid the foundations for a new media landscape in Poland. In a broader perspective, despite being criticized, the National Broadcasting Council is to meet high expectations for the electronic media regulation, its impact on state policy in implementing cultural and educational tasks by the Polish community broadcasters. Concurrently, making mistakes and handling criticism was partly caused by the Council politicization bias, a large executive subordination that doesn’t comply both with the Law “On Television and Radio Broadcasting” and European practice. Notable, the success of community broadcasters, who value interaction with viewers and listeners, should be a model for audiovisual sector to emulate.
 Keywords: Mass Media, the National Broadcasting Council, Advisory Council, audiovisual sector
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Raake, A., J. Gustafsson, S. Argyropoulos, et al. "IP-Based Mobile and Fixed Network Audiovisual Media Services." IEEE Signal Processing Magazine 28, no. 6 (2011): 68–79. http://dx.doi.org/10.1109/msp.2011.942472.
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Chzhen', An' Chzhao. "THE DEVELOPMENT TRENDS OF E–COMMERCE SERVICES IN THE UNITED STATES." International Trade and Trade Policy, no. 1 (March 15, 2019): 85–94. http://dx.doi.org/10.21686/2410-7395-2019-1-85-94.
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The article deals with the latest trends in US trade in electronic services, in particular audiovisual services, computer services and data processing services, telecommunication services. Since 2007 trade of audiovisual services has been the most significant in theUSe-services export. The largest consumers of these services are the European Union, Asia and the Pacific region (the main consumers areChinaandIndia) and Central and South America (BrazilandArgentina). Among the countries, the main importers of American audiovisual services are theUK,CanadaandGermany. The main share of audiovisual services is occupied by film distribution and streaming media. In theUSAaudiovisual services are imported by theUK,Brazil,Mexico,CanadaandArgentina. For several years there is a deficit in the trade turnover of computer services in theUnited States. The main importers of these services from theUnited Statesare theUnited Kingdom.Canada,Switzerland,India,Germany. TheUSA, in turn, uses computer services fromIndia(47%),Canada,Ireland, theUKandGermany. The American telecommunications market is about a quarter of the world's, so theUSAis the largest national market for this type of service. The importing countries of theUStelecommunications services are theUnited Kingdom,Mexico,India,Canadaand theNetherlands, and the main export consumers areBrazil,Argentina, theUnited Kingdom,VenezuelaandCanada.
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Servaes, Jan. "‘Europe 1992’: The audiovisual challenge." Gazette (Leiden, Netherlands) 49, no. 1-2 (1992): 75–97. http://dx.doi.org/10.1177/001654929204900105.
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The article discusses the changing role of the European Community and its impact on national media systems and policies. It claims that the EC-policies advocate total freedom to provide services across borders, and that, therefore, total liberalization may lead to a future cultural synchronization and economic oligopolization of Europe. The main arguments presented are: 1. The national, and especially the European policies regarding telecommunication services in general and broadcasting in particular are based on economic in stead of cultural considerations. This trend will continue after 1992. 2. The public service broadcasting structure and philosophy has undergone major changes throughout the last decades. These changes, initiated by internal as well as external factors, have affected the organizational and finance structures, and the programming of public service broadcasting. 3. It is questionable whether the European policies will be in the advantage of the so-called smaller countries in the European Community, like for instance Belgium or the Netherlands, on the one hand, and whether these policies will be able to secure a free and balanced flow of information, ideas, opinions and cultural activities within the Community on the other hand.
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Kokoly, Zsolt. "The Anti-Circumvention Procedure in the Audiovisual Media Services Directive." Acta Universitatis Sapientiae Legal Studies 8, no. 1 (2019): 43–64. http://dx.doi.org/10.47745/ausleg.2019.8.1.03.
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Recent challenges in the EU business sector also comprise the revision of the Audiovisual Media Services Directive (the new text in force since December 2018), the main media policy tool of the EU which establishes the legal framework for a convergent media landscape that comprises linear, non-linear audiovisual media services and, recently, also video-sharing platforms (VSPs) and user-generated content. One of the novelties in the revised text of the AVMSD is the new set of legal provisions enshrined in Art. 4 referring to the anti-circumvention procedure, a phenomenon the European media landscape has long been familiar with (i.e. broadcasters from another Member State circumventing the stricter rules of the target Member State). The need for a more transparent and efficient regulation originated in the practical difficulties of applying (pre-revision) Art. 4 by national regulating authorities (NRAs) as in many cases providers of audiovisual media services falling under another Member State’s jurisdiction refused to comply with their stricter rules or did not show any willingness to collaborate. The burden of proving the existence of circumvention or the evidence base to identify has proved to be a particularly difficult task for NRAs. The amended text of the AVMSD extends the power of the Member States to trigger the anti-circumvention procedure based on reasonable cause rather than the former requirement to prove the intention of circumvention by the provider. Also, the new set of provisions allows Member States to have circumvention reasonably established. Another novelty in the anti-circumvention procedure is the mandatory opinion that is to be requested by the European Commission from the European Regulators Group for Audiovisual Media Services(ERGA). The paper proposes to discuss the evolution of anti-circumvention measures in the two versions of the AVMSD as well as the projected effect on the phenomenon of circumvention of stricter rules on the new provisions.
Dissertations / Theses on the topic "Audiovisual media services"
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Weinand, Jenny [Verfasser]. "Implementing the EU Audiovisual Media Services Directive : Selected issues in the regulation of AVMS by national media authorities of France, Germany and the UK / Jenny Weinand." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://d-nb.info/1160310815/34.
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Berger, Arne, Maximilian Eibl, Stephan Heinich, et al. "Schlussbericht zum InnoProfile Forschungsvorhaben sachsMedia - Cooperative Producing, Storage, Retrieval, and Distribution of Audiovisual Media (FKZ: 03IP608)." Universitätsbibliothek Chemnitz, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-96922.
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In den letzten 20 Jahren haben sich in Sachsen mit ca. 60 Sendern die meisten privaten regionalen Fernsehsender der Bundesrepublik etabliert. Diese übernehmen dabei oft Aufgaben der Informationsversorgung, denen die öffentlich-rechtlichen Sender nur unzureichend nachkommen. Das InnoProfile Forschungsvorhaben sachsMedia fokussierte auf die existentielle und facettenreiche Umbruchschwelle kleiner und mittelständischer Unternehmen aus dem Bereich der regionalen Medienverbreitung. Besonders kritisch für die Medienbranche war der Übergang von analoger zu digitaler Fernsehausstrahlung im Jahr 2010. Die Forschungsinitiative sachsMedia nahm sich der zugrundeliegenden Problematiken an und bearbeitete grundlegende Forschungsfragen in den beiden Themenkomplexen Annotation & Retrieval und Mediendistribution. Der vorliegende Forschungsbericht fasst die erreichten Ergebnisse zusammen.
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Korčeková, Andrea. "Product placement and its legal aspects." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-17010.
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The thesis deals with analysis of legal aspects of product placement. First, it looks at product placement from a general point of view. The work explains past legal framework where product placement was a part of "unfair competition" both in EU and Czech Republic. Then, it analyzes particular articles of directive 2007/65/EC which regulates the term product placement as the first in the history. The analyses showed that there are a lot of vague and disputable terms, e. g. "significant value", provision "free of charge", or ensuring that viewers are "clearly informed" about existence of product placement. Further, the work analyzes an implementation of the directive to the czech law and its comparison with Slovakia. Product placement was translated into czech law as "umístění produktu". The implementation is reflected in the "on-demand audiovisual media services Act" but also in the amendment of Act Nr. 231/2001 Sb. By contrast, Slovakia did not create a new special Act for non-linear audiovisual media services, just amended Act Nr. 308/2000 Z.z. and some other affecting laws. Finally, the work confronts the legal theory with praxis. This is done by a survey. The most important result of the survey showed that almost a half of the respondents think that product placement is not a commercial practice. This fact highlights the importance of ensuring that viewers are "clearly informed" about the existence of product placement and also the provision of consumer protection.
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Pastorino, Agnese. "Médias audiovisuels et contenus sexuels en ligne à l'adolescence : enjeux politiques en Europe." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCB244.
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Les médias audiovisuels exposent les adolescents à la vision de contenus sexuels sur la Toile. Dans le débat public, la disponibilité en ligne de matériel « susceptible de nuire » ou « nuisant gravement » aux enfants suscite des formes de panique morale. Une préoccupation majeure dérive des risques de nature sexuelle, comme la pornographie, la texto-pornographie et la pornographie enfantine. Au niveau politico-institutionnel européen, les mesures mises en œuvre reposent sur des solutions d'autorégulation, de co-régulation et de régulation. Parmi ces initiatives, les plus importantes ont été le programme Safer Internet et deux directives respectivement axées sur la protection des mineurs par rapport aux Services de médias audiovisuels (2010/13/UE) et sur la lutte contre les abus sexuels et l'exploitation sexuelle des enfants, ainsi que la pédopornographie (2011/92/UE). Sur le plan méthodologique, la thèse est basée sur l'analyse de 45 débats au sein du Parlement européen qui ont traité de ces questions entre 2001 et 2016. Ce corpus a été examiné au moyen d'un protocole quali-quantitatif original, avec une analyse de contenu et la méthode Alceste appliquées à l'aide des logiciels ATLAS.ti et IRaMuTeQ. La thèse souhaite contribuer à la recherche sur les médias audiovisuels et les contenus sexuels en ligne face aux adolescents et aux enfants, en proposant un point de vue original sur les enjeux politiques européens. L'hypothèse principale était que les débats parlementaires européens sont limités en termes de représentativité des cultures nationales. À partir de ce présupposé, nous avons enquêté sur les différents niveaux impliqués : juridique, scientifique, éthique et politique. Les principaux résultats renvoient aux éléments suivants : 1. la variété des interprétations politico-juridiques de certains concepts et des définitions de quelques termes, outre l'étude des principes juridiques impliqués (quatrième chapitre) ; 2. les descriptions des contenus sexuels nuisibles pour les enfants en ligne et les difficultés de la politique européenne relevées dans les débats parlementaires (cinquième chapitre) ; 3. les limites du savoir scientifique européen en termes de représentativité des cultures nationales, par l'analyse des données statistiques et des études citées (sixième chapitre) ; 4. la multiplicité des considérations éthiques, notamment sur la base des différentes cultures nationales (septième chapitre) ; 5. le choix de privilégier des mesures auto-réglementaires (huitième chapitre)<br>Audiovisual media expose adolescents to the vision of sexual contents on the Internet. Within public debate, online availability of material « likely to harm » or « seriously harming » children generates forms of moral panic. A major concern derives from sexual risks, such as pornography, sexting and child-pornography. At the European political-institutional level, the measures implemented are based on auto-regulatory, co-regulatory and regulatory solutions. Among these initiatives, the most important ones have been the Safer Internet programme and two directives respectively focused on children protection with regards to Audiovisual Media Services (2010/13/UE) and on combating the sexual abuse and sexual exploitation of children and child pornography (2011/92/UE). Methodologically, the thesis analyzes 45 debates of the European Parliament which dealt with these issues between 2001 and 2016. This corpus has been examined through an original quali-quantitative protocol, with a content analysis and the Alceste method applied via the softwares ATLAS.ti and IRaMuTeQ. This work wishes to contribute to research on audiovisual media, online sexual contents, adolescents and children, by proposing an original point of view on European policy. The main hypothesis has been that European parliamentary debates are limited in terms of representativeness of national cultures; starting from this premise, several aspects have been surveyed, either juridical, scientific, ethical and political issues. The main results respectively refer to different elements: 1. the variety of political-juridical interpretations of some concepts and the definitions of a few terms, besides the study of some juridical principles involved (fourth chapter); 2. the descriptions of online audiovisual sexual risks and the difficulties of European policy retrieved within parliamentary debates (fifth chapter); 3. the limits of European scientific knowledge in terms of representativeness of national culture, through the analysis of mentioned statistical data and studies (sixth chapter); 4. the multiplicity of ethical considerations, even based on different national cultures (seventh chapter); 5. the choice to favor self-regulatory measures (eight chapter)<br>I media audiovisivi espongono gli adolescenti alla visione di contenuti sessuali sulla Rete. Nel dibattito pubblico, la disponibilità online di materiale « potenzialmente » o « gravemente nocivo » per i bambini suscita delle forme di panico morale. Una preoccupazione maggiore deriva dai rischi di natura sessuale, quali la pornografia, il sexting e la pedo-pornografia. Sul piano politico-istituzionale europeo, le misure implementate si basano su soluzioni di autoregolamentazione, co-regolamentazione e regolamentazione. Tra queste iniziative, le più importanti sono state il programma Safer Internet e le due direttive rispettivamente dedicate alla protezione dei minori rispetto ai Servizi dei media audiovisivi (2010/13/UE) e la lotta contro l'abuso e lo sfruttamento sessuale dei bambini, così come la pornografia minorile (2011/92/UE). Sul piano metodologico, la tesi è basata sull'analisi di 45 dibattiti del Parlamento europeo che hanno trattato queste questioni tra il 2001 e il 2016. Il corpus è stato esaminato mediante un protocollo quali-quantitativo originale, con un'analisi del contenuto e il metodo Alceste, applicati mediante i programmi ATLAS.ti e IRaMuTeQ. La tesi desidera contribuire alla ricerca sui media audiovisivi, i contenuti sessuali online, gli adolescenti e i bambini, proponendo un punto di vista originale sulle questioni politiche europee. L'ipotesi principale è stata che i dibattiti parlamentari europei siano limitati in termini di rappresentatività delle culture nazionali ; a partire da questo presupposto, abbiamo indagato diversi livelli implicati : giuridico, scientifico, etico e politico. I principali risultati si riferiscono rispettivamente a questi diversi elementi : 1. la varietà delle interpretazioni politico-giuridiche di alcuni concetti e delle definizioni di alcuni termini, oltre che lo studio dei principi giuridici implicati (quarto capitolo) ; 2. le descrizioni dei rischi audiovisivi sessuali online e le difficoltà della politica europea rilevati nei dibattiti parlamentari (quinto capitolo) ; 3. i limiti del sapere scientifico europeo in termini di rappresentatività delle culture nazionali, attraverso l'analisi dei dati statistici e degli studi citati (sesto capitolo) ; 4. la molteplicità delle considerazioni etiche, anche sulla base delle diverse culture nazionali degli oratori (settimo capitolo) ; 5. la scelta di privilegiare delle misure auto-regolamentarie (ottavo capitolo)
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Silva, Ricardo Custódio Braga da. "A prática do "Making Of" na educação artística: meios audiovisuais como forma de registo, assimilação e transmissão de conhecimento." Master's thesis, Universidade de Évora, 2013. http://hdl.handle.net/10174/16158.
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Elaborado no âmbito da Prática de Ensino Supervisionada do Mestrado em Ensino de Artes Visuais no 3º Ciclo do Ensino Básico e Secundário, o presente relatório é organizado em duas partes. Na primeira parte é concretizada a investigação e desenvolvimento do tema “A prática do ‘Making of’ na Educação Artística: Meios audiovisuais como forma de registo, assimilação e transmissão de conhecimento” propondo uma inovadora metodologia, especialmente direcionada ao ensino artístico. A segunda parte pretende dar a conhecer os aspetos inerentes à prática desenvolvida no ano letivo de 2012/2013 nas Escolas Secundária/3 Rainha Santa Isabel em Estremoz e Escola Básica 2,3/S Cunha Rivara em Arraiolos. Foram concebidas e aplicadas duas unidades didáticas designadas “Estremoz (re)perspetivar” e “Arraiolos (in)formar”, nas disciplinas de Desenho A e Educação Visual. De forma a proporcionar uma experiência mais rica a nível do relato dos acontecimentos vivenciados, todas as atividades desenvolvidas ao longo deste percurso foram alvo de um cuidado registo fotográfico, que pretende contribuir para a singularidade deste trabalho e, em simultâneo, favorecer a sua dimensão reflexiva; ABSTRACT: Developed in the context of Supervised Teaching Practice of the Master´s Degree in Teaching of the Visual Arts at the 3rd Cycle of Basic and Secondary Education, this report is organized in two parts. The first one highlights the investigation and development of the theme "The practice of ‘Making of’ in Arts Education: The audiovisual media as way to recording, assimilate and improve knowledge" by proposing an innovative methodology, especially targeted to arts education. The second part aims to present aspects inherent to the practice developed in the academic year 2012/2013 at Escola Secundária/3 Rainha Santa Isabel in Estremoz and Escola Básica 2,3/S Cunha Rivara in Arraiolos. Were designed and implemented two didactic units called "Estremoz (re)perspetivar" and "Arraiolos (in)formar", in the discipli6nes of Drawing A and Visual Education. In order to provide a richer experience at level of the report on the events lived, all activities along this path were targeted by a careful photographic record, which would contribute to the uniqueness of this work and, simultaneously, promoting their reflective dimension.
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Ruiz, Muñoz Fiorella Luz. "Gestión de riesgo reputacional realizada por Community Managers de restaurantes con alta interacción digital." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655671.
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La nueva tecnología Web 2.0 permitió contenido generado por usuarios y el intercambio de opiniones y calificación hacia las empresas resultando una oportunidad y/o riesgo para la reputación de la marca. Los restaurantes tienen un índice de riesgo alto por ello cuando un cliente no queda satisfecho la experiencia podría ser trasladada a los medios digitales. Luego ingresa la importante labor del Community Manager de las empresas. Ellos realizan autoría propia en las redes sociales para gestionar las situaciones de riesgo y prevenir crisis. La finalidad de este estudio es describir cómo gestionan las situaciones de riesgo reputacional los Community Managers de restaurantes, ubicados en Lima, Perú. El principal filtro fue que sea una marca con alta interacción digital. El estudio se realizó a quince gestores de redes mediante entrevistas a profundidad. Motiva la investigación poder conocer cuáles son las decisiones en la gestión de redes que mejor les funciona a ellos antes, durante y después de la gestión de riesgo digital del restaurante. El estudio fue cualitativo, diseño sistemático y paradigma interpretativo.<br>The new Web 2.0 technology allowed user-generated content to exchange opinions and ratings towards the company, resulting in an opportunity and / or risk for the brand's reputation. Restaurants have a high- risk index, so when a customer is not satisfied, the experience could be transferred to digital media. Then enter the important work of the Community Manager. They carry out their own authorship in social networks to manage risk situations and prevent crises. The purpose of this study is to describe how the Community Managers of restaurants, located in Lima, Peru, manage reputational risk situations. The main filter was that it be a brand with high digital interaction. The study was conducted with fifteen network managers through in-depth interviews. Research is motivated to be able to know which network management decisions work best for them before, during and after the restaurant's digital risk management. The study was qualitative, systematic in design and interpretive paradigm.<br>Trabajo de investigación
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Gómez, Domínguez Pablo. "La Corporació Catalana de Mitjans Audiovisuals (CCMA) davant els reptes de la transformació digital (2014-2018): audiències, rutines professionals i noves tendències a Televisió de Catalunya (TVC) i Catalunya Ràdio." Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/668175.
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La recerca analitza les principals transformacions digitals de la CCMA (TVC i Catalunya Ràdio) pel que fa a l’evolució de la seva audiència (lineal, digital i social), les rutines professionals dels gestors digitals i socials d’ambdós mitjans entre 2014 i 2018 i les oportunitats de futur per a la corporació. Per a l'anàlisi s'ha disposat una metodologia que combina l'explotació quantitativa de totes les dades d'audiència disponibles per als àmbits especificats, així com el desenvolupament i l'aplicació de matrius d'anàlisi pròpies, l'explotació qualitativa a través d'entrevista en profunditat als gestors digitals de TVC i de Catalunya Ràdio i l'enquesta prospectiva a experts estatals i nacionals en el sector de la comunicació. Aquesta metodologia, amb l'excepció del panell d'experts, s'ha aplicat a una mostra representativa de 34 programes de TVC i de Catalunya Ràdio. Les conclusions revelen que la CCMA adreça constantment els reptes que es deriven d’una estructura audiovisual en constant canvi. Tot i això, els resultats plantegen importants reptes per als seus mitjans quant a l’envelliment del perfil de públic a tots els àmbits i per a la majoria de programes examinats. D’altra banda, la necessitat de plantejar estratègies digitals que tinguin en compte una transformació accelerada de les rutines professionals on trobem un procés complex de transició entre la cultura professional lineal i digital. Finalment, els experts consultats consideren que la corporació encara pot assolir el seu màxim potencial a l’àmbit digital, tot i que són conscients que les circumstàncies actuals plantegen obstacles per a revertir les tendències de consum i modificar l’estructura professionals segons les necessitats que es van detectar.<br>This research analyzes the main digital transformations of CCMA (TVC and Catalunya Ràdio) related to the evolution of its audience (linear, digital and social), the digital and social managers’ professional routines of each media between 2014 and 2018, and the future challenges fort this public corporation. For the analysis, we set a methodology that combines a quantitative exploitation of all available audience data for each environment, the development and application of our own matrix, a qualitative analysis through an in-depth interview (digital and social managers) and a prospective survey to national and state experts in the communication sector. All this methodology, except for the expert panel, have been applied to a representative sample of 34 TVC and Catalunya Ràdio programs. The findings reveal that the CCMA steadfastly addresses the challenges that arise from a constantly changing audiovisual market. However, the results present important challenges for their media regarding the aging of the public profile in all areas and for most examined programs. On the other hand, the need to formulate digital strategies that consider an accelerated transformation of professional routines where we find a complex process of transition between linear and digital professional culture. Finally, the experts consider that the Corporation can still reach its maximum potential in the digital field, although they are aware that the current circumstances pose obstacles to reverse the tendencies of consumption and to change the state of the professional structure that we have detected.
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Sinde, Stompel Roberto. "Propuestas para la mejora del servicio público de televisión en la televisión pública nacional española, RTVE." Doctoral thesis, [s.n.], 2015. http://hdl.handle.net/10284/5081.
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Tese apresentada à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de Doutor em Ciências da Informação, especialidade em Comunicação Audiovisual<br>A raíz del auge del liberalismo económico en los años ochenta y promovido por la actual
coyuntura de crisis socioeconómica que azota el continente europeo y buena parte del
mundo occidental, se están produciendo una serie de actuaciones por parte de los
gobiernos que hacen tambalearse el sistema público en sus diferentes sectores.
Entre otros, el sector de la televisión como servicio público se ha visto criticado desde
hace años por diversos motivos, como la puesta en duda de su necesidad a raíz de un
sistema de televisión privado, enfatizado por la supuesta inoperancia en el cumplimiento
del servicio público que se le predispone así como la manipulación política de dicho
medio.
En el caso de RTVE, con una deuda creciente año a año después de sus diferentes
procesos de reconfiguración, así como las constantes críticas de manipulación y falta de
objetividad, el sistema no ha mejorado, lo que nos lleva a plantear la necesidad de una
serie de reformas que hagan cumplir en su grado más óptimo la función del ente dentro
del panorama audiovisual e informativo.<br>As a result of economic liberalism in the eighties and the current socio-economic crisis in
Europe, and much of the western world, governments are carrying out policy which
threatens the stability of public services in diverse areas.
The role of television as a public service has been in question for years. This is due to the
emergence of private stations, its alleged inability to fulfil its public service role and
because of political media manipulation which has raised much debate concerning its
value.
The situation of RTVE has not improved over the last thirty years. The different
reconfiguration processes have led to debt increases from year to year. Another
continuing problem is highlighted by critics who cite manipulation and lack of
impartiality as a constant theme. Therefore, this leads us to consider the need for changes
which can make this entity to fulfil its audiovisual and informative purpose.<br>Suite à la montée du libéralisme économique dans les années quatre-vingts, et promue par
la conjoncture actuelle de crise socio-économique qui sévit en Europe et dans la plupart
du monde occidental, une série de mesures sont prises par les gouvernements qui font
vaciller le système public dans ses différents secteurs.
Parmi ces secteurs, l'industrie télévisuelle de service public est sujette, depuis des années,
à de multiples critiques. Ces critiques sont diverses, telles que la remise en cause de son
existence en raison d'un système de télévision privée, accrue par une prétendue
inefficacité à effectuer un service public, ainsi qu'une manipulation politique de ces dits
médias.
Après de multiples étapes de restructuration provoquant une dette croissante années après
années, ainsi que de constantes critiques de manipulation et de manque d'objectivité, des
améliorations n'ont pu être observées chez RTVE, ce qui nous amène à considérer une
série de réformes visant à imposer la fonction de cet organisme dans le panorama
audiovisuel et de l'information.
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LI-DAR, FAN, and 范立達. "The Types and Relief of Copyright Infringement in the New Media Age: Taking OTT Audiovisual Service as an Example." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/g867pk.
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Šebek, Marcel. "Právní úprava rozhlasového a televizního vysílání v České republice." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-312551.
Full textAbstract:
The thesis Legal Regulation of the Radio and Television Broadcast in the Czech Republic deals with an analysis and description of relevant legal regulations applicable in the area of broadcasting and television in the Czech Republic and with a closer insight in the main legal institutes and entities. A theoretically-juridical opening is followed by an introduction of the Czech Republic and European Union legal systems. The core of the thesis is the main topic, which is the legal regulation of the radio and television broadcasting in the Czech Republic. This part is opened by a short historical abstract followed by chapters dedicated to particular legal regulations. The Broadcasting Act, the Act on Czech Television, the Czech Television Code, the Act on Czech Radio, the Czech Radio Code and the Act on Audio Visual Media Services upon Request are described in individual chapters. The closing part is dedicated to some of the legal regulations and their provisions that are more remotely related to the subject. Individual chapters describe relevant legal institutes of the Act on Advertising Regulation, the Advertising Council Code of Ethics, the Consumer Protection Act, the Commercial Code and the Civil Code.
Books on the topic "Audiovisual media services"
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Closs, Wolfgang, and Susanne Nikoltchev. Ready, set ... go?: The Audiovisual Media Services Directive. Edited by European Audiovisual Observatory. European Audiovisual Observatory, 2009.
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V, Wiman Raymond, ed. Managing media services: Theory and practice. Libraries Unlimited, 1989.
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DePew, John N. A library, media, and archivalpreservation handbook. ABC-CLIO, 1991.
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Florin, Bo, Patrick Vonderau, and Yvonne Zimmermann. Advertising and the Transformation of Screen Cultures. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989153.
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Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects (products and services), screens (exhibition, programming, physical media), practices (production, marketing), and intermediaries (ad agencies). In this way, the book develops new historical, methodological, and theoretical perspectives.
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Cole, Mark D., and Jenny Metzdorf. EU Audiovisual Media Services Directive: Comparative Commentary on the AVMSD and National Implementation. Bloomsbury Publishing Plc, 2015.
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Health Media Review Index, 1984-1986: A Guide to Reviews and Descriptions of Commercially Available Nonprint Material for the Medical, Mental, Allied Healthy ... Service, and Related Couseling Professions. 2nd ed. Scarecrow Press, 1988.
Find full textBook chapters on the topic "Audiovisual media services"
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Valcke, Peggy, and Jef Ausloos. "Audiovisual Media Services 3.0: (Re)defining the Scope of European Broadcasting Law in a Converging and Connected Media Environment." In The Palgrave Handbook of European Media Policy. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137032195_17.
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"Net neutrality and audiovisual services." In Routledge Handbook of Media Law. Routledge, 2013. http://dx.doi.org/10.4324/9780203074572-38.
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"Broadcasting and Other Audiovisual Media Services." In European and International Media Law. Cambridge University Press, 2016. http://dx.doi.org/10.1017/9781139208116.006.
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Sparviero, Sergio. "Fostering Innovation in Converging Audiovisual Media Services." In Global Media Convergence and Cultural Transformation. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-60960-037-2.ch023.
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The digitalization of media content and communication processes has been used as the main justification for an important turn in the design of regulations affecting various audiovisual media services and information industries, more in general. A brief case study presented in this chapter will testify that from the 1950s until the 1990s the United States’ regulator facilitated the introduction of fundamental innovations by preventing vertical mergers between different audiovisual media services. On the contrary, nowadays regulators in different parts of the world seems to agree that differentiating between different technological platforms can hinder the emergence of new multimedia services based on technology convergence as well as the establishment of inter-platform competition. Alternative economic principles and the rationale of the old regulatory regime are used here to challenge these mainstream arguments, which justify the raise of the new and ‘converged’ information conglomerates.
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Weinand, Jenny. "Chapter 1. The regulation of audiovisual media services." In Implementing the EU Audiovisual Media Services Directive. Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://dx.doi.org/10.5771/9783845282473-49.
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Weinand, Jenny. "Titelei/Inhaltsverzeichnis." In Implementing the EU Audiovisual Media Services Directive. Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://dx.doi.org/10.5771/9783845282473-1.
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Weinand, Jenny. "Chapter 2. Regulatory models." In Implementing the EU Audiovisual Media Services Directive. Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://dx.doi.org/10.5771/9783845282473-134.
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Weinand, Jenny. "Chapter 3. The national media authorities of the UK, Germany and France." In Implementing the EU Audiovisual Media Services Directive. Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://dx.doi.org/10.5771/9783845282473-177.
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Weinand, Jenny. "Introduction." In Implementing the EU Audiovisual Media Services Directive. Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://dx.doi.org/10.5771/9783845282473-29.
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Weinand, Jenny. "Chapter 4. The UK, German and French regulators’ approaches to the notion of an on-demand audiovisual media service." In Implementing the EU Audiovisual Media Services Directive. Nomos Verlagsgesellschaft mbH & Co. KG, 2018. http://dx.doi.org/10.5771/9783845282473-292.
Full textConference papers on the topic "Audiovisual media services"
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Ratkaj, D. "Wireless distribution of audiovisual media services." In IBC 2015 Conference. Institution of Engineering and Technology, 2015. http://dx.doi.org/10.1049/ibc.2015.0012.
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Marin (Barbu), Corina Aurora, and Elenа Condreа. "Choosing the Hotel According to the Quality Presented by Influencers on Social Networks." In International Conference Innovative Business Management & Global Entrepreneurship. LUMEN Publishing, 2020. http://dx.doi.org/10.18662/lumproc/ibmage2020/51.
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The tourism industry has found an incredibly fertile ground to reach potential customers with the growth of social media. With the influencers’ tendencies to share moments in their lives and especially about their travels, social networks have become one of the most powerful weapons that travel agencies and hotels use to attract as many customers as possible. The phenomenon of influencers is one in development in our country as well. New accounts are constantly appearing on social networks, promoting brands from many fields (beauty, fashion, cooking, sports and even tourism). We are witnessing a revolution in the consumption of audiovisual content, and the development of the concept of influencer confirms this. The main purpose of this paper is to explore how influencers can influence consumers’ decisions in choosing a hotel. It will focus on research on attitudes and opinions on social media and information in tourism in Romania. The data were collected through an online opinion poll and were analyzed using descriptive statistics. Research has shown a great advantage in using influencers to attract customers. However, customers who choose certain hotels through influencers come with higher expectations, which is why the quality of services must rise to the highest standards.
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Franganillo, Jorge, Lydia Sánchez, M. Ángeles García Asensio, and Anna Marquès. "Breaking down the classroom walls: how to train future media professionals in an interdisciplinary and applied way while fostering social change." In Sixth International Conference on Higher Education Advances. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.11015.
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This paper describes an effective methodological strategy that the Consolidated teaching innovation group in Communication and Audiovisual Media (In-COMAV), composed of a multidisciplinary teaching team, has been developing since 2016 within the Audiovisual Communication degree program offered by the University of Barcelona. This strategy consists of promoting service-learning projects within the context of various courses. Here we present the viability criteria established for the acceptance of projects oriented toward collaboration with organizations outside the university, the critical success factors and the results that this initiative has had on students, teachers, the university and society. Such results are perceived positively, yet there are still challenges and limitations to be overcome to ensure the continuity, sustainability and effectiveness of service-learning projects in higher education.